Ashley Bickerton
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Richard Prince Born in 1949, in the Panama Canal Zone, USA Biography Lives and Works in Upstate New York, USA
Richard Prince Born in 1949, in the Panama Canal Zone, USA Biography Lives and works in upstate New York, USA Solo Exhibitions 2019 'Richard Prince: Portrait', Museum of Contemporary Art Detroit, Detroit, USA 2018 'Richard Prince - Works from the Astrup Fearnley Collection', Astrup Museet, Olso, Norway 'Untitled (Cowboy)', LACMA, Los Angeles, USA 2017 'Super Group Richard Prince', Galerie Max Hetzler, Berlin, Germany 'Max Hetzler', Berlin, Germany 2016 The Douglas Blair Turnbaugh Collection (1977-1988)’, Edward Cella Art & Architecture, Los Angeles, USA Sadie Coles, London, UK 2015 'Original', Gagosian Gallery, New York, USA 'New Portraits', Blum & Poe, Tokyo, Japan 2014 'New Figures', Almine Rech Gallery, Paris, France 'It's a Free Concert', Kunsthaus Bregenz, Austria 'Canal Zone', Gagosian Gallery, New York, USA 2013 Sadie Coles, London, UK 'Monochromatic Jokes', Nahmad Contemporary, New York, USA 'Protest Paintings', Skarstedt Gallery, London, UK 'Untitled (band', Le Case d'Arte, Milan, Italy 'New Work', Jürgen Becker, Hamburg, Germany 'Cowboys', Gagosian, Beverly Hills, USA 2012 ‘Prince / Picasso’, Museo Picasso Malaga, Spain 'White Paintings', Skarstedt Gallery, New York, USA 'Four Saturdays', gagosian Gallery, New York, USA '14 Paintings', 303 Gallery, New York, USA 64 rue de Turenne, 75003 Paris 18 avenue de Matignon, 75008 Paris [email protected] 2011 - ‘The Fug’, Almine Rech Gallery, Brussels, Belgium Abdijstraat 20 rue de l’Abbaye Brussel 1050 Bruxelles ‘Covering Pollock’, The Guild Hall Museum, East Hampton, USA [email protected] -
JASPER JOHNS 1930 Born in Augusta, Georgia Currently Lives
JASPER JOHNS 1930 Born in Augusta, Georgia Currently lives and works in Connecticut and Saint Martin Education 1947-48 Attends University of South Carolina 1949 Parsons School of Design, New York Selected Solo Exhibitions 2009 Focus: Jasper Johns, The Museum of Modern Art, New York 2008 Jasper Johns: Black and White Prints, Bobbie Greenfield Gallery, Santa Monica, California Jasper Johns: The Prints, The Madison Museum of Contemporary Art, Madison, Wisconsin Jasper Johns: Drawings 1997 – 2007, Matthew Marks Gallery, New York Jasper Johns: Gray, Metropolitan Museum of Art, New York 2007 Jasper Johns: From Plate to Print, Yale University Art Gallery, New Haven Jasper Johns: Gray, Art Institute of Chicago; Metropolitan Museum of Art, New York Jasper Johns-An Allegory of Painting, 1955-1965, National Gallery of Art, Washington, DC; Kunstmuseum Basel, Switzerland States and Variations: Prints by Jasper Johns, National Gallery of Art, Washington, D.C. 2006 Jasper Johns: From Plate to Print, Yale University Art Gallery Jasper Johns: Usuyuki, Craig F. Starr Associates, New York 2005 Jasper Johns: Catenary, Matthew Marks Gallery, New York Jasper Johns: Prints, Amarillo Museum of Art, Amarillo, Texas 2004 Jasper Johns: Prints From The Low Road Studio, Leo Castelli Gallery, New York 2003 Jasper Johns: Drawings, The Menil Collection, Houston, Texas Jasper Johns: Numbers, Cleveland Museum of Art, Cleveland; Los Angeles County Museum of Art Past Things and Present: Jasper Johns since 1983, Walker Art Center Minneapolis; Greenville County Museum of -
Die Holzschnitte, 2016 Ashley Bickerton: Ornamental
6 AGENDA woxx | 27 03 2020 | Nr 1573 EXPO EXPO Feeling lousy in confinement? What about taking a trip to an art gallery in funky Beverly Hills? It’s possible with Nathaniel Mary Quinn’s “Hollow and Cut” at the Gagosian Gallery. Online-Ausstellungen Keith Haring. The Alphabet, 2018 Anselm Kiefer, 2014 U-Bahn-Bilder, Gemälde, Zeichnungen Malerei und Skulpturen, und Skulpturen, Albertina, Wien Royal Academy of Arts, London www.albertina.at/ausstellungen/haring/ www.royalacademy.org.uk/exhibition/ anselm-kiefer Life with Basquiat intimate photos of Caribpolitan artist Anselm Kiefer: Jean-Michel Basquiat by Alexis Adler, Die Holzschnitte, 2016 curated by Shelley V. Worrell Grafiken, Albertina, Wien artsandculture.google.com/exhibit/life- www.albertina.at/exhibitions/anselm- with-basquiat/JgJScHMWjY2bKA kiefer-the-woodcuts/ Liebe Leser*innen, Louise Lawler: Ashley Bickerton: Why Pictures Now Durch die Schließung sämtlicher Ornamental Hysteria, 2017 Fotografien, Materialbilder und öffentlicher und privater Kulturinstitu- mixed-media art, Installationen, Museum of Modern Art, tionen, fällt das kulturelle Leben kom- Newport Street Gallery, London New York plett aus. Besser gesagt, es wurde ins www.newportstreetgallery.com/ www.moma.org/calendar/ Internet verlegt. Wir haben denn auch exhibition/ashley-bickerton/ exhibitions/1646 die virtuellen Welten abgegrast um ei- nige Perlen zu finden: Live-Streams aus den Wohnzimmern der Künstler*innen, Basquiat. Boom for Real, 2018 Nathaniel Mary Quinn: virtuelle Ausstellungsrundgänge, Seri- Malerei, Zeichnungen und Skulpturen, Hollow and Cut, 2019 en. Darüber hinaus geben wir ihnen Schirn Kunsthalle, Frankfurt Malerei, Gagosian, Beverly Hills Tipps wie Sie online die besten gratis www.schirn.de/basquiat/digitorial/de/ gagosian.com/exhibitions/2019/ E-Books finden können – gesetzt den kunstliegt-auf-der-strasse nathaniel-mary-quinn-hollow-and-cut Fall, Sie gehören zur Minderheit derer, die ihre gesamte Bibliothek schon gelesen haben. -
WINGATE Final.Pdf
ROBERT RAUSCHENBERG ORAL HISTORY PROJECT The Reminiscences of Ealan Wingate Columbia Center for Oral History Research Columbia University PREFACE The following oral history is the result of a recorded interview with Ealan Wingate conducted by Sara Sinclair on April 23, 2015. This interview is part of the Robert Rauschenberg Oral History Project. The reader is asked to bear in mind that s/he is reading a transcript of the spoken word, rather than written prose. Transcription: Audio Transcription Center Session #1 Interviewee: Ealan Wingate Location: New York, New York Interviewer: Sara Sinclair Date: April 23, 2015 Q: This is Sara Sinclair with— Wingate: Ealan Wingate. Q: Today is April the twenty-third and we are at Columbia University [New York]. Okay. So, as I was explaining, with these oral histories we like to start with a little bit about you. So if you could begin by just telling me where and when you were born and a little bit about your early life, some of your early memories. Wingate: Okay. I was born in Tel Aviv, Israel in 1948. My father as well was Israeli born. My mom was born in New York State, up in Syracuse, but because her parents wanted to raise the children in Palestine, everyone left in the late thirties to go there. We returned to the United States in 1952, when I was four, so that my mother could be with her mother a little bit more and my father could start a new life, away from the family business and various other things that had embroiled him. -
A Tale of Two Gallerists by Ryan Wong on February 3, 2014
ARTICLES A Tale of Two Gallerists by Ryan Wong on February 3, 2014 Andy Warhol, “Ileana Sonnabend” (1973) (courtesy The Sonnabend Collection, © 2013 Andy Warhol Foundation for the Visual Arts / Artists Rights Society [ARS], New York) First, a note: I am wary of exhibitions that celebrate dealers and collectors. If we accept that the unbridled market stifles the art world of today, we should also be careful of the logic behind celebrating market dealers past. That grain of salt in mind, the two coincidental exhibitions in New York, on the gallerists Ileana Sonnabend (1914–2007) at the Museum of Modern Art and Holly Solomon (1934–2002) at Mixed Greens and Pavel Zoubok Gallery, make for engaging historiography, selective histories within the established art narratives. It’s worth noting that both gallerists were women in a field dominated, especially until the 1980s, by men. Both, as argued well by each exhibition, put their taste above the immediate demands of the market. The publicity image for each exhibition is a portrait of the gallerist by Warhol. For Solomon, it is a vertical photo booth series from 1983, Solomon clearly enjoying herself as she mugs for each shot. In Sonnabend’s 1973 diptych portrait, Warhol applied his signature mess of zig-zags around the contours of the silkscreened image. The reliance on Warhol is no coincidence: his alchemical touch makes these women familiar, even to those who don’t frequent the back rooms of the art world. Hooray for Hollywood! at Mixed Greens opens with a room full of portraits of the gallerist by artists from Robert Mapplethrope to William Wegman to Christo. -
ANDY WARHOL New York, NY 10014
82 Gansevoort Street ANDY WARHOL New York, NY 10014 p (212) 966 - 6675 Born 1928, Pittsburgh, PA allouchegallery.com Died 1987, New York City, NY BFA Pictorial Design Carnegie Mellon University SELECTED SOLO EXHIBITIONS 2016 Andy Warhol: Shadows, Guggenheim Bilbao, Spain 2015 Andy Warhol: Works from the Hall Collection, Ashmolean Museum, Oxford, England 2015 Yes! Yes! Yes! Warholmania in Munich, Museum Brandhorst, Munich, Germany 2015 Capturing Fame: Photographs and Prints by Andy Warhol, Richard E, Peeler Art Center, Depauw University, Greencastle, IN 2015 Warhol: Myths and Legends from the Cochran Collection, Art Museum of South Texas, Corpus Christie, TX 2015 Transmitting Andy Warhol, Tate Liverpool, Liverpool, England 2014 Andy Warhol: 1950s Drawings, Anton Kern Gallery, New York, NY 2014 Transmitting Andy Warhol, Tate Liverpool, Liverpool, England 2014 Andy Warhol: Death and Disaster, Kunstsammlungen Chemnitz, Germany 2014 Andy Warhol: Shadows, The Museum of Contemporary Art, Los Angeles, CA 2014 Warhol: Art. Fame. Mortality, The Salvador Dali Museum, St. Petersburg, FL 2014 Andy Warhol’s 13 Most Wanted Men and the 1964 World’s Fair, Queens Museum of Art, New York, NY 2014 Andy Warhol: 15 Minutes Eternal, Mori Art Museum, Tokyo, Japan 2013 Andy Warhol: Toy Paintings, Tel Aviv Museum of Art, Tel Aviv, Israel 2012 Warhol Headlines, National Gallery of Art, Washington, D.C 2011 Andy Warhol and Elizabeth Taylor, Gagosian Gallery, New York, NY 2010 Andy Warhol: Motion Pictures, Museum of Modern Art, New York, NY 2007 Andy Warhol Disaster Prints, Kampa Museum, Prague, Czech Republic 2006 Andy Warhol Campbell’s Soup Cans, Museum of Contemporary Art, Los Angeles, CA 2000 Women of Warhol: Marilyn, Liz & Jackie, C & M Arts, New York, NY 1996 Rorschach Paintings, Gagosian Gallery, New York, NY 1992 Andy Warhol Polaroids 1971 – 1986, Anthony d’Offay Gallery, London, England 1992 Heaven and Hell Are Just One Breath Away! Gagosian Gallery, New York, NY 1989 Andy Warhol Retrospective, Museum Ludwig, Cologne, Germany 1988 Andy Warhol: Cars, The Solomon R. -
Oral History Interview with Leo Castelli
Oral history interview with Leo Castelli Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Leo Castelli AAA.castel69may Collection Overview Repository: Archives of American Art Title: Oral history interview with Leo Castelli Identifier: AAA.castel69may Date: 1969 May 14-1973 June 8 Creator: Castelli, Leo (Interviewee) Cummings, Paul (Interviewer) Extent: 194 Pages (Transcript) Language: English -
James Rosenquist - Select Chronology
James Rosenquist - Select Chronology THE EARLY YEARS 1933 Born November 29 in Grand Forks, North Dakota. Parents Louis and Ruth Rosenquist, oF Swedish and Norwegian descent. Family settles in Minneapolis, Minnesota in 1942. 1948 Wins junior high school scholarship to study art at the Minneapolis School of Art at the Minneapolis Art Institute. 1952-54 Attends the University oF Minnesota, and studies with Cameron Booth. Visits the Art Institute oF Chicago to study old master and 19th-century paintings. Paints storage bins, grain elevators, gasoline tanks, and signs during the summer. Works For General Outdoor Advertising, Minneapolis, and paints commercial billboards. 1955 Receives scholarship to the Art Students League, New York, and studies with Morris Kantor, George GrosZ, and Edwin Dickinson. 1957-59 Becomes a member oF the Sign, Pictorial and Display Union, Local 230. Employed by A.H. Villepigue, Inc., General Outdoor Advertising, Brooklyn, New York, and ArtkraFt Strauss Sign Corporation. Paints billboards in the Times Square area and other locations in New York. 1960s 1960 Quits working For ArtkraFt Strauss Sign Corporation. Rents a loFt at 3-5 Coenties Slip, New York; neighbors include the painters Jack Youngerman, Ellsworth Kelly, Agnes Martin, Robert Indiana, Lenore Tawney, Robert Rauschenberg, Jasper Johns, Barnett Newman, and the poet Oscar Williamson. 1961 Paints Zone (1960-61), his First studio painting to employ commercial painting techniques and Fragmented advertising imagery. 1962 Has first solo exhibition at the Green Gallery, New York, which he joined in 1961. Early collectors include Robert C. Scull, Count Giuseppe PanZa di Biumo, Richard Brown Baker, and Burton and Emily Tremaine. -
Artnet May 17, 2011 an Interview with Ashley Bickerton EDEN's
Artnet May 17, 2011 An Interview with Ashley Bickerton EDEN’S ANTI-HERO By Emily Nathan Back in 1993, Ashley Bickerton (b. 1959) abandoned his prominent position in the New York art scene, set up shop on the island of Bali, and never came back. Surprising though the move might seem -- and Bickerton remains a player in contemporary art -- island living was a part of his history. The son of renowned linguist Derek Bickerton, who studied creoles and pidgins, the artist’s childhood was spent in places where “they spoke English funny,” from Barbados to Hawaii. Following his graduation from Cal Arts in 1982, he arrived in New York to attend the Whitney Independent Studies Program, and quickly rose to fame as one of the “Fantastic Four” -- along with fellow Neo-Geo artists Jeff Koons, Peter Halley and Meyer Vaisman -- in the wake of a seminal exhibition at Sonnabend Gallery. It was simply a return to form, then, when the 1987 Black Monday market crash prompted his escape from East Village celebrity to a storied if remote Indonesian isle. His early New York works were high-tech "commodity sculptures,” integrating corporate logos and commercial hardware into strange, machine-like objects that were, at heart, expressions of his manic surfer passions. But once he hit Bali, the beachcomber in him took over, and the nuts and bolts and digital read-outs were replaced by chunks of coral, bottle tops, worn flip-flops and all manner of flotsam and jetsam. Complementing this abundance of Edenic ephemera was the artist’s taste for high- key hyperrealism -- a kind of painting esthetic familiar from any boardwalk airbrush booth, though often enough pushed to a wacky extreme -- and these days, he frequently depicts a cobalt-skinned character he calls the Blue Man. -
Review: 'Peter Saul: from Pop to Punk,' a Firebrand Willing to Offend
Smith, Roberta, “Review: ‘Peter Saul: From Pop to Punk,’ a Firebrand Willing to Offend,” The New York Times, March 12, 2015. Review: ‘Peter Saul: From Pop to Punk,’ a Firebrand Willing to Offend The New York art dealer Ileana Sonnabend once avowed — somewhat self- servingly — that the best collectors are people in her line of work. Every so often the evidence mounts, as it does with “Peter Saul: From Pop to Punk”at Venus Over Manhattan. This poetically named art gallery established in 2012 by Adam Lindemann, a collector and occasional writer for The New York Observer, does not represent artists, but it regularly stages relevant exhibitions, and this is one of his best. The show consists of a riveting clutch of 16 paintings and five large drawings from 1962 to 1973, all from the collection of Mr. Saul’s longtime dealer, Allan Frumkin (1927-2002). They shed special light on a crucial period in the development of this firebrand painter and lifelong abstract art denier, who, despite quite a bit of exposure, has yet to receive his due. Mr. Saul, who was born in San Francisco in 1934, attended what is now the San Francisco Art Institute and Washington University in St. Louis before heading to Europe in 1956. There he scraped by, going to museums and making paintings, first in the Netherlands, then Paris — where he had an influential encounter with Mad Magazine in a bookstore and also met Mr. Frumkin — and finally Rome. During the years covered by this show, Mr. Saul made an Abstract Expressionist version of Pop Art; returned to the United States in 1964; relinquished oil paint for acrylic; and quickly evolved his rather tightly wound fluorescent “wild style” concoctions of figures that are at once savage political cartoons and beautiful if 980 MADISON AVENUE NEW YORK, NY 10075 212.980.0700 VENUSOVERMANHATTAN.COM disconcerting paintings. -
HAIM STEINBACH Education Solo Exhibitions
HAIM STEINBACH 1944 Born in Rehovot, Israel Works in Queens, New York Education 1973 MFA Yale University 1968 BFA Pratt Institute 1966 Diploma Université d'Aix-Marseille Solo exhibitions 2019 appear to use, Tanya Bonakdar Gallery, Los Angeles 2018 every single day, Museum Kurhaus, Kleve, Germany; Museion, Bolzano, Italy, 2019 zerubabbel, Magasin III Museum and Foundation for Contemporary Art, Jaffa, Tel Aviv mojave, Hubert Winter Gallery, Vienna 2017 jaws, White Cube, London lemon yellow, Lia Rumma, Naples, Italy 2016 omaobamaoldsmobile, Tanya Bonakdar Gallery, New York 2015 ADAA Art Show, Tanya Bonakdar Gallery, Park Avenue Armory, New York 2014 Fresh: Haim Steinbach and Objects From the Permanent Collection, The Menil Collection, Houston, Texas 2013 The Window, National Gallery of Denmark, Copenhagen Travel, White Cube, London Once Again the World is Flat, CCS Bard, Annandale-on-Hudson, New York; Serpentine Gallery, London, 2014; Kunsthalle Zurich, 2014 collections, Lia Rumma, Milan, Italy 2012 Navy Legacy, Galerie Laurent Godin, Paris The Artist's Institute, New York 2011 creature, Tanya Bonakdar Gallery, New York 2010 PLS5/2SB, Louis Vuitton Maison, London 2009 Pets, Galerie Almine Rech, Paris Paris Meets Berlin Project, Haim Steinbach and Taryn Simon, Johann Koenig Gallery, Berlin 2008 The Effect, Waddington Custot, London Special Project: Mr. Peanut /Haim Steinbach on Mike Kelley, Overduin and Kite, Los Angeles 2007 Galerie Laurent Godin, Paris Lia Rumma, Milan, Italy Sonnabend Gallery, New York Vistamare, Pescara, Italy Akira Ikeda -
Guide to the Colin De Land and Pat Hearn Library Collection MSS.012 Hannah Mandel; Collection Processed by Ann Butler, Ryan Evans and Hannah Mandel
CCS Bard Archives Phone: 845.758.7567 Center for Curatorial Studies Fax: 845.758.2442 Bard College Email: [email protected] Annandale-on-Hudson, NY 12504 Guide to the Colin de Land and Pat Hearn Library Collection MSS.012 Hannah Mandel; Collection processed by Ann Butler, Ryan Evans and Hannah Mandel. This finding aid was produced using ArchivesSpace on February 06, 2019 . Describing Archives: A Content Standard Guide to the Colin de Land and Pat Hearn Library Collection MSS.012 Table of Contents Summary Information ................................................................................................................................................ 3 Biographical / Historical ............................................................................................................................................. 5 Scope and Contents ................................................................................................................................................. 6 Arrangement .............................................................................................................................................................. 6 Administrative Information ......................................................................................................................................... 7 Related Materials ...................................................................................................................................................... 7 Controlled Access Headings ....................................................................................................................................