Dreams of Owen Gray Mp3, Flac, Wma

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Owen Gray Dreams Of Owen Gray mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Dreams Of Owen Gray Country: UK Released: 1978 MP3 version RAR size: 1333 mb FLAC version RAR size: 1128 mb WMA version RAR size: 1373 mb Rating: 4.2 Votes: 303 Other Formats: MP3 MIDI MOD AIFF VOX DXD AAC Tracklist A1 Turning Point A2 Do You Remember? A3 Determination A4 Jah Jah Train A5 Ain't Got No Money A6 Fire (Version) B1 Never Let Me Go B2 You Keep On Teasing Me B3 Dreams B4 Fire In A Trenchtown B5 Turning Point (Version) B6 Cry Over You Companies, etc. Phonographic Copyright (p) – Trojan Recordings Ltd. Recorded At – Joe Gibbs Studio Marketed By – B&C Recordings Ltd. Credits Artwork [Sleeve] – Nigel Harris Bass – Lloyd Parks Drums – Sly Dunbar Engineer – Errol Tee* Lead Guitar – Errol (Chinner) Smith* Liner Notes – Tito Simon Organ – Charley Roberts* Piano – Owen Gray Synthesizer – Owen Gray Written-By – Owen Gray (tracks: A2 to A6, B2 to B4, B6) Other versions Category Artist Title (Format) Label Category Country Year Venture VNLP 8863 Owen Gray Turning Point (LP, Album) VNLP 8863 UK 1977 Records Dreams Of Owen Gray (LP, TRLS 150 Owen Gray Trojan Records TRLS 150 UK 1978 Album, Blu) Dreams Of Owen Gray (LP, PA-6317 Owen Gray Trojan Records PA-6317 Japan 1978 Album, Promo, W/Lbl) Related Music albums to Dreams Of Owen Gray by Owen Gray Millie Small - The Most Of Millie (And The Boys) Owen Gray - Surfin / All The Love Owen Gray - Vol. IV Owen Gray - Three In A Meadow / Millie Girl Owen Gray - Sincerely Owen Gray - Best Of Owen Grey's Medly Hits Owen Gray - Bongo Natty Owen Gray - Ready, Willing & Able Owen Gray - Summer Sand / Something To Remind Me Owen Gray - Don't Leave Owen Gray - Joslyn McHardy / Ochi Brown - Medley Reggae Connection Alton & Eddy / Owen Gray - Muriel / Walk All Over.

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16,99€ 14,99€ 1) 14,99€ 12,99€ 1) 14,99€ 12,99€ 1) 19,99€ 16,99€ 16,99€ 16,99€ 14,99€ 1) 16,99€
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Owen Gray Bongo Natty Mp3, Flac, Wma
Owen Gray Bongo Natty mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Bongo Natty Country: Barbados Released: 1976 Style: Roots Reggae, Dub MP3 version RAR size: 1546 mb FLAC version RAR size: 1823 mb WMA version RAR size: 1830 mb Rating: 4.3 Votes: 756 Other Formats: AU ASF MP2 VOX TTA XM AA Tracklist A –Owen Gray Bongo Natty B –Agrovators* Bongo Natty Version Notes Made In Barbados by West Indies Records (B'Dos) LTD Yellow & Red Label Barcode and Other Identifiers Matrix / Runout: 1-A Matrix / Runout: 1-B Other versions Category Artist Title (Format) Label Category Country Year Owen Gray / King Tubby Owen Gray / King & The Aggrovators - none Tubby & The Justice none Jamaica Unknown Natty Bongo / A Natty Aggrovators Version (7", Single) Bongo Natty / Look HOSS 64 Owen Gray What You Done (7", Horse HOSS 64 UK 1975 Single, Sol) BL 4786 Owen Gray Bongo Natty (7") Jackpot BL 4786 Jamaica Unknown Clocktower CT709 Owen Gray Bongo Natty (7", Single) CT709 Unknown Records none Owen Gray Bongo Natty (7") Hot Stuff none Jamaica Unknown Related Music albums to Bongo Natty by Owen Gray Millie Small - The Most Of Millie (And The Boys) Johnnie Clarke - roots natty The Cultures / The Revolutionaries - Natty Never Get Weary / Natty Dub Big Youth - Natty Dread She Want naE Kaiju and Natty Gray - naE Kaiju X Natty Gray - Split Tape Owen Gray - Ready, Willing & Able Owen Gray - Don't Leave Sly & Robbie Presents Owen Gray - On Top Peter McLean - I Am A Natty Dread Natty King - Father To A Son The Cultures - Work On Natty / Work On Dub Alton & Eddy / Owen Gray - Muriel / Walk All Over.
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IRIE RECORDS GMBH IRIE RECORDS GMBH NEW RELEASE CATALOGUE NO. 398 RINSCHEWEG 26 (CD/LP/10"&12"/7") 48159 MUENSTER (23.08.2015 - 12.09.2015) GERMANY TEL. +49-(0)251-45106 HOMEPAGE: www.irie-records.de MANAGING DIRECTOR: K.E. WEISS EMAIL: [email protected] REG. OFFICE: MUENSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- OPENING HOURS: MONDAY/TUESDAY/WEDNESDAY/THURSDAY/FRIDAY 13 – 19; SATURDAY 12 – 16 CD CD CD JAPAN IMPORT CD 2CD CD 9,99€ 17,99€ 18,99€ 16,99€ 1)19,99€ 17,99€ 1) 16,99€ 14,99€ 1) 16,99€ CD CD CD CD CD CD 14,99€ 9,99€ 17,99€ 20,99€ 21,99€ 19,99€ 1) PLEASE NOTE: SPECIAL SALE PRICE ONLY VALID FOR ORDERS RECEIVED UNTIL OCTOBER 15th 2015! IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 09/2015 PAGE 2 *** CDs *** CD CD CD CD CD CD 11,99€ 18,99€ 16,99€ 19,99€ 20,99€ 18,99€ ALDUBB............................ A TIMESCALE OF CREATION....... ONE DROP....... (GER) (15/15). 14.99EUR ALDUBB............................ ADVANCED PHYSICS.............. ONE DROP....... (GER) (08/08).. 9.99EUR ERROL BELLOT...................... KNOW JAH (11 VOC & 5 DUBS).... REALITY SHOCK.. (GBR) (11/12). 17.99EUR BLAAK LUNG (feat. BATCH/LUTAN FYAH/RAS ATTITUDE/MALIKA MADREMANA/MAHAD MAHAN).....(@ sale price now!)... ASPIRE (V.I. ROOTS)........... GREEN SPHERE... (USA) (08/08).. 9.99EUR BLACK HEAT DUB.................... GREATEST DUB HITS............. GOLDENLANE..... (GER) (--/11). 17.99EUR RICHIE CAMPBELL................... IN THE 876.................... BRIDGETOWN..... (POR) (15/15). 17.99EUR DON FE............................ I-VOLUTION.................... ORGANIC ROOTS.
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Grado En Sociología
GRADO EN SOCIOLOGÍA LOS SKINHEADS: UNA APROXIMACIÓN SOCIOLÓGICA Trabajo realizado por: Cristian Sima Guerra. Tutorizado por: Carmen Ascanio Sánchez. 1 Resumen: En el presente Trabajo de Fin de Grado se pretende estudiar la tribu urbana de los skinheads. En dicho estudio esbozaremos los orígenes históricos de esta subcultura juvenil en el Reino Unido, su evolución desde sus orígenes en la década de los sesenta hasta el presente, su expansión a España a través de procesos ligados a la globalización y la configuración particular que han adquirido los skinheads españoles. También veremos las características fundamentales de la tribu urbana: estética, ideales y música. Por otro lado, se presentarán los distintos tipos de skinheads que existen con dos fines: por un lado, romper desde la sociología los prejuicios que existen sobre ellos y, por otro, presentar esta subcultura juvenil en toda su complejidad. Por este motivo tendremos en cuenta además las lógicas internas que operan en los distintos grupos de skinheads con el fin de conocer su propio punto de vista. Palabras clave: skinhead, tribu urbana, subcultura juvenil, racismo, identidad, música. Abstract: In the present End-of-Degree Project, we intend to study the urban tribe of skinheads. In this study we will outline the historical origins of this youth subculture in the United Kingdom, its evolution from its origins in the sixties to the present, its expansion to Spain through processes linked to globalization and the particular configuration that Spanish skinheads have acquired. We will also see the fundamental characteristics of the urban tribe: looks, ideals and music. On the other hand, the different types of skinheads that exist will be presented in the pursue of two purposes: on the one hand, breaking the prejudices that exist about them from sociology and, on the other, presenting this youth subculture in all its complexity.
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Owen Gray Vol. IV Mp3, Flac, Wma
Owen Gray Vol. IV mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Vol. IV Country: Canada Style: Dancehall, Roots Reggae, Rocksteady, Lovers Rock MP3 version RAR size: 1411 mb FLAC version RAR size: 1867 mb WMA version RAR size: 1270 mb Rating: 4.2 Votes: 977 Other Formats: AU MP2 WMA WAV ADX MMF VOC Tracklist A1 Same One A2 Endlessly A3 Stand By Me A4 When A Man Loves A Woman A5 Life Like A Millionaire A6 Don't Leave Me Baby A7 Closer To The Phone A8 Dark End Of The Street A9 Chain Gang A10 I've Got Sunshine A11 Tennessee Waltz A12 Come Closer To Me A13 Sitting On The Dock Of The Bay A14 Way Me Do You, Girl A15 Hold Him Joe A16 Yes Sir Mr. Barney A17 Rude Boy Skank B1 I Can't Stop Loving You B2 Dream Lover B3 Guava Jelly B4 If I Had A Hammer B5 Only Sixteen B6 Rock You, Tonight B7 Mother Are Crying B8 Shook, Shimmy And Shake B9 If I Were A Carpenter B10 Come Home B11 Candy B12 My Shining Star B13 Heaven Just Knows B14 Dread Up In A Trench Town B15 Burning Companies, etc. Produced For – Abraham Distributing Co. Recorded At – Montclair Sound Credits Bass – Twone Hibbert* (tracks: A), Leslie Blackwood (tracks: B) Drums – Tony White Executive-Producer – Alfred Abraham Guitar – Alfie Zappacosta* Piano, Organ – Owen Gray Recorded By – Ken Morris Notes The label shows Vol. 5 as title Other versions Category Artist Title (Format) Label Category Country Year Hit After Hit After Hit Vol 4 Vista STLP 1013 Owen Gray STLP 1013 UK Unknown (LP, Comp) Sounds Hit After Hit After Hit Vol 4 STLP 1013 Owen Gray Echo STLP 1013 UK Unknown (LP, Comp) Related Music albums to Vol.
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Musical Jamaicana Al Regne Unit
BLACK CULTURE, WHITE YOUTH: LA TRADICIÓ CULTURAL JAMAICANA AL REGNE UNIT (DES DE 1948 FINS A FINALS DELS ANYS SETANTA) TREBALL DE FINAL DE GRAU Lluís Bienes Pelaó (NIA: 101096) Tutor: Antoni Luna García Universitat Pompeu Fabra - Facultat d’Humanitats Curs 2012-2013 2 “Every time that you are being racist to someone, you put something against yourself as well, every time you do it”. Gladdy Wax Black is a colour just like white Tell me how can a colour determine whether You're wrong or right We all have our faults yes we do So look in your mirror (Look in the mirror) What do you see? (What do you see?) Two eyes, a nose and a mouth just like me. The Heptones - Message From A Black Man 3 ÍNDEX AGRAÏMENTS .............................................................................................................. 6 INTRODUCCIÓ ............................................................................................................ 7 Proposta de recerca .............................................................................................. 7 Metodologia ......................................................................................................... 8 Esquema ............................................................................................................... 9 1. ANTECEDENTS HISTÒRICS DE JAMAICA .................................................... 10 2. BRIXTON FIGHT: Relacions ètniques al Regne Unit en el sí de la comunitat jamaicana ....................................................................................................................
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A Later Version of This Essay Appeared As 'Chris Blackwell and 'My Boy
(A later version of this essay appeared as ‘Chris Blackwell and ‘My Boy Lollipop’: Ska, Race and British Popular Music’ in Journal of Popular Music Studies, vol 22, no 4, 2010, pp. 436-465.) Chris Blackwell and “My Boy Lollipop”: Ska, Race and British Popular Music Ska evolved in Jamaica around 1960. I shall talk a little more about its development later. In 1964 there were three hits in the British top ten that utilized a ska beat. On March 14 Millie reached number 2 with “My Boy Lollipop.” A week later, the Migil 5’s ska version of “Mockin’ Bird Hill” reached number 10, its highest position. In December, Georgie Fame and the Blue Flames got to number 1 with the jazz track, “Yeh Yeh,” to which they gave a soft ska influence. Discussions of ska, and reggae, have tended to focus on the music’s Jamaican origins and have emphasized its qualities as black music. In this article my interest is in the relationship between ska and British popular music of the early 1960s. How did ska enter white Britons’ musical consciousness such that, by the late 1960s there were numerous ska hits and, by the late 1970s, there was a ska revival with groups such as Madness and the Two Tone groups including the Specials and Selector having chart hits? To this end I shall concentrate on the most popular of the three 1964 ska hits, Millie’s “My Boy Lollipop.” This song was first recorded as a rhythm and blues song in New York by Barbie Gaye about whom little is known other than that she was not black.
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NGO 5Th Edition Amendments.Pages
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Various the Story of Trojan Records Mp3, Flac, Wma
Various The Story Of Trojan Records mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: The Story Of Trojan Records Country: UK Released: 2011 Style: Reggae MP3 version RAR size: 1272 mb FLAC version RAR size: 1485 mb WMA version RAR size: 1384 mb Rating: 4.9 Votes: 223 Other Formats: AHX VOC MOD ADX MMF AIFF MP1 Tracklist Hide Credits Disc #1: 25 Big Ones - UK Hits Return Of Django 1-1 –The Upsetters Producer – Lee 'Scratch' Perry*Written-By – Lee Perry Red Red Wine 1-2 –Tony Tribe Producer – Robert Thompson*Written-By – Neil Diamond Longshot Kick De Bucket 1-3 –The Pioneers Producer – Leslie KongWritten-By – George Agard, Jackie Robinson , Sydney Crooks* Liquidator 1-4 –Harry J All Stars* Producer – Harry Johnson*Written-By – Harry Johnson* –Boris Gardiner & The Elizabethan Reggae 1-5 Love People Producer – Junior ChungWritten-By – Ronald Binge Wonderful World Beautiful People 1-6 –Jimmy Cliff Producer – Leslie KongWritten-By – Jimmy Cliff Sweet Sensation 1-7 –The Melodians Producer – Leslie KongWritten-By – Renford Cogle (To Be) Young, Gifted & Black 1-8 –Bob & Marcia Producer – Harry Johnson*Written-By – Nina Simone, Weldon Irving* Monkey Man 1-9 –The Maytals Producer – Leslie KongWritten-By – Frederick Hibbert Love Of The Common People 1-10 –Nicky Thomas Producer – Joel A. Gibson*Written-By – John Hurley, Ronnie Wilkins You Can Get It If You Really Want 1-11 –Desmond Dekker Producer – Leslie KongWritten-By – Jimmy Cliff Double Barrel 1-12 –Dave & Ansel Collins Producer – Winston RileyWritten-By – David 'Barker' Crooks*,
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Jamaican Migrant and Canadian Host in Toronto's Transnational Re
King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 by John Jason Collins Wilson A dissertation Presented to The University of Guelph In partial fulfilment of requirements for the degree of Doctor of Philosophy in History Guelph, Ontario, Canada © John Jason Collins Wilson, May 2013 ABSTRACT King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 John Jason Collins Wilson Advisor: University of Guelph, 2013 Doctor Catharine Wilson Reggae music facilitated a cultural dialogue between Jamaican migrant and Canadian host in Toronto during the 1970s and 1980s. Exchanges flowed across the city’s ethnic frontier, bridging black and white youth together in an ‘oppositional’ and musical movement. While migrants enacted their Jamaican ethnicity in places where reggae was played, many non-Jamaicans satisfied a curiosity in the music of their migrant friends. This study examines the process of migration of people and music as seen from both the migrant and the host’s perspective. It is as much about black Jamaicans as it is about white Torontonians. Twenty Jamaicans and twenty non-Jamaicans were interviewed for this project. Though reggae became an expected part of Toronto’s musical vernacular, the Canadian version meant different things to different people. Indeed, sometimes the only thread that tied the varied experiences together was that Toronto was the place where reggae happened. Still, as a hybrid, reggae had rather evolved outside of place. It was a transnational musical form, constantly updated by influences traversing the ‘Black Atlantic’ in an on-going and triangular musical conversation.
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York University
Faculty of Fine Arts YORK UNIVERSITY Department of Music FA/MUSI 1570 6.0 Fall/Winter Ska, Rocksteady, Reggae, Dancehall 2014/15 Course Director: Ray Williams E-mail: [email protected] Website: www.blackmusic.ca Course Description and Content: This is a study of the musical, historical, spiritual, cultural roots and traditions of the music of Jamaica. Topics will include: Mento, US R&B, Sound Systems, Ska, Rocksteady, Reggae, Roots, Toasting, Dub, Dancehall. Artists and Producers to include Coxsone Dodd, Duke Reid, Prince Buster, Derrick Morgan, Skatelites, King Tubby, Lee Scratch Perry, Owen Gray, The Maytals, John Holt, Desmond Dekker, Jimmy Cliff, The Heptones, Bob Marley, Peter Tosh, Bunny Wailer, Burning Spear, Sly Dunbar, Robbie Shakespeare, Third World, Bunny Lee, Sugar Minott, Gregory Isaacs, Yellowman, Shabba Ranks, etc. This course is designed for students not majoring or minoring in music. No previous musical training is required. Schedule: Classes meets on Tuesday in Room ACW 206 @ 8:30-10:30AM Required Text: Various readings may be suggested. Requirements: Notebook, pen and ears. Pencil and eraser needed for tests. Academic Honesty: Please note the Senate Policy on academic honesty found on the York website at http://www.yorku.ca/secretariat/legislation/senate/acadhone.htm. Any form of cheating will result in a mark of zero. Assignment Submission: All assignments are to be submitted directly to the instructor during class time. If this is not possible, you may submit your assignments to the Music Office in Accolade East Building 3rd Floor [371] before 3:00PM during working days. Make sure your assignment is time stamped by the Music Office staff.
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