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Electrum Vol 22 2 Łam.Indd 227 2015-12-22 13:47:12 228 NIKOLAUS SCHINDEL
ELECTRUM * Vol. 22 (2015): 227–248 doi: 10.4467/20800909EL.15.012.3950 www.ejournals.eu/electrum SAKASTAN IN THE FOURTH AND FIFTH CENTURY AD. SOME HISTORICAL REMARKS BASED ON THE NUMISMATIC EVIDENCE Nikolaus Schindel Österreichische Akademie der Wissenschaften, Wien* Abstract: This article discusses the Sasanian coinage from the region of Sakastan during the latter part of the 4th and the 5th century AD. Only through a comprehensive collection of material and a detailed re-evaluation of already examined coins was it possible to reconstruct a continuous se- ries of Sakastan coins stretching from Ardashir II (379–383) to Wahram V (420–438). The impli- cations of this numismatic evidence for our understanding of the history of Sakastan in this period are discussed in some detail, also taking into account further numismatic data from Eastern Iran. Key words: Sasanian history, Sasanian numismatics, Sakastan, Eastern Iran. Introduction Having already dealt with the Sasanian mints in Khurasan during the 5th century,1 a clos- er look at the neighbouring region of Sakastan not only completes the picture, but also – as I hope to be able to show – adds to the larger picture of Iranian and Eastern Iranian history in several respects. To separate the material presentation which, as it is, rests on a safe (even if small) material basis, represented by Sasanian coins, from the necessarily more hypothetical historical conclusions, I will fi rst present and discuss the numismatic material available to me, and then consider what we can learn from it for our knowledge of Eastern Iran in the 4th and 5th centuries AD. -
Problems of Chronology in Gandhāran Art
Rienjang and Stewart (eds) Problems of Chronology in Gandhāran Art Edited by Wannaporn Rienjang Peter Stewart Problems of Chronology in Gandhāran Art Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. -
09-Khodadad-Rezakhani-02.Pdf
Samuel Jordan Center for Persian Studies and Culture www.dabirjournal.org Digital Archive of Brief notes & Iran Review ISSN: 2470-4040 Vol.01 No.03.2017 1 xšnaoθrahe ahurahe mazdå Detail from above the entrance of Tehran’s fire temple, 1286š/1917–18. Photo by © Shervin Farridnejad The Digital Archive of Brief notes & Iran Review (DABIR) ISSN: 2470-4040 www.dabirjournal.org Samuel Jordan Center for Persian Studies and Culture University of California, Irvine 1st Floor Humanities Gateway Irvine, CA 92697-3370 Editor-in-Chief Touraj Daryaee (University of California, Irvine) Editors Parsa Daneshmand (Oxford University) Arash Zeini (Freie Universität Berlin) Shervin Farridnejad (Freie Universität Berlin) Book Review Editor Shervin Farridnejad (Freie Universität Berlin) Editorial Assistants Ani Honarchian (UCLA) Sara Mashayekh (UCI) Advisory Board Samra Azarnouche (École pratique des hautes études); Dominic P. Brookshaw (Oxford University); Matthew Canepa (University of Minnesota); Ashk Dahlén (Uppsala University) Peyvand Firouzeh (Cambridge University); Leonardo Gregoratti (Durham University); Frantz Grenet (Collège de France); Wouter F.M. Henkelman (École Pratique des Hautes Études); Rasoul Jafarian (Tehran University); Nasir al-Ka‘abi (University of Kufa); Andromache Karanika (UC Irvine); Agnes Korn (Goethe Universität Frankfurt am Main); Lloyd Llewellyn-Jones (University of Edinburgh); Jason Mokhtarain (University of Indiana); Ali Mousavi (UC Irvine); Mahmoud Omidsalar (CSU Los Angeles); Antonio Panaino (University of Bologna); Alka Patel (UC Irvine); Richard Payne (University of Chicago); Khoda- dad Rezakhani (Princeton University); Vesta Sarkhosh Curtis (British Museum); M. Rahim Shayegan (UCLA); Rolf Strootman (Utrecht University); Giusto Traina (University of Paris-Sorbonne); Mohsen Zakeri (University of Göttingen) Logo design by Charles Li Layout and typesetting by Kourosh Beighpour Contents Notes 1. -
The Mahayana Doctrine and Art. Comments on the Story of Amitabha
MISCEIvIvANEOUS. MAHAYANA DOCTRINE AND ART. COMMENTS ON THE STORY "AMITABHA."^ (concluded.) The story Amitabha characterises that phase in the development of Buddhism which may be called " the rise of the Mahayana," or " the origin of Buddhist the- ology." The age in which this process took place is the beginning of the Christian era, and the main events of our story are based upon historical traditions. The General Plan of the Ajant.v Caves. The philosophy of the Mahayana which finds expression in the philosophy of Acvaghosha may be regarded as orthodox Buddhist metaphysics. King Kanishka is a historical personality. His war against Magadha is mentioned in the Records of the Western IVorld, written by the Chinese pilgrim Hsiien Tsang. The con- ditions of peace imposed upon the king of Magadha are related in our story ex- actly as they are mentioned by this Chinese author. 1 See The Open Court for July, August, September. 622 THE OPEN COURT. The monastic life described in the first, second, and fifth chapters of the story Amitdbha is a faithful portrayal of the historical conditions of the age. The ad- mission and ordination of monks (in Pali called Pabbajja and Upasampada) and the confession ceremony (in Pfili called Uposatha) are based upon accounts of the MahSvagga, the former in the first, the latter in the second, Khandaka (cf. Sacred Books of the East, Vol. XIII.). A Mother Leading Her Child to Buddha. (Ajanta caves.) Kevaddha's humorous story of Brahma (as told in The Open Cozirt, No. 554. pp. 423-427) is an abbreviated account of an ancient Pali text. -
Readingsample
Iranica 17 Exegisti monumenta Festschrift in Honour of Nicholas Sims-Williams Bearbeitet von Werner Sundermann, Almut Hintze, Francois de Blois 1. Auflage 2009. Buch. XL, 596 S. Hardcover ISBN 978 3 447 05937 4 Format (B x L): 17 x 24 cm Weitere Fachgebiete > Literatur, Sprache > Angewandte Sprachwissenschaft > Studien zu einzelnen Sprachen & Sprachfamilien Zu Inhaltsverzeichnis schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. Contents Acknowledgements XI Werner Sundermann, Almut Hintze, François de Blois Nicholas Sims-Williams XIII Publications of Nicholas Sims-Williams XXV Abbreviations of Periodicals, Series and Books XXXIX A. D. H. Bivar The Rukhkh, Giant Eagle of the Southern Seas 1 François de Blois A Sasanian Silver Bowl 13 Alberto Cantera On the History of the Middle Persian Nominal Inflection 17 Carlo G. Cereti The Pahlavi Signatures on the Quilon Copper Plates (Tabula Quilonensis) 31 Johnny Cheung Two Notes on Bactrian 51 Iris Colditz The Parthian “Sermon on happiness” (Hunsandīft wifrās) 59 Josef Elfenbein Eastern Hill Balochi 95 Harry Falk The Name of Vema Takhtu 105 Philippe Gignoux Les relations interlinguistiques de quelques termes de la pharmacopée antique II 117 Jost Gippert An Etymological Trifle 127 Gherardo Gnoli Some Notes upon the Religious Significance of the Rabatak Inscription 141 Frantz Grenet The Pahlavi Text Māh ī Frawardīn rōz ī Hordād. A Source of Some Passages of Bīrūnī’s Chronology 161 VIII Contents Almut Hintze Disseminating the Mazdayasnian Religion An Edition of the Avestan Hērbedestān Chapter 5 171 Erica C. -
ACKNOWLEDGEMENT Peshawar Museum Is a Rich Repository of the Unique Art Pieces of Gandhara Art in Stone, Stucco, Terracotta and Bronze
ACKNOWLEDGEMENT Peshawar Museum is a rich repository of the unique art pieces of Gandhara Art in stone, stucco, terracotta and bronze. Among these relics, the Buddhist Stone Sculptures are the most extensive and the amazing ones to attract the attention of scholars and researchers. Thus, research was carried out on the Gandharan Stone Sculptures of the Peshawar Museum under the supervision of Prof. Dr. Ihsan Ali, the then Director of Archaeology and Museums, Govt. of NWFP, currently Vice Chancellor Hazara University and Muhammad Naeem Qazi, Assistant Professor, Department of Archaeology, University of Peshawar. The Research team headed by the authors included Messrs. Syed Ayaz Ali Shah, Muhammad Ashfaq, Abdul Hameed Chitrali, Muhammad Zahir, Asad Raza, Shahid Khan, Muhammad Imran Khan, Asad Ali, Muhammad Haroon, Ubaidullah Afghani, Kaleem Jan, Adnan Ahmad, Farhana Waqar, Saima Afzal, Farkhanda Saeed and Ihsanullah Jan, who contributed directly or indirectly to the project. The hard working team with its coordinated efforts usefully assisted for completion of this research project and deserves admiration for their active collaboration during the period. It is great privilege to offer our sincere thanks to the staff of the Directorate of Archaeology and Museums Govt. of NWFP, for their outright support, in the execution of this research conducted during 2002-06. Particular mention is made here of Mr. Saleh Muhammad Khan, the then Curator of the Peshawar Museum, currently Director of the Directorate of Archaeology and Museums, Govt. of NWFP. The pioneering and relevant guidelines offered by the Directorate of Archaeology and Museums, Govt. of NWFP deserve appreciation for their technical support and ensuring the availability of relevant art pieces. -
Notes on the Yuezhi - Kushan Relationship and Kushan Chronology”, by Hans Loeschner
“Notes on the Yuezhi - Kushan Relationship and Kushan Chronology”, by Hans Loeschner Notes on the Yuezhi – Kushan Relationship and Kushan Chronology By Hans Loeschner Professor Michael Fedorov provided a rejoinder1 with respect to several statements in the article2 “A new Oesho/Shiva image of Sasanian ‘Peroz’ taking power in the northern part of the Kushan empire”. In the rejoinder Michael Fedorov states: “The Chinese chronicles are quite unequivocal and explicit: Bactria was conquered by the Ta-Yüeh-chih! And it were the Ta-Yüeh-chih who split the booty between five hsi-hou or rather five Ta-Yüeh-chih tribes ruled by those hsi-hou (yabgus) who created five yabguates with capitals in Ho-mo, Shuang-mi, Hu-tsao, Po-mo, Kao-fu”. He concludes the rejoinder with words of W.W. Tarn3: “The new theory, which makes the five Yüeh- chih princes (the Kushan chief being one) five Saka princes of Bactria conquered by the Yüeh- chih, throws the plain account of the Hou Han shu overboard. The theory is one more unhappy offshoot of the elementary blunder which started the belief in a Saka conquest of Greek Bactria”.1 With respect to the ethnical allocation of the five hsi-hou Laszlo Torday provides an analysis with a result which is in contrast to the statement of Michael Fedorov: “As to the kings of K’ang- chü or Ta Yüeh-shih, those chiefs of foreign tribes who acknowledged their supremacy were described in the Han Shu as “lesser kings” or hsi-hou. … The hsi-hou (and their fellow tribespeople) were ethnically as different from the Yüeh-shih and K’ang-chü as were the hou… from the Han. -
Problems of Chronology in Gandhāran Art
Rienjang and Stewart (eds) Problems of Chronology in Gandhāran Art Edited by Wannaporn Rienjang Peter Stewart Problems of Chronology in Gandhāran Art Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. -
Greece, the Mother of All Religious Art
GREECE, THE MOTHER OF ALL RELIGIOUS ART BY THE EDITOR. the of eternal principles we may IF revelation means discovery justly declare that the Greek nation has been the medium for the revelation of art to mankind as well as the founder of science. The Greek style of literature, Greek methods of artistic represen- tation. Greek modes of thought have become standards and are therefore in this sense called "classical." We stand on the shoul- ders of the ancient Greeks, and whatever we accomplish is but a continuing- of their work, a building higher upon the foundations they have laid. This is true of sculpture, of poetry and of the basic principle of the science of thought, of logic, and also of mathematics. Euclid, more than Leviticus or Deuteronomy, is a book inspired by God.^ Whatever the non-Euclideans- may have to criticize in the outlines of Euclid's plane geometry, we must say that the author of this brief work is, in a definite and well-defined sense, the prophet of the laws that prevail in the most useful of all space- conceptions. By Euclid we understand not so much the author of the book that goes under his name, but the gist of the book itself, the thought of it, the conception of geometry and the principles which are embodied in it. In our recognition of Euclid's geometry we include his predecessors, whosoever they may have been. The man who for the first time in the history of mankind conceived the idea of points, lines, planes as immaterial quantities, as thought-constructions or whatever you may call the presentation of pure figures and their interdependence, was really a divinely inspired mind. -
A Copper Hoard of the Great Kushans from Jamrud (Khyber Agency), Pakistan Gul Rahim Khan and Muhammad Naeem Qazi
Ancient Pakistan, Vol. XXV (2014) 1 A Copper Hoard of the Great Kushans from Jamrud (Khyber Agency), Pakistan Gul Rahim Khan and Muhammad Naeem Qazi Abstract: Copper hoards with small quantity of coins particularly of the Kushan period are not often appreciated for publication. But when such a parcel of coins is known from proper context then it is well praised by the scholars. Moreover, when such a collection containing coins of some interest then it is a noteworthy piece of evidence and always contributes something new to the site and history of that period. The present lot which is small but yields many things of interest like its provenance, the Buddhist site near Peshawar, and bearing two coins of the Buddha image. Keyword: Kushans, Kanishka, Huvishka, Ardoxsho, Huvishka. A small hoard of copper of the Kushan period and local people. During his visit the author got was reported to the authors about nineteen years some photographs of the site and other ago. This parcel of coins was unearthed by a antiquities but they disappeared few years back local person from a Buddhist site lying to the due to the shifting of his residence to the west of Zor Gudar, a small village at Jamrud, University campus. However, the principal Khayber Agency on the west of Peshawar. The author recently found a set of photographs along said village is located about 2.5 km to the north with hand written description of those coins west of the famous Jamrud fort and 6.0 km when they were first discovered and handed over northwest of the modern town of Hayatabad in to him for study in 1996. -
Langdon Warner at Dunhuang: What Really Happened? by Justin M
ISSN 2152-7237 (print) ISSN 2153-2060 (online) The Silk Road Volume 11 2013 Contents In Memoriam ........................................................................................................................................................... [iii] Langdon Warner at Dunhuang: What Really Happened? by Justin M. Jacobs ............................................................................................................................ 1 Metallurgy and Technology of the Hunnic Gold Hoard from Nagyszéksós, by Alessandra Giumlia-Mair ......................................................................................................... 12 New Discoveries of Rock Art in Afghanistan’s Wakhan Corridor and Pamir: A Preliminary Study, by John Mock .................................................................................................................................. 36 On the Interpretation of Certain Images on Deer Stones, by Sergei S. Miniaev ....................................................................................................................... 54 Tamgas, a Code of the Steppes. Identity Marks and Writing among the Ancient Iranians, by Niccolò Manassero .................................................................................................................... 60 Some Observations on Depictions of Early Turkic Costume, by Sergey A. Yatsenko .................................................................................................................... 70 The Relations between China and India -
Shankara: a Hindu Revivalist Or a Crypto-Buddhist?
Georgia State University ScholarWorks @ Georgia State University Religious Studies Theses Department of Religious Studies 12-4-2006 Shankara: A Hindu Revivalist or a Crypto-Buddhist? Kencho Tenzin Follow this and additional works at: https://scholarworks.gsu.edu/rs_theses Part of the Religion Commons Recommended Citation Tenzin, Kencho, "Shankara: A Hindu Revivalist or a Crypto-Buddhist?." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/rs_theses/4 This Thesis is brought to you for free and open access by the Department of Religious Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Religious Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. SHANKARA: A HINDU REVIVALIST OR A CRYPTO BUDDHIST? by KENCHO TENZIN Under The Direction of Kathryn McClymond ABSTRACT Shankara, the great Indian thinker, was known as the accurate expounder of the Upanishads. He is seen as a towering figure in the history of Indian philosophy and is credited with restoring the teachings of the Vedas to their pristine form. However, there are others who do not see such contributions from Shankara. They criticize his philosophy by calling it “crypto-Buddhism.” It is his unique philosophy of Advaita Vedanta that puts him at odds with other Hindu orthodox schools. Ironically, he is also criticized by Buddhists as a “born enemy of Buddhism” due to his relentless attacks on their tradition. This thesis, therefore, probes the question of how Shankara should best be regarded, “a Hindu Revivalist or a Crypto-Buddhist?” To address this question, this thesis reviews the historical setting for Shakara’s work, the state of Indian philosophy as a dynamic conversation involving Hindu and Buddhist thinkers, and finally Shankara’s intellectual genealogy.