Children's Books & Illustrated
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The Wonderful Wizards Behind the Oz Wizard
Syracuse University SURFACE The Courier Libraries 1997 The Wonderful Wizards Behind the Oz Wizard Susan Wolstenholme Follow this and additional works at: https://surface.syr.edu/libassoc Part of the Arts and Humanities Commons Recommended Citation Wolstenholme, Susan. "The Wonderful Wizards behind the Oz Wizard," The Courier 1997: 89-104. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXXII· 1997 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXXII 1997 Ivan Mestrovic in Syracuse, 1947-1955 By David Tatham, Professor ofFine Arts 5 Syracuse University In 1947 Chancellor William P. Tolley brought the great Croatian sculptor to Syracuse University as artist-in-residence and professor ofsculpture. Tatham discusses the his torical antecedents and the significance, for Mdtrovic and the University, ofthat eight-and-a-half-year association. Declaration ofIndependence: Mary Colum as Autobiographer By Sanford Sternlicht, Professor ofEnglish 25 Syracuse University Sternlicht describes the struggles ofMary Colum, as a woman and a writer, to achieve equality in the male-dominated literary worlds ofIreland and America. A CharlesJackson Diptych ByJohn W Crowley, Professor ofEnglish 35 Syracuse University In writings about homosexuality and alcoholism, CharlesJackson, author ofThe Lost TtVeekend, seems to have drawn on an experience he had as a freshman at Syracuse University. Mter discussingJackson's troubled life, Crowley introduces Marty Mann, founder ofthe National Council on Alcoholism. Among her papers Crowley found a CharlesJackson teleplay, about an alcoholic woman, that is here published for the first time. -
Margaret Wise Brown and Bedtime Parody Sand
Lunar Perturbations – How Did We Get from Goodnight Moon to Go the F**k to Sleep?: Margaret Wise Brown and Bedtime Parody Sandy Hudock Colorado State University-Pueblo From an Audi commercial to celebrating the end of the second Bush presidency to the ghost of Mama Cass presiding over a dead Keith Moon, to the ubiquity of the iPad, Good Night Moon has been and no doubt will continue to be parodied or invoked for generations to come. Songwriters reference it, the television show The Wire gives an urban twist to its constant refrain of “good night-----“ with “good night, po-pos, good night hoppers, good night hustlers…” What makes this story so much a part of the collective consciousness, a veritable cultural meme? How did Margaret Wise Brown’s life and her influence in children's publishing result in the longstanding enchantment of Good Night Moon? Recent political and cultural parodies of the go to bed genre all ultimately hearken back to this one simple story painted in green and orange, and the intrinsic comfort it provides to children as a go to bed ritual. Born in New York in 1910 to a wealthy family, Brown was a middle child whose parents’ many moves within the Long Island area required that she change schools four times while growing up, including a stint at a Swiss boarding school. As a child, she made up stories (in her family, a polite way of saying she told lies) and then challenged her siblings to look up the answers in the multi-volume Book of Knowledge, for which she later penned two entries on writing for small children. -
Your Guide to the Classic Literature Collection
Your Guide to the Classic Literature Collection. Electronic texts for use with Kurzweil 1000 and Kurzweil 3000. Revised March 27, 2017. Your Guide to the Classic Literature Collection – March 22, 2017. © Kurzweil Education, a Cambium Learning Company. All rights reserved. Kurzweil 1000 and Kurzweil 3000 are trademarks of Kurzweil Education, a Cambium Learning Technologies Company. All other trademarks used herein are the properties of their respective owners and are used for identification purposes only. Part Number: 125516. UPC: 634171255169. 11 12 13 14 15 BNG 14 13 12 11 10. Printed in the United States of America. 1 Introduction Introduction Kurzweil Education is pleased to release the Classic Literature Collection. The Classic Literature Collection is a portable library of approximately 1,800 electronic texts, selected from public domain material available from Web sites such as www.gutenberg.net. You can easily access the contents from any of Kurzweil Education products: Kurzweil 1000™, Kurzweil 3000™ for the Apple® Macintosh® and Kurzweil 3000 for Microsoft® Windows®. The collection is also available from the Universal Library for Web License users on K3000+firefly. Some examples of the contents are: • Literary classics by Jane Austen, Geoffrey Chaucer, Joseph Conrad, Charles Dickens, Fyodor Dostoyevsky, Hermann Hesse, Henry James, William Shakespeare, George Bernard Shaw, Leo Tolstoy and Oscar Wilde. • Children’s classics by L. Frank Baum, Brothers Grimm, Rudyard Kipling, Jack London, and Mark Twain. • Classic texts from Aristotle and Plato. • Scientific works such as Einstein’s “Relativity: The Special and General Theory.” • Reference materials, including world factbooks, famous speeches, history resources, and United States law. -
(ALSC) Caldecott Medal & Honor Books, 1938 to Present
Association for Library Service to Children (ALSC) Caldecott Medal & Honor Books, 1938 to present 2014 Medal Winner: Locomotive, written and illustrated by Brian Floca (Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing) 2014 Honor Books: Journey, written and illustrated by Aaron Becker (Candlewick Press) Flora and the Flamingo, written and illustrated by Molly Idle (Chronicle Books) Mr. Wuffles! written and illustrated by David Wiesner (Clarion Books, an imprint of Houghton Mifflin Harcourt Publishing) 2013 Medal Winner: This Is Not My Hat, written and illustrated by Jon Klassen (Candlewick Press) 2013 Honor Books: Creepy Carrots!, illustrated by Peter Brown, written by Aaron Reynolds (Simon & Schuster Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division) Extra Yarn, illustrated by Jon Klassen, written by Mac Barnett (Balzer + Bray, an imprint of HarperCollins Publishers) Green, illustrated and written by Laura Vaccaro Seeger (Neal Porter Books, an imprint of Roaring Brook Press) One Cool Friend, illustrated by David Small, written by Toni Buzzeo (Dial Books for Young Readers, a division of Penguin Young Readers Group) Sleep Like a Tiger, illustrated by Pamela Zagarenski, written by Mary Logue (Houghton Mifflin Books for Children, an imprint of Houghton Mifflin Harcourt Publishing Company) 2012 Medal Winner: A Ball for Daisy by Chris Raschka (Schwartz & Wade Books, an imprint of Random House Children's Books, a division of Random House, Inc.) 2013 Honor Books: Blackout by John Rocco (Disney · Hyperion Books, an imprint of Disney Book Group) Grandpa Green by Lane Smith (Roaring Brook Press, a division of Holtzbrinck Publishing Holdings Limited Partnership) Me...Jane by Patrick McDonnell (Little, Brown and Company, a division of Hachette Book Group, Inc.) 2011 Medal Winner: A Sick Day for Amos McGee, illustrated by Erin E. -
Children's Books & Illustrated Books
CHILDREN’S BOOKS & ILLUSTRATED BOOKS ALEPH-BET BOOKS, INC. 85 OLD MILL RIVER RD. POUND RIDGE, NY 10576 (914) 764 - 7410 CATALOGUE 89 ALEPH - BET BOOKS - TERMS OF SALE Helen and Marc Younger 85 Old Mill River Rd. Pound Ridge, NY 10576 phone 914-764-7410 fax 914-764-1356 www.alephbet.com Email - [email protected] POSTAGE: UNITED STATES. 1st book $8.00, $2.00 for each additional book. OVERSEAS shipped by air at cost. PAYMENTS: Due with order. Libraries and those known to us will be billed. PHONE orders 9am to 10pm e.s.t. Phone Machine orders are secure. CREDIT CARDS: VISA, Mastercard, American Express. Please provide billing address. RETURNS - Returnable for any reason within 1 week of receipt for refund less shipping costs provided prior notice is received and items are shipped fastest method insured VISITS welcome by appointment. We are 1 hour north of New York City near New Canaan, CT. Our full stock of 8000 collectible and rare books is on view and available. Not all of our stock is on our web site COVER ILLUSTRATION - #557 - Tasha Tudor Original Art from Wind in the Willows #190 - Gordon Craig Association Copy with Letter #383 - John R. Neill Art from Tik-Tok of Oz #423 - Original Art from The Little Engine That Could #54 - Man Ray ABC - Signed Limited Edition Pg 3 Helen & Marc Younger [email protected] MET LIFE HEALTH ABC COMPLETE WITH INSERT 1. ABC. (ADVERTISING) IN STYLE OF JANET LAURA SCOTT / ABC. NY: Metropolitan Life Ins. CLOTH ABC Co. ca 1920. 8vo, (5 1/4 x 7 3/4”) pictorial wraps, light soil, VG. -
The Dakota Fairy Tales of L. Frank Baum
Copyright © 2000 by the South Dakota State Historical Society. All Rights Reserved. The Dakota Fairy Tales of La Frank Baum Mark I. West L, Frank Baum lived in Aberdeen, South Dakota, from Sep- tember 1888 until April 1891. During this period, he ran a store called Baum's Bazaar for a little over a year, and when that enterprise failed, he tried his hand at publishing a weekly newspaper named the Aberdeen Saturday Pioneer. Baum man- aged to keep the paper going until March 1891, but in the end, it, too, proved to be a financial failure. Feeling defeated, Baum left Aberdeen that April and moved to Chicago, where he even- tually achieved fame as a children's author. Even though Baum had little success as an Aberdeen businessman, the experiences he gained while living on the Dakota prairie provided him with material and insights that he would later draw upon in his sto- ries. The literary critics and biographers who have studied Baum are not in complete agreement as to how his Dakota years influenced his writings. Some critics argue that the opening scenes in The Wonderful Wizard of Oz (1900), which Baum places in Kansas, are really set in South Dakota. Michael Patrick Hearn takes this position in The Annotated Wizard ofOz, stat- ing that these scenes "are largely Baum's recollections of the great gray prairie of the Dakota Territory (now South Dakota)."' The historian Nancy Tystad Koupal takes a somewhat different 1. Hearn, Introduction, Notes, and Bibliography to Tbe Annotated Wizard of Oz York: Clarkson N. -
Table of Contents
Table of Contents ACKNOWLEDGEMENTS vii PREFACE xiii SYNOPSIS xvii GLOSSARY xix A WORD ABOUT SYNTAX IN THIS VOLUME xxiii ABBREVIATIONS xxv BIBLIOGRAPHIA BAUMIANA 1 BOOKS OF NON-FICTION AND FANTASY 3 The Book of the Hamburgs 3 Mother Goose in Prose 5 By the Candelabra’s Glare 13 Father Goose: His Book 19 The Songs of Father Goose 27 The Army Alphabet 31 The Navy Alphabet 33 A New Wonderland 35 The Art of Decorating Dry Goods Windows and Interiors 38 American Fairy Tales 45 Dot and Tot of Merryland 48 The Master Key 54 The Life and Adventures of Santa Claus 59 The Enchanted Island of Yew 67 The Magical Monarch of Mo 73 The Woggle-Bug Book 82 Queen Zixi of Ix 85 John Dough and the Cherub 90 Father Goose’s Year Book 96 Baum’s American Fairy Tales 98 L. Frank Baum’s Juvenile Speaker 101 The Daring Twins 103 The Sea Fairies 107 Phoebe Daring 113 Sky Island 116 Baum’s Own Book for Children 121 The Snuggle Tales and The Oz-Man Tales 124 Little Bun Rabbit 125 Once Upon a Time 128 The Yellow Hen 131 The Magic Cloak 134 Jack Pumpkinhead 137 The Gingerbread Man 139 x BIBLIOGRAPHIA PSEUDONYMIANA 141 PSEUDONYMOUS BOOKS OF FICTION AND FANTASY 143 SCHUYLER STAUNTON 147 The Fate of a Crown 147 Daughters of Destiny 154 LAURA BANCROFT 158 The Twinkle Tales Series 158 Mr. Woodchuck 158 Bandit Jim Crow 162 Prairie-Dog Town 165 Prince Mud-Turtle 169 Sugar-Loaf Mountain 173 Twinkle’s Enchantment 176 The Twinkle Tales – Continued 179 Policeman Bluejay 179 Babes in Birdland 181 Twinkle and Chubbins 185 SUZANNE METCALF 188 Annabel 188 EDITH VAN DYNE 193 The Aunt Jane’s Nieces Series 193 Binding and Dust Jacket Formats 193 Aunt Jane’s Nieces 200 Aunt Jane’s Nieces Abroad 209 Aunt Jane’s Nieces at Millville 217 Aunt Jane’s Nieces at Work 224 Aunt Jane’s Nieces in Society 230 Aunt Jane’s Nieces and Uncle John 236 Aunt Jane’s Nieces on Vacation 241 Aunt Jane’s Nieces on the Ranch 246 Aunt Jane’s Nieces Out West 250 Aunt Jane’s Nieces in the Red Cross 254 The Flying Girl Series 258 The Flying Girl 258 The Flying Girl and Her Chum 262 The Bluebird Books, a.k.a. -
Download Our Landlady, Lyman Frank Baum, U of Nebraska Press
Our Landlady, Lyman Frank Baum, U of Nebraska Press, 1996, 0803212216, 9780803212213, 285 pages. L. Frank Baum is internationally loved for his series of books about the wonderful Land of Oz. From January 1890 to February 1891 Baum wrote a column entitled "Our Landlady" that ran regularly in the Aberdeen Saturday Pioneer. In all, he wrote forty-eight installments, each treating with practiced naiveti the problems facing the brand-new state of South Dakota. Through his fictional landlady, Sairy Ann Bilkins, Baum commented on drought, railroads, suffrage, prairie populism, the Ghost Dance Movement, prohibition, and dozens of other matters. Together, the "Our Landlady" columns constitute a satirical history of South Dakota's troubled first year. Baum's genius as a fiction writer can be clearly seen in four of his recurring characters. Mrs. Bilkins runs for mayor, alternately feeds and starves her boarders, and keeps track of everybody else's business. She harbors a secret passion for one of her boarders, the cigar-smoking Colonel. She nags Tom, the clerk who habitually fails to pay his rent. She chides the Doctor about the flimflammery of American medicine. Thirteen of the columns were collected in a 1941 South Dakota Writers' Project pamphlet, but Nancy Tystad Koupal provides the first complete edition and the first to include adequate information about the time, place, slang, and circumstances necessary for bringing the characters back to life. Koupal, a long-time student of Baum, has written numerous articles on Baum for journals such as the Great Plains Quarterly. She is the director of the Research and Publishing Program of the South Dakota State Historical Society. -
To the Baum Bugle Supplement for Volumes 46-49 (2002-2005)
Index to the Baum Bugle Supplement for Volumes 46-49 (2002-2005) Adams, Ryan Author "Return to The Marvelous Land of Oz Producer In Search of Dorothy (review): One Hundred Years Later": "Answering Bell" (Music Video): 2005:49:1:32-33 2004:48:3:26-36 2002:46:1:3 Apocrypha Baum, Dr. Henry "Harry" Clay (brother Adventures in Oz (2006) (see Oz apocrypha): 2003:47:1:8-21 of LFB) Collection of Shanower's five graphic Apollo Victoria Theater Photograph: 2002:46:1:6 Oz novels.: 2005:49:2:5 Production of Wicked (September Baum, Lyman Frank Albanian Editions of Oz Books (see 2006): 2005:49:3:4 Astrological chart: 2002:46:2:15 Foreign Editions of Oz Books) "Are You a Good Ruler or a Bad Author Albright, Jane Ruler?": 2004:48:1:24-28 Aunt Jane's Nieces (IWOC Edition "Three Faces of Oz: Interviews" Arlen, Harold 2003) (review): 2003:47:3:27-30 (Robert Sabuda, "Prince of Pop- National Public Radio centennial Carodej Ze Zeme Oz (The ups"): 2002:46:1:18-24 program. Wonderful Wizard of Oz - Czech) Tribute to Fred M. Meyer: "Come Rain or Come Shine" (review): 2005:49:2:32-33 2004:48:3:16 Musical Celebration of Harold Carodejna Zeme Oz (The All Things Oz: 2002:46:2:4 Arlen: 2005:49:1:5 Marvelous Land of Oz - Czech) All Things Oz: The Wonder, Wit, and Arne Nixon Center for Study of (review): 2005:49:2:32-33 Wisdom of The Wizard of Oz Children's Literature (Fresno, CA): Charobnak Iz Oza (The Wizard of (review): 2004:48:1:29-30 2002:46:3:3 Oz - Serbian) (review): Allen, Zachary Ashanti 2005:49:2:33 Convention Report: Chesterton Actress The Complete Life and -
Clement Hurd Drawings 1955, 1958BASC 11
http://oac.cdlib.org/findaid/ark:/13030/c8wm1mgw No online items Finding Aid to the Clement Hurd Drawings 1955, 1958BASC 11 Finding aid prepared by Susanne Mari Sakai Book Arts & Special Collections February 2020 100 Larkin Street San Francisco 94102 [email protected] URL: http://sfpl.org/index.php?pg=0200000201 Finding Aid to the Clement Hurd BASC 11 1 Drawings 1955, 1958BASC 11 Title: Clement Hurd Drawings Date: 1955, 1958 Identifier/Call Number: BASC 11 Creator: Hurd, Clement, 1908-1988 Physical Description: 1 flat file, 1 oversize flat box(2 linear feet) Contributing Institution: Book Arts & Special Collections Abstract: The collection contains original artwork by Clement Hurd for the children's books The Cat from Telegraph Hill and The Faraway Christmas: A Story of the Farallon Islands, both written by his wife Edith Thacher Hurd and published in the 1950's. Collection is stored on site. Language of Materials: Collection materials are in English. Conditions Governing Access Collection is open for research and is available for use during Book Arts & Special Collections hours. Publication Rights Copyright has not been assigned to the San Francisco Public Library. All requests for permission to publish or quote from materials must be submitted in writing to Book Arts & Special Collections. Permission for publication is given on behalf of the San Francisco Public Library as the owner of the physical items. Preferred Citation [Identification of item/Title of folder], Clement Hurd Drawings (BASC 11), Book Arts & Special Collections, San Francisco Public Library. Provenance Transferred from the San Francisco Public Library's Children's Department in or after 1993. -
The Man Behind the Curtain: L
Article: The Wizard of Oz Dr. Jay Seller The Man Behind the Curtain: L. Frank Baum and The Wizard of Oz by Linda McGovern L. Frank Baum in 1881 Chances are you have seen the 1939 MGM movie, The Wizard of Oz, at one point or another in your lifetime. But the chances maybe even greater that you do not associate it with L. Frank Baum, the author of the book on which the film was based. In fact, most people have probably never heard of him at all unless they have read his work or were born around the time when he was popular. Whether it is shown on television annually or rented at the local video store, The Wizard of Oz has become a staple of American popular culture. Young or old, we know where the famous, unforgettable lines originate; we know the characters by heart: Dorothy, Toto, the Tin Man, the Scarecrow and the Cowardly Lion, as well as the munchkins. Oz is as familiar as our own backyards. Although the movie and the book differ in minor ways, the premise is similar and so are most of the characters. The only significant difference that might matter to a child and possibly to an adult, is that in the movie, Dorothy’s journey to Oz is only a dream, purely imaginary, in other words, not real. In the book, however, there is no such rationale. Instead it invites the child to use his or her imagination as a creative, transforming force and to accept the journey, and Oz as a real place full of hope over the rainbow, where the child could escape ordinary life. -
Barrington Bunny: Case of the Curious Clouds a Narrative Picture Book for Symbolic Play and STEM Curriculum
Bank Street College of Education Educate Graduate Student Independent Studies Spring 4-23-2020 Barrington Bunny: case of the curious clouds a narrative picture book for symbolic play and STEM curriculum Claudia Chung Bank Street College of Education, [email protected] Follow this and additional works at: https://educate.bankstreet.edu/independent-studies Part of the Curriculum and Instruction Commons, Early Childhood Education Commons, and the Educational Methods Commons Recommended Citation Chung, C. (2020). Barrington Bunny: case of the curious clouds a narrative picture book for symbolic play and STEM curriculum. New York : Bank Street College of Education. Retrieved from https://educate.bankstreet.edu/independent-studies/253 This Thesis is brought to you for free and open access by Educate. It has been accepted for inclusion in Graduate Student Independent Studies by an authorized administrator of Educate. For more information, please contact [email protected]. 1 Barrington Bunny: Case of the Curious Clouds A Narrative Picture Book for Symbolic Play And STEM Curriculum By Claudia Chung Early Childhood and Childhood General Education Faculty Mentor: Stan Chu Submitted in partial fulfillment of the requirements of the degree of Masters of Science in Education Bank Street Graduate School of Education 2020 2 “I believe that at five we reach a point not to be achieved again and from whichever, after we at best keep and most often go down from. And so at 2 and 13, at 20 & 30 & 21 & 18 — each year has the newness of its own awareness to one alive. Alive- and life. “ — Margaret Wise Brown 3 Abstract Adults constantly use their imagination to help them visualize, problem-solve, enjoy a book, empathize, and think creatively.