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Die Holzschnitte, 2016 Ashley Bickerton: Ornamental 6 AGENDA woxx | 27 03 2020 | Nr 1573 EXPO EXPO Feeling lousy in confinement? What about taking a trip to an art gallery in funky Beverly Hills? It’s possible with Nathaniel Mary Quinn’s “Hollow and Cut” at the Gagosian Gallery. Online-Ausstellungen Keith Haring. The Alphabet, 2018 Anselm Kiefer, 2014 U-Bahn-Bilder, Gemälde, Zeichnungen Malerei und Skulpturen, und Skulpturen, Albertina, Wien Royal Academy of Arts, London www.albertina.at/ausstellungen/haring/ www.royalacademy.org.uk/exhibition/ anselm-kiefer Life with Basquiat intimate photos of Caribpolitan artist Anselm Kiefer: Jean-Michel Basquiat by Alexis Adler, Die Holzschnitte, 2016 curated by Shelley V. Worrell Grafiken, Albertina, Wien artsandculture.google.com/exhibit/life- www.albertina.at/exhibitions/anselm- with-basquiat/JgJScHMWjY2bKA kiefer-the-woodcuts/ Liebe Leser*innen, Louise Lawler: Ashley Bickerton: Why Pictures Now Durch die Schließung sämtlicher Ornamental Hysteria, 2017 Fotografien, Materialbilder und öffentlicher und privater Kulturinstitu- mixed-media art, Installationen, Museum of Modern Art, tionen, fällt das kulturelle Leben kom- Newport Street Gallery, London New York plett aus. Besser gesagt, es wurde ins www.newportstreetgallery.com/ www.moma.org/calendar/ Internet verlegt. Wir haben denn auch exhibition/ashley-bickerton/ exhibitions/1646 die virtuellen Welten abgegrast um ei- nige Perlen zu finden: Live-Streams aus den Wohnzimmern der Künstler*innen, Basquiat. Boom for Real, 2018 Nathaniel Mary Quinn: virtuelle Ausstellungsrundgänge, Seri- Malerei, Zeichnungen und Skulpturen, Hollow and Cut, 2019 en. Darüber hinaus geben wir ihnen Schirn Kunsthalle, Frankfurt Malerei, Gagosian, Beverly Hills Tipps wie Sie online die besten gratis www.schirn.de/basquiat/digitorial/de/ gagosian.com/exhibitions/2019/ E-Books finden können – gesetzt den kunstliegt-auf-der-strasse nathaniel-mary-quinn-hollow-and-cut Fall, Sie gehören zur Minderheit derer, die ihre gesamte Bibliothek schon gelesen haben. Jenny Holzer, 2019 Peter Halley, 2016 Installationen, Tate Modern, London digitale Drucke und Installation, In der Zwischenzeit: Bleiben Sie zu www.tate.org.uk/whats-on/tate- Schirn Kunsthalle, Frankfurt Hause, lesen Sie, hören Sie, schauen modern/exhibition/artist-rooms-jenny- www.schirn.de/ausstellungen/2016/ Sie, essen Sie, trinken Sie, lieben Sie holzer/exhibition-guide peter_halley und streiten Sie sich wenn es nötig sein sollte, aber vor allem – bleiben Sie gesund! Judith Barry: Peter Saul, 2017 Body without Limits, 2010 Malerei, Schirn Kunsthalle, Frankfurt Bis in Bälde! Installationen, Berardo Museum, www.schirn.de/ausstellungen/2017/ Lisbon peter_saul Ihr woxx-Agenda Team www.judithbarrystudio.com/berardo woxx | 27 03 2020 | Nr 1573 AGENDA 7 EXPOTIPP Digitorial zu JEAN-Michel Basquiat 2.0 ickey ickey D yan yan R BY CC Spraydosen, : oto Underground und F das Schwarze Isabel Spigarelli Die Schirn Kunsthalle Frankfurt Basquiats Karriere begann auf den widmete Jean-Michel Basquiat, Straßen der Lower East Side und So- einem Wunderkind der New Hos, mit einer Spraydose in der Hand. Yorker Kunstszene der 1970er- und Wo Armut, Verwahrlosung, Gewalt 1980er-Jahre, vor zwei Jahren eine und Rassenunruhen zusammentrafen, Ausstellung. Das passende Digitorial entstanden künstlerische Subkultu- ist nach wie vor online – und grandios. ren, wie etwa die Graffiti-Szene in Harlem oder in der South Bronx. Die Zeitreisen? Die Schirn Kunsthalle Künstler*innen arbeiteten anonym im Frankfurt macht es möglich. Ein Klick, öffentlichen Raum. Basquiat und sein zwei Klicks, Scrollen durch das Digito- Highschool-Freund Al Diaz waren Ende rial zur Ausstellung „Basquiat. Boom der 1970er-Jahre Teil der Underground- for Real“ – schon steht die eigene Bewegung und machten sich über die Couch mitten auf den New Yorker Stra- Szene hinaus bemerkbar. Unter dem „Dos Cabezas“ zeigt die beiden Freunde Andy Warhol und Jean-Michel Basquiat. Letzterer ßen der 1980er-Jahre. Vor einem sprayt Tag „SAMO©” besprayten sie New zeichnete das Werk unmittelbar nach einem Besuch in Warhols Atelier. ein Typ mit Dreadlocks und schwar- York mit kritischen Statements. zem Mantel „THE WHOLE LIVERY“ an die Wand. Aus dem Off heißt es: „The Nach dem Bruch mit Diaz bemalte Kooperationen wie Fashion Shows, gerecht. Die Schirn punktet hier nicht world is stable now. People are happy. Basquiat nicht mehr nur die Stadt, Filme oder Ausstellungen“, verrät das nur mit einer verspielten Aufmachung, They get what they want and they sondern auch ungefragt die Wohnun- Digitorial. Der Mudd-Club und Musik sondern überzeugt auch inhaltlich. never want what they can’t get.“ Der gen von Freund*innen. Er besuchte nehmen als zentraler Schauplatz von Einzige Schwachstelle, die allerdings Typ ist Jean-Michel Basquiat, der durch zudem regelmäßig den Mudd-Club Basquiats Karriere und der Downtown- nicht schwer ins Gewicht fällt: die New York zieht und das macht, was er in der White Street. Dort traf er auf Kunstszene allgemein eine zentrale Nichtthematisierung von Rassismus in wohl am besten konnte: Kunst. Er war gleichgesinnte Kunstschaffende. „In Rolle im Digitorial ein. Schön: In der der New Yorker Kunstszene der 1970er- einer der ersten schwarzen Künstler, diesem Netzwerk entstanden ge- Online-Ausstellung gibt es Audioauf- und 1980er-Jahre. „Das ‚Schwarze‘ ist die sich in der New Yorker Kunstszene meinsame Arbeiten, zum Beispiel nahmen von damals. Aus der Szene mein Protagonist, weil ich schwarz einen Namen machten. zusammen mit Keith Haring, oder gingen Berühmtheiten wie Yoko Ono bin, und deshalb verwende ich es oder Madonna hervor – doch auch als Hauptfigur in meinen Gemälden“ Basquiat, der sowohl als Künstler wie wird Basquiat im Digitorial zitiert. Jean-Michel Basquiat war einer der ersten schwarzen Künstler, die sich in der New Yorker auch als Musiker in den verschiedens- Es wird kurz skizziert, welche Rolle Kunstszene durchsetzen konnten. ten Genres unterwegs war, gelang „das Schwarze“ in seinem Gesamt- 1981 der Durchbruch. Die Werke, die werk hat und inwiefern sich dieses er bei der Ausstellung „New York/ durch Identitätsfindung auszeichnet, New Wave“ im P.S.1, Institute for Art doch wird das Thema nicht ausgiebig and Urban Resources in Long Island kontextualisiert. Es schwingt nur im City zeigte, zogen die Aufmerksamkeit Subtext mit. Auch wenn es um Bas- bedeutender Sammler*innen und quiats Lieblingsfilm „The Jazz Singer“ Kunsthändler*innen auf sich. Es folg- (1927) geht: Die afroamerikanische ten Einzelausstellungen in Italien und Hauptfigur wurde damals von einem später in den USA. Basquiat arbeitete weißen Schauspieler verkörpert, der unter anderem mit Größen wie Andy dunkles Make-up trug. Im Digitorial Warhol zusammen, war einer der ers- steht dazu: „Die Rassendiskriminie- ten Akteure der frühen Hip-Hop-Szene rung durch Filmgesellschaften in und zählt heute zu den bedeutendsten Hollywood oder Fernsehproduzenten Künstler*innen des 20. Jahrhunderts. war Basquiat bewusst und er betrach- tete sie – gerade im Hinblick auf seine So aufregend und vielseitig Basqui- eigene haitianisch-puerto-ricanische ats Schaffen war, so überwältigt ist Herkunft sehr kritisch.“ Das heißt? Auf man von den vielen Eindrücken, diese Frage gibt das Digitorial keine wenn man das Digitorial der Schirn ausführliche Antwort, dafür aber auf schließt. Man schwelgt noch eine so viele andere. 2.0 Weile im Underground New Yorks der 1980er-Jahre, den Sound der Zeit im Das Digitorial ist unter arpentier C Ohr. Das Digitorial ist detailverliebt www.schirn.de/basquiat/digitorial/de/kunst- arc arc und schrill. Es illustriert Basquiats liegt-auf-der-strasse M BY kurze, dafür aber intensive Karriere auf deutsch und englisch verfügbar. CC : über verschiedene Medien – und wird oto F damit der Vielseitigkeit des Künstlers 8 AGENDA woxx | 27 03 2020 | Nr 1573 EXPO Jeff Koons: A Retrospective, 2014 Malerei und Skulpturen, Whitney Museum of American Art, New York whitney.org/Exhibitions/JeffKoons Richard Prince, 2018 Malerei und Fotografien, Gagosian, Beverly Hills gagosian.com/quarterly/2019/05/02/ essay-richard-prince/ Street Art NYC, 2020 streetartnyc.org With borders closed, it might be a little difficult to pop into Germany right now … Still, you can visit “German Pop” online at the Frankfurter Schirn Kunsthalle. The Crystal Ship, 2019 Street Art Festival, Belgium www.thecrystalship.org whitney.org/Exhibitions/AndyWarhol www.youtube.com/ Take Back the Street: www.youtube.com/ watch?v=20IxPsf8aXw Street Art Creates Moments of The Sonnabend Collection watch?v=RNltAsoKJNg Wonder, 2015 permanent exhibition, works by with Tristan Pollock, TEDx Talks, Fargo Andy Warhol, Roy Lichtenstein and How Lichtenstein’s „Whaam!“ www.youtube.com/ Jeff Koons, among others Anish Kapoor, 2009 Became a Monumental watch?v=WSZzS3A5fOU Remai Modern, Saskatoon the artist in conversation with Symbol of Pop Art visitsonnabend.ca Sir Nicholas Serota, Royal Academy, Sotheby’s London www.youtube.com/ Take Over, 2019 www.royalacademy.org.uk/exhibition/ watch?v=AG6M1uo2PVY Street Art, Wien Museum Thomas Schütte, 2014 anish-kapoor www.youtube.com/ Zeichnungen, Skulpturen und watch?v=tsFwMpGZKTU Installationen, Fondation Beyeler, Basel Jeff Koons, 2010 www.fondationbeyeler.ch/fr/collection/ Barbara Kruger, 2014 „Art History“, „Potential“, artiste/vita/thomas-schuette in conversation with Iwona Blazwick, „Money & Value“, „Versailles“ The Cindy Sherman Effect, Modern Art Oxford Museum of Modern Art, New York 2020 Videoen www.modernartoxford.org.uk/event/ www.moma.org/artists/6622 Bank Austria Kunstforum,
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