LISA ARZBERGER

NEW AUSTRIAN A B C D EA F GB HC I D E F G H I J K L M N AO B PC DQ E F G H I A B C D EJ F J KGK LH LM I NM O PN Q O P Q RJ KS TL A UM B V CN WDA R O E BXS F PT C YG U Q DHZ V I EW FX GY ZH I a b c dJ Ke Lf RgM ah Nb Si c O j Td k Pe lfQU g h Vi j kW l X Y Z Typografie Lisa Arzberger

Übung 3 || Typo A1 | 3 A B CR D S ET AFR U BGS CVT H D UW J I E mV KFX W n G L Y oXH p MZYI qZ Nr s || Typo A1 | 3 Ot u Pv Q m n o p q r s t u v Aufgabe 3 8 9 0 w x y z 1 2 3 4 5 6 7 m n o p q r s t u v a b c d e f g h i j k l R S T U V W X Y Z J K L M N O P Q A B C D E F G H I Aufgabe 3 J K La Mb cN Jda O K be cLPf d M ga QRe N whf b S gOxi Th yjcP ik zU Qj 1dlk V2 l 3 eW 4 f 5X 6g 7Y hZ Stempel ||| i j k l yoA || Typo A1 | 3 yoA || Typo A1 | 3 Garamond R S T U KAPITELV 01 W X Y Z Stempel ||| eigene schrift und analoge umsetzung

Stempel Garamond || Typo A1 | 3 w x y mz n1 o2Rennaissance Antiqua p3 q 4 r 5s 6t u7 v R S T U V W X Y Z8 9 0 Aufgabe 3 m n o p q ra sb tc ud ve f g Garamond h i j k l a b c d e f g h i j k l Aufgabe 3 yoA || Typo A1 | 3 | Stempel ||| yoA || Typo A1 | 3 w x y zm 1 2 3n 4 5o 6 7p Stempel ||| q r s t u v Aufgabe 3 a b c 8d e9 f0 gm h n i oj pk ql r s t u v Garamond w x y z 1 2 m3 4n 5 o 6 p7 qAufgabe 3 r s t u v Aufgabe 3 yoA || Typo A1 | 3 Garamond

8 9 0 Stempel ||| | Stempel ||| m n o p q rw sx yt zu 1 v2 3 4 5 6 7 Stempel ||| Garamond 8 9 0 w x yAufgabe 3 z 1 2 3 4 5 6 7

w x y z 1 2 3 4 5Garamond 6 7

8 9 0 Stempel ||| w x y z 1 2 3 4 5 6 7 Garamond

8 9 0Garamond

8 9 0 8 9 0

Garamond Stempel ||| 3 Aufgabe || A1 Typo | 3 E E E ABCDEFGH E E IJKLMNOP E QRSTUV E O E WXYZ E E MEXICANO O

NEW AUSTRIAN X X

40

FOR about $627∑ about ROMAN TEXT FOR

FOR about $627∑ about ROMAN DISPLAY FOR

ALL SIZES ALL

BIG or small install small or ITALIC LIGHT DISPLAY BIG

BIG or small install small or LIGHT DISPLAY BIG BIG or small inst small or CAPS SMALL ITALIC DISPLAY BIG

MILLER AVAILABLE FROM BUREAU AND ITS DISTRIBUTORS

MILLER MILLER AVAILABLE FROM FONT BUREAU AND ITS DISTRIBUTORS AVAILABLE FROM FONT BUREAU AND ITS DISTRIBUTORS AVAILABLE FROM FONT BUREAU AND ITS DISTRIBUTORS MILLER MILLER AVAILABLE FROM FONT BUREAU AND ITS DISTRIBUTORS BIG or small instal small or ITALIC DISPLAY BIG

BIGDISPLAY BOLD or small instal

AVAILABLE FROM FONT BUREAU AND ITS DISTRIBUTORS AND ITS BUREAU FONT FROM AVAILABLE BIGDISPLAY BOLD orBIGDISPLAY BOLD smallDISPLAY SEMIBOLD or instalsmall instal

CARDBOARD BIGDISPLAY BOLD or small instal

BoxesDISPLAY ITALIC in strange dimensions BIG or small insi small or CAPS SMALL ROMAN DISPLAY BIG BIGDISPLAY SEMIBOLD or small instal

DISPLAY SEMIBOLD BIGDISPLAY SEMIBOLD orBIG small or instalsmall instal

BIGDISPLAY SEMIBOLD or small instal 1997–2000

DISPLAY LIGHT c&c, fb c&c, fb 63 Cubits ROLL OF CLEAR PACKING TAPE

DISPLAYMILLER ROMAN DISPLAY SEMIBOLD ITALIC AVAILABLE FROM FONT BUREAU AND ITS DISTRIBUTORS

BIG or small instal BIG orsmall smallor instalBIG Typografie Lisa Arzberger ROMAN DISPLAY AVAILABLE FROM FONT BUREAU AND ITS DISTRIBUTORS AND ITS BUREAU FONT FROM AVAILABLE

Übung 3 BIGDISPLAY SEMIBOLD ITALIC orBIGDISPLAY SEMIBOLDsmall ITALIC or instalsmall instal BIGDISPLAY SEMIBOLD ITALIC or small instal

DISPLAYPOINTED ITALIC KNIVES Little Styrofoam Peanuts Were So Adorable DISPLAY ITALIC SMALL CAPS

DISPLAY SEMIBOLD CARDBOARDDISPLAY ROMAN

CONTACT FONT BUREAU FOR INFORMATION ABOUT ADDITIONAL STYLES ABOUT INFORMATION FOR BUREAU FONT CONTACT BIG or small instal

DISPLAY ROMAN SIZE; IN TEXT ALL WITH ITALICS, AND BOLD, SMALL CAPS, ROMAN ROMAN, 15 STYLES: BIGDISPLAY ROMAN or small instal

BIG or smallinstal instalsmall or BIG LIGHT, ROMAN, ROMAN SMALL CAPS, AND SEMIBOLD, ALL WITH ITALICS, PLUS BOLD, IN DISPLAY SIZE BOLD, IN DISPLAY PLUS LIGHT, ROMAN, ROMAN SMALL CAPS, AND SEMIBOLD, ALL WITH ITALICS, NewDISPLAY ROMAN SMALL CAPS Acquaintances ITALIC SEMIBOLD DISPLAY BoxesDISPLAY ITALIC in BIGDISPLAYstrange ROMAN dimensionsor small instal KAPITEL 02

miller schriftkatalog

They becameMiller my most trusted confidantes MILLER Late Practices the Scotch style – though not to one any historical example – and authentic in having both roman & italic small origin, widely used in the US in the last century, but neglected since & overdue for revival. Miller is faithful to for revival. but neglected since & overdue century, origin, widely used in the US last caps, a feature of the originals; Tobias Frere-Jones & Cyrus Highsmith added to the series; series; tothe added Highsmith &Cyrus Frere-Jones Tobias originals; the afeatureof caps, POINTED KNIVES Packing Material on Ice Opens Broadway Material Packing Miller, designed by , is a ‘,’ a class of sturdy, general purpose types of Scottish of sturdy, Carter, is a ‘Scotch Roman,’ class Miller, designed by Matthew DISPLAY ROMAN DISPLAY SMALL CAPS & ITALIC ROMAN DISPLAY BOLD DISPLAY ROMAN DISPLAY ITALIC DISPLAY ITALIC SEMIBOLD DISPLAY ROMAN DISPLAY SMALL CAPS ROMAN DISPLAY SMALL CAPS ITALIC DISPLAY ITALIC DISPLAY ROMAN DISPLAY LIGHT DISPLAY ITALIC DISPLAY SEMIBOLD DISPLAY I taught them some dance routines New Acquaintances Let them to listen carefully was di∞cult me tell you, getting SYNCH≤ONIZE ROLL OF CLEAR PACKING TAPE ROLL OF CLEAR PACKING They most trusted confidantes became my

Boxes in strange dimensions Ecstatic Reviews Little Styrofoam Peanuts Were So Adorable Were Little Styrofoam Peanuts DISPLAY ROMAN CARDBOARD Klassizistische Antiqua

63 Cubits

38

BIGDISPLAY ROMAN SMALL CAPS or small insi

BIGDISPLAY ROMAN SMALL CAPS orBIGDISPLAY ROMAN SMALLsmall CAPS or small insi insi DISPLAY SEMIBOLD ITALIC BIGDISPLAY ROMAN SMALL CAPS or small insi Lateinstal Practicessmall or BIG I DISPLAYtaught LIGHT them some dance routines SEMIBOLD DISPLAY DISPLAY63 ITALIC Cubits Let me tell you, getting them to listen carefully was di∞cult DISPLAYROLL ROMAN OF CLEAR PACKING TAPE

DISPLAY ROMAN BIGDISPLAY ITALIC or small instal BIGDISPLAY ITALIC orBIGDISPLAY ITALICsmall or instalsmall instal

BIGDISPLAY ITALIC or small instal SYNCH≤ONIZEDISPLAY BOLD DISPLAY ITALIC POINTEDinstal small KNIVES or BOLD DISPLAY BIG Packing Material on Ice Opens on Broadway DISPLAYLittle ROMAN & ITALIC SMALL CAPS Styrofoam Peanuts Were So Adorable DISPLAY ITALIC SMALL CAPS BIGDISPLAY ITALIC SMALL CAPS or small inst MILLER BIGDISPLAY ITALIC SMALL CAPS small instal BIG or BOLD DISPLAY orBIGDISPLAY small instal BIG or ITALIC SEMIBOLD DISPLAY smallSMALL CAPS small instal BIG or or ITALIC SEMIBOLD DISPLAY small small instal or BIG inst ROMAN DISPLAY BIG or small insi SMALL CAPS ROMAN DISPLAY instBIG or small instal ITALIC DISPLAY BIG or small inst SMALL CAPS ITALIC DISPLAY BIG or small install LIGHT DISPLAY BIG or small install LIGHT ITALIC DISPLAY ALL SIZES FOR about $627∑ ROMAN DISPLAY FOR about $627∑ ROMAN TEXT BIGDISPLAY ITALIC SMALL CAPS or small inst DISPLAY ROMAN Ecstatic NewDISPLAY ROMAN SMALL CAPS Acquaintances Reviews Miller, designed by Matthew Carter, is a ‘Scotch Roman,’ a class of sturdy, general purpose types of Scottish

40

origin,They widely used inbecame the US in the last century, my but neglected most since & overduetrusted for revival. Miller confidantes is faithful to

DISPLAY ROMAN MILLER

AVAILABLE FROM FONT BUREAU AND ITS DISTRIBUTORS ITS AND BUREAU the ScotchFONT styleFROM – thoughBIGDISPLAY not toAVAILABLE LIGHT any one historical example – andor authentic in having smallboth roman & italic small install caps, a feature of the originals; Tobias Frere-Jones & Cyrus Highsmith added to the series; c&c, fb 1997–2000 BIGDISPLAY LIGHT orBIGDISPLAY LIGHTsmall or installsmall install BIGDISPLAY LIGHT or small install 15 STYLES: ROMAN, ROMAN SMALL CAPS, AND BOLD, ALL WITH ITALICS, IN TEXT SIZE; LIGHT, ROMAN, ROMAN SMALL CAPS, AND SEMIBOLD, ALL WITH ITALICS, PLUS BOLD, IN DISPLAY SIZE DISPLAY SEMIBOLD ITALIC LateCONTACT FONT BUREAU FORPractices INFORMATION ABOUT ADDITIONAL STYLES 38 I taughtBIGDISPLAY LIGHT them ITALIC some or dance small routines install DISPLAY ITALIC BIGDISPLAY LIGHT ITALIC orBIGDISPLAY smallLIGHT ITALIC or installsmall install ALL SIZES Let me tell you, gettingDISPLAY LIGHT them ITALIC to listen carefully was di∞cult DISPLAY ROMAN BIG or small install ALL SIZES ALL SIZES ALL SIZES

SYNCH≤ONIZEDISPLAY BOLD FORDISPLAY ROMAN about $627∑ Packing Material on Ice Opens on Broadway DISPLAY ROMAN FORDISPLAY ROMAN about $627∑ FOR aboutDISPLAY ROMAN & ITALIC SMALL CAPS $627∑ FORDISPLAY ROMAN about $627∑

EcstaticDISPLAY ROMAN Reviews FORTEXT ROMAN about $627∑ FORTEXT ROMAN aboutFORTEXT ROMAN Miller, designed by about $627∑Matthew Carter, is a ‘Scotch Roman,’ a class $627∑ of sturdy, general purpose types of Scottish origin, widely used in the US in theFORTEXT last ROMAN century, but neglected since & overdueabout for revival. Miller is faithful to $627∑ the Scotch style – though not to any one historical example – and authentic in having both roman & italic small caps, a feature40 of the originals; Tobias Frere-Jones & Cyrus Highsmith added to the series; c&c, fb 1997–2000 40 40

15 STYLES:40 ROMAN, ROMAN SMALL CAPS, AND BOLD, ALL WITH ITALICS, IN TEXT SIZE; LIGHT, ROMAN, ROMAN SMALL CAPS, AND SEMIBOLD, ALL WITH ITALICS, PLUS BOLD, IN DISPLAY SIZE 38 CONTACT FONT BUREAU FOR INFORMATION ABOUT ADDITIONAL STYLES Miller is a „Scotch Roman“—a style which origina- Matthew Carter‘s Miller is not a facsimile of Miller‘s ted in types cut by Richard Austin at the Scottish Scotch Roman, any more than his was a fac- type foundries of Alexander Wilson and William simile of any one type by Robert Granjon. What it has Miller in the period of 1810–1820. Although Miller done is to capture the good color, and the generous remains faithful to the Scotch Roman style ( for breadth and modelling of its model, and to bring a example, in having both roman and italic small valid version of ‚Scotch Roman‘ back into current The Miller caps), it is not based on any single historical ex- use after a lapse in of some decades. Miller ample. Mosley described Carter‘s revival of Miller was made with current production needs in mind, of as follows: which the two versions, ‚Display‘ and the more robust ‚Text‘ versions are evidence, and so is its relatively lar- Matthew Carter‘s Miller is not a facsimile of Miller‘s ge x-height. Scotch Roman, any more than his Galliard was a fac- family simile of any one type by Robert Granjon. What it has Miller is a „Scotch Roman“—a style which originated done is to capture the good color, and the generous in types cut by Richard Austin at the Scottish type breadth and modelling of its model, and to bring a foundries of Alexander Wilson and William Miller valid version of ‚Scotch Roman‘ back into current in the period of 1810–1820. Although Miller remains ... was designed by Matthew Carter use after a lapse in England of some decades. Miller faithful to the Scotch Roman style (for example, in was made with current production needs in mind, of having both roman and italic small caps), it is not ba- which the two versions, ‚Display‘ and the more robust sed on any single historical example. Mosley descri- and developed by Carter with the as- ‚Text‘ versions are evidence, and so is its relatively lar- bed Carter‘s revival of Miller as follows: ge x-height. sistance of the Font Bureau‘s Tobias Matthew Carter‘s Miller is not a facsimile of Miller‘s Miller is a „Scotch Roman“—a style which originated Scotch Roman, any more than his Galliard was a fac- Frere-Jones and Cyrus Highsmith, in types cut by Richard Austin at the Scottish type simile of any one type by Robert Granjon. What it has foundries of Alexander Wilson and William Miller done is to capture the good color, and the generous in the period of 1810–1820. Although Miller remains breadth and modelling of its model, and to bring a and the encouragement of James faithful to the Scotch Roman style (for example, in valid version of ‚Scotch Roman‘ back into current use having both roman and italic small caps), it is not ba- after a lapse in England of some decades. Mosley, a librarian at St Bride Library. sed on any single historical example. Mosley descri- bed Carter‘s revival of Miller as follows: miller text miller display Miller Text Italic Miller Display Light Miller Text Italic SC Miller Display Light Italic Miller Text Roman v s. Miller Display Italic Miller Text Roman Sc Miller Display Italic Sc Miller Text Bold Miller Display Roman Miller Text Bold Italic Miller Display Roman Sc Miller Display Semibold Miller Display Semibold Italic Miller Display Bold Date released: Category Classification 1997 Transitional serif Designer(s) 1997 Matthew Carter Foundry 1997 Font Bureau founded in 1992 Carter ^ Cone Type Inc by Matthew Carter &  ‡ Miller Roman Miller Roman* SC Miller Roman SC Miller Roman SC Miller Roman SC Miller Roman SC 10pt auf 14pt, linksbündig 10pt auf 14pt, Blocksatz 10pt auf 14pt, rechtsbündig 9pt auf 12pt ˆ9pt auf 12pt, Blocksatz ˇ9pt auf 12pt ˘

Miller is a transitional serif type- Miller is a transitional serif Miller is a transitional serif type- Miller is a transitional serif Miller is a transitional serif type- Miller is a transitional serif type- face released in 1997 by the Font typeface released in 1997 by face released in 1997 by the Font typeface released in 1997 by the face released in 1997 by the Font face released in 1997 by the Font Font Bureau, a U.S.-based digital Bureau, a U.S.-based digital type Bureau, a U.S.-based digital type Bureau, a U.S.-based digital type the Font Bureau, a U.S.-based Bureau, a U.S.-based digital type . It was designed by foundry. It was designed by Mat- foundry. It was designed by Mat- foundry. It was designed by Mat- digital type foundry. It was foundry. It was designed by Mat- Matthew Carter, based on the thew Carter, based on the „Scotch thew Carter, based on the „Scotch thew Carter, based on the „Scotch designed by Matthew Carter, thew Carter, based on the „Scotch „Scotch Roman“ style which orig- Roman“ style which originates Roman“ style which originates Roman“ style which originates based on the „Scotch Roman“ Roman“ style which originates inates from types cut by Richard from types cut by Richard Austin from types cut by Richard Austin in from types cut by Richard Austin style which originates from from types cut by Richard Austin Austin in Scottish type foundries in Scottish type foundries in the Scottish type foundries in the early in Scottish type foundries in the types cut by Richard Austin in in Scottish type foundries in the in the early 19th century. early 19th century. 19th century. early 19th century. Scottish type foundries in the early 19th century. The general purpose versions of The general purpose versions of The general purpose versions of early 19th century. Miller are Miller Text and Mill- Miller are Miller Text and Miller Miller are Miller Text and Miller The general purpose versions of The general purpose versions of er Display, though since their Display, though since their release Display, though since their release Miller are Miller Text and Miller The general purpose versions Miller are Miller Text and Miller release they have given rise to they have given rise to a number of they have given rise to a number of Display, though since their release of Miller are Miller Text and Display, though since their release a number of variants, including variants, including Miller Daily, variants, including Miller Daily, Miller Daily, Miller Headline Miller Headline and Miller Ban- Miller Headline and Miller Banner, they have given rise to a num- Miller Display, though since they have given rise to a number and Miller Banner, as well as ner, as well as some variants com- as well as some variants commis- ber of variants, including Miller their release they have given of variants, including Miller some variants commissioned for missioned for use in specific publi- sioned for use in specific publica- Daily, Miller Headline and Miller rise to a number of variants, Daily, Miller Headline and Miller use in specific publications. The cations. The Miller family is widely tions. The Miller family is widely Banner, as well as some variants including Miller Daily, Mill- Banner, as well as some variants Miller family is widely used, used, mostly in newspapers and used, mostly in newspapers and commissioned for use in specific er Headline and Miller Ban- commissioned for use in specific mostly in newspapers and maga- magazines. magazines. publications. The Miller family is ner, as well as some variants publications. The Miller family is zines. widely used, mostly in newspapers commissioned for use in spe- widely used, mostly in newspapers and magazines. cific publications. The Miller and magazines. family is widely used, mostly in newspapers and magazines. „Type is a beautiful group of letters, not a group of beautiful letters.“ Matthew Carter fi fl ffl ffi fjff thunfisch fi fl ffl ffi fjff fjord | ||| 3 Aufgabe || A1 Typo | 3 3 | Typo A1 || Aufgabe 3 ||| Rockwell

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m 8 9 0 n o p q r s t u v w x y z 1 2 3 4 5 6 7 x y z 1 2 3 4 5 6 7 n o p q r s t u v w 8 9 0 c d e f g h i j k l m S T U V W X Y Z a b J K L M N O P Q R A B C D E F G H I A B C D E F G H I J K L M N O P Q R 8 9 0 S T U V W X Y Z a b x y z 1 2 3 4 5 6 7 c d e f g h i j k l m n o p q r s t u v w n o p q r s t u v w c d e f g h i j k l m x y z 1 2 3 4 5 6 7 S T U V W X Y Z a b 8 9 0 J K L M N O P Q R A B C D E F G H I

8 9 0 9 8 8 9 0 Rockwell ||| 3 Aufgabe || A1 Typo | 3 3 | Typo A1 || Aufgabe 3 ||| Rockwell

||| Rockwell ||| Rockwell

x y z 1 2 3 4 5 6 7 6 5 4 3 2 1 z y x x y z 1 2Aufgabe 3 3 4 5 6 7 Aufgabe 3

8 9 0 x y z 1 2 3 4 5 6 7 n o p q r s t u v w A B C D E F G H I c d e f g h i j k l m J K L M N O P Q R S T U V W X Y Z a b S T U V W X Y Z a b J K L M N O P Q R c d e f g h i j k l m A B C D E F G H I n o p q r s t u v w x y z 1 2 3 4 5 6 7 8 9 0

n o p q r s t u v w v u t s r q p o n n o p q 3 |r A1 Typo || s t u v w 3 | A1 Typo ||

8 9 0 0 9 8 c d e f g h i jm kl lk mj i h g f e d c

||| Rockwell ||| Rockwell

8 9 0 x y z 1 2 3 4 5 6 7 A B C D E F G H I n o p q r s t u v w J K L M N O P Q R c d e f g h i j k l m S T U V W X S Y Z a b T U V W X Y Z a b c d e f g h i j k l m J K L M N O P Q R n o p q r s t u v w A B C D E F G H I x y z 1 2 3 4 5 6 7 8 9 0 x y z 1 2 3 4 5 6 7 x y z 1 2 3 4 5 6 7 6 Typografie Übung 3 5 4 Egyptienne Rockwell 3 Rockwell Egyptienne 2 Übung 3 Typografie 1 z y x

S T U V W X Y Z a b a Z Y X W V U T S S T U VAufgabe 3 W X Y Z a b Aufgabe 3

8 9 0 x y z 1 2 3 4 5 6 7 n o p q r s t u v w c d e f g h i j k l m S T U V W X Y Z a b J K L M N O P Q R A B C D E F G H I A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 1 2 3 4 5 6 7 8 9 0 n o p q r s t u v w 8 9 0 x y z 1 2 3 4 5 6 7 w I H G E F D C B A v n o p q r s t u v w J K L M N O P Q R u c d e f g h i j k l m t Y Z a b W X V T U S Y Z a b W X V T U S s c d e f g h i j k l m r J K L M N O P Q R q n o p q r s t u v w I H G E F D C B A p x y z 1 2 3 4 5 6 7 o 8 9 0 n

3 | A1 Typo || 3 | A1 Typo ||

J K L M N O P Q R Q P O N M L K J

J K L M N OLisa Arzberger P Q RLisa Arzberger c d e f g h i j k l m

c d e f g h i j k l m l k j KAPITELi 03 h g f e d c

miller anwendungen A B C D E FI GH HG IF E D C B A

S T b U a V Z W Y XX Y W Z V a U b T S

| Rockwell ||| 3 Aufgabe || A1 Typo | 3 3 | Typo A1 || Aufgabe 3 ||| Rockwell

J K L M N O P Q R

8 9 0 x y z 1 2 3 4 5 6 7 R n o p q r s t u v w Q c d e f g h i j k l m I H G E F D C B A P Y Z a b W X V T U S J K L M N O P Q R O Y Z a b W X V J K L M N O P Q R T U S N I H G E F D C B A c d e f g h i j k l m M n o p q r s t u v w L x y z 1 2 3 4 5 6 7 K 8 9 0 J

| Rockwell ||| 3 Aufgabe || A1 Typo | 3 3 | Typo A1 || Aufgabe 3 ||| Rockwell

A BI CH DG EF FE GD HC IB A

3 | Typo Rockwell A1||| 3 || AufgabeAufgabe || 3 |||A1 Rockwell Typo | 3

| Rockwell ||| 3 Aufgabe || A1 Typo | 3 3 | Typo A1 || Aufgabe 3 ||| Rockwell

| Rockwell ||| 3 Aufgabe || A1 Typo | 3 3 | Typo A1 || Aufgabe 3 ||| Rockwell

A B C D E F G H I J K L M N O P Q R S T UA B V C DW E XF GY H Z I a b c dJ Ke L f M g N hO Pi Qj Rk l A B CS T AD BUA C BAV EDA C BW EBF CDF XC G DEG Y DH EFZ IEH GFa F GH IG HI H I I m n oA JpB K JC Lq K DM J r L ENK s M FOL t GPN M QuH O R NI vP O Qw P R Q R || Typo A1 | 3

Typografie Lisa Arzberger b c d Übung 3 eJ fK g L h Mi jN k Ol P Q R AJ B KC DL E SMF TG U NH V I WO X YP Z Qa R

J K L MS N T O U P QV RW X Y Z aAufgabe 3

S T U V W X Y Z || Typo A1 | 3 a J Kx Ly M z Nm 1 Obn c2Po d pQ Se3 q Rf T 4rg Ush 5t i V u j 6 kWv l w 7X 8Y Z a

S T U V W X Y Z a ||| KAPITEL 04 Aufgabe 3 540 weitere übungen bCaslon 540 cb d ce df eg fh gi hj ki lj k l Barock Antiqua S ST UT V UxW y m X V zn Y 1o ZWbp2 qac3 r d4Xs t5e u Y 6fv g7w Z8h || Typo A1 | 3 ia j k l ||| b c d e f g h i j k l Caslon 540 Aufgabe 3 yoA || Typo A1 | 3 m n o p q r s t u v w || Typo A1 | 3 9 0 x y z 1 m2 3 n 4 o5 6p 7q 8 r s t u v w || Typo A1 | 3 9 0 ||| b c d e f g h i j mk ln o p q r s tCaslon 540 u v w yoA || Typo A1 | 3

m n o p q r s t u v w Aufgabe 3 b c d e f g h i j k l Aufgabe 3

9 0 Aufgabe 3 x y z 1 2 || Typo A1 | 3 3 4 5 6 7 8 Aufgabe 3 m n o p q r s t u vx w y z 1 2 3 4 5 6 7 8||| ||| x y z 1 2 3 4 5 6 7 8 Caslon 540 Caslon 540 x y z 1 2 3 4 5 6 7 8 ||| Caslon 540 ||| Aufgabe 3 Caslon 540 x y z 1 2 3 4 59 6 079 8 0 || Typo A1 | 3 m n o p q9 r0 s t||| u v w 9 0 Caslon 540 9 x0 y z 1 2 3 4 5 6 7 8 Aufgabe 3 ||| 9 0 Caslon 540 Typografie Typografie Übung 1 Übung 1 Buchstabe A Buchstabe A Typografie Typografie Übung 2 Übung 2 Lisa Arzberger Lisa Arzberger

YWFT Pello

Whiphand

Rowboat A B C D E F G H I

J K L MA NB OC PD 3Q | Typo A1E || Aufgabe 3 ||| RF G H I S T U VJ AKW B CLX D M EY F N ZG HOa I P Q R A B C DJ KE L F M A GN B O HC P DI Q E RF G H I b c d e Sf gT h AU i B Jj V CK k LDW lM E mN XF O G PY HQ RZI a J K L M N OTypografie PLisa Arzberger Q R S T UÜbung 3 V WTypografie X YLisa Arzberger Z a A B C D E F GA H BIÜbung 4 C D E F G H I S T OUV VD W X Y Z a J K L MillerM - Garamond Miller - Rockwell Miller - Bodoni N O P Q R b c d e f g h i Wj k l m d || Typo A1 | 3 n JoS K pT L qUMb VrN c OsW dPt X eQu Y Rfv MillerO - RockwellgZ Miller - Bodoni w Miller- Rockwell ha xi j k l m b c dD Ve f g h i j k l m J K Miller - GaramondLMiller - Garamond Miller-X Bodoni M N O P Q R

S T U V W X Y || Typo A1 | Z3 a n o pBodoni q r s t u v w x Klassizistische Antiqua Aufgabe 3 Sb T c Ud Ve Wf g X h Y i Zjn koa pl qm r s t u v w x || Typo A1 | 3 y z 1 2 3y 4z 1b5 2 c 36 d 4 e75 f 6 8g 7 h 89 i9 j k Aufgabe 3 l m S T U V W X Y Z a || Typo A1 | 3 n o p q r s t u v w xAufgabe 3 ||| A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 1 2 3 4 5 6 7 8 9 0 ||| y z 1 2 3 4 5 6 7Bodoni 8 9 b c d e f g h i j k l m Bodoni ||| yoA || Typo A1 | 3 n o p q 0r s t u v w x Bodoni n o p q r s t u v w x || Typo A1 | 3

0 b 0c d e f g h i j k l m Aufgabe 3 n o p q r s t u v w x || Typo A1 | 3 Aufgabe 3 y z 1 2y 3z 4 1 y5 z26 1 7 32 834 94 55 66 7 78 98 9Aufgabe 3 ||| Aufgabe 3 Bodoni ||| yoA || Typo A1 | 3 |||

n o p q r s t u v w Bodoni x y z 1 2 3 4 5 6 7 8 9 Bodoni ||| 0 0 Bodoni 00 y z 1 2 3 4 5 6 7 8 9 Aufgabe 3 ||| 0 Bodoni TYPOGRAFIE FACHHOCHSCHULE SALZBURG LISA ARZBERGER 2015