Journey Planet 6 Journey Planet Issue 6 - March 2010 Editors: James Bacon, Claire Brialey, Chris Garcia
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#396 | SEP21 PREVIEWS world.com Name: ORDERS DUE SEP 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM Sep21 Cover ROF and COF.indd 1 8/5/2021 10:52:51 AM GTM_Previews_ROF.indd 1 8/5/2021 8:54:18 AM PREMIER COMICS NEWBURN #1 IMAGE COMICS 34 A THING CALLED TRUTH #1 IMAGE COMICS 38 JOY OPERATIONS #1 DARK HORSE COMICS 84 HELLBOY: THE BONES OF GIANTS #1 DARK HORSE COMICS 86 SONIC THE HEDGEHOG: IMPOSTER SYNDROME #1 IDW PUBLISHING 114 SHEENA, QUEEN OF THE JUNGLE #1 DYNAMITE ENTERTAINMENT 132 POWER RANGERS UNIVERSE #1 BOOM! STUDIOS 184 HULK #1 MARVEL COMICS MP-4 Sep21 Gem Page ROF COF.indd 1 8/5/2021 10:52:11 AM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Guillem March’s Laura #1 l ABLAZE The Heathens #1 l AFTERSHOCK COMICS Fathom: The Core #1 l ASPEN COMICS Watch Dogs: Legion #1 l BEHEMOTH ENTERTAINMENT 1 Tuki Volume 1 GN l CARTOON BOOKS Mutiny Magazine #1 l FAIRSQUARE COMICS Lure HC l FANTAGRAPHICS BOOKS 1 The Overstreet Guide to Lost Universes SC/HC l GEMSTONE PUBLISHING Carbon & Silicon l MAGNETIC PRESS Petrograd TP l ONI PRESS Dreadnoughts: Breaking Ground TP l REBELLION / 2000AD Doctor Who: Empire of the Wolf #1 l TITAN COMICS Blade Runner 2029 #9 l TITAN COMICS The Man Who Shot Chris Kyle: An American Legend HC l TITAN COMICS Star Trek Explorer Magazine #1 l TITAN COMICS John Severin: Two-Fisted Comic Book Artist HC l TWOMORROWS PUBLISHING The Harbinger #2 l VALIANT ENTERTAINMENT Lunar Room #1 l VAULT COMICS MANGA 2 My Hero Academia: Ultra Analysis Character Guide SC l VIZ MEDIA Aidalro Illustrations: Toilet-Bound Hanako Kun Ark Book SC l YEN PRESS Rent-A-(Really Shy!)-Girlfriend Volume 1 GN l KODANSHA COMICS Lupin III (Lupin The 3rd): Greatest Heists--The Classic Manga Collection HC l SEVEN SEAS ENTERTAINMENT APPAREL 2 Halloween: “Can’t Kill the Boogeyman” T-Shirt l HORROR Trese Vol. -
Rebellion, Resistance and the Irish Working Class
Rebellion, Resistance and the Irish Working Class Rebellion, Resistance and the Irish Working Class: The Case of the ‘Limerick Soviet’ By Nicola Queally Rebellion, Resistance and the Irish Working Class: The Case of the ‘Limerick Soviet’, by Nicola Queally This book first published 2010 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2010 by Nicola Queally All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2058-X, ISBN (13): 978-1-4438-2058-5 TABLE OF CONTENTS Introduction ................................................................................................. 1 Chapter One................................................................................................. 7 Ireland 1916-1919 Chapter Two.............................................................................................. 19 The Strike Chapter Three............................................................................................ 29 The Role of Political Parties Chapter Four.............................................................................................. 37 Strikes in Russia, Germany and Scotland Conclusion................................................................................................ -
Juez Dredd 4
POR TODA POR NIÑO JUEZ DEL BÚSQUEDA LA CONTINÚA REDD D ¡NADA PUEDE PUEDE ¡NADA DOCE LAS DE HOGAR AGROS, PLANETA DEL GALAXIA LA NIÑO JUEZ EL FRENAR LAS LAS FRENAR GUERRERAS… RAZAS 14 PARTE RUEDAS DE DE RUEDAS RUEDAS DE GUERRA GUERRA DE RUEDAS LETALES SUS CON ARMADOS ¡EN GUERRA! LA A NUEVO DE ¡BIENVENIDOS Y Y GALLIPARDOS LOS A APLASTANDO ESTÁN , PAZAZZ HA BATALLA LA DE CURSO EL PARTE, SEGUNDA LA BATALLA 8! BATALLA DE CAMPO EL SANGRE DE EMPAPANDO DE FAVOR A RADICALMENTE CAMBIADO LURGANOS! LOS ¡ME PARECE QUE PARECE ¡ME DREDD JUECES OS L ¡POR DESGRACIA DESGRACIA ¡POR TERMINA SE JUEGO EL HABÍAN HERSHEY Y ALGUNO TIENE QUE QUE TIENE ALGUNO CLAVE ALGUIEN CUANDO CERCA ATERRIZADO MORIR EN EN MORIR LA EN BANDERA ESTA ALLÍ. DE COLINA ENEMIGA! ¡BIEN, ¡BIEN, ENEMIGA! COLINA VEreMOS SI PODEMOS PODEMOS SI VEreMOS A ESTA ESTA A FIN ONER P MASACRE! ¡CONTRA EL CRIMEN LOS ARCHIVOS EN MEGACITY UNO! COMPLETOS a crónica futurista del polica JUE DREDD contina en esta cuarta parate que recopila cronológicamente sus más arriesgadas aventuras aparecidas en la clásica revista AD. En este nmero aparece la saga clásica del JUE ÑO. 04 AÑO: os afamados guionistas John Wagner, Alan Grant y 2102 - 2103 Kelvin Gosnell, junto con las magnfi cas ilustraciones JUEZ DREDD 4 de an Gibson, Brian Bolland (y otros), nos ofrecen aventuras escalofriantes, con una imaginación sin LOS ARCHIVOS COMPLETOS 04 lmites y llenas de acción, en las que el famoso e AD PROGS 156 - 207 Guion: Creado por John Wagner y Carlos Ezquerra. irónico juez hace derroche de sus poderes y destreza AÑO: 2102 - 2103 John Wagner para combatir a los criminales de MEGACT UO. -
Igncc18 Programme
www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation. -
Ireland and the Russian Revolution
Ireland and the Russian Revolution Colm Bryce22 In February 1918, an estimated 10,000 ‘workers’ parliament’. That is people packed into the Mansion House in the language of the Bolshevists Dublin to ‘hail with delight the advent of and Sinn Féiners and it should the Russian Bolshevik revolution’.1 The open the eyes of the authorities, speakers included some of the most promi- and also of the vast majority of nent figures in the Irish revolutionary move- the men, who are loyal and law ment such as Maud Gonne and Constance abiding, to the real objectives of Markievicz, Tom Johnston of the Labour the strike committee. These ob- Party, a representative of the Soviet gov- jectives are not industrial, but ernment and the meeting was chaired by revolutionary, and if they were William O’Brien, one of the leaders of the attained they would bring disas- 1913 Dublin Lockout. The Red Flag was ter to the city.2 sung and thousands marched through the streets of Dublin afterwards. On May Day 1920, a few months after A few weeks later The Irish Times the general strike, 100,000 workers marched warned against the danger of Bolshevism: in Belfast, under red flags. On the same day, tens of thousands marched in towns and vil- They have invaded Ireland, and lages across the whole of Ireland. The Irish if the democracies do not keep Transport and General Workers Union (IT- their heads, they may extend to GWU) which had called for the marches, de- other countries in Europe. The clared itself in favour of the ‘soviet system’.3 infection of Ireland by the an- In 1918, the British Prime Minister archy of Bolshevism is one of Lloyd George wrote to his counterpart those phenomena which, though Clemenceau in France: almost incredible to reason and experience, are made intelligible The whole of Europe is filled by the accidents of fortune or hu- with the spirit of revolution. -
The Pennsylvania State University the Graduate School College Of
The Pennsylvania State University The Graduate School College of Arts and Architecture CUT AND PASTE ABSTRACTION: POLITICS, FORM, AND IDENTITY IN ABSTRACT EXPRESSIONIST COLLAGE A Dissertation in Art History by Daniel Louis Haxall © 2009 Daniel Louis Haxall Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 The dissertation of Daniel Haxall has been reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Advisor Chair of Committee Leo G. Mazow Curator of American Art, Palmer Museum of Art Affiliate Associate Professor of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Adam Rome Associate Professor of History Craig Zabel Associate Professor of Art History Head of the Department of Art History * Signatures are on file in the Graduate School ii ABSTRACT In 1943, Peggy Guggenheim‘s Art of This Century gallery staged the first large-scale exhibition of collage in the United States. This show was notable for acquainting the New York School with the medium as its artists would go on to embrace collage, creating objects that ranged from small compositions of handmade paper to mural-sized works of torn and reassembled canvas. Despite the significance of this development, art historians consistently overlook collage during the era of Abstract Expressionism. This project examines four artists who based significant portions of their oeuvre on papier collé during this period (i.e. the late 1940s and early 1950s): Lee Krasner, Robert Motherwell, Anne Ryan, and Esteban Vicente. Working primarily with fine art materials in an abstract manner, these artists challenged many of the characteristics that supposedly typified collage: its appropriative tactics, disjointed aesthetics, and abandonment of ―high‖ culture. -
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#365 | FEB19 PREVIEWS world.com Name: ORDERS DUE FEB 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Feb19 Cover ROF and COF.indd 1 1/10/2019 11:11:39 AM SAVE THE DATE! FREE COMICS FOR EVERYONE! Details @ www.freecomicbookday.com /freecomicbook @freecomicbook @freecomicbookday FCBD19_STD_comic size.indd 1 12/6/2018 12:40:26 PM ASCENDER #1 IMAGE COMICS LITTLE GIRLS OGN TP IMAGE COMICS AMERICAN GODS: THE MOMENT OF THE STORM #1 DARK HORSE COMICS SHE COULD FLY: THE LOST PILOT #1 DARK HORSE COMICS SIX DAYS HC DC COMICS/VERTIGO TEEN TITANS: RAVEN TP DC COMICS/DC INK TEENAGE MUTANT NINJA ASCENDER #1 TURTLES #93 STAR TREK: YEAR FIVE #1 IMAGE COMICS IDW PUBLISHING IDW PUBLISHING TEENAGE MUTANT NINJA TURTLES #93 IDW PUBLISHING THE WAR OF THE REALMS: JOURNEY INTO MYSTERY #1 MARVEL COMICS XENA: WARRIOR PRINCESS #1 DYNAMITE ENTERTAINMENT FAITHLESS #1 BOOM! STUDIOS SIX DAYS HC DC COMICS/VERTIGO THE WAR OF LITTLE GIRLS THE REALMS: OGN TP JOURNEY INTO IMAGE COMICS MYSTERY #1 MARVEL COMICS TEEN TITANS: RAVEN TP DC COMICS/DC INK AMERICAN GODS: THE MOMENT OF XENA: THE STORM #1 WARRIOR DARK HORSE COMICS PRINCESS #1 DYNAMITE ENTERTAINMENT STAR TREK: YEAR FIVE #1 IDW PUBLISHING SHE COULD FLY: FAITHLESS #1 THE LOST PILOT #1 BOOM! STUDIOS DARK HORSE COMICS Feb19 Gem Page ROF COF.indd 1 1/10/2019 3:02:07 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Strangers In Paradise XXV Omnibus SC/HC l ABSTRACT STUDIOS The Replacer GN l AFTERSHOCK COMICS Mary Shelley: Monster Hunter #1 l AFTERSHOCK COMICS Bronze Age Boogie #1 l AHOY COMICS Laurel & Hardy #1 l AMERICAN MYTHOLOGY PRODUCTIONS Jughead the Hunger vs. -
Star Wars © 2012 Lucasfilm Ltd
Star Wars © 2012 Lucasfilm Ltd. & ™. All 0 3 No.55 $ 8 . 9 5 A pril 201 2 1 82658 27762 8 LICENSED COMICS ISSUE: THE RETRO COMICS EXPERIENCE! and an interview with Carol Zone” wife Serling, creator of Rod “Twilight Serling STAR WARS Indiana Jones • Edgar Rice Burroughs—Beyond Tarzan at Dark Horse Comics! • Man from Atlantis Volume 1, Number 55 April 2012 Celebrating the Best The Retro Comics Experience! Comics of the '70s, '80s, '90s, and Beyond! EDITOR Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Brian Koschack COVER COLORIST Dan Jackson COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Allie Karl Kesel Kevin J. Anderson Dave Land BACK SEAT DRIVER: Editorial by Michael Eury . .2 Michael Aushenker Rick Leonardi FLASHBACK: Edgar Rice Burroughs’ Weird Worlds . .3 Jeremy Barlow Lucasfilm Mike Baron Pop Mahn Wolfman, Kaluta, and Weiss recall their DC Comics journeys to Barsoom, Venus, and beyond Mike W. Barr Ron Marz BEYOND CAPES: John Carter Lives! . .11 Haden Blackman Bob McLeod Eliot R. Brown David Michelinie Monthly adventures on Barsoom in Marvel Comics’ John Carter, Warlord of Mars Jarrod and Allen Milgrom BACKSTAGE PASS: Who Shot Down Man from Atlantis? . .17 Jamie Buttery John Jackson Miller John Byrne John Nadeau The cancellation of this Marvel TV adaptation might not have been a result of low sales Paul Chadwick Jerry Ordway INTERVIEW: The “Twilight” Saga: A Conversation with Carol Serling . .25 Brian Ching John Ostrander Chris Claremont Steve Perry The widow of Twilight Zone mastermind and Planet of the Apes screenwriter Rod Serling Bob Cooper Thomas Powers shares her fond memories Dark Horse Comics Ron Randall Daniel DeAngelo Mike Richardson FLASHBACK: Star Wars at Dark Horse Comics: The Force is Strong within Them! . -
PDF File of WS 94
W O R K E R S Twenty two years of Irish Anarchist News FREE! SOLIDARITY Number 94 Dec 2006 SHELLA consortium of Shell, Statoil, and Mara- ’S COPS! thon do a deal with the government al- lowing them exclusive exploitation rights to the Corrib gas field, off Mayo. Not only that, but they are allowed to write off their costs against taxes, meaning that the whole project is being funded by the PAYE taxpayer, who will receive noth- ing, not even lower gas prices. It may sound a bit iffy but there is no garda in- vestigation into possible bribery or cor- ruption. The locals in Rossport have a problem with a high-pressure gas pipeline going close to their homes, and want the gas re- fined offshore instead. That shouldn’t be a problem, Shell can well afford it, last year they made a profit of !2.39 million every single hour. But the companies don’t care and the government, after ‘listening’ and ‘con- sulting’, takes the side of big business. Above: Gardai film peaceful picketers in Rossport pic:indymedia So the locals, having petitioned, lobbied and pleaded, decide they have no option Of course not. Their one initiative was of Shell is more important the needs of left but to obstruct construction of the to appoint former Dublin City Manag- working families? In a capitalist so- pipeline and refinery. er, John Fitzgerald, to “co-ordinate ini- ciety those with capital (and oil & gas tiatives at tackling social exclusion in giants have shedloads of it) come first. -
3B Dymchurch St Mary's Bay and Romney Sands V01 DRAFT
EB 11.13b PROJECT: Shepway Heritage Strategy DOCUMENT NAME: Theme 3(b): Dymchurch, St Mary’s Bay and Romney Sands Version Status Prepared by Date V01 INTERNAL DRAFT F Clark 23.05.17 Comments – first draft of text. No illustrations, figures or photographs. Version Status Prepared by Date V02 Version Status Prepared by Date V03 Version Status Prepared by Date V04 Version Status Prepared by Date V05 1 | P a g e (3b) Dymchurch, St Mary’s Bay and Romney Sands 1. Summary Dymchurch, St Mary’s Bay and Romney Sands are popular destinations along the Shepway coastline for holidaymakers and day-trippers. Their attractive beaches, holiday parks and various other attractions have drawn in visitors and holidaymakers for a number of years and continue to do so today. The history of these areas is largely linked to the complex natural history of the Romney Marsh and the reclamation of land from the sea that has occurred over a number of centuries. The Romney Marsh today is now rich in heritage and natural biodiversity that constitutes a distinctive local landscape. The growth in seaside tourism and leisure time during the nineteenth century resulted in a rise in coastal resort towns along the Shepway coastline and by the twentieth century Dymchurch, St Mary’s Bay and Romney Sands all had popular holiday camps that were easily accessible by the Romney, Hythe and Dymchurch Railway that was opened in 1927. All of these areas continue today as popular seaside destinations and boast attractive beaches as well as a number of valuable heritage assets that relate to its history of smuggling, farming and defence of the coast. -
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The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats.