The Changing Shape of Holocaust Memory James E
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Protected Areas of the Świętokrzyskie Voivodeship
Environmental Protection and Natural Resources Vol. 30 No 3(81): 35-46 Ochrona Środowiska i Zasobów Naturalnych DOI 10.2478/oszn-2019-0016 Dariusz Wojdan*, Ilona Żeber-Dzikowska*, Barbara Gworek**, Katarzyna Mickiewicz ***, Jarosław Chmielewski**** Protected areas of the Świętokrzyskie Voivodeship * Uniwersytet Jana Kochanowskiego w Kielcach, ** Szkoła Główna Gospodarstwa Wiejskiego w Warszawie, *** Instytut Ochrony Środowiska - Państwowy Instytut Badawczy w Warszawie **** Wyższa Szkoła Rehabilitacji w Warszawie; e-mail: [email protected] Keywords: Świętokrzyskie Voivodeship, protection areas, natural objects, conservation Abstract The Świętokrzyskie Voivodeship is one of the smallest provinces in Poland, but it clearly stands out with a very well-preserved natural environment. Because of exceptional features of animate and inanimate nature, large parts of the province are covered by various forms of nature protection. There is 1 national park (NP), 72 nature reserves (NRs), 9 landscape parks, 21 protected landscape areas and 40 Natura 2000 sites within the administrative borders of the province. The most unique natural features are found in the Świętokrzyski National Park (ŚNP), but the largest surface of the province is covered by protected landscape areas. Świętokrzyskie Voivodeship is the first in Poland in terms of the share of protected areas (as much as 65.2%), strongly outdistancing other Voivodeships. Small natural objects are much more numerous than large protected areas. At present, the Świętokrzyskie Voivodeship has 705 natural monuments (NMs), 114 ecological sites (ESs), 20 documentation sites (DSs) and 17 nature and landscape complexes (NLCs). Moreover, new protected areas and sites may still be established within its borders. © IOŚ-PIB 1. INTRODUCTION [Polish Journal of Laws 2004, no. -
Aliyah and Settlement Process?
Jewish Women in Pre-State Israel HBI SERIES ON JEWISH WOMEN Shulamit Reinharz, General Editor Joyce Antler, Associate Editor Sylvia Barack Fishman, Associate Editor The HBI Series on Jewish Women, created by the Hadassah-Brandeis Institute, pub- lishes a wide range of books by and about Jewish women in diverse contexts and time periods. Of interest to scholars and the educated public, the HBI Series on Jewish Women fills major gaps in Jewish Studies and in Women and Gender Studies as well as their intersection. For the complete list of books that are available in this series, please see www.upne.com and www.upne.com/series/BSJW.html. Ruth Kark, Margalit Shilo, and Galit Hasan-Rokem, editors, Jewish Women in Pre-State Israel: Life History, Politics, and Culture Tova Hartman, Feminism Encounters Traditional Judaism: Resistance and Accommodation Anne Lapidus Lerner, Eternally Eve: Images of Eve in the Hebrew Bible, Midrash, and Modern Jewish Poetry Margalit Shilo, Princess or Prisoner? Jewish Women in Jerusalem, 1840–1914 Marcia Falk, translator, The Song of Songs: Love Lyrics from the Bible Sylvia Barack Fishman, Double or Nothing? Jewish Families and Mixed Marriage Avraham Grossman, Pious and Rebellious: Jewish Women in Medieval Europe Iris Parush, Reading Jewish Women: Marginality and Modernization in Nineteenth-Century Eastern European Jewish Society Shulamit Reinharz and Mark A. Raider, editors, American Jewish Women and the Zionist Enterprise Tamar Ross, Expanding the Palace of Torah: Orthodoxy and Feminism Farideh Goldin, Wedding Song: Memoirs of an Iranian Jewish Woman Elizabeth Wyner Mark, editor, The Covenant of Circumcision: New Perspectives on an Ancient Jewish Rite Rochelle L. -
Lawyers' Litigation Forecasts Play an Integral Role in the Justice System
International Relations and Diplomacy, May 2015, Vol. 3, No. 5, 357-368 doi: 10.17265/2328-2134/2015.05.004 D DAVID PUBLISHING Two Ways: Representations of the Holocaust in Israeli Art Batya Brutin Beit Berl College, Beit Berl, Israel The subject of the Holocaust appeared in Israeli art from the establishment of the State and onwards. The integration of the Holocaust in Israeli art through the years was influenced by Israeli society and the Israeli art institutional attitude towards the subject and by local historical events. As a result, we witness a development of two directions in Israeli art concerning the Holocaust. One of them has two facets: a massive use of images emphasizing the enormous personal as well as collective destruction of the Jewish nation as the ultimate victim that “the entire world is against us”; While the other facet is that despite the Jewish people emerge battered and humiliated from the Holocaust, they built a country to be an immovable, permanent and safe place for the Jewish nation since “there is no one else except for us to do it”. The other direction regarding the Holocaust that developed in Israeli art, examining in an universal approach the Israeli response to the Holocaust through the prism of local historical events occurring since the establishment of the State. Therefore, we see imagery that examines the aggressive impression of the Israelis, as an internal as well as external criticism of what seems as aggression and violence against another nation. In Israel, as well as in other Modern states, art is used as a means for expression of different viewpoints. -
Agrotourist Guide-Book
AGROTOURIST GUIDE-BOOK ŚWIĘTOKRZYSKIE VOIVODESHIP This guide-book was prepared on the basis of materials submitted by municipalities, associations, local action groups and hosts. Publisher is not responsible for the content of entries and for any changes occurred after the deadline of materials publication. AGROTOURIST GUIDE-BOOK The Świętokrzyski Region – Energy Center Wondering how to spend your dream holidays? Missing you an idea, you are tired of the busy city and not want to spend a fortune? We have a splendid idea - holidays in the countryside in one of the agrotourism farms in the Świętokrzyskie voivodeship. Frequently we go to warm countries, to the mountains or at our sea. Meanwhile, in central Poland, we can find many tourist attractions and leisure facilities, which may interest everyone. Such a place where every visitor can find something for himself is Świętokrzyskie. You will find there about 350 tourist farms offering accommodation of varying standards. In such places you will feel like in another world. Smell of the country- side, landscapes, clean air and proximity to nature makes you rest perfect- ly and are gain vitality. Hosts will treat you to traditional dishes, prepared with products from their own products, provide a pleasant and peaceful stay by preparing a number of additional attractions. Fans of an active holiday will find endless bike paths, trails for horse riding, horse-drawn carriage or ski slopes. Here, the forests are rich in mushrooms and other undergrowth. Clean rivers and lakes invite you to relax actively or practise water sports. 2 ŚWIĘTOKRZYSKIE VOIVODESHIP Various tourist attractions and a great number of monuments are an extra incentive to stay in this region not only during the weekend but also for a longer time. -
Module 3: Children on the Run
A Teaching Module for College and University Courses VOICES OF CHILD SURVIVORS: CHILDREN’S HOLOCAUST TESTIMONIES Module 3: Children on the Run Prepared with the generous support of the Conference on Jewish Material Claims Against Germany, Inc. and the Rabbi Israel Miller Fund for Shoah Education, Research and Documentation Joel Walters, Rita Horvath, Boaz Cohen, Keren Goldfrad Bar Ilan University MODULE 3: Children on the Run1 Table of Contents 1. Introduction Page 2 2. Rózia's Testimonies Page 10 3. Fredzia's Testimonies Page 36 4. Topic Analysis of the Testimonies Page 51 5. Supplement Page 54 2 MODULE 3: Children on the Run 1. Introduction This teaching module focuses on children’s experience of being relentlessly hunted. As Jews, they were persecuted as unremittingly and mercilessly as adults. In fact, this phenomenon, in a way, encapsulates the essence of the German Final Solution: Jewish children hiding in forests and working on farms did not pose any danger to the German Army and there were no economic reasons to annihilate them either. Yet, it was a regular activity of the German local security forces to go ‘Jew hunting’ (Judenjagd), i.e. to kill all Jews who were found. The present module focuses on the experiences of children, mainly from cities, towns or small towns, whose upbringing did not prepare them in any way for being able to sustain themselves in the countryside. These children, usually after suffering the gradual diminishment of their families, at one point, found themselves completely alone and had to fend for themselves in an extremely hostile countryside. -
Jewish Federation the STRE
THE STRENGTH OF A PEOPLE. Jewish Federation THE POWERTHE OF S CTRENGTHOMMUNITY. OF A PEOPLE. Jewish FedOF GRANDerat RAPIDionS THE POWER OF COMMUNITY. OF GRAND RAPIDS JUNE 2021 New Holocaust Memorial at the Frederik Meijer Gardens & Sculpture Park Generously Given by The Pestka Family The Jewish Federation of Grand Rapids has received a generous gift from the Pestka Family in memory of their father Henry, a Holocaust survivor, and the millions of other Jews who perished in the Holocaust. Henry Pestka was born in Poland, and deported to the Auschwitz death camp as a young man. Henry managed to escape during a death march, and joined the Free French in the fight against the Nazis. After the war ended, Henry immigrated to the United States and settled in Grand Rapids. The gift will be used to establish the first Holocaust memorial in Grand Rapids, to be located at the Frederik Meijer Gardens & Sculpture Park. The selected sculpture, by Israeli artist Ariel Schlesinger, is titled Ways to Say Goodbye. It is an exceptional work of contemporary sculpture dealing with themes of profound loss and grief, and will serve to memorialize the millions who perished in the Holocaust and the Holocaust survivors of Western Michigan. About the Artist Ariel Schlesinger (b. 1980, Jerusalem) reveals the poetry, poignancy and potential of everyday things. Through precise interventions, creative engineering and trompe l’oeil, Ariel Schlesinger’s work challenges our perceptions and encourages us to look at the familiar in new ways. Ariel Schlesinger has lived and worked in many parts of the world, including the United WWW.JEWISHGRANDRAPIDS.ORG States, Great Britain, Mexico and Germany. -
Creating a Holocaust Memorial Museum in New York City
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1992 The Politics of Memorialization: Creating a Holocaust Memorial Museum in New York City Rochelle G. Saidel Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1628 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any typs of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
“Standing up Straight, Unbent…” – Warsaw Ghetto Museum's Exhibition
“Standing up straight, unbent…” – Warsaw Ghetto Museum’s exhibition 18.04.2019 - 30.10.2019 As of today, an open-air exhibition of boards presenting Nathan Rapoport’s figure and art can be seen beside the Monument to the Ghetto Heroes 18 April 2019 The exhibition accompanies the celebrations of the 76th anniversary of the outbreak of the Warsaw Ghetto Uprising organized jointly by our institution and the Social and Cultural Association of Jews in Poland. Nathan Rapoport graduated in 1936 from Warsaw’s Academy of Fine Arts. In the same year he was awarded the main prize in a nationwide competition entitled “Sport in Art” for his sculpture “The Tennis Player”. He survived World War II in the USSR, i.a. in Novosibirsk gulag. The Monument to the Ghetto Heroes was unveiled on April 19, 1948. In 1959, Nathan Rapoport settled permanently in New York. The artist’s most famous works include: Mordechaj Anielewicz’s monument (1951) in Yad Mordechai kibbutz, the Scroll of Fire (1971) in the Forest of the Martyrs near Jerusalem, the Monument to Six Million Jewish Martyrs (1964) in Philadelphia, Korczak’s Last Walk on the façade of the synagogue on Park Avenue in New York, and Liberation Monument in Liberty Park in New Jersey (1985) which commemorates the Holocaust and US Army soldiers who liberated Jews from Nazi concentration camps. The exhibition, which may be visited until August 21, was created in cooperation with the Social and Cultural Association of Jews in Poland. The Exhibition’s Commissioner is Dr. Magdalena Tarnowska – Head of the Exhibitions Department at the Warsaw Ghetto Museum, and Magdalena Piecyk, Magdalena Zielińska, Prof. -
Traveling with Jewish Taste No Escaping Echoes of the Past in Warsaw by Carol Goodman Kaufman Designs from Egyptian Revival Frieze Is That to Art Deco
Page 22 Berkshire Jewish Voice • jewishberkshires.org March 28 to May 14, 2017 BERKSHIRE JEWISH VOICES Traveling with Jewish Taste No Escaping Echoes of the Past in Warsaw By Carol Goodman Kaufman designs from Egyptian Revival frieze is that to Art Deco. They represent of Mordechai the wide variety of Jews who Anielewicz. once lived and worked in Kibbutz Yad Warsaw: communists, rabbis, Mordechai in and intellectuals. Among the Israel is named monuments was one for three for him. prominent writers: I.L. Peretz, I wasn’t sure Jacob Dinezon., and S. Ansky, how much of the author of The Dybbuk. vast amounts Since the cemetery was of information closed during the war, much being imparted of it is overgrown, and many the students ac- of the headstones are tip- tually absorbed. ping. A small portion today Not to worry. In my mind’s eye, Poland serves Warsaw’s tiny Jewish That first day, we was a land of gray skies and population, estimated by the talked with Sol- bone-chilling cold – both phys- World Jewish Congress as omon, a tall and Nathan Rapoport’s Ghetto Heroes Monument ical and spiritual – so going somewhere between 5,000 and ebony-skinned there in February didn’t sound 20,000, most of whom live in student. (Thirty percent of Extended his arm and point- friends were posting photos like the best travel choice one the capital. our Youth Aliyah students are ing to his hand, he said, “We’re and comments about the could make. However, Joel and Of all the landmarks we from Ethiopia.) Joel asked him all Jews. -
Downloaded for Personal Non-Commercial Research Or Study, Without Prior Permission Or Charge
Blackwell, James W. (2010) The Polish Home Army and the struggle for the Lublin region. PhD thesis. http://theses.gla.ac.uk/1540/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] By James Blackwell Submitted in fulfilment of the requirements for the Degree of PhD Department of Central and East European Studies Faculty of Law, Business and Social Studies Glasgow University The Polish Home Army and the struggle for the Lublin Region - 1943–1945 1 Abstract Between 1939 and 1944 the underground forces of the Polish Government-in-Exile created an underground army in the Lublin region, which, at its height, numbered 60,000 men. The underground Army was created in order to facilitate the reestablishment of an independent Poland. The Army that was created, the AK, was in effect, an alliance organisation comprising, to varying degrees, members of all pro-independence underground groups. It was, in Lublin, to always suffer from internal stresses and strains, which were exaggerated by the actions of the region’s occupiers. -
The Function of Memory from the Warsaw Ghetto As Presented by the POLIN Museum of the History of Polish Jews
Student Publications Student Scholarship Spring 2021 The Function of Memory from the Warsaw Ghetto as Presented by the POLIN Museum of the History of Polish Jews Hannah M. Labovitz Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Holocaust and Genocide Studies Commons, Jewish Studies Commons, and the Museum Studies Commons Share feedback about the accessibility of this item. Recommended Citation Labovitz, Hannah M., "The Function of Memory from the Warsaw Ghetto as Presented by the POLIN Museum of the History of Polish Jews" (2021). Student Publications. 913. https://cupola.gettysburg.edu/student_scholarship/913 This open access student research paper is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. The Function of Memory from the Warsaw Ghetto as Presented by the POLIN Museum of the History of Polish Jews Abstract Because of the extreme challenges they endured within Warsaw Ghetto and the slim chance they had at survival, the Jewish people sought to protect their legacy and leave a lasting impact on the world. They did so by both documenting their experiences, preserving them in what was known as the Oyneg Shabes archives, and by engaging in a bold act of defiance against the Nazis with the arsawW Ghetto Uprising in 1943, rewriting the narrative of Jewish passivity. With both instances, the POLIN Museum presents these moments of the past and shapes a collective memory based on a Jewish perspective with which the public can engage. -
Wall and Window. the Rubble of the Warsaw Ghetto As the Narrative
Wall and Window The rubble of the Warsaw Ghetto as the narrative space of the POLIN Museum of the History of Polish Jews* Konrad Matyjaszek Abstract: Opened in 2013, the Warsaw-based POLIN Museum of the History of Polish Jews is situated in the center of the former Nazi Warsaw ghetto, which was destroyed during its liquidation in 1943. The museum is also located opposite to the Monument to the Ghetto Heroes and Martyrs, built in 1948, as well as in between of the area of the former 19th-century Jewish district, and of the post-war modernist residential district of Mu- ranów, designed as a district-memorial for the destroyed ghetto. Constructed on such site, the Museum was however narrated as a “museum of life”, telling the “thousand-year-old history” of Polish Jews, and not focused directly on the history of the Holocaust or the history of Polish antisemitism. The paper offers a critical analysis of the curatorial and architectural strategies assumed by the Museum’s de- signers in the process of employing the urban location of the Museum in the narratives communicated by the building and its core exhibition. In this analysis, two key architectural interiors are examined in detail in terms of their correspondence with the context of the site: the Museum’s entrance lobby and the space of the “Jewish street,” incorporated into the core exhibition’s sub-galleries presenting the interwar period of Polish-Jewish history and the history of the Holocaust. The analysis of the design structure of these two interiors allows to raise the research question about the physical and symbolic role of the material substance of the destroyed ghetto in construction of a historical narrative that is separated from the history of the destruction, as well as one about the designers’ responsibilities arising from the decision to present a given history on the physical site where it took place.