Hagop Kevorkian Center New York University 2008–09
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Asenka Creative Services
Volume XII | Issue I | Winter 2013 the IVY LEAGUE CHRISTIAN OBSERVER Imani Jubilee’s Worship Tradition at Brown Page 7 Yale Discriminates Against Christian Fraternity Page 8 Evangelism Weekend at Cornell Page 11 Penn Students ‘Engage’ Philadelphia Page 12 Lecture at Columbia: The Sacred Call to Study Page 14 Following Tragedy, Harvard MARRIAGE 101 Journal Asks ‘Why?’ Roland Warren, Princeton ’83 and Wharton MBA ’86, Page 16 spoke on the virtues of covenantal marriage at the Sexuality, Integrity, and the University Dartmouth Freshman Serves Conference at Princeton University. God and Country Special section, pages 18-24 Page 27 Brown I Columbia I Cornell I Dartmouth Harvard I Penn I Princeton I Yale Developing Christian Leaders to Transform Culture The Ivy League Christian Observer is published by the Christian Union, an independent Christian ministry. PRAY WITH US FOR THE DEVELOPMENT OF CHRISTIAN LEADERS WHO WILL TRANSFORM CULTURE At Christian Union, we are prayerfully seeking God for transformation at Brown, Columbia, Cornell, Dartmouth, Harvard, Penn, Princeton, and Yale. Each year, thousands of students pass through the halls of these institutions and move out into positions of leadership in our society. Unfortunately, over 90% have had no regular Christian influence in their lives during these critical college years. Christian Union sends out monthly, campus- specific e-mails that describe the needs of the ministry. E-mails are available for Columbia, Cornell, Dartmouth, Harvard, Princeton, and Yale. Will you join us and pray regularly for the development of Christian leaders at some of our nation’s leading universities? To receive Christian Union’s prayer e-mail each month, sign up online at www.Christian-Union.org/prayer or send an e-mail to: [email protected] . -
Final Edition, May 1, 2020
Final Edition, May 1, 2020 EXPLORATIONS 2020: Research, Scholarship and Creative Expression at William Paterson University Sponsors and Supporters Faculty Senate Research, Office of Sponsored Programs Scholarship and Creative Expression Council Martin Williams, Director Lisa Warner, College of Education, Co-Chair Christine Bravo, Assistant Director, Nicholas Hirshon, College of Arts and Pre-Award Services Communication, Co-Chair Kate Boschert, Assistant Director, Myles Garvey, Cotsakos College of Business Research Development Kim Dimino, College of Science and Health Maureen Peters, Program Assistant Richard Huizar, College of Humanities and Anna Baiata, Grant and Contract Social Sciences Support Specialist David Williams, Cheng Library Skyler Hagner, Graduate Assistant Babita Srivastava, Adjunct Representative Chuckie Moses II, Undergraduate Assistant Jan Pinkston, Honors College, Professional Staff Martin Williams, Office of Sponsored Programs Sandra Hill, Associate Provost for Academic Affairs David and Lorraine Cheng Library Honors College Edward Owusu-Ansah, Dean Barbara Andrew, Director Cotsakos College of Business Jan Pinkston, Assistant Director Susan Godar, Interim Dean College of Education 12th Annual Undergraduate Research Amy Ginsberg, Dean Conference College of Arts and Communication Bhanu P. S. Chauhan, Chemistry, Co-Chair Darryl Moore, Dean Jaishri Menon, Biology, Co-Chair Center for Research, College of Science and Health Brenda Marshal, Director Venkat Sharma, Dean College of Humanities and Social Sciences Richard Helldobler, President Wartyna Davis, Interim Dean Joshua Powers, Provost and Marketing and Public Relations Senior Vice President for Academic Stuart Goldstein, Associate Vice President Christine Diehl, Director, Marketing Affairs Poster and Cover Art Liam Garcia, Undergraduate Student, Prof. Matt Finn, Art Department William Paterson University, Copyright 2020 2 EXPLORATIONS will not be presented in-person in 2020 because of COVID-19 (Coronavirus Disease) Pandemic. -
Mind the Gap: How Economically Disadvantaged Students Navigate Elite Private Schools in Ontario
MIND THE GAP: HOW ECONOMICALLY DISADVANTAGED STUDENTS NAVIGATE ELITE PRIVATE SCHOOLS IN ONTARIO by William George Peat A dissertation submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Leadership, Higher and Adult Education Ontario Institute for Studies in Education University of Toronto © Copyright by William George Peat 2020 MIND THE GAP: HOW ECONOMICALLY DISADVANTAGED STUDENTS NAVIGATE ELITE PRIVATE SCHOOLS IN ONTARIO William George Peat Doctor of Philosophy Department of Leadership, Higher and Adult Education University of Toronto 2020 Abstract “Mind the gap” is a qualitative study rooted in the sociology of education, dealing with educational inequality in Canada. It asked: what is the experience of working-class students in elite secondary schools, and are the benefits of achieving social mobility worth the costs? In a country whose populace has long seen itself as middle class, but where social inequality is a growing concern and social mobility increasingly rare, the study examined the journey of three working-class students seeking to become upwardly mobile by attending elite private schools in Ontario. The study examined their experiences, and employed a combination of semistructured, in-depth interviews, and follow-up conversations. It also drew on relationships that formed as a result of them, as well as on the researcher’s knowledge of the culture of the schools the students attended. In addition, it drew upon the lived experience of the researcher, who shares similar elements of the participants’ socioeconomic background. The data produced was used to develop literary and visual portraits. The process was collaborative and enabled the participants to become co-creators in the creation of their portraits, which were subject to analyses. -
Calculus for a New Century: a Pump, Not a Filter
DOCUMENT RESUME ED 300 252 SE 050 088 AUTHOR Steen, Lynn Arthur, Ed. TITLE Calculus for a New Century: A Pump, Not a Filter. Papers Presented at a Colloquium _(Washington, D.C., October 28-29, 1987). MAA Notes Number 8. INSTITUTION Mathematical Association of America, Washington, D.C. REPORT NO ISBN-0-88385-058-3 PUB DATE 88 NOTE 267p. AVAILABLE FROMMathematical Association of America, 1529 18th Street, NW, Washington, DC 20007 ($12.50). PUB TYPE Viewpoints (120) -- Collected Works - Conference Proceedings (021) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Calculus; Change Strategies; College Curriculum; *College Mathematics; Curriculum Development; *Educational Change; Educational Trends; Higher Education; Mathematics Curriculum; *Mathematics Instruction; Mathematics Tests ABSTRACT This document, intended as a resource for calculus reform, contains 75 separate contributions, comprising a very diverse set of opinions about the shap, of calculus for a new century. The authors agree on the forces that are reshapinc calculus, but disagree on how to respond to these forces. They agree that the current course is not satisfactory, yet disagree about new content emphases. They agree that the neglect of teaching must be repaired, but do not agree on the most promising avenues for improvement. The document contains: (1) a record of presentations prepared fcr a colloquium; (2) a collage of reactions to the colloquium by a variety of individuals representing diverse calculus constituencies; (3) summaries of 16 discussion groups that elaborate on particular themes of importance to reform efforts; (4) a series of background papers providing context for the calculus colloquium; (5) a selection of final examinations from Calculus I, II, and III from universities, colleges, and two-year colleges around the country; (6) a collection of reprints of documents related to calculus; and (7) a list of colloquium participants. -
Mostly Modern Miniatures: Classical Persian Painting in the Early Twentieth Century
classical persian painting in the early twentieth century 359 MARIANNA SHREVE SIMPSON MOSTLY MODERN MINIATURES: CLASSICAL PERSIAN PAINTING IN THE EARLY TWENTIETH CENTURY Throughout his various writings on Persian painting Bek Khur¸s¸nº or Tur¸basº Bek Khur¸s¸nº, seems to have published from the mid-1990s onwards, Oleg Grabar honed to a fi ne art the practice of creative reuse and has explored the place of the medium in traditional replication. Indeed, the quality of his production, Persian culture and expounded on its historiography, represented by paintings in several U.S. collections including the role played by private collections, muse- (including one on Professor Grabar’s very doorstep ums, and exhibitions in furthering public appreciation and another not far down the road), seems to war- and scholarly study of Persian miniatures.1 On the rant designating this seemingly little-known painter whole, his investigations have involved works created as a modern master of classical Persian painting. His in Iran and neighboring regions from the fourteenth oeuvre also prompts reconsideration of notions of through the seventeenth century, including some of authenticity and originality within this venerable art the most familiar and beloved examples within the form—issues that Oleg Grabar, even while largely canonical corpus of manuscript illustrations and min- eschewing the practice of connoisseurship himself, iature paintings, such as those in the celebrated 1396 recognizes as a “great and honorable tradition within Dºv¸n of Khwaju Kirmani, the 1488 Bust¸n of Sa{di, and the history of art.”5 the ca. 1525–27 Dºv¸n of Hafi z. -
Hagop Kevorkian Center 2015/2016 Review
HAGOP KEVORKIAN CENTER REVIEW 2015/2016 STAFF Director Helga Tawil-Souri Associate Director Greta Scharnweber Director of Graduate Studies Joanne Nucho Faculty Fellow Begum Adalet Program Coordinator Arthur Starr 2015–2016 Outreach Administrator Diana Shin Administrative Aide Vitandi Singh Writer-in-Residence Fall 2015 Nancy Kricorian Human Rights Activist-in-Residence Spring 2016 Sarah Leah Whitson Hagop Kevorkian Center NYU 50 Washington Square South, 4th Floor New York, NY 10012 http://neareaststudies.as.nyu.edu #nyuKevo The Hagop Kevorkian Center for Near Eastern Studies at NYU is a Title VI National Resource Center (NRC) for modern Middle Eastern Studies as named by the United States Department of Education. NRC support is essential to the Center’s graduate program (area and language studies) Editor Greta Scharnweber, Sabahat Zakariya and bolsters outreach programs to the NYU academic community, local educators, media and culture workers as well as the general public. Title VI funding, through its Foreign Language and Layout and Design Melissa Runstrom & Josh Anderson Area Studies (FLAS) fellowships, also enables important opportunities for NYU graduate students Cover Design The Goggles (Paul Shoebridge, Michael Simons, Mika Senda) to intensively study the languages of the Middle East and South Asia (including Arabic, Hebrew, Hindi, Persian, Turkish and Urdu). Copyright 2016. All rights reserved. Contents Letter from the Director Letter from the Director 5 It is a pleasure to celebrate the Kevorkian Center’s achievements by look- crew! Our indefatigable Associate Director, Greta Scharnweber, continues ing back at another great year. This HK Review also marks the mid-point of to make all aspects of what we do possible, and does so with excellence Scholars the Center’s 50th year, a milestone that we began honoring in Spring 2016 and affability. -
The Emamzadeh Yahya at Varamin: a Present History of a Living Shrine, 2018–20
Journal of Material Cultures in the Muslim World 1 (2020) 120–149 brill.com/mcmw The Emamzadeh Yahya at Varamin: A Present History of a Living Shrine, 2018–20 Keelan Overton Independent Scholar, Santa Barbara, CA, USA [email protected] Kimia Maleki Graduate Student, History of Art, Johns Hopkins University, Baltimore, MD, USA [email protected] Abstract The Emamzadeh Yahya at Varamin, a tomb-shrine located south of Tehran, is well known for supplying global museums with iconic examples of Ilkhanid-period luster tilework. After provid- ing a historiography of the site, including its plunder in the late nineteenth century, we explore its current (2018–20) “life” in order to illuminate the many ways that it can be accessed, used, perceived, and packaged by a wide range of local, national, and global stakeholders. Merging past and present history, art history and amateur anthropology, and the academic, personal, and popular voice, this article explores the Emamzadeh Yahya’s delicate and active existence between historical monument, museum object, sacred space, and cultural heritage. Keywords Emamzadeh Yahya (Imamzada Yahya) – Varamin (Veramin, Waramin) – Iran – Ilkhanid – shrine – luster – tilework – mihrab – museums – present history – COVID-19 The Emamzadeh Yahya at Varamin (35.31614, 51.648336) poses a number of art histori- cal conundrums. Despite the fact that it is located just 35 miles south of Tehran and its Ilkhanid period (1256–1353) luster tilework enjoys endless visibility online, in print, and in museums (fig. 1), the shrine itself remains relatively anonymous beyond its immedi- ate demographic and specialist research. In the age of ongoing renovations of Islamic art galleries, we expect to see its famous tiles redisplayed and reevaluated, but the com- plex’s history and interpretation tend to end at its moment of rupture in the late nine- teenth century, when its tilework was systematically removed and dispersed across the globe. -
2016 Actc Proceedings
TRADITION & RENEWAL TRADITION AND RENEWAL: CONTINUITY AND CHANGE IN CORE AND LIBERAL ARTS PROGRAMS Selected Papers from the Twenty-Second Annual Conference of the Association of Core Texts and Courses, Atlanta, April 14–17, 2016 Edited by Tuan Hoang Association for Core Texts and Courses ACTC Liberal Arts Institute 2021 Acknowledgments (Park) CREDIT LINE: Excerpt(s) from THE BIRTH OF TRAGEDY AND THE CASE OF WAGNER by Friedrich Nietzsche, translated by Walter Kaufmann, translation copyright © 1967 by Walter Kaufmann. Used by permission of Random House, an imprint and division of Penguin Random House LLC. All rights reserved. (McGrath) Excerpt(s) from THE SPIRIT OF THE LAWS by Montesquieu, translated and edited by Anne M. Cohler, Basia Carolyn Miller, and Harold Samuel Stone, translation copyright © 1989 by Anne M. Cohler, Basia Carolyn Miller, and Harold Samuel Stone. Used by permission of Cambridge University Press. All rights reserved. (Galaty) Excerpt(s) from DISCOVERIES AND OPINIONS OF GALILEO by Galileo, translated by Stillman Drake, translation copyright © 1957 by Stillman Drake. Used by permission of Doubleday, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Contents Introduction: Core Texts and Tradition in Atlanta Tuan Hoang ix Tradition Juxtaposed and Complicated The Oral Voice in Ancient and Contemporary Texts Jay Lutz 3 On the Unity of the Great French Triumvirate John Ray 7 Burke, MacIntyre, and Two Concepts of Tradition Wade Roberts 13 Happiness as a Moral End: On Prudence in Kant’s Grounding for the Metaphysics of Morals and Austen’s Persuasion Jane Kelley Rodehoffer 19 “The Stranger God” and the “Artistic Socrates”: On Nietzsche and Plato in Thomas Mann’s Death in Venice Julie Park 27 The Human Person in Core Texts Unheroic Heroes: Ambiguous Categories in Three Core Texts Michael D. -
Sunday, September 18, 2016 at 9:54:26 PM Eastern Daylight Time
Sunday, September 18, 2016 at 9:54:26 PM Eastern Daylight Time Subject: FW: Commi)ee to Establish Principles on Renaming Date: Monday, August 1, 2016 at 12:13:30 PM Eastern Daylight Time From: Wilkinson, Steven To: Wi), John, Gage, Beverly Dear John and Bev, I am very glad this commi)ee has been appointed. As you are the two people I know best on the commi)ee I hope you don’t mind my wriPng with my thoughts. I signed the le)er this spring urging Calhoun be renamed. Calhoun should be renamed in my view primarily because there is a disPncPon between someone who was a fellow traveler in the prejudices of the age, no ma)er how difficult, abhorrent or unpopular we might find those prejudices today, and someone who devoted the larger part of his poliPcal career to furthering and enunciaPng views that are at odds with some of the core values (equal treatment, jusPce, non-racism) of Yale as an educaPonal insPtuPon. In honoring him we are inescapably honoring Calhoun’s role in his poliPcal project. And that central role cannot be balanced out, as it is with many other figures, with many other achievements that are more admirable. I acknowledge that there is a second powerful argument that has also been made about renaming. That honoring Calhoun with a college in which his memory is projected causes faculty and students hurt, especially those who must live and work in Calhoun. I find that argument important and worthy of respect, but less compelling than the first set of arguments. -
Afruz Amighi Mångata
AFRUZ AMIGHI MÅNGATA AFRUZ AMIGHI MÅNGATA LEILA HELLER GALLERY. 7 9 11 13 14 15 17 19 20 23 25 27 28 DIGGING: ARTIFACTS FROM THE FUTURE Afruz Amighi discusses her practice with friend and fellow artist, Ali Banisadr and curator, Brooke Lynn McGowan. Brooke: Let’s begin with what we can see: your linear, rational, and Afruz: I love industrial materials. They have this anonymity to them. I was using a material associated with abjection to cast shadows Afruz: That’s very nice to hear, because I always hope that someone structural works are often presented in a darkened environment, Often I will see a material somewhere in the city, like the mosquito containing patterns and designs associated with power and will find some sense of quiet with my work. And I think this quiet devoid of, even absorbent of, and antithetical to color. netting you mentioned. One night on my way home from JFK, I opulence. Somehow in the realm of shadows, a dematerialized can be channeled with materials like concrete and steel, materials noticed all these buildings that were in a state of construction… realm, these two opposites made contact. that are often associated with the opposite sensations, urban Afruz: When I am thinking about a new sculpture, the colors that they were draped with black netting and lit with these giant bulbs sprawl, frenzy, oppressive containment. come up for me are the ones inherent to the medium that I think from inside. I thought it was so elegant. Brooke: In the sense of material, your work seems to be would best suit the forms I want to make. -
CURRICULUM VITAE Holly Pittman April 2016 Department of the History of Art 301 Jaffe Building 3405 Woodland Walk Univer
CURRICULUM VITAE Holly Pittman April 2016 Department of the History of Art 301 Jaffe Building 3405 Woodland Walk University of Pennsylvania Philadelphia, PA 19104-6208 Tel: 215-898-3251 Fax: 215-573-2210 [email protected] EDUCATION Ph.D. Columbia University, Department of Art History and Archaeology Dissertation: Glazed Steatite Glyptic Style: The Structure and Function of an Image System. Awarded with Distinction. 1990. M.A. Columbia University, Department of Art History and Archaeology. 1975. Thesis: Metal Working Techniques of the Scythian Nomads. B.A. State University of New York at Binghamton, Harpur College. 1970-1971 Degree awarded in History. Bryn Mawr College, Ancient and Modern History. 1966-1969. EMPLOYMENT University of Pennsylvania: Department of the History of Art 1989-1999 Associate Professor 1999 Professor 2000-2009 College for Women Class of 1963 Endowed Term Professor in the Humanities Departmental Chair, History of Art 2010 Bok Family Professor in the Humanities University of Pennsylvania Museum of Archaeology and Anthropology: 1994-present Curator, Near Eastern Section July 2005-2008 Deputy Director for Academic Programs 2007- present Project Coordinator for Publication of Penn Excavations at Hasanlu. Center for Ancient Studies: Director, 1996-1999; 2003-2007 Co-Director Program for the Archaeology of Ukraine 2003 to present Metropolitan Museum of Art: Department of Ancient Near Eastern Art 1974-1989 Consultant, Curatorial Assistant, Assistant Curator, Associate Curator AWARDS AND FELLOWSHIPS Honorary Member, Shabahang (Iranian Cultural Society) Bok Family Professor in the Humanities University of Pennsylvania School of Arts and Sciences, 2010 Citation for Contribution to Archaeology of Kerman Province, awarded by Kerman Cultural Ministry, Kerman Iran May 2008 Norman Freehling Visiting Professor, Institute for the Humanities, University of Michigan for Spring 2005. -
Hagop Kevorkian Center Review 2009/2010
HAGOP KEVORKIAN CENTER REVIEW 1 2009/2010 HAGOP KEVORKIAN CENTER REVIEW 2009/2010 2009-2010 The Hagop Kevorkian Center for Near Eastern Studies at NYU is a Title VI National Resource Cen- ter (NRC) for modern Middle Eastern Studies as named by the United States Department of Education. NRC support is essential to the Center’s graduate program (area and language studies) and bolsters outreach programs to the NYU academic community, local educators, media and culture workers as well as the general public. Title VI funding, through its Foreign Language and Area Studies (FLAS) fel- lowships, also enables important opportunities for NYU graduate students to intensively study the lan- guages of the Middle East and South Asia (including Arabic, Hebrew, Hindi, Persian, Turkish and Urdu). 2 STAFF Director Michael Gilsenan Associate Director Greta Scharnweber Director of Graduate Studies Nadia Guessous Program Coordinator Amal Hageb 2009-2010 Administrative Aide Sarah Coffey Hagop Kevorkian Center New York University 50 Washington Square South New York, NY 10012 www.nyu.edu/gsas/program/neareast Editors Greta Scharnweber, Melissa Runstrom Copy Editors Nadia Khalaf, Lila Nazemian, Katie Rende Layout and Design Melissa Runstrom Cover Design The Goggles (Paul Shoebridge and Michael Simons) Copyright 2010. All rights reserved. 3 Contents Letter from the Director 5 Spotlight Mardomi-Nejad vs. The Greens: Iran’s Political Struggle Captured in Election Posters 6 Research Workshops Alumni Q & A: Medical Anthropologist Sherine Hamdy 8 Seminars Riyadh Drift: