Deadline for proposals for members' exhibition Datebook for the 2001 Annual Conference in Chicago (see http://www.collegeart.org/caa/news/1999!3Isession prop ...gu idelines.htmlfl exhibition)

September 10, 1999 Deadline to register for the Artist's Portfolio Deadline for receipt of abstracts of papers Review and Career Development Workshops at accepted for the 88th Annual Conference in the 88th Annual Conference in New York (see New York (see http://www.collegeart.org/caa/ pages 4-6) conference/2000/calI2000.hhnl) December 1, 1999 September 15, 1999 Deadline for submissions to the January 2000 l!)... Deadline for receipt of session proposals for the issue of CAA News 0) CAA 2001 Annual Conference in Chicago (see hffp://www.collegeart.orglcaalnews/1999/3/ Deadline for receipt of dissertation titles begun session prop ...,guiddi nes. htm/) or completed in 1999 from American and s ] Canadian art history deparbnents September 30, 1999 Deadline for applications for Regional Chairs: Deadline for applications for room monitors and Annual Conference, Baltimore 2002 usher I projectionist positions at the 88th Annual • for faculty to create and advertise teaching and research. By using the Conference in New York (see page 5) want lists of images for teaching facilities of the Internet to pool this vast October 1, 1999 Academic Deadline for submissions to the November 1999 December 3, 1999 • for scholars, museums, libraries, and resource, we will have an opportunity to issue of CAA News Deadline for receipt of papers accepted for the photographers for nonprofit educational create a much needed public database of 88th Annual Conference in New York (see http:// Image use to contribute from the public domain art-historical images for all to use for Deadline for receipt of applications for the www.collegeart.org/caa/conjerence/2000/caI12000. or provide under license high quality educational purposes. Millard Meiss Subvention awards (see http:// htmI) images sufficient for classroom projec­ CAA and the Digital Library www.collegeart.org/caalresources/meisslindex.html) Exchange tion Federation are currently focused on the January 31, 2000 Odober 29,1999 Deadline for receipt of applications for the CAA • for visual resource specialists to creation of a prototype of the Academic Deadline for submissions to the December 1999 Professional Development Fellowship Program participate in shared cataloguing of the Image Exchange. The AlE development issue of Careers (see page s 6-7 and http://www.collegeart.org/caal images and the works they represent team is composed of art librarians, art resourcesl!ellowship.hfml) • for faculty, students, and others to and architectural historians, visual develop a variety of scholarly products resources curators, photographers, and he College Art Association and for learning environments, such as specialists in digital imagery and in the Digital Library Federation distance lea.Tning, and for publication. systems design. Members and staff of T. (http://www.c1ir.org/diglib/ CAA, the Digital Library Federation, the dlfhomepage.htm) are pleased to Images offered through the AlE will be Society of Architectural Historians, and announce that they are sponsoring the chosen on the basis of their proximity to the faculty of the Imaging Systems development of the Academic Image traditional course selections. An online Laboratory of Carnegie Mellon Univer­ s Exchange. concordance will link images to standard sity are contributing to the AlE prototype In service to the teaching and art history survey books. This concor­ development effort. practice of the history of art and related dance-index will thus serve as one of the Robert Baron is serving as project September 1999 disciplines, the Academic Image Ex­ entry-points to the image database, manager for the AlE. The Academic College Art Association change (AlE) intends to offer students, allowing teachers and students access to Image Exchange plans to demonstrate a 275 Seventh Avenue teachers, and the general public"curricu­ a wider variety of images than is prototype program and a selection of New York, New York 10001 lum-based" sets of screen-sized digital available in any single textbook. All AlE images at CAA's upcoming Annual http://www.collegeart.org images for their free and unrestricted offerings will be reviewed by an inde­ Conference in New York, February 2000. [email protected] educational nonprofit use. (Higher, pendent panel of art historians. This During the course of the prototype projectable resolutions will also be panel will select images based on their development a variety of groups and Board of Directors available.) overall quality and on their utility for interested parties will be consulted. John R. Clarke, President First to be introduced will he a teaching. Notice of future developments will be Ellen T. Baird, Vice President, Committees selection of images that satisfies a The key to the present and future posted in CAA News. For more informa­ Richard Martin, Vice President, External Affairs significant portion of the digital image success of the Image Exchange will be its tion, contact Robert Baron at Joe Deal, Secretary university-level introductory courses in advocacy of the community of scholar­ - Robert A. Baron John W. Hyland, Jr., Treasurer Jeffrey P. Cunard, Counsel art history. The AlE will provide several photographers who produce high quality [email protected] Susan Ball, Executive Director kinds of exchange facilities: color photographs to aid their own http://www.pipeline.com/-rabaron/

Catherine Asher Christine Kondoleon II Michael Aurbach Patricia Leighten In This Issue: Holly Block Arturo Lindsay Valerie Mercer Marilyn R. Brown loin a CAA CommiUee Page 2 Thanks /-0 eAA Members, Patron, Page 9 Bailey Doogan Yang Soon Min SponsoJing, & Sustaining Nancy Friese John Hallmark Neff Joanna Frueh Archie Rand _·999 Fellows Named Page 7 Vanalyne Green Jeffrey Chipps Smith Linda C. Hults Edward Sullivan Dorothy Johnson Alan Wallach opportunities available to arts gradu­ in the arts. To this end, the association calendar year by a scholar who has ates, with special attention directed publicly recognizes achievements by received the doctorate not more than ten CAA Join a CAA toward fellowships, grants, and intern­ individual artists, art historians, years before acceptance of the article for ships. The committee maintains an curators, and critics by regularly publication. VO/llme 24, Numher 5 awareness of art and art history pro- I I conferring a number of annual awards, News September 1999 Committee grams at the conege and graduate levels; several of which are named for distin­ Artist Award for a Distinguished Body and develops an awareness of art guished members of the profession. or Work, Exhibition, Presentation, or education at the K through 12 level. These awards are made to living Performance. A peer award given for individuals whose achievements work mounted in the penultimate year. transcend the immediate region in Academic Image Exchange Intellectual Property Rights. This Website Update 1 committee is responsible for keeping which they work and serve the profes­ CAA/National Institute for Conserva­ he membership is urged to Several new features were added to the abreast of the latest issues and legisla­ sion and the larger community. tion Award for Distinction in Scholar­ Join a CAA Committee participate in CAA by serving College Art Association website this tion that affect reproduction rights and The awards are presented each year ship and Conservation. A warded for an 2 CAANews on the association's diverse . summer. The Resources and Opportuni­ T scholarly publishing. at the CAA's annual conference on the outstanding contribution by one or more ties Bulletin Board includes current and and increasingly active committees. recommendation of individual award persons who, individual, or jointly, have supplemental postings from CAA News, Committee members serve for fixed committees. Members of awards enhanced understanding of art through International Committee. The Interna­ including relevant links and information terms of three years (2000-3); at least committees are distinguished profes­ the application of knowledge and 4 Annual Conference Update tional Committee works to develop on upcoming conferences, fellowships one new member rotates onto a commit­ sionals, many of whom themselves have experience in conservation, art history, relationships between CAA and and grants, calls for entries and manu­ tee each year. Each committee is been honored by CAA in the past. and art. organizations and institutions in other scripts, online resourceS, and more. composed of at least three members. Individual committees have at least countries with goals and activities Another new area of the site 6 1999 Fellows Named Committee candidates must possess three members, one of whom rotates off Charles Rufus Morey Award. Presented similar to those of CAA. features recent American and Canadian expertise appropriate to the committee's each year. Chairs are appointed annu­ for an especially distinguished book in work and must be CAA members in Ph.D. dissertations. Traditionally Museum Committee. The Museum ally by the president and may be the history of art, published in the good standing. Members of all commit­ published in the June issue of the Art 8 Thanks to Members Committee monitors the activities of reappointed. The composition of each penultimate calendar year. tees volunteer their services to the Bulletin, CAA will post approved topics puLlic and private institutions in the art committee is inclusive, representing the association without compensation. and completed dissertations online sector, particularly in relation to broad range and diverse interests of the Distinguished Artist Award for Nominations for committee member­ starting with the 1998 list. Note that only Solo Exhibitions by Artist Members acquisition, deaccession, and exhibition membership. As a collective body, the Lifetime Achievement. A peer award 10 ships should include a brief statement Ph.D.-granting departments may submit policies and procedures, in order to committee is expected to provide a celebrating the career of an artist. outlining the individual's qualifications titles. exercise influence and share efforts in national perspective for the award. and experience and a resume. Sel£­ Finally, in conjunction with the People in the News issues of mutual interest, particularly in Candidates must possess expertise Distinguished Teaching of Art Award. 12 nominations are encouraged. Write to: Summer 1999 issue of Art Journal, the art matters of presentation, preservation, appropriate to the committee's work Presented to an artist of distinction who Ellen Baird, Vice President of Commit­ historian and critic Moira Roth has conservation, access for scholars, and and must be members of the association has developed a philosophy or tech­ tees, c/o Lee Ann Whitehead, Assistant contributed a series of essays from her education of the public. in good standing. Members of all nique of instruction based on his /her Grants, Awards, & Honors project "Traveling Companions/ 13 to the Executive Director, CAA, 275 7th committees volunteer their services to experience as an artist and has encour­ Ave., New York, NY 10001. Deadline: Fractured Worlds." The project will Professional Practices Committee. The the association without compensation aged his/her students to develop their November 1, 1999. continue through December 1999. Professional Practices Committee and serve for fixed terms of three years own individual abilities. Conferences & Symposia CAA.Reviews, CAA's free online 15 responds to specific concerns of the (2000-3). Members of CAA committees Committee on Cultural Diversity. One­ journal of book and exhibition reviews, membership in relation to such areas as represent the intellectual, geographic, Distinguished Teaching of Art History third of this nation is composed of has expanded greatly since its launch in job placement and recruitment, tenure and individual diversity of the Award. Awarded to an individual who individuals whose cultural, ethnic, racial October 1998. The peer-reviewed journal 17 Opportunities and promotion procedures, scholarly association's constituencies. has been actively engaged in teaching background, and sexual orientation are is attracting top scholars and writers standards and ethics, studio health, and Nominations should include a brief for most of his/her career and has been, Information Exchange different from the majority. The Com­ from a wide variety of disciplines, and safety and artists' practices. statement outlining the individual's among other things, an inspiration to a essays are added on a weekly basis. The Institutional News mittee on Cultural Diversity is charged qualifications and experience and a broad range of students in the pursuit of 23 Classified Ads site features full bibliographical infor­ with the recognition and support of the Student Committee. The Student complete resume. Self-nominations are humanistic studies. contributions, talents, possibilities, and mation for each new book with links to Committee was established to serve the encouraged, including those from past museums and publishers. Archived needs of this constituency and with the varied needs and concerns of student award recipients. Please write to: Ellen Frank Jewett Mather Award. Presented increased inclusion of this group within reviews continue to be available in full­ Datebook members of CAA. The committee Baird, Vice President of Committees, for published art criticism that has 24 text, searchable format on a permanent the association and the field. disseminates information and solicits c/o Lee Ann Whitehead, Assistant to the appeared in whole or in part during the basis and are indexed by the BHA. participation from students attending Executive Director, CAA, 275 7th Ave., preceding year begirming September 1 Committee on Women in the Arts. The CAA thanks CAA.Reviews editors universities with M.F.A, M.A., and New York, NY 10001. Deadline: Novem­ and ending August 31. Attention is paid eAA News is published 6 times a year by the Committee on Women in the Arts is Mark Antliff, Frederick Asher, Janet Ph.D. programs in art and art history. ber 1, 1999. to the range of criticism that appears College Art Association, 275 7th Ave., New York, Berlo, David Carrier, John Davis, charged with promoting the scholarly throughout the country. NY 10001; [email protected]. Cynthia Hahn, Katherine Haskins, study and recognition of the contribu­ Alfred H. Barr Jr. Award. Presented for CAA Awards Committees Sandy lsenstadt, Leila Kinney, Chris­ tions of women to the visual arts, museum scholarship to the author(s) of Editor-in-Chief Susan Ball tine Kondoleon, Patricia Leighton, Editor Jessica Tagliaferro developing linkages with organizations an especially distinguished catalogue in The Board of Directors invites members Patricia Mainardi, Anne McCauley, Listings Editor Kryssa Schemmerling concerned with compatible interests, the history of art, published during the of the association to submit nominations Robert S. Nelson, Sheryl E. Reiss, Mary and monitoring the current status of penultimate year under the auspices of a Material for inclusion should be sent via e-mail to and self-nominations for forthcoming Sheriff, Larry Silver, and Marsha women in the visual arts professions. museum, library, or collection. the Listings Editor at kschemmerling@collegeart. openings on CAA awards committees. Weidner, whose tireless efforts over the org. Photographs may be submitted to the above Education Committee. The Education At all times, CAA encourages the past year have made the journal a address for consideration. They carmot be returned. Arthur Kingsley Porter Prize. Presented Committee provides an ongoing review highest standards of scholarship, thriving success. For information: Material from this newsletter is also posted on the for a distinguished article published in practice, connoisseurship, and teaching [email protected]. CAA website: www.collegeart. org. of career options and development the Art Bulletin during the preceding

© 1999 College Art Association

CAA NEWS SEPTEMBER 1999 3 2 CAA NEWS SEMPTEMBER 1999 Call for Nominations and a letter explaining their interest in tion of Careers and the listings sections applicants will be notified by mail by To apply, complete and mail in the to Saturday, February 26, and attend a December 13, 1999. Nominations and self-nominations from and qualifications for appointment. of the newsletter and website as wen as Career Development Workshops training meeting at 7:30 A.M. on Thurs­ Send completed coupon to: Artist's the CAA membership are sought for Nominations and self-nominations assisting with the production of Art coupon on page 6. Participants will be day. Projectionists must be able to Portfolio Review, CAA, 275 7th Ave., two vacancies on the Art Bulletin and should be sent to the Art Bulletin and Bulletin. chosen by a lottery of the applications operate a 35-mm slide projector; New York, NY 10001. Deadline: October received by the deadline, and all familiarity with video projectors is Monograph Series Editorial Board. This Monograph Series Editorial Board, Attn: Debra Stecklert formerly a part­ 29; 1999. call is to fill positions for service July I, Millard Meiss Nominations, CAA, 275 time editor at CAA, has been promoted applicants will be notified by mail by helpful. Send a brief letter of interest to: 2000-June 30, 2003. Appointments may 7th Ave., New York, NY 10001. Deadline: to full-time associate editor. Debra helps December 13, 1999. CAA will make CAA U /P Coordinator, c/o Conference be renewed for a second three-year February 1, 2000. to produce CAA.Reviews, provides Career every effort to accommodate all Director, CAA, 275 7th Ave., New York, term. research assistance for the Art Journal, Development applicants; however, workshop NY 10001. Deadline: December 1, 1999. participation is limited. The board regularly reviews the Change in and administers a number of publica­ Workshops Send completed coupon to: Career policies and conduct of the Art Bulletin; tions programs, including the Millard Artists, art historians, and museum Room Monitors Dissertation Development Workshops, CAA, 275 7th provides advice, guidance, and assis­ Meiss subvention awards. She gradu­ professionals at all stages of their careers Sought Listing Procedure Ave., New York, NY 10001. Deadline: tance in its administration; and recom­ ated from Hunter College with an are encouraged to apply for a one-on­ Room monitors are needed for two of In the past students have submitted October 29,1999. mends appointments to the editorships, M.F.A. in in 1998. CAA's mentoring programs, the Artist's cards to CAA with their name, subject one consultation with veterans in their to the board itself, and to its committees. Lee Ann Whitehead has been Portfolio Review and the Career area, title of Ph.D. dissertation, and fields. The Career Development The work of the board is conducted by appointed assistant to the executive Ushers and Development Workshops, to be held institution and advisers' names to be Worlcshop program offers a unique e-mail, telephone, and letter and at its director. Lee recently graduated from during the Annual Conference in New listed in the June issue of Art Bulletin. opportunity to receive candid advice on Projectionists three annual meetings, two in New York Marist College in Poughkeepsie, New York, from February 23 to 26, 2000. CAA is discontinuing this process and how to conduct a thorough job search, Sought City and one at the CAA Annual York, with a B.A. in fine arts with Room monitors will be paid $10.00 per now requests that a representative from present work, and prepare for inter­ Applications are being accepted for Conference. All members are expected con~entrations in art history and hour and will be expected to work a each Ph.D.-granting institution send a views. usher and projectionist positions for the to attend its three annual meetings. photography. th minimum of four hours checking in listing of its students titles via e-mail or The 2000 Career Development 88 Annual Conference, to be held at CAA provides financial assistance if participants and facilitating the work of on disk. For information, contact: Debra Workshops will take place on Thursday, the New York Hilton from February 23 needed to cover costs of travel and the mentors. Send a brief letter of Steckler, [email protected]. February 24, and Friday, February 25, at to 26, 2000. Successful applicants will be lodging for the New York meetings. interest to: Conference Director, Room Deadline for the June 2000 list: December 1, the New York Hilton and Towers. paid $10.00 per hour and will receive All CAA members are urged to Monitors, CAA, 275 7th Ave., New 1999. Workshops are by appointment only; all complimentary registration. Ushers and nominate or self-nominate candidates participants must be CAA members in projectionists are required to work a York, NY 10001. Deadline: December 1, for the vacant positions. Candidates 1999. CAA Staff Changes good standing for 2000. minimum of four, 2.5-hour program must be members of CAA. Nominators sessions, from Thursday, February 24, are encouraged to contact their nomi­ Lavinia Diggs Richardson, who has worked for in the member services Annual nees in advance to ascertain willingness to serve. All nominations must be department for years, was promoted to accompanied or followed by a c.v., a manager of information systems in July. Conference statement of interest in the position, and In her new position, she will integrate at least one letter or recommendation. In information teclmology and organiza­ Artist's Portfolio Review Registration tional processes to improve services to making appointments, the editorial Update 88th CAA Annual Conference, New York, February 23-26, 2000 board will consider the need for members. Lavinia received a B.B.A. in scholarly experience and breadth operations research and an M.S. in relevant to the editorial practice and business computer information systems name policies of a learned journal and also for from Baruch College of the City University of New York. CAA membership # reflecting the broad diversity of CAA's Artist's Portfolio membership. Nominations and the Marc Eesley was appointed necessary supplementary materials development associate. He joined CAA Review address should be sent to: Art Bulletin Editorial after having recently moved to New The 2000 Artist's Portfolio Review will Board Nominations, CAA, 275 7th Ave., York from where he studied offer artist-members the opportunity to city/state/zip New York, NY 10001. Deadline: October international relations at the University have slides or VHS-format videos of 1,1999. of London. Marc has worked in the their work reviewed by curators and phone e-mail nonprofit field for more than ten years. critics in private, twenty-minute Call for Millard He holds a B.A. in business administra­ consultations. Appointments will be disclipline / medium tion from Northwood Institute and an scheduled during afternoons, from Meiss Committee Member M.A. in public affairs from the Univer­ Wednesday, February 23, to Friday, The Art Bulletin and Monograph Series sity of Iowa. Marc will be administering February 25. I will bring: 35-mm slides VHSvideo Editorial Board seeks nominations and CAA's development activities. Interested artists should complete self-nominations for an individual to Kryssa Schemmerling has been the Artist's Portfolio Review coupon on serve on the Millard Meiss Committee appointed associate editor. Kryssa page 5. (The coupon may be copied and I cannot be scheduled for the following time slot/s: for the 2000-4 term. The Millard Meiss received a B.A. in broadcasting and film distributed.) Be sure to indicate whether Publication Fund awards grants twice a from Boston University and an M.F.A. the work to be reviewed will be on Ll Wednesday, February 23, 3:00-5:00 P.M. Ll Thursday, February 24, 12:00-2:00 P.M. and 3:00-5:00 P.M. year for the purpose of subsidizing in film from . Her slides or video and identify any time book-length scholarly manuscripts in short film based on a short story by slots for which you cannot be scheduled. Ll Friday, February 25, 12:00-2:00 P.M. and 3:00-5:00 P.M. the history of art. Committee members Bernard Malamud will appear on PBS All applicants must be members in good serve a term of four years. For more this fall. Kryssa has spent nearly ten standing for 2000. Participants will be information on the program, see the years writing, editing, and teaching. At chosen by a lottery of the applications Complete and return to: Artises Portfolio Review, CAA, 275 7th Ave., New York, NY 10001. Deadline: October 29,1999. website. Candidates must submit a c.v. CAA she will be managing the produc- received by the deadline, and all

CAA NEWS SEPTEMBER 199') 4 CAA NEWS SEMPTEMBER 1999 5 Becca Albee is an dedicate her academic work to some Judith L. Huacuja Pearson, a recipient Sonya Shah, a School; CAA Board member John 1999 M.F.A. student at aspect of Latin American or Latino art. of the Cummings grant, is a Ph.D. recipient of the Hallmark Neff, Terra Museum of University of North In completing her Master's at Tulane candidate at the University of California Dodge grant, is American Art; Alejandro Anrens, Jersey Carolina, Chapel University, she studied Latin American at Santa Barbara. Having achieved her working toward her City Museum; and past fellowship Fellows Hill, and a National colonial art. Rocio wrote her thesis on a B.A. in art history and B.F.A. in painting M.F.A. at the School recipient C. Ondine Chavoya, Tufts Endowment for the seventeenth-century crucifixion sculp­ at the University of Houston, Judith of the Art Institute University. Arts grant recipient. ture from her hometown, Santiago, went on to complete her M.A. in of Chicago. She Guidelines and applications for the Named She received her B.A. from Evergreen Chile, and its role as a symbol for contemporary art history at Rice received her B.A. from Brown Univer­ 2000 Professional Development Fellow­ State College in Olympia, Washington. national identity from the colonial University. At the University of Califor­ sity having graduated magna cum ship Program will be available in late She chose Evergreen because of their period through the present. During nia at Santa Barbara, Judith endeavors to laude. After graduation, Sonya received September. To request copies, contact emphasis on interdisciplinary education. research in Santiago, she attended frame her dissertation research within a a Fulbright fellowship to india. The Marc Eesley: 212/691-1051, ext. 219; As an undergraduate, she combined her classes at the School of Fine Arts of the context relevant to Latino and Mexican grant was two-fold: to continue her [email protected]. You may also interests in women's studies (specifi­ Universidad de Chile. American cultural heritages. Her studio practice and to research the send a large, self-addressed, stamped AA is proud to present the cally women's health), filmmaking, and research projects include onsite docu­ contemporary art movement in India envelope to: CAA, Professional Devel­ 1999 recipients of the Profes­ visual arts. Her interest in women's mentation of Chicana muralists at after Independence in 1947. Sonya opment Fellowship Program, 275 7th C sional Development Fellow­ health and her own experiences with Chicano Park in San Diego, research on recently attended the Skowhegan School Ave., 18th fl., New York, NY 1O00l. ship for Artists and Art History. This having a chronic blood disorder informs Sharon Corwin is a women's graphic art in , of Painting and Sculpture through Deadline: January 31, 2000. year, six fellows were selected from an her work. She has used baked cakes as Ph.D. candidate at and archival work in San Francisco and grants provided by Skowhegan and the ample and decidedly competitive group sculptural elements to comment on the the University of Washington, D.C. Judith focuses her School of the Art Institute of Chicago. of applicants. All six will receive grants process of art making. These works have California, Berkeley, attention on reconstructing Chicana She is also a 1999 recipient of the Jacob of $5,000 to help them complete their led her to explore the different process and a National women's artistic histories, studying the Javitz Fellowship and the Chicago M.FA, PhD., or terminal MA. degree in mark-making using frosting and play Endowment for the ways in which their art poses a critique Artists International Program Fellow­ in the 1999-2000 academic year. CAA objects on the floor. From there she Humanities grant of gender and class constructions within ship. Sonya is currently working with will also assist the fellows as they photographed ice skating, expanding on recipient. As an undergraduate, she multiethnic cultural movements. As a video, sound, and writing to examine pursue postgraduate employment at her interest in mark-making. Becca attended New College, the honors single Latina parent, she hopes to modes of interaction. She is reinterpret­ museums, art institutes, colleges, or received the 1999 Bingham Fellowship college of the state university system of demonstrate to her daughter the ing movement, speech, and word into universities. Once a professional to attend the Skowhegan School of Florida. Because her family faced a important changes and empowerment a sound and video. Her M.F.A. exhibition position with a curatorial component is critical financial situation, her atten­ ** Painting and Sculpture. During her relevant college education can bring. will take the form of a video installation. secured, CAA will subsidize the fellows' residency, she has made work with dance would not have been possible Sonya is committed to community and first year salary through matching gymnastics, dealing with issues of without the full-tuition scholarship she public arts. She has organized and grants to their hiring institutions. physical stamina and vulnerability. received from the New College Founda­ facilitated projects in public schools, CAA is also pleased to announce Currently, Becca is teaching a Digital tion. Her graduate studies have ad­ Jeanine Oleson, a treahnent centers, and women's prisons. two fellowships made possible by a Art course at University of North dressed issues of consumer culture and recipient of the Her commitment to teaching stems from ** generous grant from The Geraldine R. Carolina and continuing her work with visual representation. She is currently Cummings grant, is a belief that art can be used successfully Dodge Foundation. These two addi­ gymnastics and skating for her M.F.A. engaged in the research and writing of completing her as a social force to create community. tional recipients will help to increase the show. her dissertation, "Selling America: M.F.A. at the Mason diversity of individuals working in the Precisionism, Consumerism, and the Gross School of Arts, arts profession in New Jersey. The Formation of an American Identity, Rutgers University, organization is also grateful to The 1919-1939," in which she examines *** where her concentration is film and With such a outstanding pool of Nathan Cummings Foundation for their Rocio Aranda~ themes of consumer culture, mass video. Jeanine received her B.A. from applicants, the visual artists and art long-term support of the fellowship Alvarado, a recipient production, and the American land­ the School of the Art Institute of historian juries felt obliged to award National Arts program. of the Dodge grant, scape as they relate to Precisionist art. Chicago, where she studied photogra­ honorable mention to the following CAA initiated its Professional is a Ph.D. candidate Her dissertation has been supported by phy, film, and video. After graduation, individuals: Andrea Barnwell, Ph.D., Development Fellowship Program in in art history at the a Henry Luce Foundation/ American she worked for three years as the Duke University; Maria-Elena Buszek, 1993 to help M.F.A., terminal M.A., and and Humanities City University of Council of Learned Societies (ACLS) program coordinator of the Visiting Ph.D., University of Kansas; Matthew PhD. students bridge the gap between New York's Gradu­ Dissertation Fellowship in American Artists Program at the School of the Art Guy Nichols, Ph.D., Rutgers University; graduate study and professional careers. ate Center. She is writing her disserta­ Art, a Smithsonian Institution Institute of Chicago. Raised in rural Mayumi Lake, M.F.A., School of the Art By offering support at this critical Month tion, titled "New World Primitivism in predoctoral fellowship, and a Mabelle Oregon, Jeanine is the first college Institute of Chicagoi and Suzette Min, juncture in scholars' and artists' careers, Harlem and Havana: Constructing McLeod Lewis Memorial Fund disserta­ graduate and recognized lesbian in an Ph.D., Brown University. CAA intends to make timely degree Modern Identities in the Americas, tion fellowship. extended family of commercial fisher­ CAA thanks those members who completion more viable and employ­ 1925-1945," at the National Museum of men and loggers. Most of her creative served on the Professional Development ment opportunities more accessible. In American Art of the Smithsonian work has centered around working class Fellowship juries. The visual artists jury tum, by nurturing outstanding scholars October Institution, where she currently holds a spectacle, masculinity, and humor. comprised the following: past fellow­ and artists at the beginning of their Latino studies fellowship. Her disserta­ Jeanine's work is described as complex ship recipient Maxine Payne Caufield, careers, CAA hopes to strengthen and tion is a comparative study of race, and layered. It employs personal issues University of Central Arkansas; Victor diversify the profession as a whole. nationalism, and as con­ that extend to cultural issues involving Davson, Aljira; CAA Board member structed in the painting of four different the contingencies of identity. Being Vanalyne Green, Art Institute of artists, Carlos Enriquez, Wifredo Lam, interested in media arts, Jeanine desires Chicago; Ernesto Pujol, independent Aaron Douglas, and Jacob Lawrence. As a career that can incorporate her artist; and Lynne Yamamoto, indepen­ an undergraduate at the University of creative, administrative, technical, and dent artist. The art historians jury Maryland, Rocio knew she wanted to theoretic skills. consisted of: Lisa Farrington, The New

CAA NEWS SEPTEMBER 1999 6 CAA NEWS SEMPTEMBER 1999 7 William M. Jensen, D. Signe M. Jones, Nina M. Kallmyer, Pepe Karmel, Nancy Kattler, Nancy B. Career Development Workshops Keeler, Alison Kettering, Dieter Kimpel, Judith R. Kirshner, Norman L. Kleeblatt, Mark A. Kline, New York Academy of Art 88th CAA Annual Conference, New York, February 23-26,2000 Thomas D. Kraemer, Alice Kramer, Travis Barton Kranz, Jill A. Kyle, Andrew T, Ladis, Phyllis Lambert, Barbara G. Lane, Gerrit 1. Check one of the following boxes, indicating your area of specialization. If choosing more than one specialty, please indicate the Lansing, Donald M. Lantzy, Irving Lavin, Graduate School of Figurative Art order of your preference: Babatunde LawaI, Claudia Lazzaro, Patricia J. Full-Time and Part-Time MFA Programs Lefor, Leonard Leluer, Patricia Leighten, Dell & Art History Studio Art o Curatorial Danielle Lemmon, Cathie Lemon, Madeline o Ancient-Medieval o Painting Lennon, William W. Lew, Joseph S. Lewis, Continuing Education Program o Renaissance, Baroque, 18th c. o Sculpture/ Ceramics/Metal/Jewelry Samella S. Lewis, Elizabeth A. Liebman, Lucia S. Non-Credit Figurative & Traditional Art Courses o 19th c.-Modern o Drawing/Prinhnaking/Works on Paper LHien, Nashonneh N. R. Lindo, Denise T, o Contemporary o Photography/Film/Video Lisiecki, Rose-Carol Wash ton Long, Carla Lord, o Africa, Asia, Oceania, Americas o Computer Graphics/Illustration/Graphic Design Patricia C. Loud, Glenn D. Lowry, Hans A. Summer Program in Florence, Italy o Architectural History o Installation/Performance Luthy, Patricia Maimirdi, Michael Mallory, Richard 1. Marciniak, Pamela Markham, James name ______CAA membership # ______H. Marrow, Joan M. Marter, Jean M. III Franklin Street, New York, NY 10013, 212/966-0300 Massengale, Patricia Mathews, J. Mc Clain, Michele 1. Mc Faull, Forrest Mc Gill, Sarah Blake Fax: 212/966-3217, Web: www.nyaa.edu, E-mail: [email protected] address Me Ham, Deanna M. Mc Hugh, Susan R. Mc The New rod, Academy ofArt admits sN/dents ofdlly l"tlce, c%}" and ndtional or ethnic origin. Killop, James W. McManus, Guy P. R. Metraux, city/state/zip ______Jerry D. Meyer, Ruth K. Meyer, Creighton paid advertisemcllt Michael, Erika B. Michael, Ellen G. Miles, EUy phone e-mail :Miller, Henry A. Millon, Bente 1. Mirow, Barbara A. Ventresco, Timothy Verdon, BarbaraJ. Mitnick, Clarence E. Morgan, James Anthony Vidler, Sonoko S. Wakita, Leonard E. Morganstern, Keith Moxey, Don R. Mullins, Walcott, Jr., John Walsh, Ian B. Wardropper, The 2000 Career Development Workshops will take place Thursday, February 24, and Friday, February 25, 2000. John Mulvany, Stephen Murray, Weston J. Naef, Allen Wardwell, Jack Wasserman, Katharine J. Lawrence Nees, John Hallmark Neff, Roy R. Watson-Nyhus, Joni B. Weberman, Jeffrey Complete and return to Career Development Workshops, CAA, 275 7th Ave" New York, NY 10001. Deadline: October 29,1999. Neuberger, Linda Nochlin, Andrea S. Norris, Wechsler, Judith Wechsler, Ruth I. Weidner, Edward J. Nygren, John S. O'Brian, Carol Melody M. Weiler, Gabriel P. Weisberg, Fred H. Ockman, Clifton C. aIds, Steven N. Orso, Werner, Richard V. West, Arthur K. Wheelock, Atkins, Michael 1. Aurbach, Faya Causey & Clinton, Judith Colton, Malcolm Cormack, Osmund Overby, Marilyn C. Paine, John T. Jr., Renate Wiedenhoeft, David G. Wilkins, Sean Philip Conisbee, Michele C. Cone, Kevin E. Michael W, Cothren" Holland Cotter, Janet Coxw Paoletti, George Pappas, E. C. Parry, William D. Wilkinson, Reba W. Williams, Jean c. Wilson, Thanks to Consey, Elsbeth B. Dusenbery, Elizabeth Mc G. Rearick, Michael P. Cunningham, Joyce A Paul, Jr., Melvin Pekarsky, Jeanette F. Peterson, Irene J. Winter, Reva J. Wolf, Jim Wright, Robert Enders, Anne Hollander, Pamela Joseph Aspen, CutlerwShaw, Karen C. C. Dalton, Sally B. Ruth R. Philbrick, Martin J. Powers, Rosamond A. Yassin, Michael R. Zakian, Joyce Zemans, Joseph 1. Koerner, Charlene C. Marshm, Dewey Dalton, Alan P. Darr, Sol Alfred Davidson, Ben W. Purcell, Olga Raggio, Archie Rand, Peter S. Henri Zerner, and Judith K. Zilczer. Members F. Mosby, Otto Naumann, Marla F. Prather, Jules H. Davis, Paul J. Davis, John T. Daxland, Kosme Reed, Danielle Rice, Debra A. Bosio Riley, D. Prawn, Joseph Rishel & Anne D'Harnoncourt M. De Baranano, Pamela De Marris, Philippe De Robert Rindler, E. Bruce Robertson, Jane Mayo Rishel, David Rosand, Stephen K. Scher, Linda Montebello, Elizabeth De Rosa, Barbara K. Debs, Roos, Peter D. Roos, Margaret Root, Robert A. Seidel, Mark Weil, and Ruth Weisberg & Alicia Katharine B. Desai, Robert G. Donnelley, Rorex, Betsy Rosasco, Charles M. Rosenber~ K. WeisergwRoberts. Charlotte Douglas, Dedree A. Drees, Douglas Mark Rosenthal, Sheila M. Ross, Wendy W. Dreishpoon, Martha 1. Dunkelman, Francesca Roworth, Timothy F. Rub, James H. Rubin, Announcing: Sustaining M. Eashnan, Teri J. Edelstein, John Elderfield, Katherine K. Rubin, Polly N. Rubin, Jeffrey AA expresses its gratitude to Carol S. Eliel, JudsonJ. Emerick, Sonia H. Evers, Ruda, Angelica Rudenstine, Sheri C. Sandler, Cynthia Maris Dantzic's 1999 Patron, Sponsoring, and Members SuzannahJ. Fabing, Tecton Fabricator, Everett Norie Sato, Carl N. Schmalz, Jr., John M. Sustaining members- Morton C. Abromson, Jeffrey H. Abt, Laurie Fahy, Trevor Fairbrother, Theodore Feder, Linda Schnorrenberg, Frederick C. Schroeder, Susan RICHMOND THE AMERICAN INTERNATIONAL UNIVERSITY IN LONDON New Text: c Sclmeider Adams, Maryan W. Ainsworth, S. Ferber, Peter J. Fergusson, Alan M. Fern, W, Schwartz, Paul Schweizer, Gerry D. Scott III, individuals who wish to contribute to Svetlana 1. Alpers, Emma Amos, Maxwell L. Elizabeth V. Ferrer, Ruth E. Fine, David Finn, Salvatore Settis, Rivka T. Sevy, Fredericka Foster Intercultural MA in Art History Drawing Dimensions: CAA above and beyond their regular Anderson, Joseph P. Ansell, Kamen J. Arbitman, Evan R. Firestone, Richard Fishman, Jack D. Shapiro, Ellen Sharp, AUyson E. Sheckler, Renaissance, Modernism A Comprehensive Introduction dues. These members receive the Art Matthew Annstrong, Cynthia M, Augsbury, Flam, Ilene H. Forsyth, Joseph c. Forte, Brandon Pamela K. Sheingorn, Alan Shestack, Deanne M. & Post-Colonial Theory Bulletin, Art Journal, and CAA's annual Ellen T. Baird, Susan J. Bandes, Richard B. Fortune, Jacqueline A. Frank, Kristen Shey, Richard A. Shiff, Jerelyn G. Shunk, Central London location report. Membership fees cover less than Barnhart, Terry 1. Barrett, Stephanie J. Barron, Frederickson, Dario 1. Gamboni, Clarke H. Kenneth E. Silver, Larry A. Silver, Janice Simon, One year degree program call: 1-800-526-0485 Michael D. Baxandall, Shirley K. Bennett, Janetta half of CAA's operating costs, so Garnsey, Dana M. Garvey, Mary Cecile H Gee, Robert B. Simon, Joseph R. Simons, Marianna Optional semester in Florence for your Rebold Benton, Ann C. Bermingham, JowAnne Robert A. Gerard, Mary W. Gibbons, C. 1. Terry Shreve Simpson, Lowery Stokes Sims, David US accredited voluntary contributions from members Bernstein, Xiomara Bertot, Nancy Sialler, Gips, Mary Gladue, Mildred 1. Glimcher, Rona Smiley, Clifford G. Smi~ Sherri Smith, Terence BAIBS also offered in 14 areas, examination copy help to make possible the wide range of Marlene O. Bilsky, Wayne E. Bingham, Annette Goffen, John S. Gordon, George Gorse, Jack E. Smith, Webster Smith, Joanne SnowwSmith, including Art History paid advertisement programs and services it offers. Blaugrund, Rosemarie Bletter, Suzanne P. Blier, Greenstein, Terence Grieder, Norman B. Thomas W. Sokolowski, Katherine Solender, Office of Graduate Admissions Elizabeth H. Boone, Jean 1. Bordeaux, Edward J. Gulamerian, Jennifer M. Hardin, Ann S. Harris, Susan G. Solomon, Priscilla P. Soucek, Ann 16 Young St Box CA Boyer, Tom Bradley, Host Bredekamp, Nancy R. Elizabeth F. Harris, Lyall F. 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8 CAA NEWS SEMPTEMBER 1999 CAA NEWS SEPTEMBER 1999 9 MID-ATLANTIC Lisa M. Robinson. A.R.C. Gallery, Chicago, Holly Lane. Schmidt Bingham Gallery, August 31-September 25, 1999. Susurros: A Quiet Maria Creyts. Heron Hill Gallery, Eagle, Pa., September 8--October 16, 1999. Solo Portrait of Argentina. March-April 1999. Blue Spots; Borders Books, Margot Lovejoy/Miles Dudgeon. Islip Art Reading, Pa., May 1999. Red and Blue Spots, Kirk R. J. L. Roda. Fine Art Gallery, University Museum, East Islip, N.Y., May I-July 3,1999. Exhibitions drawings and . of Michigan, Flint, November 1-26, 1999. Site Specifics, interactive installation; Stamford Richard Hamwi. Lycoming College Art Gallery, Sandy Skoglund. Joslyn Art Museum, Omaha, Museum, COlUl., July 18-August 29, 1999. Williamsport, Pa., September 16-0dober 16, Nebr., September 4-0etober 31,1999. Realih) Vulcan's Forge, interactive installation. by Artist 1999. Watercolor collages and drawings. Under Siege, color photographs, lithographs, Thomas McGovern. Art Resources Transfer, paintings, and installations. Muriel H. Hasbun. Ann Loeb Bronfman New York, September 8-15, 1999. Installation Gallery, Jewish Community Center, Washing· Dan S. Wang. Woodland Pattern, Milwaukee, from newly-released book, Bearing Witness (to Members ton, D.C., July 9-August 25,1999. Protegida: Wise., September 19-Deeember 11, 1999. Roots of AIDS); Laban.d Art Gallery, Loyola Marymount Auvergne-Toi et Moi, photographic installation; High Tech, works on paper. University, Los Angeles, Odober 16-November September 1-30, 1999. Santos y sombras, gelatin 20,1999, installation from Bearing Witness (to AIDS). silver prints. NORTI-IEAST Only artists who are individual CAA members will Babette MaTtino. Travis Gallery, New Hope, Creighton MicheaI. Kim Foster Gallery, New be included in this listing. Group exhibitions cannot Pa., September 1-30, 1999. Paintings and Ron Baron. Public Art Fund, Hudson River at York, September 9-0ctober 9,1999. Intuitive lIe listed. Send name, membersiJip number, venue, drawings; Marin·Prince Galleries, Bethesda, Pier 34, New York, beginning August 1999. Drawing. eity, dates of exhibition, and medium (or website Birds, installation of Nova Scotia lobster buoys. Md., September 24-0ctober 24, 1999. New Tom Morrissey. Gallery Night, AS 220, address of online exhibits), Photographs are chosen at paintings. Providence, R.I., June 2-30, 1999. Recent Works on the discretion of tlte editors; thelJ will be used only if Canvas: Paintings in Mixed Media. space allows and cannot be returned. Listings and images may be reproduced on the CAA website. Nydia Preede. Organization of Independent Submit to: Solo Show Listings, CAA, 275 7th Ave., Artists, New York, June 29-August 6, 1999. New York, NY 10001; [email protected] Seascapes, paintings. (/10 attachments), Michael Rich. South. Wharf Gallery, Cape Cod, Mass., June 18-July I, 1999. New work. Carol Sun. Neuberger Museum of Art, Purchase, N.Y., June 13-September 12, 1999. Holly Lan~, Death and the Maiden, wood, acrylic paint, Transformations Parlor. and graphite on matte mylar, 17.5" x 23" x 2.625" ABROAD Keith Fox. Bulhosa Livreiros, Lisbon, Porhtgal, SOUTH June 1-30, 1999. Abstractions and Semiabstractions, Micaela Amato. Mary Washington College, acrylic on canvas panel. Fredericksburg, Va., September-October, 1999. George Jarvis. Komatsu Craftspace, Akita, Tijuana Tavolettas, Conte Hondo. Japan, August 1-10, 1999. Woodcut prints. Aaron Lee Benson. TIle Ned R. McWhorter Ana Lois-Borzi. Otter Gallery, Chichester, West West Tennessee Cultural Arts Center, Jackson, Sussex, England, March 12-April2, 1999. Tenn., May 17-August 9, 1999. Enfredos, an installation. Virginia Derryberry. Slocumb Galleries, East Tennessee State University, August 30-0dober 28,1999. Gloria De Duncan. University of Science and Arts of Oklahoma Art Gallery, Chickasha, Okla., June 12-September IS, 1999. Recent paintings and sculpture; Holland Hall Gallery, Tulsa, Lisa M. Robinson, La Navidad Okla., September 30-0dober 30, 1999. Memories and Visions, paintings and monotypes. MIDWEST Nancy Brett. The Hyde Collection Art Museum, Ruth Dusseault. College of Architedure, Glens Falls, N.Y., July 31-September 25, 1999. A Gladys Bel. East/West Gallery, John Michael Georgia Institute of Technology, Atlanta, July 5- Loaded Brush, recent paintings. Kohler Arts Center, Sheboygan, Wis., June 17- 30,1999. Atlantic Steel: As It Is; College of August 8, 1999. Auric/e. Wendy Chisholm. Phoenix Gallery, New York, Architecture, Georgia Institute of Technology, July 7-28, 1999. PG. Atlanta, July 19-23, 1999. Atlantic Steel: As It Joan Hall. Gallery 337, St. Louis Art Museum, Might Be. St. Louis, Mo., September 16-November 28, Bailey Doogan. Mabel Smith Douglass Library, 1999; R. Duane Reed Gallery, Sf. Louis, Rutgers University, New Brunswick, N.J., Catherine Ellender. Bayou Terrebonne Waterlife September 17--Odober 23, 1999; R. Duane Reed January 31-February 28, 2000. Paintings and Museum, Houma, La., July 14--August 29,1999. Gallery, Chicago, September 17--Odober 30, drawings. Storytelling: South Louisiana in Color, acrylic. 1999. Mixed media, printed, layered handmade Piero Fend. South Wharf Gallery, Cape Cod, Claire Lieberman. Anderson Gallery, Virginia kozo paper. Mass., June 18-July 1, 1999. Ceramic sculpture. Commonwealth University, Richmond, Va., June 4--July 24,1999. Walking Thru lelia. Helen KlebesadeI. Grace Chosy Gallery, June Sydney Hamburger. Denise Bibro Fine Art, II-July 3, 1999. EvenJday Use, recent paintings. New York, September 8-0ctober 9, 1999. wn Martin. The University of Texas-Pan Alison Moritsugu. East/West Gallery, John Sanctuaries & Things, sculpture. American Art Galleries, Edinburg, Tex., June 25- July 3D, 1999. The Doubleday Drawings. Michael Kohler Arts Center, Sheboygan, Wis., Anne Harris. DC Moore Gallery, New York, August IS-0dober 31, 1999. A Landscape of April 12-May 6, 1999. Julie Speed. Austin Museum of Art-Downtown, Promise, paintings. Austin, Tex., June 26-August 22,1999. Queen of Frances Hynes. Ogunquit Museum of American My Room: A Survey of Work by Julie Speed, 1989- Dale Osterle. Chicago Center for the Print, May Art, Ogunquit, Me., August 16-September 3D, 1999.-S1ices of Provence, hand-painted etchings. 1999, paintings. George Jarvis, woodcut print 1999. Ruth Dusseault, Atlantic Steel: As It Is, photograph

10 CAA NEWS SEMPTEMBER 1999 eAA NEWS SEPTEMBER 1999 11 ------

WEST Rhonda Roland Shearer, artist and co-director project, "The Art and Antiquities Collections of Lisa Deam, University of Chicago, has been Lisa Beerntsen. Hang Gallery, San Francisco, with Stephen Jay Gould of the Art Science Isabella d'Este Gonzaga." awarded a 1999-2000 Whiting dissertation-year Research Laboratory, has been appointed Grants, fellowship from the Mrs. Giles Whiting August 29-September 2, 1999. Collaborating with the Past: The Quilt Paintings, mixed media associate at the Harvard Department of Robert Bunkin, lecturer in art history at Parsons Foundation and the Division of the Humanities paintings. Psychology and a visiting scholar at the New School of Design, New York, received a of the University of Chicago. York University Department of Physics. Awards, residency at the Newhouse Center for Contem­ Ronald Christ. Van de Griff Gallery, Santa Fe, porary Art, Snug Harbor Cultural Center, Staten Ellen Fernandez-Sacco was awarded a Coca­ N.Mex., October IS-NovemberS, 1999. Christine L. Sundt has been promoted to Island, N.Y., May 13-August 8,1999, for Under Cola fellowship at the International Center for Observations lind Interpretations, new work. professor and officer of administration for the & Honors Construction, an installation of portraIts on Jefferson Studies at Monticello, an Andrew W. Cristina Gonzalez. Roswell Museum and Art Visual Resources Collection, Architedure & cinderblocks of 32 artisans from China who built Mellon resident research fellowship at the Center, Roswell, N.Mex., July 23-0ctober 3, Allied Arts Library, at the University of Oregon, the New York Chinese Scholar's Garden at the Ame1ican Philosophical Society, and a 1999- 1999. Paintings and drawings. Eugene. Staten Island Botanical Garden. 2000 University of California President's Only grants, awards, or honors received by John D. Graham. Omni, Portland, Oreg., July 1- postdoctoral fellowship in the Department of Joe Ziolkowski has been appointed instructor at individual CAA members are listed. All names will 31,1999. Anima mundi, installation. Louis Callauro has been named an Ailsa Mellon Architecture at the University of California, the Center for Creative Studies, Detriot, Mich. also appear on the CAA website. Submit name, Bruce visiting senior fellow at the National Berkeley, to support the research and comple­ Sharon Louden. Work.... on Paper, Los Angeles, institutional affiliation, and title of the grant, award, Gallery of Art's Center for Advanced Study in tion of her book manuscript, "Racial Displays: April 17-May 29, 1999. Drawings. or honor, and use or purpose ofgrant to: the Visual Arts for his project, "Vitruvius and Creating National Identity in the Cultural [email protected](/toattachments). John Jerry-Anthony Parente. University of Museums & Galleries 11 British Architecture (1563-1825)." Landscapes of the Early Republic" (working Creation Spirituality, Oakland, Calif., July 26- I title). August 13, 1999. Shimmering Presence. Brooke Davis Anderson has been named Jill Elizabeth Caskey, assistant professor at the ) University of Toronto, has been granted a 1999- Sarah Elizabeth Fraser, assistant professor at Fritz SchoIder. Museum of Northern Arizona, director and curator of the Contemporary Center 2000 J. Paul Getty Postdoctoral Fellowship in the Northwestern University, has been granted a Flagstaff, June 18-0dober 11, 1999. Art & Soul. Jeff Pike, Dean of the School of Art, at the Museum of American Folk Art. Washington University in St.Louis History of Art and the Humanities for her 1999-2000 J. Paul Getty Postdoctoral Fellowship Kathleen Enz Finken, associate professor at Lisa Adams has been awarded a 2~month project, "Eye of a Needle: The Ruiolos of Ravello in the History of Art and the Humanities for her Moorhead State University, Minn" has been residency at the Nordic Institute for Contempo­ and the Art of Wealth and Splendor." project, "The Sketch in Medieval China: Katherine Manthome, former head of the named president of the board of directors of the rary Art in Helsinki. She is the only American Aesthetic Theories and Practices." Resident Research Office and executive editor of Plains Art Museum, Fargo, N.Dak. artist selected for 1999. She will exhibit her Swati Chattopadhyay, assistant professor at the American Art at the National Museum of residency work in December 1999 at the 18th University of California, Santa Barbara, has been Christine Giviskos, Institute of Fine Arts, New American Art, has been appointed professor of Linda Komaroff has been promoted to curator Street Arts Complex in Santa Monica, Calif. granted a 1999-2000 J. Paul Getty Postdoctoral York University, has been named a 1999-2000 art of the Americas at the Graduate School and of Islamic art at the Los Angeles County Fellowship in the History of Art and the Chester Dale fellow by the Metropolitan University Center, CUNY. Museum of Art. Sharon Al1icotti had work selected for inclusion Humanities for "Depicting Calcutta: Colonial Museum of Art. in the Berkeley Art Center's 15th Annual Conflict and the Emergence of a 19th-Century People in Katherine A. McIver has been promoted to the Karol Lawson, former director of collections and National Juried Exhibition, Works on Paper, Modernity." Elizabeth Guenther, Princeton University, has tenured rank of associate professor at the curator of art at the Columbus Museum, Berkeley, Calif. been named a Chester Dale fellow at the University of Alabama at Birmingham. Columbus, Ga., has been selected as the new Sara Clark, adjunct faculty member at the National Gallery of Art's Center for Advanced the News Study in the Visual Arts for her dissertation, director of the Maier Museum of Art at Qianshen Bai, assistant professor at Boston School of the Arts, Virginia Commonwealth Sheila McTighe has been appointed art history Randolph-Macon Woman's College, Lynchburg, University, has been granted a 1999-2000 J. Paul University, Richmond, has been awarded a "Albrecht Dfuer's Narrative Style." lecturer at the Courtauld Institute of Art, Va. Getty Postdoctoral Fellowship in the History of 1999-2000 Virginia Museum of Fine Arts University of London. Art and the Humanities for his project, "The fellowship in painting. Robert Edward Haywood, assistant professor at Annemarie Sawkins has been named associate Transformation of Chinese Calligraphy in the University of Notre Dame, has been granted a Amy L. Neff, associate professor of art history, curator of the Patrick and Beatrice Haggerty 17th Century." Craig Clunas, professor of the history of art, 1999-2000 J. Paul Getty Postdoctoral Fellowship University of Tennessee, Knoxville, has been Museum of Art, Marquette University, in University of Sussex, England, was awarded the in the History of Art and the Humanities for his awarded an Ellen McClung Berry Professorship Milwaukee, Wis. Wendy Bellion, Northwestern University, has R. C. Hills Gold Medal of the Oriental Ceramic project, "Interventions: Art, Happenings and for 1999-2002. been named a Wyeth feUow at the National Society, London, for an outstanding contribution Cultural Politics in the (1958- Academe Ron Spronk has been named associate curator Gallery of Art's Center for Advanced Study in to the study of Chinese art. 1970)." Jeff Pike has been named dean of Washington for research at the Straus Center for Conserva­ the Visual Arts for her dissertation, "Likeness University School of Art. Laura Beard Aeling has been appointed a full­ tion and Technical Studies at the Harvard and Deception in the Art of the Early American Anthony Cutler, Pennsylvania State University, Mimi Hellman, Princeton University, has been time tenure-track instructor at St. Louis University Art Museums. Republic." has been named a Paul Mellon senior fellow at named a David E. Finley fellow at the National Community College at Meramec where she will the National Gallery of Art's Center for Gallery of Art's Center for Advanced Study in teach studio art, humanities, and art history. Kenneth Wayne has been appOinted curator at Sheila Blair has received a 1999-2000 Advanced Study in the Visual Arts for his the Visual Arts for her dissertation, "The Hotel the Albright-Knox Art Gallery in Buffalo, N.Y. Guggenheim fellowship to continue work on her project, "Objects of Desire: Gift Exchange de Soubise and the Rohan-Soubise Family: Cordula A. Grewe has been appointed a Previously, he was the Joan Whitney Payson book on Arabic calligraphy. Her previous book, between Byzantium and Islam." Architecture, Interior Decoration, and the Art of research fellow at the German Historical Curator at the Portland Museum of Art in Islamic Inscriptions (New York: New York Ambition in 18th-Century France." Institute, Washington, D.C., where she will Maine. University Press, 1998), has just been awarded James D'Emilio, University of South Florida, pursue her second book project to earn a the British~Kuwait Friendship Society Book was recently awarded the Edilia and Fran~ois­ Valerie Hillings, Institute of Fine Arts, New "habilitation" degree. She has also been Prize for the best book on Middle East Studies. Auguste de Montequin Senior Fellowship in York University, has been named a 1999-2000 appointed editor of the Institute's Organizations Iberian and Latin American Architecture by the Jane and Morgan Whitney fellow by the "Transatlantische Studien" series. Lee Borason was seleded to participate in the Society of Architectural Historians, and a grant Metropolitan Museum of Art. Neuberger Museum of Art 1999 Biennial from the Graham Fotmdation for Advanced Susanne K. Arnold, former assistant to the Cynthia Handel has joined the faculty at Exhibition of Public Art, State University of New Studies in the Fine Arts for his project, "The Louise A. Hitchcock, research associate, executive director and visual arts coordinator at Louisiana State University-Baton Rouge as an York at Purchase, N.Y. Romanesque Churches of Galicia: The Making of Institute of Archaeology, University of the Cultural Arts Center at Glen Allen, has been assistant professor. a Provincial Art." California, Los Angeles, was granted a 9-month appointed interim director of the Center for the Deborah Broderson, of Duke University, has Fulbright postdoctoral fellowship in archaeology Visual Arts at Longwood College. 1 Beauvais Lyons, professor of art, University of J received an honorable mention from the 1999 Susan Dackerman and Thomas Primeau, of the to study Aegean influences in Bronze Age Tennessee, Knoxville, has been awarded an Carter Manny Awards, sponsored by the Baltimore Museum of Art, have been named architecture in Cyprus. Saralyn Reece Hardy has been named director Ellen MCCltmg Berry professorship for 1999- Graham Foundation, Chicago. Samuel H. Kress I Ailsa Mellon Bruce Paired of Museruns and Visual Arts at the National 2002. fellows at the National Gallery of Art's Center Preminda Susana Jacob, assistant professor at Endowment for the Arts. Clifford Brown, Carleton University, OHowa, for Advanced Study in the Visual Arts for their University of Maryland, Baltimore County, has Suzanne P. MacAulay has been appointed head has been named a Paul Mellon Visiting senior project, "The History and Technology of been granted a 1999-2000 J. Paul Getty Virginia Wageman, former manager of Renaissance and Baroque Hand-Colored Prints." Postdoctoral Fellowship in the History of Art of the Quay School of the Arts, Wanganui Virginia Wageman, Art Critic, fellow at the National Gallery of Art's Center for publications at the College Art Association, has and the Humanities for her project, "The Nexus Polytechnic, New Zealand. Honolulu Advertiser Advanced Study in the Visual Arts for his been named art critic for the Honolulu Advertiser. of Visual Art and Media in South India."

12 CAA NEWS SEMPTEMBER 1999 eAA NEWS SEPTEMBER 1999 13 John Jacobsmeyer, visual artist from Ports­ Gabrielle L. Mayer received First Award from Michael Pauker has had work selected for medieval art in the Musee des monuments "Imagining The Space Between: Constructing century, including the liturgy, theater, mouth, N.H., has been awarded a Ragdale the Toledo Museum of Art at the 81st Annual inclusion in the Berkeley Art Center's 15th fran<;ais (1791-1816), Paris. Literature and Culture, 1914-1945/' the Third processions, festivals, and secular rihtals with Foundation/National Endowment for the Arts Toledo Area Artists Awards for her work in oil, Annual National Juried Exhibition, Works on Annual Conference of The Space Between, religious overtones. Theoretical inquiries into fellowship. He will take up residency at the Aqua Regia. Paper, Berkeley, Calif. Kristel Smentek, University of Delaware, has May 18-20, 2000, University of Western Ontario. the sociocultural importance and symbolism of Ragdale Foundation, Lake Forest, Ill. been named a David E. Finley fellow at the Proposals are invited for papers illuminating rihtal are also welcome. Send 2-3-page abstract Kathryn McFadden received the 1999 Dene M. Stephen Grant Perkinson, assistant professor at National Gallery of Art's Center for Advanced any aspect of this general topic, especially those to: Ena Heller, Gallery at the American Bible Richard Kamler was awarded a fellowship by Loucbeim Faculty Fellowship from the the University of Denver, has been granted a Study in the Visual Arts for "Pierre-Jean that are interdisciplinary in nature, those that Society, 1865 Broadway, New York, NY 10023; the Project on Death in America to complete his Philadelphia Museum of Art's Fleisher Art 1999-2000 J. Paul Getty Postdoctoral Fellowship Mariette: Art, Commerce, and Scholarship in concern overlooked texts or understudied 212/408-1236; [email protected]. project, The Waiting Room, an interactive Memorial. The grant will help to fund shtdio in the History of Art and the Humanities for his 18th-Cenhtry Europe." writers and artists, or those that offer new Deadline: November 15,1999. installation examining the death penalty and its time. project, "The Physiognomization of the Image in approaches to canonical works. The following influence on America's perception of death and the Late Middle Ages." Teresa A. Smith had work selected for inclusion questions are intended to suggest, but not limit, Boston University, in conjunction with the dying. Sarah F. Meng, Ph.D. candidate in art history at in the Berkeley Art Center's 15thAnnuai areas of enquiry: What are the critical I Museum of Fine Arts, announces the 16th Case Western Reserve University, received an Endi Poskovic, printmaker, has had work National Juried Exhibition, Works on Paper, historical/psychological ways in which this Annual Graduate Shtdent Symposium on the Sarah Kennel, University of California, honorable mention stipend from the Swann selected for inclusion in the Berkeley Art Berkeley, Calif. period has been retrospectively imagined or History of Art. Papers are invited from all areas Berkeley, has been named a Mary Davis fellow Foundation for her dissertation, "Caricature and Center's 15th Annual National Juried Exhibition, constructed? How did writers, artists, and others of the discipline. This program offers the at the National Gallery of Art's Center for Artistic Identity: Peggy Bacon." Works on Paper, Berkeley, Calif. Tanya Tiffany, Johns Hopkins University, has of the day envision their material reality or opporhtnity to present schOlarly papers in a Advanced Shtdy in the Visual Arts for her been named a 1999-2000 Theodore Rousseau imagine escape from it? How did the period professional setting and provides a forum for an dissertation, "Bodies, Stahtes, Machines: Dance Susan Merriam, Harvard University, has been Amy Eva Raehse has been awarded a 1999 fellow by the Metropolitan Museum of Art. bring about complications in the categories of exchange of ideas. Submit a I-page abstract with and the Visual Arts in Paris, 1910-1925." named a Robert Hand Oarice Smith fellow at Blanche E. Colman award / grant for New race, gender, class and nation? Is the era best a cover letter noting how you learned about the the National Gallery of Art's Center for England Artists. Lile Vlue, Johns Hopkins University, has been understood as one of disillusionment and symposium. For information: Symposium Jaclynne Kerner Instihtte of Fine Arts, New Advanced Study in the Visual Arts for her named a 1999-2000 Jane and Morgan Whitney dislocation? How was heroism and I or anti­ Coordinator, Dept. of Art History, Boston York University, has been named 1999-2000 dissertation, "Icons after Iconocasm: The Darnel D. Reiff, of the State University of New fellow by the Metropolitan Museum of Art. heroism constructed in the period? How were University, 725 Commonwealth Ave., Boston, Hagop Kevorkian Curatorial fellow by the FleIl}ish Garland Image, 1608-1700." York at Fredonia Art Department, received the these categories gendered? What systems of MA 02215; 617/353-2520; fru" 617/353-3243; Metropolitan Museum of Art. Ruth Emery Book Award from the Victorian Katherine Venturelli, printmaker, had work value underpinned cultural production in the [email protected]. Deadline jor abstracts: John Monti was selected to participate in the Society in America for Architecture in Fredonia, selected for inclusion in the Berkeley Art period? What was the relation of popular to high December 1, 1999. Elaine A. King has been awarded a 1999-2000 Neuberger Museum of Art 1999 Biennial New York, 1811-1997 (White Pine Press, 1997). Center's 15th Ammal National Juried Exhibition, culture in the period? Send abstracts (max. 2 senior research fellowship from the Smithsonian Exhibition of Public Art, State University of New Works on Paper, Berkeley, Calif. pages, double-spaced) to: Jason B. Jones, Dept. SouthwesttTexas Popular Culture Association Instihttion. She will work on a project titled York at Purchase, N.Y. Jonathan Reynolds, University of Southern of English, 302 N. Callaway Ctr., Emory and American Culture Association Annual "Portraiture in the United States 1965-2000." California, has been named an Ailsa Mellon Dorothy H. Verkerk, assistant professor of art University, Atlanta, GA 30322; jbjones@emory. Meeting, February 9-12, 2000, Sheraton Old Clarence Morgan has been granted a 1999-2000 Bruce senior fellow at the National Gallery of history at the University of North Carolina, edu. For information: http://userwww.service. Town Hotel, Albuquerque, N.Mex., invites Carolyn Lane, City University of New York, has Minneapolis College of Art and Designl Art's Center for Advanced Shtdy in the Visual Chapel Hill, won an EDUCAUSE Medal for her emory .edu/ -jbjones I space/. Deadline: October papers or panels treating any aspect of western been named a 1999-2000 Chester Dale fellow by McKnight Foundation fellowship. Arts for his project, "Constructing 'Tradition': website on Celtic art and culhtres, http://www. 15, 1999. landscape painting. Submit I-page abstract or the Metropolitan Museum of Art. Modem Japanese Architechtre and the unc.edu/ courses I artl111 celtic/. panel proposal and c.v. to: Area Chair, Charlene Maureen Nappi, a doctoral candidate in the Formation of a Viable Past." "Centers and Peripheries," Interdisciplinary G. Garfinkle, SW ITexas PCAI ACA, 1030 Andrew K. Y. Leung, University of Pennsylva­ Department of Art and Art Professions at New 19th-Century Studies (lNCS), Apri16-8, 2000, Kellogg Pl., Santa Barbara, CA 93111-1026; 805/ nia, has been named an Andrew W. Mellon York University, has been awarded an American Lisa M. Robinson, a recent graduate from the Yale Center for British Art, Yale University, New 566-7163; arthistgar®aol.com. Deadline: December fellow at the National Gallery of Art's Center for Association of University Women (AAUW) Savannah College of Art and Design with an Haven, Conn. 200-400-word abstracts. E-mailed 1, 1999. Advanced Shtdy in the Visual Arts for his fellowship for the completion of her dissertation, M.F.A. in photography, has been awarded a J. proposals and queries to: !NCS, Dept. of dissertation, "Central-Pillar Cave Architecture in "Language, Memory and Volition: Towards a William FUlbright travel grant to continue a English, Vanderbilt University, Nashville, TN; "Art Marks the Event: Objects of Celebration China and Central Asia during the Northern Distinguishing Aesthetics of Computer Arts." photographic project in Argentina. [email protected]. For information: http:/ / and Ceremony in European Life, 1100--1750," Dynasties (A.D. 265-581)." www.vanderbilt.edu/incss. Deadline: Odober 16, April 15, 2000. From the late Middle Ages Linda Neagley, Rice University, has been Timothy M. Rohan of Harvard University has 1999. through the Baroque, European art often Sarah Linford, Princeton University, has been named a Samuel H Kress senior fellow at the received an honorable mention from the 1999 Conferences represented critical events in the lives of named a Paul Mellon fellow at the National National Gallery of Art's Center for Advanced Carter Manny Awards, sponsored by the "Consciousness Reframed 2000," 3rd Interna­ individuals. This conference will explore the Gallery of Art's Center for Advanced Study in Study in the Visual Arts for her project, "French Graham Foundation, Chicago. tional Conference on Art, Technology, and dual roles of commemoration and idealization the Visual Arts for her dissertation, "The Flamboyant Architecture and the End of & Symposia Consciousness, Centre for Advanced Inquiry that such art played, as well as the importance of Disgrace of Representation: French Symbolism Gothic." David James Roxburgh, assistant professor at in the Interactive Arts/' August 23-30, 2000, this work for historical interpretations of past 187()-'1910." Harvard University, has been granted a 1999- University of Wales College, Newport. events and social structure. Topics may include Richard Theodore Neer, assistant professor at 2000 J. Paul Getty Postdoctoral Fellowship in the Proposals are invited from researchers in all art related to birth, death, marriage, or Rose-Carol Long, City University of New York, the University of Chicago, has been granted a History of Art and the Humanities for his disciplines who are involved in exploring courtship. Such other themes as portraihtre or has been named 1999-2000 J. Clawson Mills 1999-2000 J. Paul Getty Postdoctoral Fellowship project, "In the Realms of Dispersal and through theory and practice interrelationships dedicatory monuments will also be considered. Fellow by the Metropolitan Museum of Art. in the History of Art and the Humanities for his Collectedness: Art and Aesthetics in Pre-Modern among art, technology, and consciousness. Papers from a variety of disciplines are project, "Framing the Gift: The Ideology of Iran." Abstracts should include the title of the paper, welcome. The conference is sponsored by Loyola Beauvais Lyons, professor of art, University of Thesauroi in Archaic Greece." full name(s) of author(s), instihttional University Chicago's Department of Fine Arts, Tennessee, Knoxville, received the 1998-99 Kathryn Rudy, Columbia University, has been affiliation(s), and mailing address, e-mail I Martin D' Arcy Museum of Art, and the award from the University of Tennessee, Mignon Elizabeth Nixon, lechtrer at the named a Samuel H. Kress Fellow at the National Call for Papers phone/ fax (with information for each panelist if Women's Shtdies Program. Please send 1-page University Shtdies Program, for Outstanding Courtauld Institute of Art, has been granted a Gallery of Art's Center for Advanced Study in panels proposed) and must be accompanied by a abstract and c.v. to: Conference Director, D' Arcy Contributions to Interdisciplinary Scholarship. 1999-2000 J. Paul Getty Postdoctoral Fellowship the Visual Arts for her dissertation,. "Northern "Codeau's World: A Symposium," March 16- declaration of intention to attend the conference. Museum, Loyola University Chicago, 6525 N. in the History of Art and the Humanities for her European Visual Responses to Holy Land 18,2000. The Instihtte for the Arts and Send abstracts (500-word max.) as attached Sheridan Rd., Chicago, IL 60626; fax 773/508- Nancy Macko received a 1998-99 Mary Wig project, "He Disappeared into Complete Silence: Pilgrimage, 1453-1550." Humanistic Shtdies at the Pennsylvania State documents in MS Word to: Kay Bosanko­ 2993; [email protected]. December 3,1999. Johnson Faculty Achievement Award in and a Psychoanalytic Shtdy of University invites submissions to a symposium Sheady; [email protected];http:/ I caiia-star. Teaching from Scripps College. She has received ." Juliette-Jo Saxton, Instihtte of Fine Arts, New addressing the creative genius of Jean Cocteau newport.plymouth.ac.uk. Deadline: November 5, "Ways of Seeing: The 19th Century," Interdis­ 4 of these teaching and research achievement York University, has been named a 1999-2000 in all of its manifestations. Topics for 20-minute 1999. ciplinary 19th-Century Studies (INCS), June awards since the inception of the program in Patricia Olynyk, printmaker, had work selected Theodore Rousseau fellow by the Metropolitan papers may relate to any 1 or more aspects of 22-24,2000, University of Paris--X, Nanterre, 1990. for inclusion in the Berkeley Art Center's 15th Museum of Art. Cocteau's career. Interdi<;ciplinary topics are "Ritual of Religious Observance in Europe and France. INCS is an organization of scholars in Annual National Juried Exhibition,. Works on especially welcome. Submit a I-page abstract the Americas" will be held in conjunction with history, art history, various literatures, and other Jane D. Marsching, assistant professor, Paper, Berkeley, Calif. Mary B. Shepard, of the Cloisters, Metropolitan with c.v. to: Jean Cocteau, IAHS, Ihlseng the exhibition Images in Procession: Testimonies to disciplines devoted to the interdisciplinary Department of Art Media Studies, Syracuse Museum of Art, received a 1999-2000 senior Cottage, Penn State University, University Park, Spanish Faith at The Gallery at the American exploration of 19th-cenhtry culture, arts, University, recently received a 1999 Individual Judith Ostrowitz, Columbia University, has fellowship from the American Council of PA 16802; http://www.jeancocteau.org. Bible Society, April 7, 2000. Papers are sought sciences, history, and societies. This conference Artist Grant in Photography from the Massachu­ been named 1999-2000 Sylvan C. Coleman and Learned Societies (ACtS) with which she will Deadline: Odober 15, 1999. that investigate any aspect of Christian religious is a particular effort to bring together an setts Culhtral Council. Pamela Coleman Fellow by the Metropolitan shtdy Alexandre Lenoir and his interpretation of rihtal from the Middle Ages through the 20th international assembly of such scholars. Museum of Art.

14 eAA NEWS SEMPTEMBER 1999 eAA NEWS SEPTEMBER 1999 15 Discussions and papers will be presented in artistic production over the last 20 years, the influence that queens of France (and mistresses) "Figuration/Abstraction: Strategies for Postwar iconography, form, theory and creativity, critical writing in the field of textile/fiber art. 1st English. For information: Therese Dolan; symposium examines the role of the contempo­ claimed for themselves through their historical Public Sculpture in Europe 1945-1968," material histories, and the new moving media. prize: $1000; awards of merit: $500. Winning [email protected];EmilyEells; rary art curator in the new millennium as it acts, as well as through the representation of December 2--4, 1999, Henry Moore Institute, The aim of the congress is to broaden the scope essays will be published in Surface Design [email protected]. Send 200-400-word relates to these broadly defined cultures. The these figures in literature, art, architecture, Leeds, U.K. This conference aims to explore the of art history as a discipline by identifying as its Journal. Juror: Janice T. Paine, United Arts abstracts or papers to: Therese Dolan, Dept. of symposium is free-of-charge thanks to the juridical treatises, encyclopedias, fairy tales, and ( similarities and differences between public subject world art from all periods, media and Council of Collier County, Naples, Fla. Although Art History, Temple University, 8th fl., Ritter support of The Rockefeller Foundation. political and sacred rihta}, With a format . sculpture in East and West Europe, and will cultures. All CAA members will receive a copy SDA is a membership organization, applications Annex, Philadelphia, PA 19122; tdolan@astro. Additional support has been made available by including speakers from the U.S. and France and examine the spatial, institutional, formal, and of the Call for Delegates in due course. For are welcome from members and nonmembers ocis.temple.edu. Deadline: December 1,1999. the Instihtte for Latin American Shtdies of the workshops on a variety of topics, the goal is to stylistic hierarchies that governed its produc­ information: Karen Wraith, Sussex Centre for alike. Competition supported by the SDA and University of Texas at Austin and the Barbara juxtapose both common and divergent tion. Consideration of the continuities between Research into the History of Art, University of contributions from Eldon Park and Friends of Duncan Endowed Lectureship Fund and the diSciplinary perspectives, providing ample pre- and postwar practice and problems of Sussex, Brighton BNI9QN, U.K.; 44-1273 Fiber Art International. Send 30G-SOO-word To Attend Visiting Artists Fund of the Jack S. Blanton opportunity for discussion among participants. ostracism and "contamination" will contribute 606755; fax 44 1273 623246; k.f.wraith@sussex. abstracts from which 2,OOG-2,500-word articles Museum. To register: 512/471~8984; tharrison@ For infonnation: Nicola Courtright, Dept. of Fine to a better understanding of the strategies ac.uk. would be developed. For guidelines, send SASE "Interpreting Aalto Baker House and MIT: maiLutexas.edu. For complete schedule: http:/ / Arts, Campus Box 2249, Amherst College, developed for the different political regimes that to: Betty Park Award, Surface Design Journal, 93 Celebration of Alvar Aalto and 50 Years of www.utexas.edu/cofa/hag/latart. Registration Amherst, MA 01002; 413/542-2365; 1mbeckett® emerged after World War II. Papers address the Ivy Lane, Englewood, NJ 07631. Deadline: March Baker House," October 1-3, 1999, Massachusetts deadline: October 1, 1999. amherst.edu. architechtral and environmental contexts for 15,2000. Instihtte of Technology, Kresge Auditorium. In sculpture, nature, the natural and money, the the fall of 1999, with the completion of the "Methods of Understanding in Art and "Pantheons: Transformations of a Monumental culhtral integration of public sculphtre, the restoration of Alvar Aalto's Baker House, MIT Science: The Case of Duchamp and Poincare," Idea," November 13, 1999, Henry Moore transformation of public sculpture into Calls for Entries will celebrate the building's 50th birthday and November 5-7,1999, Harvard University, Institute, Leeds, U.K. This symposium will monuments, fonns of modernism in East and Science Center, Boston. Sponsors: Harvard West Germany, Czech and British exhibitions, rededication to the support of undergraduate examine the idea and practice of the Pantheon as Hunger Artist, "Primary Aesthetic: A Return to University Deparhnents of the History of Art concentration camp memorials, and political life. Baker House is an undergraduate shtdent a generic phenomenon from Oassical to modern Modem Art," October IS-November 1, 1999, and Architecture and of the History of Science times. Conbibutions will engage with such well­ divisions in Northern and Central Europe. For Opportunities residence of the Massachusetts Institute of Albuquerque, N.Mex. Open to all media. Cash and the Art Science Research Laboratory. This information: Debbie Lee, Henry Moore Institute, Technology designed by the distinguished known examples of this type of monument as awards. Entry fee: $22/2. For prospectus, send 74 The Headrow, Leeds, LSI 3AH, U.K.; fax +44 Finnish architect Alvar Aalto in the years symposium will examine specific topics relevant Weshninster Abbey and the Pantheon in Paris, SASE to: 1001-E Yale Blvd. S.E., Albuquerque, NM to both Poincare and Duchamp-topics that also (0)1132461481; [email protected]. following World War II. It was long the only but the aim of the conference is to examine how 87106; 505/843-7250; fax 505/843-9630; hunger@ offer promise for integrating both the methodol­ major work of Aalto in North America and this concept was applied across different states, tarrnet.com. Postmark deadline: September 13, ogy and subject matter of art and science. The CUNY Graduate Center Symposium, February remains the more important and accessible of 2 at different moments of nationhood, and thereby 1999. Aalto buildings west of the Atlantic. For conference shall include Duchamp's and to explore the expectations associated with such 23,2000, New York. The PhD. program in art history will hold a I-day symposium to celebrate . information: http://architecture.mit.edu/ Poincare's shared tenninoiogy and common monuments. The general theme embraces Florida State University Campus Police Station interest in unconscious intuition and choice its move to new quarters in the fonner B. events/ aac. Anne Simunovic, Dept. of discussion of ideas of nationality and its is the site of a new public art project that is part during the creative process, the importance of Albnan's Deparbnent Store on 5th Ave. The Architechtre, lv1IT, 77 Massachusetts Ave., Rm. monumental expression; debates on authorized of Florida's Art in State Buildings Program. doubt, the beauty of "gray matter" (mental symposium will immediately precede the Awards 7-337, Cambridge, MA 02139; 617/253-4412; fax versions of national past and its key biographi­ Budget: $13,118. The committee is searching for beauty), and probabilistic systems sensitive to opening of the CAA Annual Conference. A 617/2538993; [email protected]. cal players; problems of translating patriotic art to go on walls of a lobby / atrium inside the initial conditions in nature. Very few invited series of panel discussions will address such Award for Outstanding Commitment to the reverence into visual and architectural form; and main entrance of the building. For information: individuals will be experts in both fields of art the variety of counter-readings that such themes as "The Object of Photography," "Art Preservation and Care of Collections 2000. The II Art and Life in America: A Celebration of the FSU Program Administrator, Diane Greer, 216 and science or on Poincare and Duchamp. The and Identity in the Americas," "The Exhibition American Institute for Conservation of Historic Legacy of Oliver Larkin and American Art at projects engender. For information: Debbie Lee, Westcott, Tallahassee, FL 32306-1350; 850/644- and the Critical Eye," and others. Among the and Artistic Works (AlC) and Heritage Smith College," October 16, 1999, Smith expectation is that we can set up conditions for Henry Moore Instihtte, 74 The Headrow, Leeds, 1001; fax 850/644-3612; [email protected]; generating discussions of high quality on the LSI 3AH, U.K.; fax +44 (0)113 246 1481; debbie@ distinguished Graduate Center alumni speaking Preservation seek nominations for this joint College, Northampton, Mass. This symposiuri-t http:// www.£su.edu/ ~univrel or http:/ / www. will be: Douglas Crimp, Ewa Lajer-Burcharth, award. The award is presented annually to an commemorates the 50th anniversary of Oliver interactions, too often strained, between art and henry-moore.ac.uk. dos.state.£l.us/ dca/ asbpub.hhnl. Deadline: science. For information: http://www.artscience Doreen Bolger, Naomi Rosenblum, Lowery organization in North America that has been Larkin's Pulitzer-Prize-winning book, Art and September 15, 1999. exemplary in the importance and priority it has Life in America, a pioneering text in the social researchlab.org. "Poussin," November 20, 1999, Cleveland Stokes Sims, and others. given to conservation concerns and in the history of American art. The symposium also Museum of Art, Oeveland, Ohio. Held in Print Center's 76th Annual International "What's the Object? Museums of Applied Art South-Central Renaissance Conference, April commitment it has shown to the preservation celebrates the college's 120-year history of conjunction with the exhibition Poussin's Holy Competition: Photography offers $3,000+ in Re~Appraised," November 6-7, 1999, Victoria 6--8, 2000, University of Southwestern Louisiana, and care of culhtral property. Nominees should collecting American art. For information: http:/ / Family on the Steps, organized by Diane cash materials and purchase awards including a Lafayette, La. For information: Katherine be nonprofit organizations of any size respon­ www.smith.edu/arbnuseum. Maureen and Albert Museum, London. Looking first at DeGrazia. Participants: Charles Dempsey, Johns purchase award for the Philadelphia Museum of Powers, Music Dept., California State University sible for cultural property that may include McKenna, Smith College Museum of Art, Ehn the history and then at the future prospects of Hopkins University, Pauline Maguire, National Art and a solo exhibition at The Print Center. Fullerton, Fullerton, CA 92834-6850; 714/278- collections, historic sites, and structures. St. at Bedford Terrace, Northampton, MA 01063; museums of applied / decorative/ industrial art, Gallery of Art, Washington, D.C., Ann Juror: Therese Mulligan, George Eastman 5341; fax 714/278-5956; [email protected]. Cultural property is defined as material that 413/585-2770. this conference claims to be the first overall Sutherland Harris, University of Pittsburgh, House, Rochester, NY. For prospectus, send SASE may be artistic, historic, scientific, religious, or investigation of this sedor of the museum world Anthony Colantuono, University of Maryland, to: Print Center, 1614 Latimer St., Philadelphia, since 1927 (when c. R. Richards's Industrial Art Elizabeth Cropper, Johns Hopkins University. Sympositun on the History of Art, April 7-8, social and is an invaluable and irreplaceable "The Power of Taste: Horace Walpole, Madame PA 19103 or http://www.libertynet.org/ ~print. 2000, Frick Collection and the Instihtte of Fine legacy that must be preserved for future de Pompadour, and George Washington," and the Museum was published). Supported by $35 nonmuseum members; $25 members; $10 Questions: 215/735-6090; [email protected]. IeOM's International Committee of Applied Art Arts, New York University. Graduate Shtdents generations. Collections can include fine arts, Decorative Arts Symposium, October 18, 1999, students with 10. For infonnation: Cleveland Deadline: October 15, 1999. library and archival materials, natural history, Carnegie Museum of Art, Pittsburgh. The and conceived by the V&A Research Depart­ Museum of Art Ticket Center; 888/ CMA-0033. from 14 participating institutions in the ment, the conference forms part of the V &A' s Northeast will present papers based on their natural science, musical instruments, textiles, Women's Committee of Carnegie Museum of Limner Gallery, "Emerging Artists 10th celebrations of its own history: the museum was research. All members of the academic art technology, archaeology, ethnography, and Art Annual Decorative Arts Symposium will "The Burgundian~Habsburg Court Complex of Annual International Competition." February history community are invited to attend. This photography. Organizations that affect the care feature a program of lechtres that connect 18th­ relaunched with its present name a century ago. Music Manuscripts (1500-1535) and the 9-26, 2000, New York. Open to all artists year, the symposium celebrates is 60th year. of cultural property through funding or cenhtry decorative arts and politics. Celebrations also include a major exhibition, A Workshop of Petrus Alamire/' November 25- working in all media, this exhibition is devoted advocacy are also eligible. For nomination Grand Design, which interrogates the collections 28,1999, Alamire Foundation, Leuven, Belgium. to the discovery and introduction of emerging "Art History for the Millennitun: TIME/' guidelines and infonnation: AIC, 1717 K St., "Representing Latin American/Latino Art in so as to highlight 6 prime functions of the In connection with the exhibition The Treasury of artists. Artwork entered will also be considered museum. Cost: £80 (with usual concessions). For Alamire, the foundation is organizing an Comite International d'Histoire de I'Art N.W., Ste. 200, Washington.. DC 20006; 202/452- the New Millennium': Curatorial Issues and for upcoming gallery exhibitions. Submit 35~mm (CIHA) 30th International Congress of the 9545; fax 202/452-9328; spenceraiC@aolcom; Propositions," October 19-22, 1999, Jack S. information: Box Office, V&A Education, international conference that will focus slides with artist's name, title of work (number if http:// aic.stanford.edu; or Heritage Blanton Museum of Art of the University of Victoria and Albert Museum, London SW7 2RL; specifically on the manuscripts from Petrus History of Art, September 3--8, 2000, London. untitled), media, and dimensions of work. Preservatian.. 1730 K St., N.W. Ste. 566, Texas at Austin. Participants will examine the +44 (0)207 942 2197; [email protected]. Alamire's workshop. During this conference This 5-day international conference, hosted for Indicate top of work on slides of abstract work. the first time by the U.K. National Committee Washington, DC 20006; 202/634-1422; fax 202/ role of Latin American/Latino art and curatorial scientists from different disciplines will bring Include SASE for rehtrn of slides. International for the History of Art, will examine a wide range 634-1435; [email protected]; practices in museums and cultural institutions. "Prerogatives of Rule in Early Modem France: together and exchange the results of their artists may use reply coupons instead of stamps. Royal Women from Catherine de Medici to of specific issues related to the concept of time. http://www.heritagepreservation.org. The symposium marks the culmination of "Latin research on this court complex of music Entry fee: $25/4 + $5 each additional (details of Marie-Antoinette," November 12-14, 1999, Convened by international teams of presidents Postmarked deadline: November 15, 1999. American/Latino Art Research in the University manuscripts. For information: Mariet Vriens, artwork count as additional slides). $1,000 Amherst College, Amherst, Mass. This from Africa, North and South America, Asia, Museum Context," a 1994--98 residency program Alamire Foundation, Mgr. Ladeuzeplein 21, award. For prospectus, send SASE to: Limner Australia and Europe, and vice-presidents from Betty Park Award, 12th Annual Critical sponsored by the Rockefeller Foundation at the interdiSciplinary conference will explore the 3000 Leuven, Belgium; 0032 (16) 324661; fax 0032 Gallery, Emerging Artists, 870 Ave. of the the U .K., 23 sections will address specific issues Writing Competition, The Surface Design Blanton Museum of Art. Following the dramatic prerogatives and conflicts of early modern royal (16) 324706; [email protected]; Americas, New York, NY 10001; limner@ women's roles and will examine the political related to historiography and methodology, Association. Intended to promote outstanding increase in visibility for Latin American/Latino http://fuzzy.arts.kuleuven.ac.be/ alamire. slowart.com. Postmark deadline: October 30,1999.

16 CAA NEWS SEMPTEMBER 1999 eAA NEWS SEPTEMBER 1999 17 geographical area and any period. A focus on Art Crowd Magazille, a juried showcase in the send SASE to: 1001-E Yale Blvd. SE, Albuquerque, and international artists 18 and older working in National Gallery collections not required. Open form of a high-quality art and design magazine, NM 87106; 505/843-7250; fax 505/843-9630; photography. Digital work accepted (no video). OPPORTUNITIES FOR HUMANITIES PHDs to applicants who have held the appropriate is accepting submissions from all fine artists, [email protected]. Deadline: December 20, Works must be original and completed within ~i>~ terminal degree for 5 or more years and who designers, and craftspersons working in any 1999. the last 2 years. Juror: Barbara Head Millstein, possess a record of professional accomplish­ medium from every school and style, including Museum of Art. Entry fee: $20/3. For Woodrow Wilson Postdoctoral ment. Deadline: March 21, 2000. fashion and jewelry designers, furniture Central High Museum, Little Rock, Ark, invites prospectus, send SASE to: Photoworks 2000, For information and applications: CASVA, artists or teams of artists to submit qualifications Erector Square Gallery, 315 Peck St., New Fellowships in the Humanities designers, photographers, illustrators, National Gallery of Art, Washington, DC 20565; printmakers, sculptors, cartoonists, computer for a sculpture to be located within a commemo­ Haven, CT 06513; 203/865-5055; fax 203/865- 202/842·6482; fax 202/842·6733; http,llwww. artists, and bookmakers. Each medium is juried rative garden across from Little Rock's Central 3311. Deadline: March 24, 2000. nga.gov / resources/ casva.htm. separately. Magazine format: 81/2" x 11"; 200- High School, site of the 1957 desegregation ACADEMIC POSTDOCS line screen from high-resolution color screens; crisis. The sculpture will give voice to the values ARC Gallery is reviewing for the following Two-year postdoctoral fellowships at select institutions New York Foundation for the Arts Grants for index with contact information; and optional of human equity over narrow favoritism, of exhibition opportunities: 1) The Media Room, Individual Artists are open to individual artist statement, resume, and autobiography. social justice over oligarchy, of decency and new space for video, film, and interactive CD­ http://www.woodrow.org/academic-.J)ostdocs/ originating artists who are over 18 and living in Submit: slides (no glass mounts or affixed labels) civility over bigotry. The available budget for ROM; 2) Solo and Group Exhibitions, all media New York State. Award: $7,000 cash grant this sculpture is $100,000, Central High including performance~ 3) Raw Space, for site­ or high-quality photos (5" x 7" or larger), or laser combined with the opportunity to work with the Museum, Inc., will be responsible for site specific installations; 4) Special Events, for copies. Ead1 slide, photo, or laser copy must CAREER POSTDOCS public through Artists and Audiences Exchange. preparation, including all landscaping. For nonprofit organizations, small groups, or carry the artist's name, medium, dimensions of Positions at leading companies and non-profit organizations The 1999-2000 categories include architecture/ application guidelines and complete RFP: individuals who use art for healing or to work, and title. (Please indicate top of work) environmental structures, choreography, fiction, Central High Visitor Center, 2125 W. 14th, Litile increase cultural or political awareness. http://www.woodrow.org/phd/postdocs/ Entry fee: $25/5 entries, +$5 each additional. For music composition, painting, photography, Rock, AR 72202; 501/374-1957. Deadline: Januan) Prospectus available for each space. ARC entry form: Art Crowd Magazine, Floating playwriting/screenwriting, and video. For 15,2000. Gallery is also seeking applications from women Gallery, 331 W. 57 St., Box 465, New York, NY information and application: FYI's July issue; for local and national membership in all media. 10019; phone / fax 212/399-1961. Deadline: 212/366-6900, ext. 217. Deadline: October 1999. Metalsmith Magazine's Exhibition in print Performance, film, and video memberships October 31,1999. DEADLINE: November 19, 1999 The Catalogue Projed is open to New 2000, a 4-color, juried publication of contempo­ available. Local, national, and international York State women photographers over 40 years rary jewelry and metalsmithing will be opportunities. For information, send SASE to: Central Michigan University Art Gallery, of age. Award: up to $5,000 cash prizes to published by the Society of North American ARC Gallery, 1040 W. Huron, Chicago, IL 60622; "Farewell to the 20th Century," an international produce catalogues that document artists' work Goldsmiths (SNAG) in the fall of 2000 followed 312/733·2787. mail/ fax art exhibitio~ November 10-December For information: 212/366-6900, ext. 217. Special by an exhibit of the work shown in this issue at 11, 1999. An examination of the 20th century and A PROGRAM OF THE WOODROW WILSON Opportunity Stipends (50S) are available for SOFA Chicago in November 2000. Approxi­ 20th-century movements. Open to all artists, no NATIONAL FELLOWSHIP FOUNDATION artists residing in 's five mately 40 artists will be chosen. All forms of fees, all work accepted. Exhibition becomes Calls for Manuscripts boroughs to take advantage of opportunities jewelry and metalsmithing area are eligible, and paid advertisement property of curator. Documentation will be that significantly benefit their careers. Award: provided. Farewell to the 20th Century, Central the competition is open to all jewelers, designers Tout-Fait: The Studies Online and South Asia who hold appropriate degrees in from $50 to $500. For information: 212/366-6900, Michigan University, c/o Patrick Schmidt, 132 and metalsmiths regardless of where they resources, we do not wish to limit the discussion Journal, http://www.toutfait.com. published by to illustrations that reproduce works of art. the field and/ or possess an equivalent record of ext. 217. Wightman, Mt. Pleasant, MI 48859; 517/774- reside. Artists featured in the 1998 Exhibition in CyberArtSciencePress, the publishing house of Print are not eligible. Entry fee: SNAG members Instead, we seek articles that complicate and professional accomplishment. Knowledge of 1890. Deadline: October 31,1999. the nonprofit Art Science Research Laboratory. American Council of Learned Societies (ACLS) $20, nonmembers $30. Jurors: Thomas Herman, historicize the notion of "visual resource" and English is required. 2 visiting senior research For contributors, Tout-Fait will offer an announces a new program: Frederick Burkhardt studio jeweler, Stone Ridge, NY; Ramona address a range of kinds of illustration. Visual fellowships will be awarded annually. The Bridge Center for Contemporary Art 2000-2001 unlimited capability for color reproductions, Residential Fellowships for Recently Tenured Solberg, professor emeritus, University of Resources is a quarterly journal devoted to the fellows receive a stipend that includes travel, Season. Seeking work dealing with theme of along with the manufacture of animation and Scholars. Thanks to the generous assistance of Washington, Seattle; Rachelle Thiewes, professor history of visual documentation and the use and research, and housing expenses. Deadline: crossing borders and bridges. All media. Solo video illustration. Without print media's the Andrew W. Mellon Foundation, ACLS and group exhibitions. 30% commission, of art, University of Texas, El Paso. Essayist: dissemination of images. For information: http:/ September 21,1999. restrictions, Tout-Fait presents an expanded field Senior Fellowship Program awards announces the availability of a small number of insurance. Send 10-20 slides, resume, artist's Lucy Lippard, writer, critic, and activist. / www.gbhap.com/Visual_Resources/ . for art and science writers, permitting a fluidity Inquiries and manuscripts (formatted in MS approximately 6 fellowships and 12 visiting fellowships for recently tenured scholars statement, SASE for return of slides to: Artist Prospectus and entry forms available in the fall of thought as well as fonn. Tout-Fait aims to fellowships each year for study of the history, engaged in long~term, unusually ambitious 1999 issue of Metalsmith magazine or send SASE Word) may be sent to either: William Selection Committee, Bridge Center for channel the constant flow of infonnation projects in the humanities and social sciences. to: SNAG/Metalsmith Business Office, 710 E. MacGregor, Dept. of Museum Studies, John F. theory, and criticism of art, architecture, and Contemporary Art, 1 Union Fashion Center, EI pertaining to Duchamp by maintaining a Appropriate fields of specialization include, but Ogden Ave., Ste. 600, Naperville, IL 60563-8603. Kennedy University, 12 Altarinda Rd., Orinda, urbanism of any geographical area and of any Paso, TX 79901. Deadline: November 1, 1999. bulletin board for short announcements as well are not limited to: anthropology, archaeology, Postmark deadline: January 31, 2000. CA 94563; 925/258-2239; fax 925/253-0420; period. Applicants should have held the Ph.D. as publishing reviews to inform readers of for 5 years or more or possess a record of. art history, economics, geography, history, 13th Parkside National Small Print Exhibition, macgregortiljfku.edu; or Louis Marchesano, current publications, exhibitions, and symposia. professional accomplishment. Scholars are languages and literatures, law, linguistics, January 16-February 24, 2000. All original print Herndon Gallery at Antioch College Annual Getty Research Institute for the History of Art While many journals accept only formal and and the Humanities, 1200 Getty Center Dr., Ste. expected to reside in Washington throughout musicology, philosophy, political science, media, including monoprints. Max. 18" height or Exhibition Competition for recent M.F.A. complete submissions, Tout-Fait will also invite 1100, Los Angeles, CA 90049-1688; 310/440- their fellowship period and participate in the psychology, religion, and sociology. Proposals in width. For prospectus: Doug DeVinney, recipients. Our 1999 exhibition features short notes from the field, recent data, and activities of the center. All grants are based on the social science fields listed above are eligible Parkside National Small Print Exhibition,. Art graduates in painting, photography, and 7592; fax 310/440-7779; LMarchesano@getty. proposals for cooperative projects and papers. individual need. Fellows are provided with a only if they employ predominantly humanistic Dept., University of Wisconsin-Parkside, sculpture from the School of the Art Institute of edu. Deadline: Januan) 15, 2000. Peer reviewed; will publish tri-annually with an study and subsidized luncheon privileges. The approaches (e.g., economic history, law and Kenosha, WI 53141; 414/595-2581; devinney@ Chicago. We are currently reviewing proposals available yearly archive on interactive CO-ROM. center will also consider appoinbnent of literature, political philosophy). Proposals uwp.edu. Deadline: NovemberS, 1999. from visual artists who will have received their Tout-Fait welcomes any type of critical thinking; associates who have obtained awards for full­ focused on any geographic region or on any M.F.A. degrees within 2 years of the exhibition Grants and Fellowships multiple authorship is encouraged. Send 2 print time research from other granting institutions cultural or linguistic group are welcome. ACLS Solo Photo Gallery, 2nd National "Krappy dates, scheduled for October 2000 and 2001. copies, or 1 diskette in Simple Text, MLA and would like to be affiliated with the center. will award approximately 9 Burkhardt Kamera" Competition, March 2000, New York Proposals should be for groups of 4-5 artists National Gallery of Art Center for Advanced format, and include name, address, e-mail, and Deadline: Ocfober 1, 1999. fellowships per year. Stipend: $65,000. Open to artist.e; working with plastic cameras from the same institution whose work Study in the Visual Arts Fellowships, phone number to: Thomas Girst, ASRL, 62 Samuel H. Kress/Ailsa Mellon Bruce Burkhardt fellowships are intended to support such as the Holga, Diana, Diana clones, and encompasses a variety of media, including video Washington, D.C. Greene St., 3rd Fl., New York, NY 10012. Paired Fellowships for Research in Conserva­ an academic year (normally 9 months) of homE:made pinhole cameras (specific guidelines and computer art. Please send current resumes Starr Foundation Visiting Senior Deadline: September 15, 1999. tion and Art History/Archaeology. Applications residence at any 1 of 9 national residential in prospectus). Juror: Mark Sink. 20-30 prints and 10-12 slides per person and list a contact Research Fellowship Program for Scholars are invited from teams consisting of 2 scholars: 1 research centers. This year's successful will be selected. First prize: cash award. Entry person with an e-mail address. Exhibited works from East and South Asia include a period of 2 Visual Resources: All International Journal of in art history, archaeology, or another related applicants may take up the fellowship in 2000- fee: $25/5. For prospectus, send SASE to: "Krappy will be drawn from submitted slides. For months at the center for research in Washington Documentatioll is seeking article-length discipline in the humanities or social sciences, 2001 or in either of the succeeding 2 academic Kamera" Competition, Soho photo Gallery, 15 information: [email protected]. libraries and collections, followed by an manuscripts (approx. 9,000 words) for a special and 1 in conservation or materials science. years. Application requests must include: White St., New York, NY 10013. Deadline: Send all materials to: Herndon Gallery, Antioch additional 2 months of travel to visit collections, issue on "Illustrations as Visual Resources," Fellowship includes a 2-month period for field, highest academic degree held and date received; December 15, 1999. College, 795 Livermore St., Yellow Springs, OH. libraries, and other institutions in the U.s. guest edited by Louis Marchesano, Getty collections, and / or laboratory research, followed country of citizenship or permanent legal Postmark deadlines: March 1, 2000 for October 2000; Applications will be considered for study in the Research Institute for the History of Art & the by a 2-month residency period at the Center for residence; academic position and institution; Hunger Artist Gallery, "Extending Perception March 1, 2001 for October 2001. history, archaeology, theory, and criticism of art, Humanities, and William MacGregor, John F. Advanced Study, National Gallery of Art. field of specialization; proposed subject of Limitations," January 2000, Albuquerque, architecture, and urbanism of any geographical Kennedy University. This issue is projected for Applicants will be considered for study in research; specific award program for which N.Mex. Open to artists working in print media. Erector Square, "Photoworks 2000," May 3-29, area of any period. These fellowships for fall 2000. While the aim of this special issue is to history and conservation of the visual arts of any application is requested. Application forms will Cash awards. Entry fee $24/2. For prospectus, 2000, New Haven, Conn. Open to all national examine illustration within the context of visual advanced study are open to scholars from East

CAA NEWS SEPTEMBER 1999 19 18 CAA NEWS SEMPTEMBER 1999 not be sent or accepted by fax or e-mail. For Huntington, 1151 Oxford Rd., San Marino, CA Institute for Advanced Study, Princeton, New an advanced level of experience or training. Both external grants or sabbatical or other contribu­ countries are welcome. For information and information and application: Office of Fellow­ 91108; [email protected]: Jersey, announces membership opportunities in fellowships begin in September 2000. For tions from their home instihttions. For application: William Reichard, Camargo ships and Grants, ACLS, 228 East 45th St., New applications accepted October 1-December 15. the School of Historical Studies for the academic information and application: Attn. Marcie Karp, application and information: Stanford Humani­ Foundation, 125 Park Square Court, 400 Sibley York, NY 10017-3398; fax 212/949-8058; grants@ year 2000-2001. The institute was founded in Fellowship Program, Metropolitan Museum of ties Center, Mariposa House, 546 Salvatierra St., Saint Paul, MN 55101-1928. Deadline: ads.org; http://www.ads.org/appform.htm. American Antiquarian Society Fellowships for 1930 as a community of scholars in which Art, 1000 Fifth Ave., New York, NY 10028-0198. Walk, Stanford University, Stanford, CA 94305- FebruanJ 1 for the following academic year. Postmark deadline: October 1, 1999. historical research by creative and perfonning intellechtal enquiry can be carried out in the Deadlines: November 5, 1999, for art history; 8630; 650/723-3052; fox 650/723-1895; http) / artists, writers, film makers, and journalists are most favorable circumstances. It provides January 7, 2000, for conservation. shc.stanford.edu. Deadline: November 15, 1999. Creative Capital Foundation provides grants in National Endowment for the Humanities designed to enhance the ways in which history members with libraries, offices, seminar and the range of $5,000-$20,000 for artists working in Summer Stipends support 2 months of fUll-time is communicated to the American people. This lecture rooms, subsidized restaurant and American Institute for Yemeni Studies (AIYS) Women's Studio Workshop (WSW) Artists' experimental approaches in the media, visual, work on projects that will make a significant program began with funds provided by the Lila housing facilities, and some secretarial and Fellowships for Research and Study in Yemen. Book Production Grants are designed to assist performing, and new media arts. For informa­ contribution to the humanities. Consideration Wallace-Reader's Digest Fund. Fellowships will word-processing services. The School of During the 1999-2000 academic year, AlYS, a artists working in their own studio with the tion: Creative Capital Foundation, 65 Bleecker Historical Studies supports scholarship in all will be given to scholars working in history, be proVided to people whose research objectives nonprofit consortium of academic instihttions publication of smaller-scale book~arts projects. St., 7th fl., New York, NY 10013; 212/598-9900. philosophy, languages, linguistics, literature, are to produce works dealing with pre-20th­ fields of historical research, but is concerned founded for the purpose of supporting research Funds cover production costs up to $750. These archaeology, jurisprudence, art history, theory, century American history designed for the principally with the history of Western and Near on Yemeni and South Arabian subjects, expects grant,,; are not intended for reissuing already Electronic and Film Arts Grant Program. and criticism, ethics, comparative religion, and general public rather than for the academic/ Eastern civilization, with particular emphasis on to award predoctoral and postdoctoral published material, or as partial funding for a Experimental Television Center Ltd. Presenta­ social sciences employing historical or educational communities. The fellowships will Greek and Roman civilization, the history of fellowships under a variety of programs, subject larger project. Submit I-page description of the tion Funds offer partial support to nonprofit philosophical approaches. In most cases, faculty allow recipients to conduct uninterrupted Europe, Islamic culture, the history of modem to the renewal of funding by the U.S. Informa­ project, the medium(s) to be used to print the organizations in New York State for in-person members of colleges and universities in the research, reading, and collegial discussion at international relations, and the history of art. In tion Agency (USIA). Scholars in all fields of the book, number of pages, page size, edition size presentations of electronic media and film by United States must be nominated by their AAS, which houses the world's preeminent and addition to these fields, in the academic year humanities, social sciences, and from fields in (at least 100 is preferred), a structural dummy, independent artists. Assistance should be instihttions for the stipends competition. Each most accessible collection of American printed 2000-2001 the Andrew W. Mellon Foundation the sciences such as paleontology and botany are materials budget, resume, 6-10 slides of recent viewed as a supplement to the main support institution may nominate 2 applicants, of which materials before the 20th century. 3 fellowships will support three members in the comparative eligible to apply. USIA-supported fellowships work, and SASE for return of materials. For provided by the organization. The intentions of 1 should be a junior nominee. Individuals will be awarded for residence of 4 weeks at the history and culture of traditional China, Japan, for U.s.-based scholars may only be held by u.s. information: http://www.wsworkshop.org. the program are to encourage opportunities for employed in nonteaching capacities in colleges society for anytime betw'eenJanuary 1 and Korea, and Vietnam. Qualified candidates of any citizens; Yemeni citizens may apply to the Postmarked deadline: November 15, 1999. personal interactions between artists and and universities and independent scholars not December 21, 2000. Stipend: $1,200 / month, plus nationality are invited to apply for member­ program that funds small research grants for audiences, to support creative programming of affiliated with colleges and universities do not travel allowance. For information: Artist ships. Apart from residence in Princeton during Yemeni scholars. Applications for Arabic­ Winterthur Museum, Garden, and Library independent media-makers, and to help increase require nomination and may apply directly to Fellowship Program, AAS, 185 Salisbury St., term time, the only obligation of members is to language study in Yemen must be related to a offers 1-3-month residential research fellow­ understanding of and appreciation for electronic the program. Adjunct faculty and academic Worcester, MA 01609-1634; 508/363-1131; 508/ pursue their own research. If they wish research interest in Yemen. All announced ships at $1,500 per month, 1-2-month residential media and film art by people in all regions of the applicants with appointments terminating by 363-1128; wjy®mwa.org. Deadline: October 4, members may participate in seminars and programs are subject to the renewal of funding. dissertation research fellowships at $6,500 per state. Presentation Funds is supported by the the summer of 2000 may also apply without 1999. meetings both within the Instihtte and at nearby For information and application: Maria dej. Ellis, semester, and 4-12-month residential NEH New York State Council on the Arts. For nomination. Tenure must cover 2 full and universities, and there are ample opportunities AIYS, PO Box 311, Ardmore, PA 19003-0311; senior scholar grants at $2,500 per month for information and application: Sherry Miller uninterrupted months and will normally be held Scholarship for International Stone Sculptors, for contacts with other scholars. Approximately 610/896-5412; fax 610/896-9049; mellis@ scholars pursuing topics in American art history, Hocking, Electronic and Film Arts Grant betw'een May 1, 2000, and September 30, 2000. Steinzeichen Steinbergen Project, EXPO 2000 40 members are appointed for 1-2 tenns each mai1.sas.upenn.edu; http://www.aiys.org. decorative arts, material culture, and social and Program, Experimental Television Center, 109 For infonnation and application: Summer World Fair, June l-October 31, 2000, Hannover, year. The ph.D. (or equivalent) and substantial Deadline: November 15, 1999. cultural history. Library collections are diverse Lower Fairfield Rd., Newark Valley, NY 13811; Stipends, Rm. 318, NEH, 1100 Pennsylvania Germany. Seeking sculptors to work on publications are required of all candidates at the and strong through 1925; museum collections phone/ fax 607/687-4341; http:/ /www. Ave., N.W., Washington, DC 20506;http:/ / sculphtres related to the theme of "Man, time of application. Member awards are funded Social Science Research Council and the indude 89,000 pre-1860 artifacts. For informa­ experimentaltvcenter.org. www.neh.gov. Deadline: October 1,1999. Nature-Technology" in the Steinbergen quarry by the lnstihtte for Advanced Shtdy or by other American Council of Learned Societies (ACLS) tion: Director, Research Fellowship Program, from August 21 to September 21, 2000. sources, including the NEH, whose support will will award 50 International Dissertation Field Office of Advanced Shtdies, Winterthur postdoctoral Fellowships, The Bunting Applicants must have a command of English or enable three scholars (either U.s. citizens, or 3- Research Fellowships of $18,000 for doctoral Museum, Winterthur, DE 19735; 302/888-4649; Internship Institute at Radcliffe, a multidisciplinary German. Artists must provide their own tools. year residents in the U.s.) to take up full-year research in the humanities and social sciences in [email protected]. Deadline: January 15, residential research center, offers fellowships for Stone (should originate from the continent of the memberships, and the Thyssen Foundation, 2000-2001. The IDRF program allows promising 2000. Women's Studio Workshop (WSW) Studio Arts mid-career artists, scientists, scholars, writers, or artist), travel expenses, a daily allowance, which will support two Gennan citizens. scholars to launch their careers with substantive Internship Program. WSW is accepting activist'> in any field with the receipt of a accommodation, and food will be provided, and Application may be made for 1-2 tenns knowledge about societies, cultures, aesthetics, Camargo Foundation Fellowship Program applications for the Spring 2000 session. Interns doctorate or appropriate terminal degree at least a monetary award will be granted on comple­ (September-December, January-April). For and / or histories through field research outside maintains a center in Cassis, France, for the work along side the artist staff and with visiting 2 years prior to appointment start date of tion of the project. For information: Attn: Josef information and application: Administrative the U.S. Humanists in the fields of art and benefit of scholars who wish to pursue studies in artists learning about papermaking, print media, September 2000 (artists need not have an M.F.A. Wa'nner, Schaumburger Steinbriiche GmbH & Officer, School of Historical Shtdies, Institute for architectural history, classics, culhtral studies, the humanities and social sciences related to book arts, and arts administration. Interns also nor Ph.D.). Office space and access to libraries Co. KG, Arensburger Strasse 4, D-31737 Rinteln, Advanced Study, Princeton, NJ 08540; comparative literature, English, history, or French and francophone cultures. The founda­ assist in the day-to-day running of the and most other resources of Harvard University Germany; 49 (0) 5751-707-10; fax 49 (0) 5751-707- [email protected]. Deadline: November 15, 1999. related fields are eligible to apply. The program tion also supports creative projects by visual organization, including general maintenance are provided. Residence in the Boston area and 35. Deadline: Odober 31, 1999. funds work that is meaningful not only within a artists, composers, and writers. The foundation during nonworking hours. Off-site housing is participation in the instihtte community are Metropolitan Museum of Art offers resident particular diScipline but viewed in relation to offers, at no cost, 11 furnished apartments, a provided as well as a $75/ month stipend. For required during ll-month fellowship appoint­ Women's Studio Workshop (WSW) Artist's fellowships in art history and conservation to broad-based cultural and critical practices and reference library, an artist's studio, a composer's information: http://www.wsworkshop.org; ment. For application: Bunting Instihtte at FelIowships, Rosendale, N. Y. WSW is accepting qualified graduate shtdents at the predoctoral discourses. For information: IDRF Program, shtdio, and a photographer's darkroom. The 914/658-9133. Send resume, 10-20 slides, 3 Radcliffe, 34 Concord Ave., Cambridge MA applications for its 2000 Fellowship Programs in level, as well as to postdoctoral researchers. SSRC 810 7th Avenue, 31stf1., New York, NY, Camargo Award consists of a I-semester current letters of recommendation, letter of 02138; 617/495-8212; Bunting_Fellowships@ intaglio, water-based screen printing, photogra­ Fellowship applications for shorter-tenn 10019; http://www.~src.org. Deadline: November residency (early September-mid December, or interest, and SASE for return of slides. WSW, PO radcliffe.edu. Postlllarked deadline: October 1, 1999. phy, papermaking, letterpress, and ceramic. research for senior museum curators/ conserva­ 15,1999. mid-January-May 31), precise dates being Box 489, Rosendale, NY 12472. Postmarked Fellowship awards are designed to provide tors are also considered. The fellowship period announced each year. For visual artists it also deadline: November 1, 1999. The Huntington Library, Art Collections, and artists with concentrated work time to explore is usually for 1 year. Projects should relate to the Stanford Humanities Center will offer 6-8 includes airfare and living expenses, provided Botanical Gardens History of British and new ideas in a dynamiC and cooperative museum's collections. The fields of research for external fellowships for 2000-2001 in the by The Andy Warhol Foundation for the Visual American Art Fellowships support research in community of in a rural art history candidates include Western art, Asian following categories: 1) senior fellowships for Arts. Applicants may include university and the history of British and American art. Awards environment. Fellows have unlimited access to art, the art of Africa, Oceania, and the Americas, well-established scholars; 2) junior fellowships college faculty who intend to pursue special Online will also be considered in areas of Continental the shtdio of their choice and may work in 2-8- antiquities, arms and armor, costumes, for scholars who at the beginning of their studies while on leave from their instihttions; European art in which the Huntington has week sessions, March-June. Fellowship awards drawings, illuminated manuscripts, paintings. fellowship year will be at least 3 years beyond secondary school teachers benefiting from a Art Deadlines List, http:/ / rtuh.com/ adl. A strong holdings. Proposals are judged in tenns subsidize a portion of the studio operating photography, sculpture, and textiles. Some receipt of the PhD. and normally no more than leave of absence in order to work on some monthly newsletter (e-mail & paper versions) of the value of the project, the ability of the expenses. The cost to fellowship recipients is fellowships are also available for students whose 10 (i.e., who received their PhD.s by September pedagogical or scholarly project; graduate providing juried exhibitions/ competitions, jobs, scholar, and the degree to which the special $200 per week plus materials, about 1/3 the projects involve first-hand examination of 10, 1997). For 2000-2001, junior fellows will he shtdents whose academic residence and general internships, calls for entries/ proposals/ papers, strengths of the art collections and library actual cost, and includes onsite housing. For paintings in major European collections. offered stipends of up to $8,000 and senior examination requirements have been met and writing contests, scholarships, residencies, holdings will be utilized. Awards are considered application: http://www.wsworkshop.org.To Conservation fellows may work with paintings, fellows stipends of up to $40,000. In addition, a for whom a stay in France would be beneficial in design & architecture competitions, auditions, for predoctoral as wen as postdoctoral apply: send proposal, resume, 10 slides of work, objects (including sculpture, metalwork, glass, housing / travel subsidy of up to $12,500 is completing the dissertation; writers, visual fellowships, casting calls, tryouts, grants, candidates. Holders of awards are expected to proposed dates and length of residency, and a ceramics, furniture, and archaeological objects), offered, the specific amount to be determined at artists, and composers with specific projects to festivals, funding, financial aid, and other be in continuous residence throughout their SASE for rehtrn of slides to: WSW, PO Box 489, paper (including photographs), textiles, musical the time of award on the basis of a fellow's complete. Because of the limited number of opportunities for artists, art educators, and art tenure. For information and application Rosendale, NY 12472. Postmarked deadline: instruments, or costumes. Applicants for the needs. Applicants are expected to seek shtdios, only 1 visual artist and 1 composer can shtdents of all ages. conservation fellowships should have reached procedures: Committee on Fellowships, The November 1, 1999. supplementary financial support in the form of be accepted each semester. Applicants from all

20 eM NEWS SEMl'TEMBER 1999 eM NEWS SEPTEMBER 1999 21 Arts and Healing Network,http://www. context as well as item-level detail, combining Minneapolis College of Art and Design. New month. For infonnation and deadlines: 212/366- artheals.org, is an international resource and both by use of a standard for searching and Post-Baccalaureate in art and design. This is a 6900, ext. 230. Institutional News Classified Ads exchange for anyone interested in the healing viewing purposes. This standard is the Encoded new I-year certificate program for students potential of art, especially environmentalists, Archival Description (EAD) in the form of an seeking the opportunity to acquire advanced art Visual Artist Information Hotline, sponsored CAA News accepts classified ads of a professional or social activists, artists, health care practitioners, XML DTD. The EAD is issued by scores of and design skills in a structured, academic by the New York Foundation for the Arts semiprofessional nature. $1.25/word for members, and those challenged by illness. The site features libraries, archives, and historical societies program. The objective is to prepare individuals (NYFA), is a toll-free referral service for visual American Council of Learned Societies (ACLS) $2.00/word for nonmembers; $15 minimum. a continually updated listing of current events internationally, and is maintained by the Library who have already received a baccalaureate artists. Infonnation on funding and technical Receives $3 Million Mellon Grant for Classified ads must be prepaid. CAA News also and resources as well as a registry of more than of Congress and the Society of American degree for application to graduate study in art assistance programs, emergency funding, health Electronic Publishing Initiative. ACLS received accepts boxed display advertising throughout the 200 visual artists. Explore the site and participate Archivists. CIAO will investigate the EAD for and design or to enter jobs requiring knowledge and safety, insurance, legal information, artists' a grant from the Andrew W. Menon Foundation publication. Contact [email protected] by submitting news about healing arts related providing greater intellectual access to and skills in art and design. For information: communities, and pUblications is provided. to assist scholars to collaborate with university or 212/691-1051, ext. 217, for details. exhibitions, classes, grants, books, community collections by describing their relationships and Anastasia Faunce; 612/874·3793. Contact: 800/232-2789. presses in the electronic pub1ishing of mono­ projects, and conferences. Arts and Healing context, as well as the other benefits that stem graphs in history. Network, PMB 612, 3450 Sacramento St., San from adopting a community standard such as: Francisco, CA 94118; fax 415/771-3696; ahn@ interoperability with library and archive Residencies Morgan Library Drawing Study Center is Gay and Lesbian Caucus. For a free copy of information resources; additional venues for our artheals.org. scheduled to open in early fall 1999. Designed newsletter and membership application: EAD encoded collections infonnation; longevity World Views, Lower Manhattan Cultural by Beyer Blinder Belle Architects & Planners and Jonathan Weinberg, PO Box 208272, New Artswire, http://www.artswire.org, sponsored of that information in a durable digital format. Council (LMCC). Developed to provide painters located on the second floor of the Library's 1928 Haven, CT 06520-8272; jonathan.weinberg@ by the New York Foundation for the Arts For information: Estera Milman, Alternative with unique views of the city's skyline, theWorld Information Exchange Annex, the center will provide a better equipped yale.edu. (NYFA), provides communication for the arts Traditions in the Contemporary Arts, University Views artist·in-residence program has been open area for scholars and students to study drawings of Iowa; 319/335-1749; estera-milman@uiowa. through web-based conferencing, site housing, since November 1998 to emerging artists with and prints from the permanent collection. The Manhattan (Greenwich Village); one room and domain name hosting. Includes "Building edu; [email protected]. diverse backgrounds and interests who work project also envisions space for storage of art, studio apartment. $95 per night + one time maid Arts Audiences and Communities on the Web." referenced books, and files, as well as improved with video, photography, painting, new media, Gordon Samstag: Australian Research on & laundry charge $30. no minimum stay. Klaus; "Eureka; The Archimedes Palimpsest." http:/ / sculpture, and installation. Housing, suppUes, American Social Realist Art. The Samstag curatorial staff offices. The Morgan Library, 29 212/677-4571. China Avant-Garde Inc., http:/ / china-avant www.TheWalters.org/Archimedes. The Walters and stipends are not currently provided. For Program, based at the South Australian School E. 36thSt., New York, NY 10016-3403; 212/685- Art Gallery, Baltimore, has launched this site for garde.com, is dedicated to elevating the information: Moukhtar Kocache, World Views, of Art, University of South Australia, seeks 0008; 212/481-3484. Paris 16e: furnished apartment 117m2. Quiet, exposure and status of contemporary art from a special exhibition by the same title. The site is LMCC, 5 World Trade Center, Ste. 9235, New individuals and research centers who can assist well-lit, near metro. January-March 14,OOOF /mo a virtual journey through the life of Archimedes dlina throughout the Western world. The site York, NY 10048; 212/432-0900; fax 212/432·3646; their ongoing research into the life and work..'> of Ellen Louise Payson Collection Established at + deposit. 331/4525-8836; me1.kliman@ includes a broad spectrum of information on the and the Palimpsest. http://www.artswire.org/downtown. Deadline: Gordon Samstag (1906-1990), an American the University of Maine. Born in Portland, Me., wanadoo.fr. art scene, on artislc; and individual artworks, September 24,1999. social realist artist who left a very large bequest 1894, Payson was widely recognized as a Marcel Duchamp World Community Website, and features regular online exhibitions. For for Australian artists to shtdy overseas. The landscape architect who challenged the nature of See the real New York! Friendly B&B Green­ http://www.marcelduchamp.net. Sponsored by information: Howard Farber, China Avant­ Women's Studio Workshop (WSW) Artist's Samstag Program is also seeking writers with a her profession in the 1920s and 1930s. A recent wich Village artist's loft. Self catering available. Garde Inc., 160 E. 65th St., New York, NY 10021; Art Science Research Laboratory, the site offers a Book Residency Grants allows artists to relevant background in art history who might be donation of Payson's professional designs will 212/614-3034; fax 212/674-3393; dp_ml@ 212/5852975; fax: 212/879 6372; chinaimage@ neutral and unbiased location for the meeting produce a limited-edition bookwork at WSW. interested in developing, well-researched texts elevate her profile among students, historians, earthlink.net. aol.com. and exchange of ideas and information Stipend: $1,800, $450 for materials. Access to all on Samstag's work..,>, especially his post office professionals, and hobbyists. The collection will regarding the field of Marcel Duchamp studies studios. Artists are responsible for their meals. murals. Samstag worked in Australia in the complement other research and educational Writer Offers B&B in lovely Vidorian house in Conceptual and Intermedia Arts Online and his relation to the larger circles of and WSW also awards production grants for smaller 1960s and is known to have painted historically endeavors conducted through the university's central London location, £33 per night, £60 (CIAO), http://bampfa.berkeley.edu/ ciao/. Surrealism. Landscape Horticulture program. The collection scale projects to assist artists working in their important murals at post offices in Reidsville, double. phone / fax 011 ~44-171-354-3036. The CIAO consortium invites participation in its own studios. The grant covers production costs N.C. (1938) and Scarsdale, NY (1940). An will be housed in the Special Collection section ongoing Vocabulary Discussion Grqup from MUVA, The Virtual Museum of Arts, EI Pais, of up to $750. For application: WSW, PO Box American citizen, Samstag was born in New of the university'S Raymond H. Fogler Library. independent scholars and representatives of http://www.diarioelpais.com/muva2. in 489, Rosendale, NY 12472; 914/658-9133; http:/ / York and studied at the New York Art Students interested nonaffiliated institutions. GAO is a English and Spanish, showcases the pennanent www.wsworkshop.org.Postmarkeddeadline: League before continuing his studies at the Pew Learning and Technology Program is an consortium collaboration among nine partici­ and traveling exhibitions of the museum, November 15, 1999. Academie Colarossi in Paris. His work is $8.8-million, 4-year effort to place the national pant institutions committed to the development including such artists as Gurvich, Luis Solari, represented in the Toledo Museum, Ohio, and discussion about the impact that new technolo­ and dissemination of networked access to Pedro Figari, Javier Bassi, and Silveira and the Sheldon Swope Gallery, Indiana. Informa­ gies are having on the nation's campuses in the Correction educational and scholarly materials on the broad Abbondanza. Volunteer Opportunity tion on Samstag is available at http://www. context of student learning and ways to achieve theme of conceptual and intermedia arts. unisa.edu.au / samstag / contents.html. Contact: this learning cost-effectively. The program has 3 Members of CIAO include Alternative University Art Department Directory, http:/ / Ross Wolfe, Samstag Program, University of areas of work: I} The Pew Grant Program in Association of Hispanic Arts (AHA), New Traditions in the Contemporary Arts, University bi11fisher.dreamhost.com, is an online directory South Australia, GPO Box 2471, Adelaide SA Course Redesign; 2) The Pew Symposia in York, has volunteer positions available for artists of Iowa, the Berkeley Art Museum/Pacific Film providing inunediate access to U.S. and 5001, Australia; ross. wolfe®Unisa.edu.au. Learning and Technology; and 3) The Pew The caption of a photograph that appeared in Archive, University of California, the Electronic international art department and printmaking or students interested in the arts. Volunteer Learning and Teclmology Program Newsletter. the March 1999 issue of CAA News should have opportunities may include assisting in event Cafe, Franklin Furnace Archive, Inc., the Getty area websites. More than a thousand universi­ Paul Waldo Schwartz. Authors seeking to The Pew Learning and Technology Program is noted Committee on Women in the Arts planning, database maintenance, newsletter Research Institute for the History of Art and ties and colleges are represented, as wen as links contact the copyright holder{s} for Paul Waldo coordinated by the newly created Center for members Ferris Olin, Kristen Frederickson, and editing, and office administration. Experience in Humanities, the Hood Museum of Art at to artist/educators, suppliers of fine art and Schwartz, author/photographer of The Hand and Academic Transformation at Rensselaer Mary Jane Hewett. The photo depided members the arts is not required, but enthusiasm and Dartmouth College, the National Gallery of prinbnaking supplies, and useful art sites. For Eye of lite Sculptor (1969). Please send informa­ Polytechnic Institute, led by Carol A. Twigg. For of the committee with Annual Recognition commitment to the Latino arts community is a Canada, The Tate Gallery, and the Walker Art inclusion: wfisher®mailer.fsu.edu. tion to: Robert Root-Bernstein, Dept. of information: Abbie Basile, basila@rpLedu;518/ Award winner Samella Lewis. (CAA News, must. For information: Delia Montalvo; 212/727· Center. CIAO is committed to the development PhYSiology, 108 Giltner Hall, Michigan State 276-8323; http://www. center.rpLedu. March 1999, page 13) 7227, ext. 11. of an internet-accessible virtual collection of University, East Lansing, MI, 48824-1101; fax conceptual and intennedia art as represented in Programs 517/355-5125; [email protected]. the collections and scholarship generated by these museums, archives, and research centers, Long Island University's Brooklyn Campus. Miscellaneous ., Slides Wanted. Catalogued art slides of historic the implementation of a searchable educational New B.F.A. program in studio art. Portfolios are sites and churches (with interiors and exteriors) knowledge-base dedicated to these historically now being reviewed for admission to the new Sponsorship Program for Individual Artists, of European, Mexican, and South American anti-hierarchical works, the development of new program, which begins this fall at Long Island sponsored by the New York Foundation for the sites. Must be catalogued. For research purposes. vocabularies through which to describe these University's Brooklyn Campus. The program Arts (NYFA), supports artists through fiscal For infonnation, contact: David Brown, 10 multidiSciplinary "interarts" materials, and the will allow students to concentrate in clay, glass, sponsorship and advisory services. Through Waterside Plaza #24 D, New York, NY 10010; construction of a working model by which other sculpture, painting, drawing, and printmaking, their affiliation with NYF A-sponsored artists 212/213-5314; fax 212/725-7789;-vtgal@ museums and cultural institutions can USe these after fulfilling foundation requirements. For may pursue grants from government agencies, worldnet.att.net. technological standards to create lasting, precise, information: Liz Rudey, 718/488-1051; http:/ / private foundations, individuals, and COrpora­ and intemetworked, accelerated access to www.1iu.edu/bfastu. tions. An administrative fee is charged on all collections of any type. CIAO is constructing a monies received. Application seminars are held model to provide users with collection-level at the NYF A offices the first Monday of every

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