Tori Amos Warsaw 2012
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Greenland 2019 West Greenland
Greenland 2019 West Greenland Hunting in Greenland is the world’s largest island. Having a surface of 2.18 million, km² and only Greenland about 59,000 inhabitants it is one of the least densely populated regions in the world. The capital city is Nuuk, which has not more than 12,000 inhabitants. A large part of the country is always covered with ice, which can reach a thickness of 3,500m. About one sixth of the island is ice-free. Away from the coasts, the inland is dominated by inhospitable ice and cold deserts. Arctic climate prevails with maximum temperatures from 20 °C in the south to -5 °C in the north. In winter, lowest temperatures are around -50 °C. Hunting We are hunting in different areas winter and autumn, and in two different areas in autumn. areas: In winter, we hunt in a big area outside the concessions, its south of Kangerlussuaq, and is about 350.000 acres. Transport is easy with snowmobiles, so we can easily get around in the area. In autumn we have two concession areas (other outfitters cannot hunt there, but local hunters can go meat hunt in the areas). Both areas is unique, since area 9 is partially in the Inuit hunting World Heritage Site, and all of area 11 is in the World Heritage Site. Only our company and one other outfitter can offer hunts in this unique area where the Inuit started hunting 4000 thousand years ago, and where their old settlements and stone installation for driven hunts is still there. -
The Pomegranate Cycle
The Pomegranate Cycle: Reconfiguring opera through performance, technology & composition By Eve Elizabeth Klein Bachelor of Arts Honours (Music), Macquarie University, Sydney A PhD Submission for the Department of Music and Sound Faculty of Creative Industries Queensland University of Technology Brisbane, Australia 2011 ______________ Keywords Music. Opera. Women. Feminism. Composition. Technology. Sound Recording. Music Technology. Voice. Opera Singing. Vocal Pedagogy. The Pomegranate Cycle. Postmodernism. Classical Music. Musical Works. Virtual Orchestras. Persephone. Demeter. The Rape of Persephone. Nineteenth Century Music. Musical Canons. Repertory Opera. Opera & Violence. Opera & Rape. Opera & Death. Operatic Narratives. Postclassical Music. Electronica Opera. Popular Music & Opera. Experimental Opera. Feminist Musicology. Women & Composition. Contemporary Opera. Multimedia Opera. DIY. DIY & Music. DIY & Opera. Author’s Note Part of Chapter 7 has been previously published in: Klein, E., 2010. "Self-made CD: Texture and Narrative in Small-Run DIY CD Production". In Ø. Vågnes & A. Grønstad, eds. Coverscaping: Discovering Album Aesthetics. Museum Tusculanum Press. 2 Abstract The Pomegranate Cycle is a practice-led enquiry consisting of a creative work and an exegesis. This project investigates the potential of self-directed, technologically mediated composition as a means of reconfiguring gender stereotypes within the operatic tradition. This practice confronts two primary stereotypes: the positioning of female performing bodies within narratives of violence and the absence of women from authorial roles that construct and regulate the operatic tradition. The Pomegranate Cycle redresses these stereotypes by presenting a new narrative trajectory of healing for its central character, and by placing the singer inside the role of composer and producer. During the twentieth and early twenty-first century, operatic and classical music institutions have resisted incorporating works of living composers into their repertory. -
(#) Indicates That This Book Is Available As Ebook Or E
ADAMS, ELLERY 11.Indigo Dying 6. The Darling Dahlias and Books by the Bay Mystery 12.A Dilly of a Death the Eleven O'Clock 1. A Killer Plot* 13.Dead Man's Bones Lady 2. A Deadly Cliché 14.Bleeding Hearts 7. The Unlucky Clover 3. The Last Word 15.Spanish Dagger 8. The Poinsettia Puzzle 4. Written in Stone* 16.Nightshade 9. The Voodoo Lily 5. Poisoned Prose* 17.Wormwood 6. Lethal Letters* 18.Holly Blues ALEXANDER, TASHA 7. Writing All Wrongs* 19.Mourning Gloria Lady Emily Ashton Charmed Pie Shoppe 20.Cat's Claw 1. And Only to Deceive Mystery 21.Widow's Tears 2. A Poisoned Season* 1. Pies and Prejudice* 22.Death Come Quickly 3. A Fatal Waltz* 2. Peach Pies and Alibis* 23.Bittersweet 4. Tears of Pearl* 3. Pecan Pies and 24.Blood Orange 5. Dangerous to Know* Homicides* 25.The Mystery of the Lost 6. A Crimson Warning* 4. Lemon Pies and Little Cezanne* 7. Death in the Floating White Lies Cottage Tales of Beatrix City* 5. Breach of Crust* Potter 8. Behind the Shattered 1. The Tale of Hill Top Glass* ADDISON, ESME Farm 9. The Counterfeit Enchanted Bay Mystery 2. The Tale of Holly How Heiress* 1. A Spell of Trouble 3. The Tale of Cuckoo 10.The Adventuress Brow Wood 11.A Terrible Beauty ALAN, ISABELLA 4. The Tale of Hawthorn 12.Death in St. Petersburg Amish Quilt Shop House 1. Murder, Simply Stitched 5. The Tale of Briar Bank ALLAN, BARBARA 2. Murder, Plain and 6. The Tale of Applebeck Trash 'n' Treasures Simple Orchard Mystery 3. -
Body in the Lyrics of Tori Amos
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 3-2014 "Purple People": "Sexed" Linguistics, Pleasure, and the "Feminine" Body in the Lyrics of Tori Amos Megim A. Parks California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Parks, Megim A., ""Purple People": "Sexed" Linguistics, Pleasure, and the "Feminine" Body in the Lyrics of Tori Amos" (2014). Electronic Theses, Projects, and Dissertations. 5. https://scholarworks.lib.csusb.edu/etd/5 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. “PURPLE PEOPLE”: “SEXED” LINGUISTICS, PLEASURE, AND THE “FEMININE” BODY IN THE LYRICS OF TORI AMOS ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition ______________________ by Megim Alexi Parks March 2014 “PURPLE PEOPLE”: “SEXED” LINGUISTICS, PLEASURE, AND THE “FEMININE” BODY IN THE LYRICS OF TORI AMOS ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ by Megim Alexi Parks March 2014 ______________________ Approved by: Dr. Jacqueline Rhodes, Committee Chair, English Dr. Caroline Vickers, Committee Member Dr. Mary Boland, Graduate Coordinator © 2014 Megim Alexi Parks ABSTRACT The notion of a “feminine” style has been staunchly resisted by third-wave feminists who argue that to posit a “feminine” style is essentialist. -
CB-1990-03-31.Pdf
TICKERTAPE EXECUTIVES GEFFEN’S NOT GOOFIN’: After Dixon. weeks of and speculation, OX THE rumors I MOVE I THINK LOVE YOU: Former MCA Inc. agreed to buy Geffen Partridge Family bassist/actor Walt Disney Records has announced two new appoint- Records for MCA stock valued at Danny Bonaduce was arrested ments as part of the restructuring of the company. Mark Jaffe Announcement about $545 million. for allegedly buying crack in has been named vice president of Disney Records and will of the deal followed Geffen’s Daytona Beach, Florida. The actor develop new music programs to build on the recent platinum decision not to renew its distribu- feared losing his job as a DJ for success of The Little Mermaid soundtrack. Judy Cross has tion contract with Time Warner WEGX-FM in Philadelphia, and been promoted to vice president of Disney Audio Entertain- Inc. It appeared that the British felt suicidal. He told the Philadel- ment, a new label developed to increase the visibilty of media conglomerate Thom EMI phia Inquirer that he called his Disney’s story and specialty audio products. Charisma Records has announced the appointment of Jerre Hall to was going to purchase the company girlfriend and jokingly told her “I’m the position of vice president, sales, based out of the company’s for a reported $700 million cash, going to blow my brains out, but New York headquarters. Hall joins Charisma from Virgin but David Geffen did not want to this is my favorite shirt.” Bonaduce Records in Chicago, where he was the Midwest regional sales engage in the adverse tax conse- also confessed “I feel like a manager. -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Views, We Study How Preregistration Has Been Used from Its 2005 Inception to the End of 2012
COPYRIGHT PREREGISTRATION: EVIDENCE AND LESSONS FROM THE FIRST SEVEN YEARS, 2005–2012 * ** Dotan Oliar & Nicholas Matich In 2005 Congress created a new copyright formality: preregistration. Preregistration addresses a growing phenomenon in which copyrighted works are leaked to the Internet prior to official release. Preregistering a work allows copyright owners immediate access to courts and an expanded menu of remedies. Based on an originally constructed dataset coupled with user interviews, we study how preregistration has been used from its 2005 inception to the end of 2012. Over 6,000 works have been preregistered in six eligible categories. Several lawsuits were filed in reliance on preregistrations. Most preregistrations are of motion pictures and literary works. Substantial commercial use of the system has been limited to the movie and TV industries. The music, publishing, and computer software industries virtually have not used it in the ordinary course of business. A few particular users have preregistered a great number of works. Different from the use anticipated by Congress, preregistrations were often obtained after infringement (or even a business dispute) had already started. Most preregistrations were made by individual, small-entity, or other one-time users. The Article recommends that: (1) the duration of preregistrations should be limited; and (2) preregistration (and other copyright) fees should vary with entity size. It offers lessons for formalities and copyright reform: (1) Digital-age formalities may not give rise to the distributional concerns that characterized old formalities; (2) newly minted formalities may limit, rather than expand, access to expressive works; (3) the rates of subsequent registration of preregistered works vary across categories and can inform copyright lawmaking; and (4) the Copyright Office’s views may be affected by its institutional interest. -
Tori Amos Live
TORI AMOS LIVE Musik-Ikone am 2. März 2022 in der Laeiszhalle in Hamburg! Tori Amos, eine der erfolgreichsten und einflussreichsten Künstlerinnen ihrer Generation, hat mehr als 12 Millionen Alben verkauft, über 1.000 Konzerte gegeben und zahlreiche Auszeichnungen erhalten. Seit ihrem Debüt ›Little Earthquakes‹ 1992 sandte sie mit ihren musikalischen Offenbarungen oftmals Schockwellen aus. Im Verlauf ihrer erstaunlichen Karriere entwickelte sich die weltweit anerkannte Sängerin und Songschreiberin zu einer wahren Kultfigur der internationalen Musikszene. Dabei erfährt sie immer wieder Zuspruch für ihre beispiellosen Botschaften und ambivalenten Bekenntnisse, die verwirren, verwundern und verzaubern – und das u.a. auch als Autorin eines New York Times-Bestseller (›Resistance‹). In der Musikszene greift Amos auch gerne mal zu schärferen Tönen – und prägt damit eine ganze Industrie. Von ihrer bedrückenden Schilderung sexueller Gewalt in ›Me and a Gun‹ über ihr post 9/11-Album ›Scarlet’s Walk‹ bis hin zu ihrem feministischem Musical ›The Light Princess‹ (2013) hat sie sich nie davor gescheut, persönliche Erfahrungen mit politischen Ansichten zu verbinden. Ihr 15. und jüngstes Studioalbum ›Native Invader‹ aus dem Jahre 2017 entstand mit der Absicht zu beweisen, dass »wir das destruktive um uns herum mit kreativer Kraft überwinden können.« Und diese Botschaft war auch 2020 die Grundlage ihres zweiten New York Times-Bestsellers ›Resistance‹, eine Geschichte der Hoffnung, des Wechsels und des Muts als Gegenpol zum derzeitigen Trauma. Tickets: 040 413 22 60 // kj.de // [email protected] WEBSITE www.toriamos.com FACEBOOK www.facebook.com/toriamos INSTAGRAM www.instagram.com/toriamos YOUTUBE www.youtube.com/channel/UCQQ5UXpimsgkX2g8kxI6agA Karsten Jahnke Konzertdirektion GmbH | kj.de Telefon: (0 40) 41 47 88-0 | Fax: (0 40) 41 47 88-11 | [email protected] . -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Tori Amos Winter Mp3, Flac, Wma
Tori Amos Winter mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Winter Country: UK Released: 1992 Style: Acoustic MP3 version RAR size: 1629 mb FLAC version RAR size: 1217 mb WMA version RAR size: 1115 mb Rating: 4.6 Votes: 681 Other Formats: AHX AUD AC3 AU ASF MPC DMF Tracklist Hide Credits Winter (Radio Edit) A Mixed By – Jon KellyProducer – Davitt Sigerson The Pool B Producer – Ian Stanley Companies, etc. Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Warner Music UK Ltd. Copyright (c) – WEA International Inc. Record Company – Time Warner Published By – Sword And Stone Distributed By – WEA Records Ltd. Credits Art Direction, Photography By – Cindy Palmano Other [Tori Thanks] – Issey Miyake Written-By – Tori Amos Notes Record in card sleeve. Identified as a promotional release by one of two stickers on the rear sleeve: (i) 'Promotional Copy Only Not For Resale' (ii) 'Radio Edit A7504 DJ' and also by the addition of 'DJ' to the Side A runout (Side B also has this addition but it has been struck out): 'A7504DJ-A1'. Barcode and Other Identifiers Barcode (Text): 0 7567 87504 7 2 Matrix / Runout (Side A, Etched): A7504DJ-A1 Matrix / Runout (Side B, Etched): A7504D̶J̶-B1 Other versions Category Artist Title (Format) Label Category Country Year Tori Winter (CD, 85799-2 Atlantic 85799-2 US 1992 Amos Maxi, Ltd, Dig) Tori Winter (CD, 85799 Atlantic 85799 Netherlands 1992 Amos Promo) A7504CD, Tori Winter (CD, EastWest, A7504CD, UK 1992 7567-85885-2 Amos Single, CD1) EastWest 7567-85885-2 A7504C, Tori Winter (Cass, -
Dallas I Program
STARQUEST INTERNATIONAL Allen ISD Performing Arts Center Dallas I, TX Age 13 Friday, February 15, 2019 17. Dance Like Nobody's Watching [Classic] Callie Campanella 18. Mama Makes Three [Classic] Zoe Lehman Nova/Classic Teen Solo Competition 19. Run [Classic] 4:30 PM Raelyn Segovia 20. Dem Beats On The Runway [Classic] Teen Solo Sarah Fish Contemporary Age 14 21. Come Here For Love [Classic] Age 12 1. You're Gonna Be Ok [Nova] Catherine Sorrels Lindsay Brill 22. You Don't Own Me [Classic] Amanda Hare Tap Age 12 Lyrical 2. Lips Are Moving [Nova] Age 12 Madison Smith 23. I Will Sing [Classic] Alexandra Badough Lyrical 24. One Life [Classic] Age 13 Emily Vilmur 3. Gravity [Nova] 25. Skyscraper [Classic] Rylee Bush Kayleigh Brown Contemporary Age 13 Age 12 26. Colours [Classic] 4. Steetcar [Classic] Marissa Ommodt Allison Zebroski 27. It's Quiet Uptown [Classic, Teen Miss] 5. Towards The Sun [Classic] Mckenna Sullivan Rylee Keith Modern 6. Young Folks [Classic] Age 12-14 Whitney Goodman 28. Heavy Hearted [Classic] Age 13 Raemi Gonzalez 7. Antidote [Classic, Teen Miss] Ali Hawkins Open 8. Atlas: Two [Classic] Age 12-14 29. I Got It [Classic] Callie Campanella 9. Half Light [Classic] Tyler Star Toups 30. Madness [Classic] Amy Gayle 10. Hey Jupiter [Classic, Teen Miss] Grace Stephens 31. When Doves Cry [Classic] Azlin Kaler 11. You Lost Me [Classic, Teen Miss] Gracie Nolasco Lisa Adams Tap Age 14 Age 12 12. Even If [Classic] 32. Shake The Room [Classic] Lily Jornod Emily'lyn Brooks 13. Roses [Classic] Age 13 Sydney Kapllaj 33. -
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2