DOCSLIB.ORG

Biographies of Longfellow Days 2014 Participants

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Biographies of Longfellow Days 2014 Participants BIOGRAPHIES OF LONGFELLOW DAYS 2014 PARTICIPANTS Poets Laureate Event (2/1/14) Angus King is a United States Senator for Maine. He graduated from Dartmouth College and the University of Virginia Law School, beginning his career as a staff attorney for Pine Tree Legal Assistance in Skowhegan. In the early 1970s, he served as chief counsel to U.S. Senate Subcommittee on Alcoholism and Narcotics in the office of former Maine Senator William Hathaway, and then he returned to Maine to practice with Smith, Loyd and King in Brunswick. In 1983, he was appointed Vice President of Swift River/Hafslund Company, an alternative energy development. Six years later, he founded Northeast Energy Management, Inc., a developer of large-scale energy conservation initiatives at commercial and industrial facilities in Maine. In 1994, Senator King was elected Maine's 71st Governor. During his two terms in the Blaine House, he focused on economic development and job creation, and also achieved significant reforms in education, mental health services, land conservation, environmental protection, and the delivery of state services. He was re-elected in 1998 by one of the largest margins in Maine’s history. Wesley McNair has authored nine collections of poetry, most recently, Lovers of the Lost: New and Selected Poems (David R. Godine, 2010). A New Hampshire native who has lived for many years in Mercer, Maine, McNair earned his undergraduate degree from Keene State College and two advanced degrees from Middlebury College. In addition to his poetry, he has published three books of prose, including a memoir, The Words I Chose, and several anthologies of Maine writing. His awards include grants from the Guggenheim and Fulbright foundations, two Rockefeller Fellowships, two grants in creative writing from the National Endowment for the Arts, and an Emmy Award. He has twice been invited to read his poetry by the Library of Congress and was selected in 2006 for a United States Artists Fellowship for lifetime achievement in poetry. McNair is professor emeritus and writer in residence at the University of Maine at Farmington. In March 2011 he was appointed Poet Laureate of Maine. Betsy Sholl served as Maine’s Poet Laureate from 2006 to 2011. She is the author of seven collections of poetry, most recently, Rough Cradle (Alice James Books, 2009). Her poetry has been published in numerous journals and magazines including Orion Magazine, Field, Triquarterly, The Kenyon Review, The Massachusetts Review, Ploughshares, and Beloit Poetry Journal. She has been awarded fellowships from the National Endowment for the Arts and the Maine Arts Commission. Originally from New Jersey, she moved to Maine in 1983. She has an MFA in poetry writing from Vermont College as well as an M.A. from the University of Rochester and a BA in English Literature from Bucknell University. Sholl has been a visiting poet at the University of Pittsburgh and at Bucknell University and was one of the seven founding members of Alice James Books. She teaches at the University of Southern Maine and in the low-residency MFA program at the Vermont College of Fine Arts. Baron Wormser grew up in Baltimore, attended Johns Hopkins University, and did graduate studies at the University of California, Irvine and the University of Maine. For twenty-five years he worked as a librarian for SAD 59 in Madison, Maine, and he taught poetry writing at the University of Maine at Farmington. His memoir The Road Washes Out in Spring details the years he lived with his family in an off-the-grid house on forty-eight acres in Mercer, Maine. He was appointed Poet Laureate of Maine by Governor Angus King in 2000, and served in that capacity for six years. Wormser read his poem “Building a House in the Maine Woods, 1971” at Governor Baldacci’s 2003 inauguration. He has received the Frederick Bock Prize from Poetry, the Kathryn A. Morton Prize, and fellowships from Bread Loaf, the National Endowment for the Arts and the John Simon Guggenheim Memorial Foundation. He teaches in the Fairfield University MFA program and is Director of Educational Outreach for the Frost Place in Franconia, New Hampshire. - more - LONGFELLOW DAYS bios / page 2 Other Participants Ruth Bookey and her family fled to the United States from Nazi Germany in the late 1930s. For many years she has been involved in music as a soloist and choral singer. She started writing poetry a few years ago, inspired by her poet husband and the poetry groups that met at their home. With Ted she translated the German poet Erich Kastner. Ruth is also a painter who studied art at the University of Maine in Orono and at the Rhode Island School of Design. She teaches "Hands On Art for Beginners" at Senior College at the University of Maine in Augusta, and her art has graced several Moon Pie Press book covers. (2/11 and 2/20 events) Ted Bookey moved to Maine in 1980 from New York, where he taught English in public schools and at Long Island University. He teaches in the Senior Education program at the University of Maine in Augusta, and is the author of five books of poems, including Mixty Motions, a book of translations from the German of Erich Kastner (in collaboration with his wife Ruth), Language As A Second Language, Lostalgia, and A W/Hole in One. Bookey's poetry, criticism and reviews appear in many journals and anthologies. His plays have been produced in Maine and off Broadway in New York City. (2/11 and 2/20 events) Marcia F. Brown has an MFA in poetry from USM's Stonecoast writing program, and a B.A. from Smith College. She is the author of three books: What on Earth (Moon Pie Press, 2010); Home to Roost: Paintings and Poems of Belfast Maine, a 2007 collaboration with artist Archie Barnes; and The Way Women Walk, the winning entry in the 2005 Sheltering Pines Press chapbook. She is a member of Three Genres in the Rain, which gives benefit readings in libraries and schools; and she co-hosts a monthly reading series, “Local Writers at The Local Buzz,” in Cape Elizabeth. Her poems have appeared in The Café Review, Poet Lore, Wolf Moon Journal, and Off the Coast, been read by Garrison Keillor on NPR’s “The Writer’s Almanac,” and were nominated for Pushcart Prizes in 2005 and 2006. (2/2 event) Peter M. Coviello is Professor of English at Bowdoin College, where he has taught since 1998. He specializes in nineteenth-century American literature and queer studies, and has served as Chair of the departments of English, Africana Studies, and Gay and Lesbian Studies. He is the editor of Walt Whitman’s Memoranda During the War; Intimacy in America: Dreams of Affiliation in Antebellum Literature; and Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America. Since 2011 he has been a member of the editorial board at American Literature. His work has appeared in PMLA, ELH, Raritan, American Literature, GLQ, and MLQ as well as in venues like Frieze and The Believer. (2/19 event) Steve Cowperthwaite is a teacher with the reputation of being a storyteller. A native Mainer, he lives a “somewhat Thoreauvian life” by a beautiful lake in the woods, although he is happiest when he is creative rather than meditative. He built his own house, lots of small buildings, round woodpiles, fixed boats and published some history. He participates in Senior College at UMA and is a regular In Ted Bookey's poetry class. Memories of his childhood on a hardscrabble farm are a great source for his poetry, which is full of humor, imagery, and clear-eyes understanding of human nature. (2/2 event) Carolyn Gelland grew up in Europe and in New York City, where she worked as a translator and directed a small art gallery. Her poems have been widely published in literary journals. She and her husband, poet Kenneth Frost, moved to rural Maine to focus on writing poems. Her second collection, Dream-Shuttle, was published in September, 2013. Her first book, Four-Alarm House, was published in February, 2012. - more – LONGFELLOW DAYS bios / page 3 over Maine and beyond. Her poems are widely published in literary journals, including The Bitter Oleander, Sou'wester, Iodine Poetry Journal, The Greensboro Review, and RiverSedge. Her first book, Four- Alarm House, was published in 2012; her newest collection is Dream-Shuttle. (2/16 event) Steve Gibbon has an MFA in Fiction and Poetry from Vermont College of Fine Arts. His work has featured in various publications, including Harpur Palate, Pank Magazine, Armchair/Shotgun and Words and Images, where he won the 2008 Excellence in Expression Award. He was recently nominated for the Pushcart Prize for his short story, “An Animal Under the Ground." (2/9 event) Terry Grasse is a poet and visual artist who currently lives in Lisbon Falls. A veteran of the Vietnam War, with many works inspired by wartime experiences, Grasse has read frequently at such venues as the Freeport Community Library, Rockland Public Library, Brunswick’s Peace Fair, Lewiston’s Poetry and Peace Potluck, Camden Opera House, Space Gallery, and Gulf of Maine Books. Grasse is also a noted sculptor whose work has been exhibited at many venues throughout the state. (2/16 event) Douglas M. Protsik is a versatile musician, equally skilled on piano, fiddle, and accordion. He is director of Maine Fiddle Camp, founder of the Maine Traditional Music Association, and a member of Old Grey Goose, a trio that specializes in old-time country dance music of Maine and the Maritimes. Among other venues, he has demonstrated his fiddling prowess on American Public Radio’s Prairie Home Companion.
Load more

Recommended publications
  • SUNDAY, JANUARY 17, 2010 Reading of Poems at 7:30 Pm, River Arts Gallery, Damariscotta, Maine
    SUNDAY, JANUARY 17, 2010 Reading of poems at 7:30 pm, River Arts Gallery, Damariscotta, Maine. Contact Peter Felsenthal [email protected]. Snow Date: January 17. MONDAY, FEBRUARY 8, 2010 McNair’s poem “For My Wife” appears in “American Life in Poetry,” the Poetry Foundation sponsored series, featuring weekly poems chosen by former US Poet Laureate Ted Kooser. Click here to read to the poem. THURSDAY, FEBRUARY 18, 2009 Introduction of Donald Hall as the 2009 recipient of the Aiken Taylor Award for Contemporary Poetry at the University of the South, Sewanee, Tennessee. Contact: Leigh A. Couch at [email protected]. WEDNESDAY, MARCH 24, 2010 Reading from Lovers of the Lost at the Ellsworth public library, 6 pm. Contact Sandy Abbot at [email protected]. THURSDAY, APRIL 1, 2010 Reading of poems at 7:30 pm at The Landing in the Visiting Writers Series, University of Maine at Farmington. Contact [email protected]. MONDAY, APRIL 5, 2010 Presentation, "My Life as a Poet," at Colby Sawyer College, New London, NH, 7 p.m., Wheeler Hall at the Ware Campus Center. Admission is free and open to the public. Contact Margaret Wiley, at [email protected]. MONDAY, APRIL 5, 2010 Garrison Keillor reads McNair’s poem “For My Wife” on the morning edition of NPR’s the Writers Almanac. Click here to read more about the Writers Almanac. TUESDAY, APRIL 6, 2010 Reading from Lovers of the Lost, with discussion and reception, noon-3 pm, at NHTI—Concord’s Community College, Concord, NH. Contact Alan Lindsay, at [email protected].
    [Show full text]
  • Donald Hall's Amanuensis
    Donald Hall’s Amanuensis By Wesley McNair August 18, 2020 ARTS & CULTURE The bond between author and assistant is often close. But in Donald Hall’s case, his decades-long relationship with his assistant proved to be a lifeline that extended his writing career. When Donald Hall interviewed Kendel Currier for the part-time job of typing his correspondence in August of 1994, one of the first things he asked was, “Will you type curse words?” His earlier hire for the position, a woman active in a local church, backed out when she discovered curse words in a letter, and he wanted to make sure Currier wouldn’t quit, too. Hall found Currier’s response reassuring: She would type whatever he dictated, she told him, and keep a dictionary nearby in case she was uncertain of a spelling. She was thirty-six at the time and, by her own description, a stay-at-home mom and housewife. But she’d done secretarial work in the past, and Hall— not quite twice Currier’s age at sixty-six—was impressed by her professionalism. So, he hired her on the spot, and turned up the next day at her house in Andover, New Hampshire, with a canvas bag that contained a model letter, a stack of stationery, and a transcriber for playing back the dictation on his tapes. “It was as if the universe offered me a gift,” Currier later said, “and I was smart enough to accept it.” Currier obtained the typewriter she used, an IBM Selectric III, from Hall’s previous typist, Lois Fierro.
    [Show full text]
  • A Poetics of Inheritance in Donald Hall's Life Work
    Labouring Destination: A Poetics of Inheritance in Donald Hall’s Life Work lucy cheseldine onald Hall was instrumental in sustaining literary representa- tions of rural New England. After a string of academic positions, Dhe met his wife and fellow poet Jane Kenyon, and in 1975 the cou- ple moved to his ancestral farm, Eagle Pond, in Wilmot, New Hampshire. But he had no intention of becoming another ‘farmer-poet’ alongside other American influences and contemporaries such as Robert Frost and Wendell Berry. Hall returned to his grandparents’ small holding with the singular intention to write. Thus, rather than an inheritance that married writing to a practical philosophy of the land, his oeuvre reflects a life-long commitment to exploring language’s role in place-making. In this paper, through a close reading of the prose text Life Work, I argue that his com- parisons between agricultural labour and the labour of writing, ground- ed in particular topography, create a ‘poetics of inheritance’. This poetics evaluates the past’s place in the present by a re-conceptualisation of the oscillating nexus that captures the self between history, memory, and text. Soon after moving to Eagle Pond farm, Hall wrote to poet Robert Bly, ‘it is the lack of future dreams which I find continually such a startling change in my life’.1 His comment implements the farm as a final destina- tion, one for which he articulates a teleology of arrival in lines such as this from his poem ‘Flies’: ‘I planned long ago I would live here, somebody’s grandfather’.2 But the logic of a determined inheritance—which is still a ‘startling change’ in its manifestation—is troubled by Hall’s comment that New Hampshire ‘fulfilled the sense of loss I already had’.3 His mention 1 [Letter to Robert Bly, March 30th, 1997], [B4], Donald Hall Papers, 1928-2018, MC53, Milne Special Collections and Archives, University of New Hampshire Library, Durham, NH.
    [Show full text]
  • {PDF EPUB} Maine in Four Seasons 20 Poets Celebrate the Turning Year by Wesley Mcnair Wesley Mcnair
    Read Ebook {PDF EPUB} Maine in Four Seasons 20 Poets Celebrate the Turning Year by Wesley McNair Wesley McNair. Wesley McNair (born 1941) is an American poet, writer, editor, and professor. He has authored 10 volumes of poetry, most recently, Lovers of the Lost: New & Selected Poems (Godine, 2010), The Lost Child: Ozark Poems (Godine, 2014), and The Unfastening (Godine, 2017). He has also written three books of prose, including a memoir, The Words I Chose: A Memoir of Family and Poetry (Carnegie Mellon "Poets in Prose" Series, 2013). In addition, he has edited several anthologies of Maine writing, and served as a guest editor in poetry for the 2010 Pushcart Prize Annual. According to United States Artists, McNair's poetry often deals with "the struggles of the economic misfits of his native New England, often with humor and through the use of telling details." [1] In The Words I Chose , McNair refers to the region of his poetry as "a place of farmers under threat, ethnic shop workers, traders, and misfits at the margins" and his exploration of "their American dreams, failures, self-doubts, and restlessness." [2] He adds to these themes, love and its absence, loss and disability, and the precarious bonds of family and community. At the center of McNair's poems and his memoir is his family and extended family, whose conflicts recur throughout his several collections, forming a narrative of their own. His literary family, underprivileged and post-industrial, is at odds with those of earlier New England poets. He explains in his essay "Placing Myself" that whereas "a poet like Robert Lowell features a New England family of pedigree connected to the history of high culture.
    [Show full text]
  • High School Arts
    CATALOGUE OF STORIES AND RELATED PROJECTS High School Arts !1 Table of Contents Painters 1. Composing a Landscape: Integrating the Narrative – Eric Aho 2. Landscape Narratives – Eric Aho 3. Still Life Painting / Arranging Nature, Lesson One – Janet Fish 4. Still Life Painting / Arranging Nature, Lesson Two – Janet Fish 5. Image as Metaphor – Samuel Bak 6. Allegory in Painting – Samuel Bak 7. Color in 3-D: A Nature Design Project – Wolf Kahn 8. Introduction to Modern Art, Practice and Principles – Wolf Kahn 9. James Prosek – Audio Only Book Illustrators / Writers 1. Create Your Own Picture Book – Tomie dePaola Music 1. Copland and Ives Keeping Score – Vivian Perlis Poets 1. String Too Short to Be Saved – Donald Hall 2. Ox-Cart Man – Donald Hall 3. Depict the Invisible – Stephen Kuusisto 4. Turning Prose into Poetry – Wesley McNair 5. Maxine Kumin – Audio only 6. Chard deNiord – Audio only 7. Jane Hirshfield – Audio only !1 Story Preservation Initiative is pleased to make this catalogue of our original primary source audio recordings and related projects and lesson plans available for your reference. This was designed to provide – what we hope you’ll find to be – a quick and easy overview of SPI topics that are currently available. All catalogues will be updated quarterly. The material that we provide is varied and can be integrated into learning environments in a multitude of ways. 1. We begin with the development and production of our primary source audio recordings. These are of people who have, through their work or life experience, altered the landscape; they are, in a word, change-makers.
    [Show full text]
  • The Writers Conference at Ocean Park by Dr
    Seventy-nine Years of Tradition The Writers Conference at Ocean Park by Dr. Jim Brosnan The Writers Conference was founded by Adelbert M. Jakeman, Sr. of Westfield, Massachusetts and Loring Eugene Williams of Cleveland, Ohio. Jakeman was at one time head of the English department at Westfield High School and was Assembly Superintendent at Ocean Park for 31 years. He became a permanent resident of Ocean Park in 1946. Jakeman conceived the idea of the conference as a late season activity to flesh out the summer program which he took over in 1939. He met the older Loring through entering poems in American Weave and they became longtime friends. Williams role with the conference became advisory as senior co-founder. On Friday, August 15, the first State of Maine Writers Conference was planned. (State law forbids the use of the state seal. Eventually the conference became the Writers Conference at Ocean Park.)The first conference was held that Friday in the afternoon and evening as part of Chautauqua week. The summer program in 1941 described the ten-day period from August 7-16 as a “period of superior entertainment and other educational features”. The founders of the Writers Conference capitalized on other literary events already planned such as three days of book reviews and an annual banquet. The banquet which included an appetizer, chicken pie, and dessert cost 85 cents. Robert P. Tristam Coffin, lecturer, novelist, Pulitzer Prize poet, and Pierce Professor of English at Bowdoin College presented an after- dinner talk entitled, “Where Poems Are Found”. Other cultural events that week related to reading and writing including a lecture by Louis Lyons, feature writer for the Boston Globe and curator of the Neiman Foundation for journalism at Harvard University.
    [Show full text]
  • Speaking of Dogs
    Speaking of Dogs: SPEAKING O F D O G S The Best Collection of Canine The BestThe Things Best Collection Ever Said of About Quotables Ever Compiled CanineMan’s Quotables Best Ever Friend Compiled doggedly assembled by James Charlton illustrated by Arnold Roth Who doesn’t love dogs? Answer that question in the negative and find yourself contradicted by the countless dog-lauding quota- tions compiled here by James Charlton and wackily illustrated by Arnold Roth. Containing quotes from pundits and poets, edited by James Charlton and illustrated by Arnold Roth artists and authors, there’s something new and memorable in here for everyone. Charlton categorizes quotes into sections to Format: Paperback with Flaps easily locate a minute message to fit your mood or life circum- ISBN: 978-1-56792-588-3 stance. Hungry? Dog food. Lonely? Love and Loyalty. Aging? Size: 5¼ × 7½ inches Old Dogs. Bad day at work? Barking and Biting. Cat scratched pages: 152 your furniture? Dogs Are Better. Despairing? Love a Dog. Witty Price: $19.95 and tender, with hundreds of quotes to choose from, this book publication: March 2017 doggedly compiles all the best words ever written or spoken Rights: World English about man’s best friend, all complemented by Roth’s artwork. And remember what Mark Twain said: Heaven goes by favor; if All knowledge, the totality of it went by merit, you would stay out and your dog would go in. all questions and all answers is contained in the dog. Franz Kafka If a dog will not come to you after he has looked you in the face, you ought to go home and examine your conscience.
    [Show full text]
  • Notes on Contributors and Back Matter, the Iowa Review, V.35 No.2, Fall, 2005
    The Iowa Review Volume 35 Issue 2 Fall Article 45 2005 Notes on contributors and back matter, The Iowa Review, v.35 no.2, Fall, 2005 Follow this and additional works at: https://ir.uiowa.edu/iowareview This work has been identified with a http://rightsstatements.org/vocab/InC/1.0/">Rights Statement In Copyright. Recommended Citation . "Notes on contributors and back matter, The Iowa Review, v.35 no.2, Fall, 2005." The Iowa Review 35.2 (2005): 175-187. Web. Available at: https://doi.org/10.17077/0021-065X.6104 This Back Matter is brought to you for free and open access by Iowa Research Online. It has been accepted for inclusion in The Iowa Review by an authorized administrator of Iowa Research Online. For more information, please contact [email protected]. NOTES ON CONTRIBUTORS KAZIM ali's novel, Quinn's Passage, is available from BlazeVOX Books. His first book of poems, The Far Mosque, will be published by Alice James Books in October 2005. Jennifer Atkinson is author of two collections of poems, The Dogwood Tree and The Drowned City. She teaches at George Mason University in Virginia. John bensko's most recent book is Sea Dogs, a collection of stories from Graywolf Press. He teaches in the m fa program in Creative writing at the University of Memphis. erik campbell lives in Papua, Indonesia. His first poetry collec tion, Arguments for Stillness, will be published by Curbstone Press in April 2006. basil Cleveland is an instructor of ethics at Cambridge College inMassachusetts. His poems have recently appeared in Ploughshares, New Orleans Review, and Hay den's Ferry Review.
    [Show full text]
  • Remarks by Maine Poet Laureate Wesley Mcnair for Poetry Day at the Blaine House, 2014 Wesley Mcnair
    Maine State Library Maine State Documents Library Documents Maine State Library 4-2014 Remarks by Maine Poet Laureate Wesley McNair for Poetry Day at the Blaine House, 2014 Wesley McNair Follow this and additional works at: http://digitalmaine.com/msl_docs Recommended Citation McNair, Wesley, "Remarks by Maine Poet Laureate Wesley McNair for Poetry Day at the Blaine House, 2014" (2014). Library Documents. Paper 18. http://digitalmaine.com/msl_docs/18 This Text is brought to you for free and open access by the Maine State Library at Maine State Documents. It has been accepted for inclusion in Library Documents by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. Formal Remarks by Maine Poet Laureate Wesley McNair for Poetry Day at the Blaine House April, 2014 Thank you very much, Julie, and thank you all for coming today. As I believe I've told a couple of you, the comedian Billy Crystal recently said that there are three ages of man. There's childhood, manhood, and you-look-fantastic. And I think you'll all agree that I look fantastic. The reason is that I get the chance today to introduce a new initiative in poetry, which is called “Imagination 101: Poetry in the Schools.” Each year, I roll out a new, statewide initiative here at the Blaine House, with the general goal of bringing poetry to the people of Maine, especially to those outside of literary circles. My ongoing partner in these initiatives is the Maine Writers and Publishers Alliance. headed by Joshua Bodwell – and this is the fourth one.
    [Show full text]
  • Finding Aid to the Wesley Mcnair Papers MCNAIR.1
    Finding Aid to the Wesley McNair Papers MCNAIR.1 This finding aid was produced using ArchivesSpace on September 13, 2018. English Describing Archives: A Content Standard Colby College Special Collections Finding Aid to the Wesley McNair Papers MCNAIR.1 Table of Contents Summary Information .................................................................................................................................... 6 Biographical note ........................................................................................................................................... 6 Arrangement ................................................................................................................................................... 7 Administrative Information ............................................................................................................................ 7 Controlled Access Headings .......................................................................................................................... 7 Collection Inventory ....................................................................................................................................... 8 Series A: Early Materials ............................................................................................................................ 8 Subseries: Little Brown Koko Scrapbook (brown cover) ........................................................................ 8 Subseries: Little Brown Koko Scrapbook (yellow cover) ......................................................................
    [Show full text]
  • Healingthedivide Pgs CRX Oct15.Indd
    HEALING poetry | anthology HEALING the DIVIDE: Poems of Kindness & Connection “Enjoy this book as I have, reading it through, then reading it through again, then going back to mark those pages I want to go back to the again and again and again.” DIVIDE —Ted Kooser, U.S. Poet Laureate and author of Kindest Regards: New and Selected Poems This anthology features poems by Mark Doty, Ross Gay, Donald Hall, Marie Howe, Naomi Shihab Nye and many others. These poets, from Connection |& JAMESKindness of Poems CREWS, Editor all walks of life, and from all over America, prove to us the possibility of creating in our lives what Dr. Martin Luther King called the “beloved community,” a place where we see each other as the neighbors we already are. Healing the Divide urges us, at this fraught political time, to move past the negativity that often lls the airwaves, and to embrace the ordinary moments of kindness and connection that ll our days. James Crews is a regular contributor to The London Times Literary Supplement, and his work has appeared in Ploughshares, Crab Orchard Review, and The New Republic, among other journals. The author of two collections of poetry, The Book of What Stays (Prairie Schooner Prize, 2011) and Telling My Father (Cowles Prize, 2017), he lives on an organic farm in Vermont with his husband, Brad Peacock, and teaches creative writing at SUNY-Albany. $19.95 u.s./poetry Giving voice to writers and artists who will make the world a better place. www.greenwriterspress.com Cover photo: James Crews HEALING THE DIVIDE Poems of Kindness and Connection c HEALING THE DIVIDE Poems of Kindness and Connection c PREFACE BY TED KOOSER EDITED BY JAMES CREWS green writers press | Brattleboro, Vermont Copyright © 2019 James Crews All rights reserved.
    [Show full text]
  • NEA Literature Fellowships
    National Endowment for the Arts NEA Literature Fellowships 40 Year s of Supporting American Writers National Endowment for the Arts This year, the National Endowment for the Arts marks its 40th anniversary of leadership in the arts. The NEA is a public agency dedicated to supporting excellence in the arts, both new and established; bringing the arts to all Americans; and providing leadership in arts education. Established by Congress in 1965 as an independent agency of the federal government, the Arts Endowment is the largest national funder of the arts, bringing great art to all 50 states, including rural areas, inner cities, and military bases. National Endowment for the Arts NEA Literature Fellowships 40 Year s of Supporting American Writers March 2006 Credits This publication is published by: Photo Credits Dana Gioia: Photo by Vance Jacobs (page 1) National Endowment for the Arts John Steinbeck and Ralph Ellison: Photo by R. Philip Hanes, Jr. (page 3) Office of Communications Julia Alvarez: Photo by Bill Eichner (page 12) T. C. Boyle: Photo by Pablo Campos (page 13) Felicia Knight, Director Jared Carter: Photo by Diane Carter (page 14) Don Ball, Publications Manager/Editor Annie Dillard: Photo by Carin Clevidence (page 15) Rita Dove: Photo by Fred Viebahn (page 16) Designed by Nancy Bratton Design Andre Dubus: Photo by Marion Ettlinger (page 17) Cover Photo by Nancy Bratton Ernest J. Gaines: Photo by Dianne S. Gaines (page 18) Christina Garcia: Photo courtesy of Lavin Agency (page 19) Thanks to Amy Stolls, David Kipen, Jon Peede, Paulette Beete, Campbell Kaye Gibbons: photo by Marion Ettlinger (page 20) Irving, Pamela Kirkpatrick, and Garrick Davis for their contributions to John Haines: Photo by Peter Iseman (page 21) the publication.
    [Show full text]