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House' ""After "Recon:Strucfi6~ -H~Ls Begun on the Deita ' Tau ..Delhi
~, RECORO Construction Beg'· De-It' -House' ""After "Recon:strucfi6~ -h~ls begun on the DeIta ' Tau ..Delhi . Fraternity House after" a serious fire, swept the third.Jloot" Oil 'Nov. 28. , .The, fire 'began ":iil the Applied Arts room around 11 p.m. Larry .Goodrich"came upstairs and open- , . ed 'the door. Seeing the fire he r Ed Belew, Lee Roy Reams, TomCYNeili and .Jehn Hess watch as ran down 'th~ 'hall tocall the fire Mr~ Paul R~.tJedge,Director of the Mumme'rs Production -oThe Skin' of department, while, the fire spread . Our TeethU -shows wh'ereth:e ice is coming from. aft~~~ . .. - " 'I'he-rooms with the' doors open "were burned OIU. However, due to fireproof doors, the closed ~rooms .suffered' 'only "from intense' heat - ~9ft1f!dyTo Open and water' 'damage .. A fire proof ceiling saved the roof fromburn- ing, Fortunately everyone was able-to get outquickly,The.Pikes A,t, 8:00 'Tonight- 'and PhiDelts helped the firemen carryup the hqses. ',The total ,damage amounted to , ,Tonh~'btata:30 thecurt~i~ win go up in Wilson Auditorium on o~e $30,000; ..$18,000' in property and 10! the -_"mostfun" plays. presented by. Mummers Guild· in .their forty $12,000,. in '" personal possessions. 'year history. from the first moment the lights 'are lowered until 'they Fiverodms. were entirely ruined Before ~he fire this' was a telephone at' t'he '-Delt House. rise after the final act, .ths-atmosphere. is' charged With gaiety and ev- and all ,of the third floor was eitement. , '. damaged . The house corporation .have movedIn with others down- will 'pay £;01' the house and f.urni- 'Tho~ton Wil~~r's',p,ulit~~t~prii~ p~oducHon;' :Miss, Thompso,!1 is .a stairs so no one has had to move 4~ -ture but personal helQngings/are. -
Thomas E. Starzl Selected for Prestigious National Award
INSIDE Pitt honors its scholar-athletes.............. 4 Pitt-led researchers make quick test for TB...... 8 PittNewspaper of the University of PittsburghChronicle Volume X • Number 10 • March 23, 2009 Pitt Gets $4.7 Million Grant to Reduce Hospital-acquired Infections By Clare Collins The University of Pittsburgh School to prevent and control hospital-acquired of Medicine has received a four-year, infections, which were diagnosed in 27,000 $4.7 million grant from the Pennsylvania patients in Pennsylvania in 2007. Patients Department of Health to find new ways to with these infections were hospitalized stop deadly hospital-acquired infections three times longer, and their admissions that often are resistant to treatment. The were four times as expensive as those of grant, funded by Pennsylvania’s share of noninfected patients. the national 2008-09 tobacco settlement, Most bacterial infections can be will focus on C. difficile, A. bau- effectively controlled with existing mannii, and the drug-resistant antibiotic drugs, but microbial bacteria known as MRSA, pathogens like C. difficile, A. which cause tens of thou- baumannii, and MRSA have sands of deaths in the U.S. an inherent ability to develop every year. drug resistance through “Infections that are many genetic mechanisms, resistant to antibiotics are making them particularly becoming increasingly difficult to treat. problematic not only in the Pitt School of Medicine United States, but around coinvestigators on the grant the world,” said Lee Harrison, include Scott Curry, clinical principal investigator of the grant assistant professor in the Division and professor of medicine and epi- Lee Harrison of Infectious Diseases; Jo-Anne demiology, University of Pittsburgh. -
SUNDAY, JANUARY 17, 2010 Reading of Poems at 7:30 Pm, River Arts Gallery, Damariscotta, Maine
SUNDAY, JANUARY 17, 2010 Reading of poems at 7:30 pm, River Arts Gallery, Damariscotta, Maine. Contact Peter Felsenthal [email protected]. Snow Date: January 17. MONDAY, FEBRUARY 8, 2010 McNair’s poem “For My Wife” appears in “American Life in Poetry,” the Poetry Foundation sponsored series, featuring weekly poems chosen by former US Poet Laureate Ted Kooser. Click here to read to the poem. THURSDAY, FEBRUARY 18, 2009 Introduction of Donald Hall as the 2009 recipient of the Aiken Taylor Award for Contemporary Poetry at the University of the South, Sewanee, Tennessee. Contact: Leigh A. Couch at [email protected]. WEDNESDAY, MARCH 24, 2010 Reading from Lovers of the Lost at the Ellsworth public library, 6 pm. Contact Sandy Abbot at [email protected]. THURSDAY, APRIL 1, 2010 Reading of poems at 7:30 pm at The Landing in the Visiting Writers Series, University of Maine at Farmington. Contact [email protected]. MONDAY, APRIL 5, 2010 Presentation, "My Life as a Poet," at Colby Sawyer College, New London, NH, 7 p.m., Wheeler Hall at the Ware Campus Center. Admission is free and open to the public. Contact Margaret Wiley, at [email protected]. MONDAY, APRIL 5, 2010 Garrison Keillor reads McNair’s poem “For My Wife” on the morning edition of NPR’s the Writers Almanac. Click here to read more about the Writers Almanac. TUESDAY, APRIL 6, 2010 Reading from Lovers of the Lost, with discussion and reception, noon-3 pm, at NHTI—Concord’s Community College, Concord, NH. Contact Alan Lindsay, at [email protected]. -
DAAP Graduate Wins Academy Award
newsrecord.org@NewsRecord_UC /TheNewsRecord @thenewsrecord pg. 4 | UCPD officers pg. 7 | Nine questions save student’s life with Trevor Moore Wednesday, March 6, 2019 New poetry club at UC ANDREA WARD | CONTRIBUTOR of the Cincinnati Poetry Collective, a new poetry Chairs and lime-green club at the University of couches are arranged in Cincinnati. Organizers Ryan a large circle next to the Talbot, Malik Aguiniga and stacks in the Elliston Poetry Ava Whitson, all of whom Room in Langsam Library. are second-year students at Roughly 30 students talk UC, founded the club to fill and laugh while music plays a poetry hole on campus, in the background, and they said. different scenes flash from The three of them met in a projection that stretches fall 2018 when they sat next across the ceiling and the to each other during a small far wall. introductory poetry class A podium placed next to taught by Kimberly Grey. a stack closes the circle. “All throughout the There’s enough room for class, we kind of slowly someone to stand behind opened up with each other,” it without bumping elbows said Aguiniga, the vice with a shelf that houses president of the club and a a portion of the room’s communications student. poetry collection. Nineteen Talbot, Aguiniga and students stand behind the Whitson have been writing podium this evening, and since childhood, but Grey’s each of them share some of class cemented their shared their poetry. Poetry Continued This is the first open mic on Page 2 Hannah Beachler, a University of Cincinnati DAAP graduate, won an Academy Award for Best Production Design. -
University of Cincinnati News Record. Thursday, December 22, 1960. Vol
IIIUC"Annub.r·ij'oard .D·EC1J~'1}JSele2ts,29 Seniors ", ~"outstanding ~eniors have been Seniors were selected on" thev' / selected and announced' by the basis of individuality, character, \. and service to the University, .. Editorial Board of the 1961 Gin- The Cincinnatian Board also con- cinnatian, Twenty-nine members of this' year's graduating class sidered 'these senior? to be the --------------------""'~-------:,~--~-------'-,""">--~--~-----have been chosen by' the Board ones who will be remembered in ',. Series BE 13 Z5_52 Cincinnati, ohio" Thursday, De,cember,22, 1960 Vol. XLVI, No. 13 from the nominations' made by the future. -----':-------~~ .....•.••......•-------'-'-------------_-------_---__ the entire senior class;-' 'This year's outstanding seniors are: Mary Ann Alexander, N&H; Rosemary Beiber, Pharrn; Joyce -,:REW' Merits Weighed Clark, AA (Advertising); Mary Eiselein, AA (Advertising); Judy Ebel, ':DC (Secondary Ed.); Joan Freiden, A~S (Theater Arts); Merry .Christtnes and Laura Grafton, N&H. _ During SRC \ Gathering' Gail Linke, AA (Interior De- "On earth-pe!ace,go.odwHl toward men." Echoed , -:~/, sign)'; Sandy Maxwell, A&S (His- I by Bill Strawbridge attention of UC .studenfs- more; it', ip joyous exultation' by "thousands of-voices in-thou- tory); Linda Mansfield, N&H; J: , ,At the meeting' OIf S:tqdent Re- has a bigger impact." sands .of places each year.. these words have trans- Lesleye Osborne, A&S (English), r . Iigious Council last' 'Ilhul'sday the, Discussion then took the path cended all bounds of time. They have held the eternal Patti Patten, ':DC (Elementary future ~ of 'Religious Emphasis olf changing the existing set-up promise' of. abetter 'tomorrow to a world threatened, Ed.); Karen Springrneyer, ~&S Week at the University was dis- but stlll keeping' some of. -
Edgecliff Student Newspaper
Xavier University Exhibit Journals, Publications, Conferences, and Edgecliff oC llege Newspaper Proceedings 1958-03-17 Edgecliff tudeS nt Newspaper Edgecliff olC lege - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/edgecliff_newspaper Recommended Citation Edgecliff oC llege - Cincinnati, "Edgecliff tudeS nt Newspaper" (1958). Edgecliff College Newspaper. Book 130. http://www.exhibit.xavier.edu/edgecliff_newspaper/130 This Book is brought to you for free and open access by the Journals, Publications, Conferences, and Proceedings at Exhibit. It has been accepted for inclusion in Edgecliff oC llege Newspaper by an authorized administrator of Exhibit. For more information, please contact [email protected]. The Edgecliff Volume X.XIII Our Lady of Cincinnati College, Cincinnati, Ohio, March 17, 1958 No. 5 April Card Party Raises Funds Juniors Represent Edg·ecliff At College Science Conference, For Refurnishing Of Foyer Read Papers On Own .Research Sonja Wilson and LaVerne Armbruster, juniors, plan to represent Edgecliff at the Twelfth Annual Eastern Colleges Science conference which is being held at Wilkes College, Wilkes-Barre, Pennsylvania, April 18-20. Approximately 650 students from 85 colleges will read 150 research papers. Main speakers at the Confer ence will include Dr. Gustave Thespians Primed Swanson, head of the Depart m ent of Conservation, Corne11 For One-Act Tilt; university; Dr. William Prentice, dean of Swarthmore college; Dr. Miss Detzel, Judge Charles Price, head of the D e Th ~ annual one-act play tour partment of Chemistry of the nament will be held on March 27 Univer sity of Pennsylvania and at 8: 15 p .m. in the college audi many other equally r enowned torium. -
Donald Hall's Amanuensis
Donald Hall’s Amanuensis By Wesley McNair August 18, 2020 ARTS & CULTURE The bond between author and assistant is often close. But in Donald Hall’s case, his decades-long relationship with his assistant proved to be a lifeline that extended his writing career. When Donald Hall interviewed Kendel Currier for the part-time job of typing his correspondence in August of 1994, one of the first things he asked was, “Will you type curse words?” His earlier hire for the position, a woman active in a local church, backed out when she discovered curse words in a letter, and he wanted to make sure Currier wouldn’t quit, too. Hall found Currier’s response reassuring: She would type whatever he dictated, she told him, and keep a dictionary nearby in case she was uncertain of a spelling. She was thirty-six at the time and, by her own description, a stay-at-home mom and housewife. But she’d done secretarial work in the past, and Hall— not quite twice Currier’s age at sixty-six—was impressed by her professionalism. So, he hired her on the spot, and turned up the next day at her house in Andover, New Hampshire, with a canvas bag that contained a model letter, a stack of stationery, and a transcriber for playing back the dictation on his tapes. “It was as if the universe offered me a gift,” Currier later said, “and I was smart enough to accept it.” Currier obtained the typewriter she used, an IBM Selectric III, from Hall’s previous typist, Lois Fierro. -
A Poetics of Inheritance in Donald Hall's Life Work
Labouring Destination: A Poetics of Inheritance in Donald Hall’s Life Work lucy cheseldine onald Hall was instrumental in sustaining literary representa- tions of rural New England. After a string of academic positions, Dhe met his wife and fellow poet Jane Kenyon, and in 1975 the cou- ple moved to his ancestral farm, Eagle Pond, in Wilmot, New Hampshire. But he had no intention of becoming another ‘farmer-poet’ alongside other American influences and contemporaries such as Robert Frost and Wendell Berry. Hall returned to his grandparents’ small holding with the singular intention to write. Thus, rather than an inheritance that married writing to a practical philosophy of the land, his oeuvre reflects a life-long commitment to exploring language’s role in place-making. In this paper, through a close reading of the prose text Life Work, I argue that his com- parisons between agricultural labour and the labour of writing, ground- ed in particular topography, create a ‘poetics of inheritance’. This poetics evaluates the past’s place in the present by a re-conceptualisation of the oscillating nexus that captures the self between history, memory, and text. Soon after moving to Eagle Pond farm, Hall wrote to poet Robert Bly, ‘it is the lack of future dreams which I find continually such a startling change in my life’.1 His comment implements the farm as a final destina- tion, one for which he articulates a teleology of arrival in lines such as this from his poem ‘Flies’: ‘I planned long ago I would live here, somebody’s grandfather’.2 But the logic of a determined inheritance—which is still a ‘startling change’ in its manifestation—is troubled by Hall’s comment that New Hampshire ‘fulfilled the sense of loss I already had’.3 His mention 1 [Letter to Robert Bly, March 30th, 1997], [B4], Donald Hall Papers, 1928-2018, MC53, Milne Special Collections and Archives, University of New Hampshire Library, Durham, NH. -
Elliston Foundation Funds A&S Salaries Saban Named UC Athletic
Vol.LXIV no.lO UNNERSilY OF CINCINNATI Tuesday, November 2, 1976 UC officials differ on reimbursement Elliston Foundation funds A&S salaries By Joe Levy and "The dean (Lipsich) told me he had the business office did that." added revenue, according to McCall. Harold Perlstein looked into it and I was ready to Interpreting the Elliston grant He explained the lump sum of N R staff writers believe it. If we would have started would have been the responsibility of borrowed money would be returned The Elliston Poetry Foundation is firing people to make up a $250,000- Harvey Ingram, director of the Office to the foundation as well as the in now funding $130,000 of English 300,000 cut, we would have had to of Deferred Giving, according to terest lost this year. McCall com Department salaries and staff fire maybe 20 people," said McCall. Lawrence Hawk'ins, senior vice presi pared the procedure to "mortgag benefits, although a legal advisor had "I only talked to Dean Lipsich." dent for administration and ing." not been consulted by the former Lipsich said the use of Elliston operations. McCall said he "got a commitment provost for academic affairs, the Arts money for salaries "comes within the Ingram: however, said he hl!-d not from the dean (Lipsich)" that the & Sciences dean or the English terms of the grant. It would be illegal been consulted about the legalities of money would be reimbursed. "I sent Department head before the decision if it were against the terms of the using Elliston money to pay English him a memo outlining our understan was made last spring. -
Front Matter
Cambridge University Press 978-1-107-00336-1 - The Cambridge History of: American Poetry Edited by Alfred Bendixen and Stephen Burt Frontmatter More information The Cambridge History of AMERICAN POETRY The Cambridge History of American Poetry off ers a comprehensive exploration of the development of American poetic traditions from their beginnings until the end of the twentieth century. Bringing together the insights of fi fty distinguished scholars, this literary history emphasizes the complex roles that poetry has played in American cultural and intellectual life, detailing the vari- ety of ways in which both public and private forms of poetry have met the needs of diff erent communities at diff erent times. The Cambridge History of American Poetry recognizes the existence of multiple traditions and a dramatically fl uid canon, providing cur- rent perspectives on both major authors and a number of repre- sentative fi gures whose work embodies the diversity of America’s democratic traditions. A LFRED BENDIXEN teaches American literature at Princeton University and is the founder and Executive Director of the American Literature Association. His earlier scholarship empha- sized the recovery of unjustly neglected literary texts and the exploration of neglected genres, but his current focus is on the role of genre in democratic culture. His most recent books include A Companion to the American Novel (2012); A Companion to the American Short Story (2010), co-edited with James Nagel; and The Cambridge Companion to American Travel Writing (2009), co-edited with Judith Hamera. S TEPHEN BURT is Professor of English at Harvard University. His books of literary criticism and scholarship include The Art of the Sonnet (2010), with David Mikics; Close Calls with Nonsense (2009), a fi nalist for the National Book Critics Circle Award; The Forms of Youth: 20th-Century Poetry and Adolescence (2007); and Randall Jarrell and His Age (2002), winner of the Warren-Brooks Award. -
{PDF EPUB} Maine in Four Seasons 20 Poets Celebrate the Turning Year by Wesley Mcnair Wesley Mcnair
Read Ebook {PDF EPUB} Maine in Four Seasons 20 Poets Celebrate the Turning Year by Wesley McNair Wesley McNair. Wesley McNair (born 1941) is an American poet, writer, editor, and professor. He has authored 10 volumes of poetry, most recently, Lovers of the Lost: New & Selected Poems (Godine, 2010), The Lost Child: Ozark Poems (Godine, 2014), and The Unfastening (Godine, 2017). He has also written three books of prose, including a memoir, The Words I Chose: A Memoir of Family and Poetry (Carnegie Mellon "Poets in Prose" Series, 2013). In addition, he has edited several anthologies of Maine writing, and served as a guest editor in poetry for the 2010 Pushcart Prize Annual. According to United States Artists, McNair's poetry often deals with "the struggles of the economic misfits of his native New England, often with humor and through the use of telling details." [1] In The Words I Chose , McNair refers to the region of his poetry as "a place of farmers under threat, ethnic shop workers, traders, and misfits at the margins" and his exploration of "their American dreams, failures, self-doubts, and restlessness." [2] He adds to these themes, love and its absence, loss and disability, and the precarious bonds of family and community. At the center of McNair's poems and his memoir is his family and extended family, whose conflicts recur throughout his several collections, forming a narrative of their own. His literary family, underprivileged and post-industrial, is at odds with those of earlier New England poets. He explains in his essay "Placing Myself" that whereas "a poet like Robert Lowell features a New England family of pedigree connected to the history of high culture. -
High School Arts
CATALOGUE OF STORIES AND RELATED PROJECTS High School Arts !1 Table of Contents Painters 1. Composing a Landscape: Integrating the Narrative – Eric Aho 2. Landscape Narratives – Eric Aho 3. Still Life Painting / Arranging Nature, Lesson One – Janet Fish 4. Still Life Painting / Arranging Nature, Lesson Two – Janet Fish 5. Image as Metaphor – Samuel Bak 6. Allegory in Painting – Samuel Bak 7. Color in 3-D: A Nature Design Project – Wolf Kahn 8. Introduction to Modern Art, Practice and Principles – Wolf Kahn 9. James Prosek – Audio Only Book Illustrators / Writers 1. Create Your Own Picture Book – Tomie dePaola Music 1. Copland and Ives Keeping Score – Vivian Perlis Poets 1. String Too Short to Be Saved – Donald Hall 2. Ox-Cart Man – Donald Hall 3. Depict the Invisible – Stephen Kuusisto 4. Turning Prose into Poetry – Wesley McNair 5. Maxine Kumin – Audio only 6. Chard deNiord – Audio only 7. Jane Hirshfield – Audio only !1 Story Preservation Initiative is pleased to make this catalogue of our original primary source audio recordings and related projects and lesson plans available for your reference. This was designed to provide – what we hope you’ll find to be – a quick and easy overview of SPI topics that are currently available. All catalogues will be updated quarterly. The material that we provide is varied and can be integrated into learning environments in a multitude of ways. 1. We begin with the development and production of our primary source audio recordings. These are of people who have, through their work or life experience, altered the landscape; they are, in a word, change-makers.