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science and image Mendeleev’s matrix

Dmitri Mendeleev’s permitted him to systematize crucial chemical data. But its real triumph was as an exercise in theoretical modelling, allowing the prediction of the discovery of previously unknown elements.

Martin Kemp

he 2D table is a wonderfully potent 8 graphic device. Its very neatness Tbespeaks the achieving of precision, and it has proved its utility as an ordering and mnemonic system from the earliest docu- mented eras of intellectual endeavour. Any table of 3 ǂ 3 units or more embodies a sur- prising variety of potential orders — pro- SCIENCE MUSEUM/SCIENCE & SOCIETY gressing in sequence from beginning to end, either in discontinuous rows or bucephadonically (by S-shaped motion), connected in individual columns, vertically, horizontally or diagonally, clustered with immediate neighbours, up to eight in num- ber, and grouped in various blocks, lines or other configurations. Some tables are matters of orderly conve- nience. Others graphically encode funda- mental properties of natural systems. The Mendeleev’s periodic table, 1869. king of all tables, ruling over the reconfigur- ing of the science of and governing properties — realizing the potential in would call theoretical modelling in the face much of its subsequent conduct, is Dmitri Francis Bacon’s “shuffle of things” in the of narrow empiricism. Mendeleev’s periodic table of the elements of most literal way. His Faraday Lecture in 1869 not only pro- 1869. vided telling reviews of the rationale and As Mendeleev acknowledged, his table The potency of Mendeleev’s table was development of his system but also delivered emerged from international endeavours to not just that it functioned as a tool for a powerful defence of conceptual structuring show that “the relations between the atomic arranging properties but that the gaps as a fundamental complement to experimen- weights... was governed by some general in the sequences predicted “the tal method. He constantly sought recourse to and simple laws”. ’s 1865 discovery of yet unknown elements” “agreement between theory and experiment; tabulation according to a musical “law of (as first happened with ); that it in other words, to demonstrated generaliza- octaves” had been an inspiration much to became evident when an atomic tion and to the approved experiment”. Mendeleev’s taste for all-embracing systems. weight may require emending; and He proclaimed that “sound generaliza- For his own part, Mendeleev seized upon that the properties of known and tion — together with the relics of those which the periodicity of elements arranged accord- unknown elements could be predicted have proved to be untenable — promote sci- ing to atomic weights and valencies, to from their positions. entific productivity, and ensure the luxurious provide the rules for what he called his game For Mendeleev, as a philosopher- growth of science under the influence of rays of “chemical solitaire”. Each card in his deck , who wrote on such things as the emanating from the centres of scientific ener- was marked with the names or symbols of “unity of matter”, the success of his table tri- gy”. In his lecture, he told how “the inductive the elements, their weights and chemical umphantly proclaimed the value of what we or experimental method of studying gained a direct advantage from the old Pythagorean idea”. His tabular triumph stimulated a “luxu- rious growth” of alternative configurations, including wheels, flat spirals, helices, trees and intersecting vanes. When needed, as in the dynamic version devised for the Festival of Britain in 1951, the graphic rhetoric can be reworked in various styles, yet it is the rectilinear variety that has generally contin- ued to reign supreme. Justifiably, an icon depicting the periodic table was born aloft in Mendeleev’s funeral procession in 1907 through the streets of St Petersburg. Martin Kemp is in the Department of the History of Art, University of Oxford, 35 Beaumont Street, Oxford OX1 2PG, UK. Festival of Britain periodic table, 1951. e-mail: [email protected]

NATURE | VOL 393 | 11 JUNE 1998 527 Nature © Macmillan Publishers Ltd 1998