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Crowdfunding in Asia
Crowdfunding in Asia May 2018 Introducing the first free directory of crowdfunding platforms across Asia. The data is based on the AlliedCrowds Capital Finder, a database of over 7,000 alternative finance capital providers across emerging markets. Our data has been used by organizations like FSD Asia, UNDP, World Green Economy Organization, GIZ, World Bank, and others in order to provide unique, actionable insights into the world of emerging market alternative finance. This is the latest of our regular reports on alternative finance in emerging markets; you can find all previous reports here. Crowdfunding rose in prominence in the post-financial crisis years (starting in 2012), and for good reason: a global credit crunch limited the amount of funding available to entrepreneurs and small businesses. Since then, crowdfunding has grown rapidly around the world. Crowdfunding is especially consequential in countries where SMEs find it difficult to raise capital to start or grow their businesses. This is the case in many Asian countries; according to the SME Finance Forum, there is a $2.3 trillion MSME credit gap in East Asia and the Pacific. Crowdfunding can help to fill this gap by offering individuals and small businesses an alternative source of capital. This can come in the form of donation-based as well as lending-based (peer-to-peer or peer-to-business) crowdfunding. In order to help entrepreneurs and small business owners to find the crowdfunding platform that’s right for them, we are releasing the first publicly available list of all crowdfunding platforms across Asia. The report is split into two key sections: the first one is an overview of crowdfunding platforms, and how active they are across the largest markets on the continent. -
A Crowdfunding-Based Venture Capital Firm for Accredited Investors And
Venture Capital 2.0 in Singapore: a crowdfunding-based WeFund venture capital firm for accredited investors and start-ups in SEA Presented by: Vincent Chin, Mumtaz Demirci, Thomas Jeng, Cerilenne Menendez Mendoza, Victoria Shvydchenko, Fan Wen December 2018 Problem – HNWIs are unhappy with their wealth managers Question asked: “Thinking about the financial assets that you have invested with wealth management firms, roughly how did they perform last calendar year?”; “How satisfied are you with your primary wealth manager (the individual who manages your wealth) and your primary wealth management firm?”; Germany and Indonesia do not feature in any cluster as they are outliers; Only wealth manager satisfaction values are represented in the above chart; Bubble sizes represent absolute satisfaction levels reported in 2018 by HNWIs with their primary wealth managers in the market. Average Investment Performance Q1 2016–Q4 2017 HNWIs are defined as those having investable assets of US$1 million or more, excluding primary residence, collectibles, consumables, and consumer durables. Source: World Wealth Report 2018 / Capgemini Problem – HNWIs are unhappy with their wealth managers n fee comfort was muted with only were comfortable with the fees they pay The primary concerns related to fees charged were: ow value delivered of H s were concerned with fees ow transparency charged ne pected charges of H s mentioned fee transparency as High fees their top concern oor service uality cited value delivered as their primary concern of H s mentioned une -
Název 1 99Funken 2 Abundance Investment 3 Angelsden
# Název 1 99funken 2 Abundance Investment 3 Angelsden 4 Apontoque 5 Appsplit 6 Barnraiser 7 Bidra.no 8 Bloom venture catalyst 9 Bnktothefuture 10 Booomerang.dk 11 Boosted 12 Buzzbnk 13 Catapooolt 14 Charidy 15 Circleup 16 Citizinvestor 17 CoAssets 18 Companisto 19 Crowdcube 20 CrowdCulture 21 Crowdfunder 22 Crowdfunder.co.uk 23 Crowdsupply 24 Cruzu 25 DemoHour 26 DigVentures 27 Donorschoose 28 Econeers 29 Eppela 30 Equitise 31 Everfund 32 Experiment 33 Exporo 34 Flzing v 35 Fondeadora 36 Fundit 37 Fundrazr 38 Gemeinschaftscrowd 39 Goteo 40 GreenVesting.com 41 Greenxmoney 42 Hit Hit 43 Housers 44 Idea.me 45 Indiegogo 46 Innovestment 47 Invesdor.com 48 JD crowdfunding 49 Jewcer 50 Karolina Fund 51 Katalyzator 52 Ketto 53 Kickstarter 54 KissKissBankBank 55 Kreativcisobe 56 Labolsasocial 57 Lanzanos 58 Lignum Capital 59 Marmelada 60 Massivemov 61 Mesenaatti.me 62 Monaco funding 63 Musicraiser 64 MyMicroInvest 65 Nakopni me 66 Namlebee 67 Octopousse 68 Oneplanetcrowd International B.V. 69 Penězdroj 70 Phundee 71 PledgeCents 72 Pledgeme 73 Pledgemusic 74 Pozible 75 PPL 76 Projeggt 77 Rockethub 78 Seed&Spark 79 Seedmatch 80 Seedrs 81 Snowballeffect 82 Spacehive 83 Spiele offensive 84 Start51 85 Startlab 86 Startme 87 Startnext 88 Startovac 89 Startsomegood 90 Syndicate Room 91 TheHotStart 92 Thundafund 93 Tubestart 94 Ulule 95 Venturate 96 Verkami 97 Vision bakery 98 Wemakeit 99 Wishberry 100 Zoomal Legenda: *Sociální média Vysvětlení zkratek pro sociální média F - Facebook T - Twitter Lin - LinkedIn G+ - Google plus YouT - YouTube Insta - Instagram -
Girişimciler Için Yeni Nesil Bir Finansman Modeli “Kitle Fonlamasi - Crowdfunding”: Dünya Ve Türkiye Uygulamalari Üzerine Bir Inceleme Ve Model Önerisi
T.C. BAŞKENT ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İŞLETME ANABİLİM DALI İŞLETME DOKTORA PROGRAMI GİRİŞİMCİLER İÇİN YENİ NESİL BİR FİNANSMAN MODELİ “KİTLE FONLAMASI - CROWDFUNDING”: DÜNYA VE TÜRKİYE UYGULAMALARI ÜZERİNE BİR İNCELEME VE MODEL ÖNERİSİ DOKTORA TEZİ HAZIRLAYAN ASLI VURAL TEZ DANIŞMANI DOÇ. DR. DENİZ UMUT DOĞAN ANKARA- 2019 TEŞEKKÜR Beni her konuda daima destekleyen, cesaretlendiren, güçlü olmayı öğreten, mücadeleden, öğrenmekten ve kendimi geliĢtirmekten vazgeçmemeyi ilke edindiren, sevgili babama ve rahmetli anneme, Sevgisini ve desteğini daima hissettiğim değerli eĢime, Tezimin her aĢamasında bana tecrübesi ve bilgi birikimiyle yol gösteren, ilgi ve desteğini esirgemeyen tez danıĢmanım Doç. Dr. Deniz Umut DOĞAN’a, Çok değerli görüĢleri ve yönlendirmeleri için Prof. Dr. Nalan AKDOĞAN’a, ÇalıĢma dönemimde destek ve yardımını benden hiç esirgemeyen Çiğdem GÖKÇE’ye ve sevgili dostlarıma, En içten duygularımla teĢekkür ederim. I ÖZET GiriĢimcilerin en önemli problemi finansal kaynaklara ulaĢmalarında yaĢadıkları zorluklardır. GiriĢimciler finansal sorunlarını çözmek için geleneksel finansman yöntemlerinden ve Risk Sermayesi, GiriĢim Sermayesi, Bireysel Katılım Sermayesi, Mikrofinansman gibi alternatif finansman modellerinden yararlanmaktadır. Günümüzde giriĢimcilerin gereksinim duydukları sermayeye ulaĢmak için kullandıkları yeni finansal yöntemlerden biri Kitle Fonlaması modelidir. ÇalıĢmada giriĢimcilik, giriĢim finansmanı ve Kitle Fonlaması modeli konusunda literatür taraması yapılarak ilgili kavramlara değinilmiĢtir. Dünya’da -
Innovative Financing of Creative Projects on the Kickstarter Platform: Ukrainian and Polish Experience
E3S Web of Conferences 166, 13019 (2020) https://doi.org/10.1051/e3sconf/202016613019 ICSF 2020 Innovative financing of creative projects on the Kickstarter platform: Ukrainian and Polish experience Iuliia Gernego1,*, Liudmyla Petrenko2, Mykhailo Dyba1, and Vitalii Tsarov2 1Kyiv National Economic University named after Vadym Hetman, Corporate Finance and Controlling Department, 54/1 Peremohy Ave., Kyiv, 03057, Ukraine 2Kyiv National Economic University named after Vadym Hetman, Business Economics and Entrepreneurship Department, 54/1 Peremohy Ave., Kyiv, 03057, Ukraine Abstract. In the era of digital economy, the crowdfunding platforms provide the background to mitigate cross-country differences within project financing. In particular, creative projects are important as a vital driver in maintaining business and social sector competitive. Thereby, research problem lays upon the potential of providing crowdfunding support to overcome the creative project divide in different countries. The paper aims to provide scientific support on creative projects innovative financing in Ukraine and Poland within Kickstarter. The research methodology is based on Kickstarter data (10 years; 83 industries and 898 projects) processed by statistical analysis. The Concentration Ratio (CR) was modified to measure the concentration of efforts, considering the largest creative industries within Kickstarter platform. The results section represents high rates of concentration of efforts for Ukrainian creative projects that commercialize tangible physical goods: Product Design and Gadgets. At the same time, in Poland the main concentration of efforts is in the field of intangible intellectual products: Tabletop Games and Video Games. Thus, digital platform is a reflection of interrelations between intangible and tangible values in economies. The study results can be used within national programs of creative innovative projects financial support. -
Pitch for Growth
PITCH FOR GROWTH TABLE OF CONTENTS Opening letter & Acknowledgements By Stéphanie Barreau, President AmCham France, President 3M France INTRODUCTION By Audra Shallal, BOSS Consulting CHAPTER 1: HOW DO YOU PITCH TO AN INVESTOR? I. WHAT DO YOU FIRST NEED TO KNOW ABOUT THE DIFFERENT FINANCIAL CHAINS? By Audra Shallal, BOSS Consulting A. Understanding the language of major players B. The stages of fundraising C. Alternative sources of finance Co-written with Milena Pejic, Clenzics II. HOW DO YOU DELIVER A PERSUASIVE PITCH? A. What makes a good story? By Laetitia Laborie, SMG Agency B. The key elements of an elevator pitch By Audra Shallal, BOSS Consulting C. How do you perfect your one-minute elevator pitch? By Nicole Gesret, AIG D. A few tips on the presentation By Yvonne Jouffrault, LiveMon III. HOW DO YOU BUILD AN EFFECTIVE PRESENTATION? A. How do you build a convincing PowerPoint Presentation? By Anastasiya Shapochkina, EDF R&D B. What impactful materials should you use to support your pitch? By Nicole Gesret, AIG CHAPTER 2: HOW DO YOU PITCH IN A CORPORATE ENVIRONMENT? I. HOW DO YOU PITCH YOURSELF? By Odile Carru, Differentcoaching L.L.C. & Claire Mazenod, Exxon Mobil A. Context B. Objectives of pitching in the corporate environment C. Methodology II. HOW DO YOU PITCH YOUR STARTUP TO CORPORATE INVESTORS? A. Overview By Yvonne Jouffrault, LiveMon B. Pitching to corporate investors By Audra Shallal, BOSS Consulting CHAPTER 3: HOW DO YOU BECOME DIGITAL-READY? I. EXPLORING THE DIGITAL JUNGLE By Colin Kramer, ESCP Europe & Michelle Goldberger, The Smartworking Company A. Online presence B. -
Volume 3, No 2, October 2014
International Journal of Music Business Research Volume 3, Number 2, October 2014 Editors: Peter Tschmuck University of Music and Performing Arts Vienna, Austria Dennis Collopy University of Hertfordshire, UK Carsten Winter University of Music, Drama and Media Hanover, Germany AIMS AND SCOPE The International Journal of Music Business Research (IJMBR) as a double-blind reviewed academic journal provides a new platform to present articles of merit and to shed light on the current state of the art of music business research. Music business research is a scientific approach at the intersection of economic, artistic, especially musical, cultural, social, legal, technological developments that aims at a better understanding of the creation/production, dissemination/distribution and reception/consumption of the cultural good music. Thus, the IJMBR targets all academics, from students to professors, from around the world and from all disciplines with an interest in research on the music economy. EDITORIAL BOARD Dagmar Abfalter, University of Music and Performing Arts Vienna, Austria David Bahanovich, Trinity Laban Conservatoire of Music and Dance, UK Marc Bourreau, Université Telecom ParisTech, France Ryan Daniel, James Cook University Townsville, Australia Beate Flath, Karl-Franzens University Graz, Austria Simon Frith, University of Edinburgh, Scotland, UK Victor Ginsburgh, Université Libre de Bruxelles, Belgium Philip Graham, Queensland University of Technology, Australia Christian Handke, Erasmus University Rotterdam, The Netherlands Susanne -
Crowdfunding Reshaping the Crowd’S Engagement in Culture
Crowdfunding Reshaping the crowd’s engagement in culture Crowdfunding Reshaping the crowd’s engagement in culture AUTHORS OF THE STUDY Isabelle De Voldere, IDEA Consult (Project coordinator) Kleitia Zeqo, IDEA Consult PROJECT TEAM Eveline Durinck, IDEA Consult Pierre Padilla, IDEA Consult Kathrin Kohl, ECN Oliver Gajda, ECN Markus Chandler, Ecorys Jakub Gloser, Ecorys Tim Fox, Ecorys Joost Heinsius, Values of Culture Sylvia Amann, Inforelais The research team would like to thank all the stakeholders that have contributed to the research by sharing their valuable expertise and insights during the interviews, workshops and online DISCUTO process. EUROPEAN COMMISSION Directorate-General for Education and Culture Directorate D – Culture and Creativity Unit D.1 – Cultural Policy Contact: DG EAC Unit D.1 E-mail: [email protected] European Commission B-1049 Brussels Disclaimer This document has been prepared for the European Commission; however, it reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*) : 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). More information on the European Union is available on the Internet (http://europa.eu). Luxembourg: Publications Office of the European Union, 2017 ISBN 978-92-79-67975-9 doi: 10.2766/011282 © European Union, 2017 Reproduction is authorised provided the source is acknowledged. Image(s) © image #298767080. -
6 Crowdfunding Websites That Market Your Project
Mar 19, 2013 12:05 GMT PART 5 - 6 crowdfunding websites that market your project Crowdfunding websites are platforms where creators can lay out their project, enterprise or idea in order to seek financing from many contributors. The service provides a payment solution and there is frequently a template for what you can highlight in order to communicate in the best possible way. Here I take the opportunity to list six major crowdfunding websites. 1. Kickstarter.com Scope Kickstarter is the largest and best known crowdfunding platform. The website’s accent is on art and the media. Fee Kickstarter retains 5% of the financed amount where the money has come in before the project’s end. In addition, Amazon (which offers the payment solution) charges a transaction fee of 3.5%. A US bank account is required to start a project here. 2. Indiegogo.com Scope Originally, Indiegogo focused on film projects. Currently there is a variety of creative projects here, including charity projects. “Indie” is an abbreviation of the term “independence” in this context. Fee Indiegogo retains 4% from each project and 3% as the fee for card payments as well as $25 for those campaigns from outside the USA. 3. Sellaband.com and Pledgemusic.com Scope Sellaband is focused on music and helping musicians to raise funds. You also have freedom for unlimited collaboration, at the same time, with record companies, management companies or publicists. A similar crowdfunding website is Pledgemusic. Fee For both Sellaband and Pledgemusic the fee is 15% of all the money you have raised. -
Crowdfunding Cheat Sheet
Crowdfunding Cheat Sheet Crowdfunding is a new, transformative capital-raising process empowered by technology that turns the trust and goodwill of your network into funds to start or grow your business by allowing a large number of people to share small amounts of their social, creative, and financial capital Type of Donation Rewards Investment (JOBS Act) Intrastate/DPO Lending Crowdfunding contributions in exchange securities, unaccredited securities, online platforms for rewards or perks, and accredited** investors, unaccredited and How does it fundraising for personal that match pre-sales/pre-payment for subject to SEC rules - accredited** work? needs or causes borrowers with products before Reg CF, Reg D (506c), investors with individual lenders manufacturing Reg A+ state-specific rules individuals, individuals, startups & existing startups & existing businesses pre-startups, startups Who is it for? individuals, nonprofits pre-startups, startups, businesses with local with an investor strategy & existing existing businesses, nonprofits focus businesses ArtistShare ~ Barnraiser AgFunder** ~ AngelList** ~ Bankroll CaringCrowd ~ Causes Credibles ~ Crowd Supply CircleUp** ~ Crowdfunder** CauseVox ~ Classy Experiment ~ Fundable Crowdfund Mainstreet ~ EquityNet** CrowdRise ~ Deposit-a-Gift Hatchfund ~ iFundWomen Fundable** ~ Honeycomb Credit DonorsChoose ~ FirstGiving no platform needed Examples of Indiegogo ~ InKind Localstake ~ Manhattan Street Capital Kiva* Fundly ~ Fundrazr or state-specific Kickstarter ~ Patreon -
A Snapshot on Crowdfunding
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Hemer, Joachim Working Paper A snapshot on crowdfunding Arbeitspapiere Unternehmen und Region, No. R2/2011 Provided in Cooperation with: Fraunhofer Institute for Systems and Innovation Research ISI Suggested Citation: Hemer, Joachim (2011) : A snapshot on crowdfunding, Arbeitspapiere Unternehmen und Region, No. R2/2011, Fraunhofer-Institut für System- und Innovationsforschung ISI, Karlsruhe This Version is available at: http://hdl.handle.net/10419/52302 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten -
The Next Generation of Crowdfunding
NICE IDEAS. GOOD PEOPLE. GREAT THINGS PAVEDWITHGOLD.CO THE NEXT GENERATION OF CREATIVE CROWDFUNDING PHASE 1 MAY 2018 Produced by Kaye Symington, Richard Ling + Carrie Maclennan, Paved With Gold WITH SUPPORT FROM CONTENTS 01 INTRODUCTION 02 CROWDFUNDING MODELS 03 CROWDFUNDING PLATFORMS - GENERAL PLATFORMS - NICHE PLATFORMS 04 ART FORMS + EXAMPLES 05 SUPPORT AVAILABLE 06 RECOMMENDATIONS 01 Increasingly, individuals, young organisations and even established companies are turning to crowdfunding as a INTRODUCTION means to support product launches and the development of new ideas. For smaller creators, crowdfunding can be the difference between a project happening or not. As competition for funding increases and available funds shrink, crowdfunding is becoming a viable way to generate the early-days financial boost projects need to get up and running. In this report, we introduce the main crowdfunding models for the creative industries and explain their potential uses. We discuss specific crowdfunding platforms, paying close attention to the criteria, audiences and success rates of each. By delving into specific campaign examples from each art form we identify key creators to follow up with and, finally, we give an overview of support currently available for creatives considering or preparing a crowdfunding campaign. The Creative Industries Team at Creative Scotland have BACKGROUND TO THIS been exploring alternative sources of finance for creative REPORT practitioners and businesses as a key outcome of the organisation’s Creative Industries Strategy (published in 2016). Paved With Gold were commissioned to produce this report and look at how Creative Scotland could further develop its understanding of crowdfunding as a means of helping creative businesses access sources of finance.