Hugh Laurie Hits the Road in May for West Coast Tour in Support of Current Album Didn’T It Rain

Total Page:16

File Type:pdf, Size:1020Kb

Hugh Laurie Hits the Road in May for West Coast Tour in Support of Current Album Didn’T It Rain For Immediate Release: HUGH LAURIE HITS THE ROAD IN MAY FOR WEST COAST TOUR IN SUPPORT OF CURRENT ALBUM DIDN’T IT RAIN March 24th, 2014 — Globally acclaimed recording artist, actor and performer, Hugh Laurie, has announced he will hit the road for a west coast theater tour in May in support of his current album, DIDN’T IT RAIN, released by Warner Bros. Records in August 2013. Laurie will be joined by The Copper Bottom Band, which is David Piltch (bass), Vincent Henry (horns), Elizabeth Lea (trombone), Jean McClain (vocals), and Gaby Moreno (vocals) – and is completed by Herman Matthews (drums) and Mark Goldenberg (guitar). DIDN’T IT RAIN is Laurie’s second album and the follow-up to his celebrated 2011 debut album LET THEM TALK, a New Orleans blues-driven celebration that included guest vocals from Irma Thomas, Allen Toussaint, and Tom Jones. For DIDN’T IT RAIN, Laurie follows the trajectory of the blues upstream into the American heartland. It includes songs dating back to early pioneers W.C. Handy (“St Louis Blues”) and Jelly Roll Morton (“I Hate A Man Like You”) to more recent artists such as Dr. John (“Wild Honey”) and Alan Price of The Animals (“Changes”). Produced by LET THEM TALK producer Joe Henry (Allen Toussaint, Bonnie Raitt, Billy Bragg), DIDN’T IT RAIN was recorded at Ocean Way Studio in Los Angeles. A commanding front man and lovable raconteur backed by a positively astounding band of world class musicians and vocalists, Hugh Laurie and The Copper Bottom Band present an unforgettable evening of music not to be missed: “The care with which he selected the songs gathered here, and the relaxed verve of the performances, makes it clear what it is that Laurie loves. Thoroughly Engaging.” – The Boston Globe “For all his fame, accomplishments and polymathic talents, Hugh Laurie’s got the blues, inside him and around him. No wonder he is, against type and against the odds, rather good at it.” -- Telegraph Magazine / London Don’t miss Hugh Laurie with The Copper Bottom Band on tour this spring. Dates are as follows: 5/20 Vancouver, BC Orpheum Theatre 5/22 Portland, OR Arlene Schnitzer Concert Hall 5/23 Seattle, WA Paramount Theater 5/24 Medford, OR Craterian Theater at The Collier Center 5/27 Saratoga, CA Montalvo Arts Center – Garden Theatre 5/28 San Francisco, CA The Fillmore 5/30 Riverside, CA Fox Performing Arts Center 5/31 San Diego, CA Balboa Theatre 6/02 Los Angeles, CA The Fonda Theatre 6/03 Mesa, AZ Mesa Arts Center – Ikeda Theatre 6/04 Santa Fe, NM Lensic Performing Arts Center 6/06 Austin, TX Paramount Theater 6/07 Houston, TX Cullen Theater at the Wortham Center 6/10 Mexico City Auditorio Nacional 6/11 Guadalajara Teatro Diana # # # Warner Bros. Records Publicity: Rick Gershon 818-953-3473 / [email protected] Hugh Laurie Personal Publicist: Ina Treciokas at Slate PR 310-461-0100 / [email protected] Official site Facebook Twitter .
Recommended publications
  • Madonna MP3 Collection - Madonna Part 2 Mp3, Flac, Wma
    Madonna MP3 Collection - Madonna Part 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Pop Album: MP3 Collection - Madonna Part 2 Country: Russia Released: 2012 Style: House, Synth-pop, Ballad, Electro, RnB/Swing, Electro House MP3 version RAR size: 1708 mb FLAC version RAR size: 1392 mb WMA version RAR size: 1865 mb Rating: 4.8 Votes: 427 Other Formats: APE MP2 RA MP1 TTA VOX XM Tracklist Hide Credits Beautiful Stranger (Single) - 1999 1-1 Beautiful Stranger 4:24 1-2 Beautiful Stranger (Remix) 10:15 1-3 Beautiful Stranger (Mix) 4:04 Ray Of Light (Remix Album) - 1999 1-4 Ray Of Light (Ultra Violet Mix) 10:46 Drowned World (Substitut For Love (Bt And Sashas Remix) 1-5 9:28 Remix – Bt, Sasha Sky Fits Heaven (Sasha Remix) 1-6 7:22 Remix – Sasha Power Of Goodbay (Luke Slaters Filtered Mix) 1-7 6:09 Remix – Luke Slater 1-8 Candy Perfume Girl (Sasha Remix) 4:52 1-9 Frozen (Meltdown Mix - Long Version 8:09 1-10 Nothing Really Matters (Re-funk-k-mix) 4:23 Skin (Orbits Uv7 Remix) 1-11 8:00 Remix – Orbit* Frozen (Stereo Mcs Mix) 1-12 5:48 Remix – Stereo Mcs* 1-13 Bonus - What It Feels Like For A Girl (remix) 9:50 1-14 Bonus - Dont Tell Me (remix) 4:26 American Pie (Single) - 2000 1-15 American Pie (Album Version) 4:35 American Pie (Richard Humpty Vission Radio Mix) 1-16 4:30 Remix – Richard Humpty Vission* American Pie (Richard Humpty Vission Visits Madonna) 1-17 5:44 Remix – Richard Humpty Vission* Music - 2000 1-18 Music 3:45 1-19 Impressive Instant 3:38 1-20 Runaway Lover 4:47 1-21 I Deserve It 4:24 1-22 Amazing 3:43
    [Show full text]
  • The Evolution of Ornette Coleman's Music And
    DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style.
    [Show full text]
  • Buddy Miller's Majestic Silver Strings New West Records
    Buddy Miller’s Majestic Silver Strings New West Records Buddy Miller, named Artist of the Decade by No Depression Magazine, teamed up with esteemed guitarists Marc Ribot, Bill Frisell and Greg Leisz to create The Majestic Silver Strings, a monumental musical experience to be released on CD, with bonus DVD, March 1, 2011 via New West Records. The Majestic Silver Strings, produced by Buddy, is his re-imagination of country songs, loaded with guitars, atmosphere and attitude. Guest vocalists on the album include Emmylou Harris, Patty Griffin, Shawn Colvin, Lee Ann Womack, Chocolate Genius, Ann McCrary and Julie Miller. Rounding out the band are Dennis Crouch on bass and Jay Bellerose on drums. The Majestic Silver Strings and the album’s guests are among the most well respected and in-demand current musicians. Making a record of this caliber was a dream and took luck of scheduling to make come true. A bonus DVD with concert footage of the first, and only performance to date with Buddy, Marc, Bill and Greg playing the tracks selected for this project, will be included with the CD. The musicians re-interpret classic country songs written by some of the most esteemed songwriters including Lefty Frizzell, Roger Miller and George Jones, whose hit “Why Baby Why” is sung by Buddy on the record. The band also tackles a few traditional compositions and several new songs including “God’s Wing’d Horse” written by Julie Miller and Bill Frisell. Many projects boast one guest vocalist; Buddy has six revered friends lending their voices to the recording including Emmylou Harris on “Why I’m Walkin’” and Lee Ann Womack on “Meds.” Buddy also does a duet of “I Want To Be With You Always” with Patty Griffin.
    [Show full text]
  • Download Press Release for Kirk Fischer's CD
    For Immediate Release The Tremendous Debut of friends To Be Released Independently By Accomplished Pianist Dr. Kirk Fischer On February 20, 2017 Kirk Fischer friends Produced By Grammy and Emmy Nominee Trumpeter Greg Adams Performed By Members of East Bay Soul January 17 2017- Austin, Texas. In what is a culmination of a life’s journey constantly intertwining with music - a passion that returned with the aptly named CD friends by Kirk Fischer. The gathering of 10 songs hand picked by the artist is a mix of original and classic pop songs produced by legendary arranger and trumpeter Greg Adams and founder of East Bay Soul. What started out to be something for my “used-to–was” box Fischer notes, started with a song concept sent to Greg to take a listen. The reply was “Chart It!” The vision of recording 4 songs just to say he played with some former Tower of Power members and current East Bay Soul horn players like Greg and Lee Thornburg was set in motion. The ideas just started to flow when Greg says. “You have East Bay Soul at your disposal” … Holy Moly. The melodic “Friends” title track - infused with a Latin beat with layers of percussion and full orchestra takes the listener to the warmth of swaying palm trees. “Dis ‘Sup”, the first single penned with Adams - is this True Funk Soldier’s response to Greg Adams’ “Sup With That.” features a driving riff with a wicked drum and bass tracks that provides the backbone for Greg Adams’ signature horns and soaring strings.
    [Show full text]
  • For Immediate Release Conversation
    For Immediate Release Ripa Records To Release Greg Adams and East Bay Soul Conversation CD By Grammy And Emmy Nominated Trumpeter, Arranger Greg Adams On March 26,2018 Greg Adams and East Bay Soul Conversation Produced by Greg Adams Co-Produced by Nick Milo Adams Has Collaborated With Elton John, Rod Stewart, Santana Celine Dion, Luther Vandross, Madonna, The Rolling Stones Bonnie Raitt, Paul Shaffer, Little Feat, Billy Preston, Peter Frampton, Chicago, Dionne Warrick And Josh Groban To Name A Very Few Greg Adams and Pianist Nick Milo Have Been A Long Time Song Writing Team. Spanning 28 Years, Beginning With The Dynamic “Mr. Toad’s” Wild Ride On The 1991 Tower Of Power Release Monster On A Leash. Milo Has Penned Songs On Every Adams Solo And East Bay Soul CDS. Before Joining East Bay Soul In 2016, Nick Was The Musical Director For Joe Cocker With Thirteen Years at the Helm March 7, 2018 - Los Angeles, CA. It has been nearly a quarter century since the genre chameleon trumpeter and arranger became a leader in his own right with his ground breaking debut Hidden Agenda. With Greg Adams’ approach that music is a language… the CONVERSATION continues. You will sense a direct connection with the live feel of the music, the open breath of each note and the collaboration of each player. Adams felt he had something special happening even before the band went into the studio. “I was writing less notes with my writing partner Nick Milo and with the direction that the songs were taking us, we knew we had a different approach for writing for a ten-piece band”.
    [Show full text]
  • WHO's GUITAR Is That?
    2013 KBA -BLUES SOCIETY OF THE YEAR CELEBRATING OUR 25TH YEAR IN THIS ISSUE: -Who’s Guitar is That? -The Colorado-Alabama Connection Volume 26 No3 April/May2020 -An Amazing Story -Johnny Wheels Editor- Chick Cavallero -Blues Boosters Partners -CBS Lifetime Achievement WHO’s GUITAR is Award to Mark Sundermeier -CBS Lifetime Achievement That? Award to Sammy Mayfield By Chick Cavallero -CD Reviews –CBS Members Pages Guitar players and their guitar pet names what’s in a name, eh? Not every guitar player names his CONTRIBUTERS TO THIS ISSUE: guitars, heck be pretty hard since some of them have hundreds, and some big stars have Chick Cavallero, Jack Grace, Patti thousands. Still, there have been a few famous Cavallero, Gary Guesnier, Dr. Wayne ones in the Blues World. Most every blues fan Goins, Michael Mark, Ken Arias, Peter knows who Lucille was, B.B. King’s guitar, right? “Blewzzman” Lauro But why? Well, in 1949 BB was a young bluesman playing at a club in Twist, Arkansas that was heated by a half-filled barrel of kerosene in the middle of the dance floor to keep it warm. A fight broke out and the barrel got knocked over with flaming kerosene all over the wooden floor. “It looked like a river of fire, so I ran outside. But when I got on the outside, I realized I left my guitar inside.” B.B. Said he then raced back inside to save the cheap Gibson L-30 acoustic he was playing …and nearly lost his life! The next day he found out the 2 men who started the fight-and fire- had been fighting over a woman named Lucille who worked at that club.
    [Show full text]
  • Singer Kendra Shank Pays Tribute to Spirited Music of Abbey Lincoln
    Photo by John Abbott Photo by John Kendra Shank will bring the music of Abbey Lincoln to Lincoln June 5. Singer Kendra Shank pays tribute ○○○○○○○○○○○○○○○○○○○○○ to spirited music of Abbey Lincoln ○○○○○○○○○○○○ By Tom Ineck ○○○○○○○○○○○○○○○○○○○○○ April 2007 Vol. 12, Number 2 With her new release, “A Spirit File Photo Free: Abbey Lincoln Songbook,” singer Kendra Shank has taken on a daunting task—interpreting the music of one of the most idiosyn- cratic jazz singer-songwriters in his- ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ tory. In this issue of Jazz.... She and her longtime ensemble will bring the music of Lincoln to Prez Sez.........................................................2 Lincoln, Neb., June 5 in the open- Abbey Lincoln John Pizzarelli review........................6 ing concert of this year’s Jazz in Giacomo Gates/NJO review..................7 June series. this record were created there, on In a recent interview, Shank the gigs at that club. We would just Chick Corea/Gary Burton review...........8 talked about the recording and the try stuff and see what worked well Maria Schneider Orchestra review.....9 years it took to bring to fruition. and what didn’t work well,” she Mac McCune/NJO review......................10 Unlike many jazz musicians liv- said, pretty much describing the cre- Tomfoolery: Generous jazz calendar......11 ing in New York City, Shank has a ative process inherent in jazz mu- regular gig where she and the band sic. Harry “The Hipster” Gibson..................12 can work up new material and hone To Shank’s knowledge, no one Jazz on Disc reviews...........................14 their music to a fine edge. One Fri- else has ever attempted a full-length Discorama reviews..............................18 day a month, they appear at the 55 tribute to Lincoln’s very personal Letters to the Editor...............................19 Bar, Shank’s home away from music, although some of her tunes home for five years.
    [Show full text]
  • KEEFUS CIANCIA (Discography)
    KEEFUS CIANCIA 1/1/19 (Discography) Recording Album / Project Artist Credit Beyond the Palace Walls Paragon Taxi Piano, Keyboards (1993) Jazz in the Present Tense The Solsonics Keyboards (1993) Bop Gun Ice Cube Keyboards (1993) Fo Life Mack 10 Keyboards (1993) Cool Struttin The Pacific Jazz Alliance Keyboards (1994) Keyboards, Moog Synthesizer, N Gatz We Truss South Central Cartel (1994) Claves Nut-Meg Sez "Bozo the Town" Weapon of Choice Keyboards, Vocals (1994) Clavinet, Fender Rhodes, Moog Back to Reality Jeune (1995) Lead Highperspice Weapon of Choice Keyboards, Vocals (1996) I Am L.V. L.V. Keyboards (1996) Radio Odyssey Various Artists Keyboards (1996) The Jade Vincent Moy Producer, Composer, Musician (1996) Experiment Concepto Sol d'Menta Keyboards (1998) Nutmeg Phantasy Weapon of Choice Keyboards (1998) Whitey Ford Sings the Blues [Clean] Everlast Keyboards, Performer (1998) Another True Fiction Jerry Toback Moog Synthesizer (1999) Eat at Whitey's Everlast Bass, Keyboards, Band (2000) Loud Rocks Various Artists Keyboards (2000) Moog Synthesizer, Claves, You Know, for Kids Hate Fuck Trio (2000) Wurlitzer Synthesizer, Farfisa Organ, The ID Macy Gray (2001) Composer Motherland Natalie Merchant Piano, Keyboards (2001) Stimulated, Vol. 1 Various Artists Keyboards (2001) Diana Priscilla Ahn (2001) Organ, Keyboards, Clavinet, C'mon, C'mon Sheryl Crow (2002) String Samples Keyboards, Producer, Engineer, Soul of John Black The Soul of John Black (2003) Associate Producer Piano, Keyboards, Moog Thousand Kisses Deep Chris Botti (2003) Synthesizer,
    [Show full text]
  • Meshell Ndegeocello Meshell Ndegeocello
    MESHELL NDEGEOCELLO NNNewNewewew album : «: « Weather » out on the 8th of November Biography by Romain Grossman Meshell has changed. So has her music. It’s more peaceful, freer. Her new album, Weather, cloaks itself in the colours of autumn, full of in-between shades and hues and with a certain mildness to it. The singer has let her feelings carry her along. Meshell has never been scared of sharing her most intimate thoughts in explicit or colourful terms that always come from the heart. As ever, she is true to herself. But Weather ’s folk sensibility and pregnant acoustic melodies make this a supremely accessible album. “For a long time I was at war with everyone else. I dug my heels in, I fought hard. That’s all over now. I have my opinions, but they’re no longer a source of conflict with the rest of the world.” On Weather Meshell’s usually deep vocals slip into a register more like a whisper, sharing secrets about subjects that are straightforward, almost light-hearted. She has pared down her style to something like pop. “I started to write this album on the guitar and you can hear it. The final atmosphere’s gentler.” And then the singer agreed without fuss to put her fate in the hands of a producer. Joe Henry (Ani DiFranco, Bettye Lavette, Allen Toussaint, etc.) helped her reveal a different side to herself. And Meshell went along with this. “I’ve known him since the Bitter album; Craig Street introduced us. I hadn’t called on someone from outside for several albums.
    [Show full text]
  • Speakerphone-Manual.Pdf
    User Guide IMPORTANT INFORMATION: Audio Ease, the Speakerphone logo and SPEAKERPHONE are trademarks of Audio Ease BV the Netherlands. All other product names, trademarks, or trade names are the names of their respective owners, which are in no way associated, connected nor affiliated withAudio Ease or the SPEAKERPHONE product and which have not endorsed Audio Ease’s SPEAKERPHONE product. These marks and names are used solely for the purpose of describing certain amplifier, megaphone, radio or phone tones produced using Audio Ease’s modelling technology so as to electronically emulate the performance of the original product studied. The result of this process is subjective and may not be perceived by a user as produc- ing the same effects as the original products studied. Audio Ease | Speakerphone User Guide 3 1 Contents 2 Introduction 4 3 Basic Operation 7 4 Reference 9 Help Feature 9 Presets - Select modify and save presets here. 10 Automation Presets - Single click store and recall (automatable) 10 Wet / Dry control. 10 Speaker - Selection of the speaker impulse response. 11 Mic - Selection of the microphone impulse Response 13 Room - Convolution reverb. 13 Cover - Cover up the source with blankets boxes etc,. 13 Distortion - Emulate a speaker’s or amplifier’s over modulation. 11 Equalizer section - 5 types of frequency filters. 14 Telecom - (Cellular) phone connection protocol simulation. 14 Gate - Mutes or attenuates the signal when it’s below the threshold level. 15 Compressor - Dynamic compression controls. 15 Delay - mono or stereo feedback delay with filter. 16 Crush - word length reduction and sampling rate reduction. 16 Mod - Tremolo, Chorus, Phaser, Flanger or Vibrato.
    [Show full text]
  • News Release
    NEWS RELEASE FOR IMMEDIATE RELEASE Media Contacts Heather Pease, Breckenridge Creative Arts 970 453 3187 ext 3 | [email protected] Nancy Rebek, NRPR 303 941 2527 | [email protected] BCA Presents THE TRAVELING KIND TOUR: EMMYLOU HARRIS & RODNEY CROWELL Friday, September 25, 2015 at 7:30 pm Tickets: $55, $75, $95 Riverwalk Center, Breckenridge BRECKENRIDGE, CO (June 22, 2015) – Breckenridge Creative Arts is proud to present country music legends Emmylou Harris and Rodney Crowell as part of The Traveling Kind tour on Friday, September 25, 2015 at 7:30 pm at the Riverwalk Center in Breckenridge. Tickets are priced at $55, $75 and $95 for gold circle seats (first four rows, center section) and are on sale now at the Riverwalk Center Ticket Office, by phone at 970-547-3100 or online at breckcreate.org. Emmylou Harris and Rodney Crowell’s second duet album—The Traveling Kind, produced by Joe Henry—is out now on Nonesuch Records. In celebration of the release, Harris and Crowell were featured in a live on-air performance on Sirius XM’s Outlaw Country, hosted by Elvis Costello. The duo is currently wrapping up a series of performances in the US before beginning their The Traveling Kind tour this fall. The Traveling Kind was selected as a First Listen by NPR Music, which said, “As they swap lines and leads between his reedy resilience and her gossamer vibrato, Harris and Crowell don’t just share the spotlight. They also share the weight of legacy, influence and lifelong artistic investment, bearing down when the emotional heft of a song calls for it, loosening up and growing playful when it doesn’t, and altogether lightening the load for each other.
    [Show full text]
  • A Creator's View of the Music Ecosystem and DMCA
    A Creator’s View of the Music Ecosystem and DMCA Creating music that matters is more than just a labor of love – it takes all the joy, loss, courage, fear, and humanity that we have. But whether it’s a Platinum megahit or a lonely ballad written for just one heart, we are grateful for the chance to share our stories and our truth. We see much to celebrate in today’s music landscape – including vibrant digital services that help fans connect with the songs they love. But we also see profound obstacles facing young artists and songwriters hoping to find their voice and build a sustainable career. One of the biggest hurdles is an outdated and ineffective law called the Digital Millennium Copyright Act. Many big tech companies have figured out how to game this law – hiding behind its sweeping immunities while earning billions off of our work. Meanwhile, too many working artists, musicians, songwriters, and producers are left to fight for digital scraps. Thanks to the DMCA, a single video service has swallowed up almost every other form of listening, while paying among the lowest royalties in the business – rates it extracts from creators who have no effective way to keep unlicensed copies off the service if they refuse. The DMCA leaves creators at the mercy of rogue websites that operate at the farthest reaches of US law – and beyond – and offers no meaningful way to hold repeat offenders to account. And forces us to stand by helpless as billions of dollars in advertising is sold around illegal copies of our work.
    [Show full text]