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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
American Rock with a European Twist: the Institutionalization of Rock’N’Roll in France, West Germany, Greece, and Italy (20Th Century)❧
75 American Rock with a European Twist: The Institutionalization of Rock’n’Roll in France, West Germany, Greece, and Italy (20th Century)❧ Maria Kouvarou Universidad de Durham (Reino Unido). doi: dx.doi.org/10.7440/histcrit57.2015.05 Artículo recibido: 29 de septiembre de 2014 · Aprobado: 03 de febrero de 2015 · Modificado: 03 de marzo de 2015 Resumen: Este artículo evalúa las prácticas desarrolladas en Francia, Italia, Grecia y Alemania para adaptar la música rock’n’roll y acercarla más a sus propios estilos de música y normas societales, como se escucha en los primeros intentos de las respectivas industrias de música en crear sus propias versiones de él. El trabajo aborda estas prácticas, como instancias en los contextos francés, alemán, griego e italiano, de institucionalizar el rock’n’roll de acuerdo con sus propias posiciones frente a Estados Unidos, sus situaciones históricas y políticas y su pasado y presente cultural y musical. Palabras clave: Rock’n’roll, Europe, Guerra Fría, institucionalización, industria de música. American Rock with a European Twist: The Institutionalization of Rock’n’Roll in France, West Germany, Greece, and Italy (20th Century) Abstract: This paper assesses the practices developed in France, Italy, Greece, and Germany in order to accommodate rock’n’roll music and bring it closer to their own music styles and societal norms, as these are heard in the initial attempts of their music industries to create their own versions of it. The paper deals with these practices as instances of the French, German, Greek and Italian contexts to institutionalize rock’n’roll according to their positions regarding the USA, their historical and political situations, and their cultural and musical past and present. -
2012-Fall.Pdf
MAGAZINE BowdoiVOL.84 NO.1 FALL 2012 n KLINGLE AND KOLSTER A RIVER LOST AND FOUND AN OLD TRADITION AND A NEW CURRICULUM FOR FILM NIGHT SHIFT BREWING: A COMMITMENT TO CRAFTMANSHIP FALL 2012 BowdoinMAGAZINE CONTENTS 14 A River Lost and Found BY EDGAR ALLEN BEEM PHOTOGRAPHS BY BRIAN WEDGE ’97 AND MIKE KOLSTER Ed Beem talks to Professors Klingle and Kolster about their collaborative multimedia project telling the story of the Androscoggin River through photographs, oral histories, archival research, video, and creative writing. 24 Speaking the Language of Film "9,)3!7%3%,s0(/4/'2!0(3"9-)#(%,%34!0,%4/. An old tradition and a new curriculum combine to create an environment for film studies to flourish at Bowdoin. 32 Working the Night Shift "9)!.!,$2)#(s0(/4/'2!0(3"90!40)!3%#+) After careful research, many a long night brewing batches of beer, and with a last leap of faith, Rob Burns ’07, Michael Oxton ’07, and their business partner Mike O’Mara, have themselves a brewery. DEPARTMENTS Bookshelf 3 Class News 41 Mailbox 6 Weddings 78 Bowdoinsider 10 Obituaries 91 Alumnotes 40 Whispering Pines 124 [email protected] 1 |letter| Bowdoin FROM THE EDITOR MAGAZINE Happy Accidents Volume 84, Number 1 I live in Topsham, on the bank of the Androscoggin River. Our property is a Fall 2012 long and narrow lot that stretches from the road down the hill to our house, MAGAZINE STAFF then further down the hill, through a low area that often floods when the tide is Editor high, all the way to the water. -
Download Booklet
559216-18 bk Bolcom US 12/08/2004 12:36pm Page 40 AMERICAN CLASSICS WILLIAM BOLCOM Below: Longtime friends, composer William Bolcom and conductor Leonard Slatkin, acknowledge the Songs of Innocence audience at the close of the performance. and of Experience (William Blake) Soloists • Choirs University of Michigan Above: Close to 450 performers on stage at Hill Auditorium in Ann Arbor, Michigan, under the School of Music baton of Leonard Slatkin in William Bolcom’s Songs of Innocence and of Experience. Symphony Orchestra University Musical Society All photographs on pages 37-40 courtesy of Peter Smith/University Musical Society Leonard Slatkin 8.559216-18 40 559216-18 bk Bolcom US 12/08/2004 12:36pm Page 2 Christine Brewer • Measha Brueggergosman • Ilana Davidson • Linda Hohenfeld • Carmen Pelton, Sopranos Joan Morris, Mezzo-soprano • Marietta Simpson, Contralto Thomas Young, Tenor • Nmon Ford, Baritone • Nathan Lee Graham, Speaker/Vocals Tommy Morgan, Harmonica • Peter “Madcat” Ruth, Harmonica and Vocals • Jeremy Kittel, Fiddle The University Musical Society The University of Michigan School of Music Ann Arbor, Michigan University Symphony Orchestra/Kenneth Kiesler, Music Director Contemporary Directions Ensemble/Jonathan Shames, Music Director University Musical Society Choral Union and University of Michigan Chamber Choir/Jerry Blackstone, Conductor University of Michigan University Choir/Christopher Kiver, Conductor University of Michigan Orpheus Singers/Carole Ott, William Hammer, Jason Harris, Conductors Michigan State University Children’s Choir/Mary Alice Stollak, Music Director Leonard Slatkin Special thanks to Randall and Mary Pittman for their continued and generous support of the University Musical Society, both personally and through Forest Health Services. Grateful thanks to Professor Michael Daugherty for the initiation of this project and his inestimable help in its realization. -
Twentieth Century UK and US Popular Music History (Things You May Not Have Known Or Never Thought to Ask)
2020 Series 3 Course H Title Twentieth Century UK and US Popular Music History (things you may not have known or never thought to ask) Dates Fridays 16 October – 20 November 2020 Time 10 am – 12 noon Venue Leith Bowling Club, 2 Duke Street, North Dunedin Convenors Linda Kinniburgh & Pat Thwaites Email: [email protected] Phone: 473 8443 Mobile: 021 735 614 Developer Rob Burns Course fee $45 Bank account U3A Dunedin Charitable Trust 06 0911 0194029 00 This course provides a historical insider’s view of how modern popular music evolved from a relatively amateur business on both sides of the Atlantic in the late nineteenth century, into a contemporary billion dollar industry driven by constant change and reworking of pre-existing styles. It also addresses how technology has played a major role in musical development and change during the twentieth century. All presenters are from the School of Performing Arts, University of Otago. All applications must be received by Thursday 17 September 2020. You will receive a response to your application by Monday 28 Septembert 2020. Please contact the Programme Secretary [email protected], phone 467 2594 with any queries. U3A Dunedin Charitable Trust u3adunedin.org.nz Twentieth Century UK and US Popular Music History 16 October Changes in popular music and technology as pop music enters the twentieth century -Associate Professor Robert Burns Invention of recording technologies, changes to copyright and publishing laws, family entertainment, changes to listening trends caused by WWI – with the introduction of Vaudeville and the necessary changes to old Music Hall, and folk music in the middle! 23 October The jazz age in the UK, France and the US: The Blues, Bessie, Basie, Billie, Bechet, Ella and Ellington -Associate Professor Peter Adams Big Band Jazz, the major artists of the 1920s and 1930s and their effect on allied morale in WW2. -
Influencing Reed Pitch Ask the Hohner Service Center
Har monica happenings A quarterly publication of the Society for the Preservation and Advancement of the Harmonica The 2011 spah Convention Issue! Fall, 2011 Vol. 45 No. 4 Harmonica happenings In this issue: Vol. 45, No. 4, Fall 2011 ©2007, The Society for the Preservation and Advancement of the Harmonica. Cover photos by Danielle Bradley, Ernie Roberts and JP All rights reserved. No portion of this Pagán. publication may be reproduced in any form without permission in writing from SPAH, Inc. Printed in U.S.A. Harmonica Happenings Contents: is published quarterly by SPAH, Inc., a nonprofit organization, incorporated in the State of Michigan on October 23, 1963. 6 SPAH 2011 THROUGH MY EYES & EARS— What SPAH is like... if you’re Charles Spranklin. SPAH correspondence should be sent to: SPAH, Inc. P.O. Box 865 12 CONVENTION CHATTER— Troy, MI 48099-0865 SPAH convention attendees tell their stories EDITOR & PUBLISHER JP Pagán ASSOC. EDITOR Jaine Rodack 15 SPAH 2011 IN PHOTOS— COPY EDITOR Danny Wilson SPAH BOARD OF DIRECTORS 26 THE STATE OF THE CHORD— Tom Stryker President Manfred Wewers covers the history of the chord harmonica. L.J. Atkison Vice President Eugene Hansen Treasurer Elizabeth Atkison Secretary 32 SECURING THE MAGIC CHORD— Roger Bale Membership Director The story of the chord that Al Fiore used to play “Peg O’ My JP Pagán Magazine Editor Heart.” Bob Cohen Webmaster Paul Metris Sergeant at Arms 34 CD Review Norm Dobson International Liaison Chris Bauer’s new album is just in time for the holidays. Danny Wilson SPAH Historian Paul Davies Advisor COMMITTEES Harmonicas & Health Terry Rand Chairman Entertainment Winslow Yerxa Chairman SPAH Advisory Committee L.J. -
The Cord Weekly (November 16, 1978)
Thursday, November 16, 1978 tt,e ~rd Wee~ly Volume 19, Number 9 WLU Press acquires new equipment• bv Carl Friesen has to date published 41 books Last Thursday, WLU Press all priced at $10.00 or less, as held an open house to demon well as 3 journals. According to strate some of its new equip· Harold Remus, Director of WLU ment. This equipment brings the Press, sales are up 75% during Press well up to modern stan· the past year. Some titles are dards in electronic printing now out of print, but all are technology. Now, a computer available on microfiche. console almost anywhere in the As the system works now, the world can be used to programme manuscript is typed on a com· the Press to print a variety of puter console, and the in print types and sizes. Much of formation is translated into tape the credit for the private format, which is then fed into the ingenuity and work goes to Dr. type machine. Here, the line Hart Bezner, director of the com length, type size, and print style puter centre, and his staff. in the final copy are selected, and Since. its beginning in 1974, a sheet of print the size of the WLU Press has done its best to final copy is produced. This is print scholarly works in small photographed, and the negative volume at low cost, with no frills. used in the final paste-up, which Because commercial publishers is done by himd. The actual prin are only willing to print books ting is done by other presses, and journals with large print generally out of town. -
The Town Crier “The Voice of the Bay View Association“
The Town Crier “The Voice of the Bay View Association“ Volume 21 – Issue 9 Friday, July 26, 2013 Bay View, Michigan 49770 “SWIM, BIKE, RUN” This Week’s 50 Participate in 5th Annual Youth Triathlon Speaker: Dr. Michael Kazin: July 29 - August 2 The American Experience Forum will feature by Dr. Michael Kazin. The theme for his lectures this week is: The Ideas and Politics of Progressive-Era America. Michael Kazin is a professor of history at Georgetown University and co-editor of Dissent, a magazine of politics and culture which began pub- The 5th Annual Bay View Youth Triathlon brought out 50 adventurous See RELIGION AND LIFE on page 3 for com- young people to complete a 50-yard lake swim, 1.5-mile off-road bike plete schedule. ride and a 0.5-mile cross-country run. Participants ranged in age from 5 years (and 364 days) to 14 years. Seven competitors have participated in all five triathlons and seven competitors doubled the distances this year. Congratulations to all! For complete race results, see page 6. Meet the Get Ready to Travel Down Candidates the Mighty Mississippi with Six candidates are running for Huck Finn! three available seats on the Bay View Board of Trustees. Big River: A Tony-award win- The top three vote getters will ning musical based on Mark be elected to three-year terms. All Bay View members have been mailed Twain’s classic novel, featur- information sheets filled out by the ing bluegrass and country candidates. To further assist you in style music. -