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With Tax OK'd, Prioritizing Starts
Local Foreclosed Properties! See All Our z Commercial & Residential Properties Online... z Priced to Sell & Close Fast Then Call Me For A 305-296-1234Private Showing! z Financing Available Beth Grooms z Agents Welcome Sales Manager KeysIslandProperties.com WWW.KEYSNET.COM SATURDAY,NOVEMBER 24, 2012 VOLUME 59, NO. 94 ● 25 CENTS COUNTY COMMISSION With tax OK’d, prioritizing starts By KEVIN WADLOW more,” Commission Major Hundreds of millions to be available beyond need and into the walking and jogging path at Senior Staff Writer George Neugent said at ‘want’ side.” the park, originally installed [email protected] Tuesday’s commission meet- for fixing county’s infrastructure “We have some things that with a rubberized springy sur- ing in Key Largo. are falling apart,” said face, has been replaced with Now that Florida Keys The extension of the tax to Costly repairs to county- tomorrow,” Gastesi said. “If it Commissioner Sylvia hard asphalt. “That’s hard on voters have extended a 1-cent 2033 — passed 23,165 to owned roads, bridges and costs $3 million today, it could Murphy said, pointing to the knees,” she said. “So sales tax dedicated to infra- 10,850 in the Nov. 6 election buildings will take millions cost $5 million in a few needed repairs at the many people have asked to structure upgrades for another — could generate more than more. years.” Marathon and Plantation Key have that [rubber surface] two decades, Monroe County $350 million at current revenue But favorable interest rates Gastesi suggested com- courthouses. back.” commissioners will chart rates. and a construction industry missioners think about local As for new projects, she Rather than solicit new plans to spend it on projects Board members know looking for work could mean projects that should be on the noted that a county-owned lot ideas, Commissioner Heather both necessary and desirable. -
RBA Media Kit February 8, 2018
www.RyanBanksAcademy.org [email protected] Instagram and Twitter: @RyanBanksCHI Facebook: facebook.com/RyanBanksChi “I believe that in communities with high youth violence, 24/7 urban boarding schools can provide a safe environment and give kids a chance to be successful. Our schools should be community centers with a wide variety of after school and social/emotional programming. I believe ini- tiatives like Ryan Banks Academy can be game changers in addressing the issue of youth violence, which is a public health crisis.” - Arne Duncan, Former U.S. Secretary of Education Who is Ryan Banks? The vision for Ryan Banks Academy was born from tragedy. Ryan Banks was a happy-go-lucky 12 year old boy who was enthusiastic, full of life, always curious, and loved to make others laugh. While he had a difficult upbringing and had every reason to be angry, he was one of the happiest seventh graders to ever walk the hallways of New Sullivan Elementary School, on Chicago’s far-east side. But on May 19, 2012, Niazi “Ryan” Banks was shot and killed by gun- fire. Ryan was a very special child who had the entire world ahead of him. However, Ryan is just one of far too many Chicago students who are lost to gun violence each year. In addition to the chil- dren and teens who are lost to senseless acts of violence, thousands more fall through the cracks in other ways—those who do not receive the proper academic and social/emotional sup- port they need at the school level, live in an unsafe neighborhood, and those who are dealing with trauma within their family environment. -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
COM 321, Documentary Form in Film & Television
1 COM 321, Documentary Form in Film, Television, & Interactive Media Humor and the Documentary The Four Humor Mechanisms (Neuendorf & Skalski et al.; see also the extended handout on the class web site) 1. Disparagement: Focusing on a perception of superiority, a one-up/one-down relationship, e.g., “putdown” humor, satire, sarcasm, self-deprecation, and the display of stupid behaviors (Freud, 1960; Hobbes, 1651/1981) 2. Incongruity: The juxtaposition of inconsistent or incongruous elements, e.g., wordplay (e.g., puns), “pure” incongruity, absurdity, and sight gags (Schopenhauer in Martin, 2007; Koestler, 1964). 3. Arousal/Dark: The creation of a high level of physiological arousal, e.g., slapstick, dark humor, sick humor, and sexual or naughty humor (Kant & Spencer; Spencer, 1860; Berlyne, 1972). 4. Social currency: Playful interaction, or building a sense of group belonging or understanding, e.g., joking to fit in, joking around socially, inside jokes, and parody (relying on a shared view of a known form, such as a film genre) (Chapman, 1983; Fry, 1963). Satire vs. Parody Parody deals with literary/cinematic norms (at the level of the cultural product) Satire deals with social/political norms (at the level of the culture or society) There is sometimes confusion between the two, perhaps because they may be used together (e.g., Western movie parody + satire on racism = Blazing Saddles) Four Stages of Genre Development (Giannetti and others) 1. Primitive 2. Classical 3. Revisionist 4. Parodic 2 Humor and Documentaries: 1. [Social] Satire -
Jon Stewart Hosts COMEDY CENTRAL's On-Air Charity Special
Jon Stewart Hosts COMEDY CENTRAL'S On-Air Charity Special 'Night Of Too Many Stars: An Overbooked Concert For Autism Education' With Live Wrap-Arounds From Los Angeles On Thursday, October 21 At 9:00 P.M. ET George Clooney, Tom Hanks, Jimmy Kimmel And Betty White Join The LA Live Star-Studded Event Special Segments With Conan O'Brien And Adam Sandler Added To Air In Telecast eBay Auction Featuring Numerous Celebrity Signed Items Now Available At www.comedycentral.com/stars With Bidding Ending On Monday, October 25 Donations Of Any Dollar Amount Accepted At www.comedycentral.com/stars A $10 Donation Can Be Made By Texting STARS To 90999 (Message and Data Rates May Apply) And Also Viewers Can Vote Via Texting On Stunts They Want To See Take Place During The LA Live Event Pepsi To Give An Additional $100,000 To The Top Three Most Voted Causes Selected By Viewers NEW YORK, Oct 19, 2010 /PRNewswire via COMTEX/ -- Over 50 amazing performers will show their support and lend their comedy chops to "Night Of Too Many Stars: An Overbooked Concert For Autism Education," the biennial/bi-coastal event which raises funds to help ease the severe shortage of effective schools and education programs for autistic children and adults. This year's presentation features star-studded taped segments from the Beacon Theatre in New York City with additional live wrap-arounds from Los Angeles including a celebrity phone bank which allows viewers to call in during the show to donate while speaking with additional comedic heavyweights. Stewart hosts an evening filled with live performances and sketches from a roster of comedy all-stars with live wrap-arounds in LA and showcasing the taped segments from New York City which premieres on COMEDY CENTRAL on Thursday, October 21 at 9:00 p.m. -
SATTERLEE, Mark 020620
Mark Satterlee 410 E. Fairview Blvd Production Designer Inglewood, CA 90302 T: 310.699.8042 E: [email protected] Art Directors Guild Local 800 W: www.SatterleeDesign.com TELEVISION: NETWORK / STUDIO PRODUCERS / CAST D: Michael McDonald NOBODIES Jax Media / TV LAND P: Melissa McCarthy, Randall Winston, Hugh Davidson, Larry Dorf, Rachel Ramras Seasons 1 & 2 C: Hugh Davidson, Larry Dorf, Rachel Ramras, Leslie Bibb D. Brian Knappmiller ROCK-N-ROLL ACID TEST Superfine Films Inc/ Fuse Television P: Samantha Chapman, Brian Knappmiller, Kate Super C: Mike Senese, John Adams, Drew Bell, Abby Gennet D. Steve Pink, John Fortenberry RHETT AND LINK’S YouTube Red P: Silvert Glarum, Michael Jamin, Rhett McLaughlin, Link Neal, Stevie Levine BUDDY SYSTEM C: Rhett McLaughlin, Link Neal, Tobias Jelinek, Leslie Bibb FULL FRONTAL WITH D. Allana Harkin SAMANTHA BEE Jax Media / TBS P: Allana Harkin, Paul Pennolino, Chris Savage, Paul Myers NTWHCD - Press Conference C: Allison Janney, Georgia Dolenz, Daniel Thrasher AS ART DIRECTOR: NETWORK / STUDIO PRODUCERS / CAST UNDER THE BRIDGE P: Jerry Bruckheimer, KristieAnne Reed, Johnathan Littman, Don Tardino, Rina Rimoun CBS Television Pilot C: Justin Kirk, Jennifer Morrison, David Ajala, Reggie Lee, Saraya Blue P: Jerry Bruckheimer, KristieAnne Reed, Johnathan Littman, Scott White, Pam Veasey, L.A.’s FINEST SONY TV/Spectrum Cable Brandon Margolis, Brandon Sonnier, Anton Cropper Season 1 & 2 C: Gabrielle Union, Jessica Alba, Duane Martin, Ryan McPartlin, Zach Gilford MISTRESSES P: Robert Sertner, K.J. Steinberg, -
JASON BLOUNT Director of Photography REELS/WEBSITE
JASON BLOUNT Director of Photography REELS/WEBSITE Features & Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. THE GOLDBERGS Various / Seth Gordon, ABC / Sony Pictures Television (seasons 2 - 8) David Katzenberg SCHOOLED (pilot) Jay Chandrasekhar ABC / Sony Pictures Television HANDSOME Jeff Garlin Netflix Cast: Jeff Garlin, Natasha Lyonne, Leah Remini, Amy Sedaris, Kaley Cuoco, Steven Weber THE PLAYER Bharat Nalluri NBC / Sony Pictures Television (pilot / 2nd unit) MATADOR Various El Rey Network (2nd unit) VEGAS Various CBS (2nd unit) RINGER Various CW Network (2nd unit) SOUTH OF NOWHERE Various The N Network (2nd unit) BENEATH THE DARK (feature) Chad Feehan IFC / The Fort Cast: Josh Stewart, Jamie-Lynn Sigler Premiere at SXSW MARTY (short) Courtney Looney Messenger Films ACS Gold Award ONE SUNG HERO (short) Sam Kurtzman-Counter Evolution Official Selection Sundance SAVE ME (short) Jennifer Getzinger Harmless Pictures Highly Commended – ACS FRENCHING (short) Kellie Martin DIT Productions Documentaries HUNTER & HUNTED Geoff Luck National Geographic EXPLORER Phil Day National Geographic SCIENCE OF THE BIBLE James Younger National Geographic WHAT’S GOOD FOR YOU Debbie Levin Beyond Productions PARAMOUNT FARMS John Minor Birthmark Entertainment MAKE TV Martyn Ives Beyond Productions BODY WORK S. O’Rourke NY Times TV/TLC Commercials & Music Videos WIPERSTORE.COM Chad Freehan The Fort PISTACHIOS – EVERYBODY’S NUT John Minor Birthmark Entertainment GUIDE DOGS OF AMERICA Harry Maxon MaxMoss Productions AUTOMATIC LOVE LETTER – HEART SONG Chad Freehan The Fort MAIMOU – CRUSH Mark Landsman Bean There Films POM – WONDERFUL John Minor Birthmark Entertainment FIJI WATER John Minor Birthmark Entertainment 1645 Vine Street #402, Los Angeles, CA 90028 | p 323.856.3000 | [email protected] | www.easterntalent.net . -
CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake
CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) MEJOR ACTRIZ SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) MEJOR ACTOR DE REPARTO MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey - "THE LOVELY BONES" (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MEJOR ACTRIZ DE REPARTO PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MEJOR ELENCO AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. J.T. -
Myers, Allison.Pdf
FROM ALEICHEM TO ALLEN: THE JEWISH COMEDIAN IN POPULAR CULTURE by Allison Myers A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Bachelor of Arts in English with Distinction. Spring 2010 Copyright 2010 Allison Myers All Rights Reserved FROM ALEICHEM TO ALLEN: THE JEWISH COMEDIAN IN POPULAR CULTURE by Allison Myers Approved: ______________________________________________________________________________________ Elaine Safer, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: ______________________________________________________________________________________ Ben Yagoda, M.A. Committee member from the Department of English Approved: ______________________________________________________________________________________ John Montaño, Ph.D. Committee member from the Board of Senior Thesis Readers Approved: ______________________________________________________________________________________ Ismat Shah, Ph.D. Chair of the University Committee on Student and Faculty Honors ACKNOWLEDGMENTS I would like to express utmost gratitude to my thesis advisor, Elaine Safer, for all the guidance she has given and for all the jokes she has told me over the course of writing my thesis. I also extend my thanks to Ben Yagoda and John Montaño, my thesis committee, for guiding me in this process. It is because of University of Delaware’s incredible Undergraduate Research Program that I was able to pursue my interests and turn it into a body of work, so I owe the department, and specifically Meg Meiman, many thanks. Finally, I am grateful for every fellow researcher, family member and friend who has lent me a book, suggested a comedian, or just listened to me ramble on about the value of studying Jewish humor. iii TABLE OF CONTENTS Abstract ................................................................................................................................................................. -
Northwestern Ukulele Club Spreads Positive Vibes, Playing at the NU Hawai’I Club Luau, Bonfires And
Now ROCKIN’ OUT The 50-member Northwestern Ukulele Club spreads positive vibes, playing at the NU Hawai’i Club luau, bonfires and 2 NORTHWESTERNother campus events.SPRING 2018 SPRING 2018 NORTHWESTERN 1 GOSSMICHAEL Then SPRING 2018 VOLUME TWENTY ISSUE THREE WWW.NORTHWESTERN.EDU/MAGAZINE THE WAY THEY WERE 1980 ENTERTAINMENT ICONS GATHERED FOR GRAND GALA In October 1980 some of Northwestern’s most prominent alumni Tony Roberts ’61 performed songs they each introduced on Broadway. working in Hollywood and on Broadway assembled in Evanston to Patricia Neal ’47, ’94 H, who had been partially blinded after a stroke, celebrate the completion of the Theatre and Interpretation Center, performed a monologue from Helen Keller’s description of blindness. now the Virginia Wadsworth Wirtz Center for the Performing Arts. Current students performed alongside this collection of esteemed FRONT ALUMNI LIFE Hosted by Charlton Heston ’45 and Ann-Margret Olsson ’63, The alumni, which also included Claude Akins ’49; Cloris Leachman ’48, Way They Were included a cast of alumni entertainment icons who sang, ’14 H; Garry Marshall ’56; Sherrill Milnes ’60; Charlotte Rae ’48; 1 NOW YOUR WORLD 40 danced and joked about their time on campus. Performing on a set that Robert Reed ’54; and Peter Strauss ’69. Ukulele Club brings Commemorating the resembled a hotel lobby, Heston reminisced about his night shift work The Way They Were celebrated the 100-year anniversary of North- good vibrations Bursar’s Office takeover at an Evanston apartment building, where he often practiced his lines western’s theater program, and in his opening remarks McLean when the switchboard went quiet. -
2012 Film Festival Programme
k Belfast Film Festival 12th BelfasT FILM Festival 31st May - 10th June 2012 www.belfastfilmfestival.org What we see and what we seem are but a dream, a dream within a dream. OUR FUNDERS OFFICIAL DRINKS SPONSOR OFFICIAL MEDIA PARTNERS Supported by the Creative Industries Innovation Fund VENUE TRAVEL PARTNERS PARTNERS ACCOMMODATION PARTNERS COMMUNICATIONS PARTNER Chairperson’s Introduction It is my absolute honour to introduce the 12th Belfast Film This Festival will be my last as Chair of the Belfast Film Festival. This year with Good Vibrations opening the Festival Festival. It has been a magnificent seven years but it now feels in the Ulster Hall and Whole Lotta Sole closing the Festival like the right time to hand the baton on. We live in the most in the Waterfront Hall heralds a truly golden age of film amazing city with a truly vibrant film culture and together we production and exhibition in the city. To have two brilliant can take our dreams further than ever before. Northern Ireland films with the most amazing local talent Enjoy Festival 2012. as the premier events in the Festival is a dream come true. Around the world, Belfast is now become recognized as a Brian Henry Martin centre of excellence for filmmaking. Festival Chair Director’s Introduction It may only be our 12th year, but in reality we’re 16, ahead of Annual favourites the Maysles Brothers Documentary Com- our time, well into our teenage kicks! So if you ‘need excite- petition, Lagan boat screenings and the Beanbag Cinema ment and you need it bad’ this years film festival promises ‘the sit alongside a brand new range of innovative programming best, you’ve ever had…’ including a series of films hosted for the first time ever in the the High Courts. -
Human Rights Watch Film Festival
MAY 14 GAZETTE ■20 Vol. 42, No. 5 HUMAN RIGHTS WATCH FILM FESTIVAL THE SUPREME PRICE, June 3 Complete schedule FREE SCHEDULE ■ NOT FOR SALE ■ For more information, on page 3 ALSO: Polish Cinema, Pasolini visit us online at: www.siskelfilmcenter.org $11 General Admission, $7 Students, $6 Members ■ To receive weekly updates and special offers, join our FOLLOW US! Join our email list email list at www.siskelfilmcenter.org at www.siskelfilmcenter.org CHICAGO PREMIERE! KEVIN SPACEY IN PERSON! 2014, Jeremy Whelehan, USA, 93 min. Two-time Oscar-winner Kevin Spacey (AMERICAN BEAUTY, THE USUAL SUSPECTS) and Oscar-winning director Sam Mendes (AMERICAN BEAUTY) are reunited at the center of this rousing documentary that combines the power of an innovative production of Shakespeare’s Richard III, the thrill of offstage asides, and the colorful sweep of a travelogue. Join Mendes’s Bridge Project, the first transatlantic theater company, for a whirlwind backstage tour that kicks off at London’s fabled Old Vic and ends in New York ten months later, after stops in Europe, Asia, and the Middle East. DCP digital. (BS) Kevin Spacey will be present for audience May 2—8 discussion on Saturday at 8:00 pm [SOLD Fri. at 6:15 pm OUT]; Tickets for Theater 2, with Spacey’s and 8:15 pm; Q&A streamed live, are still available. No Sat. at 3:15 pm free passes or blue tickets will be valid. and 8:00 pm; Sun. at 3:15 pm and 5:15 pm; Mon.-Thu. at 6:00 pm and 8:00 pm CHICAGO PREMIERE! BRIGHTNEW DCP! DaYS aHEaD (LES BEAUX JOURS) 2013, Marion Vernoux France, 94 min.