The Goddess of the Yangtze
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Charles Darwin: a Companion
CHARLES DARWIN: A COMPANION Charles Darwin aged 59. Reproduction of a photograph by Julia Margaret Cameron, original 13 x 10 inches, taken at Dumbola Lodge, Freshwater, Isle of Wight in July 1869. The original print is signed and authenticated by Mrs Cameron and also signed by Darwin. It bears Colnaghi's blind embossed registration. [page 3] CHARLES DARWIN A Companion by R. B. FREEMAN Department of Zoology University College London DAWSON [page 4] First published in 1978 © R. B. Freeman 1978 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the permission of the publisher: Wm Dawson & Sons Ltd, Cannon House Folkestone, Kent, England Archon Books, The Shoe String Press, Inc 995 Sherman Avenue, Hamden, Connecticut 06514 USA British Library Cataloguing in Publication Data Freeman, Richard Broke. Charles Darwin. 1. Darwin, Charles – Dictionaries, indexes, etc. 575′. 0092′4 QH31. D2 ISBN 0–7129–0901–X Archon ISBN 0–208–01739–9 LC 78–40928 Filmset in 11/12 pt Bembo Printed and bound in Great Britain by W & J Mackay Limited, Chatham [page 5] CONTENTS List of Illustrations 6 Introduction 7 Acknowledgements 10 Abbreviations 11 Text 17–309 [page 6] LIST OF ILLUSTRATIONS Charles Darwin aged 59 Frontispiece From a photograph by Julia Margaret Cameron Skeleton Pedigree of Charles Robert Darwin 66 Pedigree to show Charles Robert Darwin's Relationship to his Wife Emma 67 Wedgwood Pedigree of Robert Darwin's Children and Grandchildren 68 Arms and Crest of Robert Waring Darwin 69 Research Notes on Insectivorous Plants 1860 90 Charles Darwin's Full Signature 91 [page 7] INTRODUCTION THIS Companion is about Charles Darwin the man: it is not about evolution by natural selection, nor is it about any other of his theoretical or experimental work. -
Due to the Special Circumstances of China Nancy L
Bridgewater Review Volume 5 | Issue 2 Article 6 Nov-1987 Due to the Special Circumstances of China Nancy L. Street Bridgewater State College, [email protected] Recommended Citation Street, Nancy L. (1987). Due to the Special Circumstances of China. Bridgewater Review, 5(2), 7-10. Available at: http://vc.bridgew.edu/br_rev/vol5/iss2/6 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. --------------ES SAY-------------- Due To The Special Circumstances ofCHIN1\... BY NANCY LYNCH STREET ,~d Ifim 'h, ,boY< 'id, in 'h, <xch'nge pmgrnm 'On"''' "'''",n Shanxi Teacher's University and Bridgewater State College. I pondered it for awhile, then dropped it. I would find out soon enough the "special circumstances of China." First, I had to get ready to go to China. Ultimately, the context of the phrase would enlighten me. During the academic year 1985-1986 I taught at Shanxi Teacher's University which is located in Linfen, Shanxi Province, People's Republic of China. Like the Chinese, I would soon learn the virtues of quietness and patience. I would listen and look and remember. Perhaps most important of all, I would make friends whom I shall never forget. FROM BE]ING TO LINFEN Cultural Revolution. Seventeen hours by from personal observations here and The Setting train north to Beijing, eight hours south abroad; and finally, from days and weeks The express train arrives in Linfen to Xi'an (home of the clay warriors found of talk and gathering oral history from from Beijing in the early morning, around in the tomb of the Emperor Ching Shi students, colleagues and friends. -
Revisiting the Scene of the Party: a Study of the Lanting Collection
Revisiting the Scene of the Party: A Study of the Lanting Collection WENDY SWARTZ RUTGERS UNIVERSITY The Lanting (sometimes rendered as "Orchid Pavilion") gathering in 353 is one of the most famous literati parties in Chinese history. ' This gathering inspired the celebrated preface written by the great calligrapher Wang Xizhi ï^è. (303-361), another preface by the poet Sun Chuo i^s^ (314-371), and forty-one poems composed by some of the most intellectu- ally active men of the day.^ The poems are not often studied since they have long been over- shadowed by Wang's preface as a work of calligraphic art and have been treated as examples oí xuanyan ("discourse on the mysterious [Dao]") poetry,^ whose fate in literary history suffered after influential Six Dynasties writers decried its damage to the classical tradition. '^ Historian Tan Daoluan tliË;^ (fl. 459) traced the trend to its full-blown development in Sun Chuo and Xu Xun l^gt] (fl. ca. 358), who were said to have continued the work of inserting Daoist terms into poetry that was started by Guo Pu MM (276-324); they moreover "added the [Buddhist] language of the three worlds [past, present, and future], and the normative style of the Shi W and Sao M came to an end."^ Critic Zhong Rong M^ (ca. 469-518) then faulted their works for lacking appeal. His critique was nothing short of scathing: he argued Earlier versions of this article were presented at the annual meeting of the Association for Asian Studies in Phil- adelphia in March 2012 and at a lecture delivered at Tel Aviv University in May, 2011, and I am grateful to have had the chance to present my work at both venues. -
Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 21, Issue11, Ver. 6 (Nov. 2016) PP 39-46 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas Juan Wu1 (School of Foreign Language,Beijing Institute of Technology, China) Abstract: This paper focuses on the mythological image, the Queen Mother of the West in Classic of Mountains and Seas, to explore the hiding history and mental reality behind the fantastic literary images, to unveil the origin of jade worship, which plays an significant role in the 8000-year-old history of Eastern Asian jade culture, to elucidate the genetic mechanism of the jade worship budded in the Shang and Zhou dynasties, so that we can have an overview of the tremendous influence it has on Chinese civilization, and illustrate its psychological role in molding the national jade worship and promoting the economic value of jade business. Key words: Mythical Image, Mythological Concept, Jade Worship, Classic of Mountains and Seas I. WHITE JADE RING AND QUEEN MOTHER OF THE WEST As for the foundation and succession myths of early Chinese dynasties, Allan holds that “Ancient Chinese literature contains few myths in the traditional sense of stories of the supernatural but much history” (Allan, 1981: ix) and “history, as it appears in the major texts from the classical period of early China (fifth-first centuries B.C.),has come to function like myth” (Allan, 1981: 10). While “the problem of myth for Western philosophers is a problem of interpreting the meaning of myths and the phenomenon of myth-making” as Allan remarks, “the problem of myth for the sinologist is one of finding any myths to interpret and of explaining why there are so few.” (Allen, 1991: 19) To decode why white jade enjoys a prominent position in the Chinese culture, the underlying conceptual structure and unique culture genes should be investigated. -
Analysis of the Mythological Interpretation Characteristics of Guo Pu's Shanhai Jing Notes Shuyan Yi1, a and Jilin Yang1, B*
Advances in Intelligent Systems Research, volume 163 8th International Conference on Management, Education and Information (MEICI 2018) Analysis of the mythological Interpretation characteristics of Guo Pu's Shanhai Jing Notes Shuyan Yi1, a and Jilin Yang1, b* 1College of Humanities &Sciences of Northeast Normal University, Changchun, Jilin, China, 130117 [email protected], [email protected] * The corresponding author Keywords: GuoPu, Shanhai Jing Notes, Myth, Interpretation Characteristics Abstract. Through the analysis of Guo Pu's annotation of mythical characters in Shanhai Jing, interpreting of the mythological interpretation of Guo Pu's Shanhai Jing Notes. In his annotation of God, Guo Pu had carried on the conscious enrichment to the god person image according to the annotated person's identity,so that made many of the original blurred image of God could be clear. To the vague mythological stories, Guo Pu interpretted them by compiling new mythological stories.[1] Through this literary interpretation, Guo Pu not only enriched the images and fairy tales of the gods and figures in Shanhai Jing, but also highlighted the color of the Shanhai Jing, and achieved the unity of the dual identity of the annotator and the litterateur. Introduction Nowadays, most researchers study GuoPu’s Shan Hai Jing Notes from the perspective of linguistics and philology, but rarely from the perspective of mythology. Although some scholars have also noticed the value of Guo Pu's Shan Hai Jing Notes in the study of mythology and made some studies, but most of the related studies are on the surface and lack of systematic summary and theoretical explanation. -
Assessing the Validity of Hainan's 400- Year Gazetteer Record for Establishing Historical Baselines
Assessing the validity of Hainan’s 400- year gazetteer record for establishing historical baselines Connor Walsh August 2016 A thesis submitted for the partial fulfilment of the requirements for the degree of Master of Science at Imperial College London Submitted for the MSc in Conservation Science 2 Declaration of Own Work I declare that this thesis: Assessing the validity of Hainan’s 400-year gazetteer record for establishing historical baselines is entirely my own work, and that where material could be construed as the work of others, it is fully cited and referenced, and/or with appropriate acknowledgement given. Signed. Name of student: Connor Walsh Name of Supervisors: Dr Samuel Turvey; Clare Duncan 3 Table of Contents Declaration of Own Work ..................................................................................................... 2 List of acronyms .................................................................................................................... 4 Acknowledgements ............................................................................................................... 4 Introduction ........................................................................................................................... 6 Methods ................................................................................................................................. 8 Results ................................................................................................................................. 12 Discussion -
The Annals and Magazine of Natural History : Zoology, Botany, and Geology
— 449 MISCELLANEOUS. Oil Antliozoa;itlius parasiticus, Desha i/es,'^Ii^. (Algiers.) By H. J. Caetku, F.K.S. (In a letter to Dr. J, E. Guay.) This coral is figured, but not described, in Sclileidcn, ' Das 3Ieer,' fig. 4. Spicules calcareous, fusiform, tubercidated, some narrow, others thick, variable in length ; the longest of the former l-0(»th, the longest of the latter 1-lsuth of an inch ; the narrow ones chiefly con- fined ) to the polypes, arranged obliquely (? and parallel, embracing ; the thicker ones arranged horizontally {'.'), interlocking with each other, as if formed in cells of this shape originally interlocking with each other ; composing the greater part of the mass or cortex, Avhich is parasitic upon a small, horny, branched stem. As the narrow spicules are chiefly confined to the polypes, so these arc the spicules which are chiefly coloured—red and yellow mixed in one of the specimens (the red-), and yellow only in the other (the yellow-polyped specimen), the red and yellow colours of their points respectively being thus produced. The tubercles on the narrow fusiform spicules are more or less evenly scattered over the surface (a), from one end to the other, while those of the thicker ones are arranged in three or more bands or &L rings, whh plain intervals (ii) or rings between them constricted ; or the tubercles may be an-anged irregularly throughout the shaft (c), whose extremities are also always tuberculated. The two specimens, viz, the red- and A'cUow-polyped, are the same species. It seems to me that the longer fusiform spicules gonerally run np round the polype, perhaps obHquely extending into the base of the tentacles. -
Report Title 16. Jahrhundert 17. Jahrhundert 18. Jahrhundert
Report Title - p. 1 Report Title 16. Jahrhundert 1583 Geschichte : China - Europa : England Elizabeth I. schreibt einen Brief an den Kaiser von China um Kontakt aufzunehmen. [Hsia8:S. 220] 1596-1597 Geschichte : China - Europa : England Elizabeth I. schickt drei Schiffe nach China und gibt Benjamin Wood einen Brief an den Kaiser mit. Die Schiffe erleiden Schiffbruch im Golf von Martaban, Burma. [Hsia8:S. 220,LOC] 17. Jahrhundert 1625 Geschichte : China - Europa : England Engländer erreichen die chinesische Küste. [Wie 1] 1637 Geschichte : China - Europa : England Die ersten englischen Schiffe kommen an der Küste von Süd-Ost China an. [Stai 1] 1683-1684 Geschichte : China - Europa : England William Dampier durchquert die chinesischen Meere. [Boot] 1698-1701 Geschichte : China - Europa : England James Cunningham reist 1698 als Arzt einer Fabrik der British E.I. Company nach Amoy [Xiamen]. 1699 wird er Fellow der Royal Society und reist 1700 wieder nach China. 1701 erreicht er die Insel Chusan [Zhoushan]. 1699 Geschichte : China - Europa : England / Wirtschaft und Handel Gründung der British East India Company in China, was den Handel mit Hong Kong fördert. [Wik] 18. Jahrhundert 1766 Geschichte : China - Europa : England James Lind besucht Guangzhou und sammelt chinesische Gegenstände und Bücher. [Kit1:S. 59] Report Title - p. 2 1774-1784 Geschichte : China - Europa : England Huang Yadong hält sich in England auf. He is described as Wang-y-Tong, who worked as a page in the John Frederick Sackville's household at Knole and attended the local Sevenoaks School. Huang Yadong is known to have visited the naturalists Mary Delany and the Duchess of Portland at the latter’s country seat of Bulstrode, discussing Chinese plants and their uses with them. -
A History of Chinese Letters and Epistolary Culture
A History of Chinese Letters and Epistolary Culture Edited by Antje Richter LEIDEN | BOSTON For use by the Author only | © 2015 Koninklijke Brill NV Contents Acknowledgements ix List of Illustrations xi Abbreviations xiii About the Contributors xiv Introduction: The Study of Chinese Letters and Epistolary Culture 1 Antje Richter PART 1 Material Aspects of Chinese Letter Writing Culture 1 Reconstructing the Postal Relay System of the Han Period 17 Y. Edmund Lien 2 Letters as Calligraphy Exemplars: The Long and Eventful Life of Yan Zhenqing’s (709–785) Imperial Commissioner Liu Letter 53 Amy McNair 3 Chinese Decorated Letter Papers 97 Suzanne E. Wright 4 Material and Symbolic Economies: Letters and Gifts in Early Medieval China 135 Xiaofei Tian PART 2 Contemplating the Genre 5 Letters in the Wen xuan 189 David R. Knechtges 6 Between Letter and Testament: Letters of Familial Admonition in Han and Six Dynasties China 239 Antje Richter For use by the Author only | © 2015 Koninklijke Brill NV vi Contents 7 The Space of Separation: The Early Medieval Tradition of Four-Syllable “Presentation and Response” Poetry 276 Zeb Raft 8 Letters and Memorials in the Early Third Century: The Case of Cao Zhi 307 Robert Joe Cutter 9 Liu Xie’s Institutional Mind: Letters, Administrative Documents, and Political Imagination in Fifth- and Sixth-Century China 331 Pablo Ariel Blitstein 10 Bureaucratic Influences on Letters in Middle Period China: Observations from Manuscript Letters and Literati Discourse 363 Lik Hang Tsui PART 3 Diversity of Content and Style section 1 Informal Letters 11 Private Letter Manuscripts from Early Imperial China 403 Enno Giele 12 Su Shi’s Informal Letters in Literature and Life 475 Ronald Egan 13 The Letter as Artifact of Sentiment and Legal Evidence 508 Janet Theiss 14 Infijinite Variations of Writing and Desire: Love Letters in China and Europe 546 Bonnie S. -
Study on the Mythological Philosophy of Guo Pu's Shanhai Jing Notes
2019 3rd International Conference on Art Design, Language, and Humanities (ADLH 2019) Study on the Mythological Philosophy of Guo Pu's Shanhai Jing Notes Shuyan Yia College of Humanities &Sciences of Northeast Normal University, Changchun, Jilin, China, 130117 [email protected] Keywords: Guo Pu, Shanhai Jing notes; mythology philosophy; mythology. Abstract: Influenced by the social trend of thought of "metaphysics" in Wei and Jin dynasties, Guo Pu likes to explore the philosophical implication behind things. Under the influence of this mode of thinking, Guo Pu also used the thought of mythological philosophy in the process of interpreting the Book of Shan Hai Jing. Through the comparative analysis of the notes and the original text, it can be found that Guo Pu mainly explained the composition and development of God, Man and God from the philosophical perspective of "viewing things by Tao" and the thought of "Gasification" 1. Introduction In the spread of the original ecological myth in later generations, it was mainly preserved by "three kinds of scholars: one is the ancient Chinese philosopher, the other is the writer, and the third is the historian."[1] In the warring States period, philosophers made great contributions to the preservation of ancient myths. Mao Dun once pointed out that "Zhuangzi" and "Han Feizi" have mythological fragments, especially Zhuangzi. [2] Zhuangzi not only seeks the material from the original ecological myth story, deduces the abstract philosophy, but also inherits some philosophical ideas in the myth and gives full play to it. It can be said that the trend of thought of mythology philosophy in ancient China began with Zhuangzi. -
Depicting Cassowaries in the Qing Court
Transcultural Studies 2013.1 7 Images, Knowledge and Empire: Depicting Cassowaries in the Qing Court Lai Yu-chih, Academia Sinica, Taiwan Translated by Philip Hand Originally published in Chinese under the title “Tuxiang, zhishi yu diguo: Qinggong de shihuoji tuhui 圖像, 知識與帝國:清宮的食火雞圖繪,” The National Palace Museum Research Quarterly, 29:2 (2011). Introduction: Where the new Qing history meets art history The new Qing history studies have been one of the most widely noticed and fruitful developments in the last decade or so of Chinese historical research.1 The Qing was previously seen as an extension of Chinese dynastic rule, but the new Qing history studies stress that despite being the ruling house of China, the dynasty was established and led by the Manchus. The importance of research into “Sinicisation” is greatly deemphasised; in its place is a focus on the difference of Manchu rule.2 Examples include the martial culture of the Qing and their policies toward the border regions of Tibet, Mongolia, and Central Asia. Of particular interest is the fast expansion of the Qing Empire, which nearly tripled its territory in one short century (1660-1760). On this basis, the writers of the new Qing history have raised a challenge to the description of the Qing in traditional historical writing as a closed, stagnant victim of western imperialism. From the perspective of comparative and global history, they have drawn comparisons between the Qing and other modern empires such as the Russian, the British, and the Ottoman. They have attempted to argue that the dynasty, particularly the high Qing, was an expansionist colonial empire in the modern sense.3 In other words, the expansion and rule of the 1 For more on this historiographical movement, see Evelyn S. -
1 14Th Annual Conference of the EBHA 2010
1 14th Annual Conference of the EBHA 2010: "Business beyond the Firm" The Centre for Business History, University of Glasgow Saturday 28 August (09.00-11.00) Session 4B: Business and political action ‘The business of consuls; consuls and businessmen’ Ferry de Goey Erasmus University Rotterdam Faculty of History and Arts PO Box 1738 3000 DR Rotterdam The Netherlands [email protected] © Ferry de Goey Do not use or quote without permission 1 - Introduction The institution of consuls to promote international trade first and foremost developed in maritime trading states and empires. The consular system therefore predates official diplomacy by at least several centuries. The use of consuls was so successful that even non-maritime states later employed consuls. Foreign merchants formed colonies or ‗nations‘ and they elected their own consuls that acted as spokesman in contacts with the local authorities. The local authorities endorsed the consuls, because it facilitated the control of groups of resident foreigners. In case of trouble, the consul was held responsible for the conduct his countrymen. The consular system gained in importance with the rise of European nation-states, the western expansion in Asia and Africa after 1800, and the intensifying competition between the industrialising western countries. Julius I. Puente considers consular representation ‗(...) the most potent agency in the commercial and economic interpenetration of nations‘.1 Nevertheless the history of consuls and their contributions to the business community has thus far not attracted much interest from economic historians or business historians.2 A possible explanation might be the image and reputation of consuls as pictured in novels and movies.3 This paper will focus on western consuls in the nineteenth century.4 What services did consuls provide for entrepreneurs operating in foreign countries? What changes took place in the duties and functions of 1 Julius Irizarry Puente, The foreign consul: his juridical status in the United States (Chicago 1926) 1.