SANDY SIU [email protected] Costume & Scenic Design Film & Television EXPERIENCE (Selected)

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SANDY SIU Info@Sandysiu.Com Costume & Scenic Design Film & Television EXPERIENCE (Selected)

679 Classon Ave #1L Brooklyn, NY 11238 (415) 722 - 1167 SANDY SIU [email protected] www.sandysiu.com costume & scenic design film & television EXPERIENCE (selected) Asst Costume Designer Quantico: S1 designer: Samantha Rattner ABC Studios, 2015 Addtl ACD/Shopper Law & Order SVU: S16-17 designer: Juliet Polcsa NBCU, 2015 Addtl Costume Shopper Master of None: S1 designer: Dana Covarrubias Netflix, 2015 Costume Designer The Little (short) director: Michael Turney Independent, 2015 Asst Costume Designer The Crowd designer: Paola Weintraub White Label, 2015 Asst Costume Designer Manhattan Love Story: S1 designer: Brittany Griffin ABC Studios, 2014 Costume Coordinator Law & Order SVU: S16 designer: Juliet Polcsa NBCU, 2014 Costume Designer Ned Rifle director: Hal Hartley Possible Films, 2014 Costume Coordinator The Following: S2 designer: Marie Abma Fox, 2014 Costume Coordinator The Carrie Diaries: S1-2 designer: Eric Daman The CW, 2012-2014 Costume Assistant A Master Builder designer: Dona Granata Ibsen Project, 2012 Costume Intern & PA Gossip Girl: S5-6 designer: Eric Daman The CW, 2011-2012 Costume Designer My Father’s Jacket (short) director: Fil Kotsishevskiy Magik Made, 2011 theatre Costume Designer Oculto Manor producer: Vance Garrett Punchdrunk, 2015 Costume Designer The Village of Vale director: Joseph Varca Invisible Dog, 2015 Asst Scenic Designer The Village of Vale designer: Samuel Froeschle Invisible Dog, 2015 Scenic Designer Spirit of Uganda Tour producer: Empower African Children, 2013-14 Props Designer feeling. director: Eddie Prunoske Glass Bandits, 2013 Costume Designer Treefall director: Eddie Prunoske Bower Group, 2013 Costume Designer The Sound of Music dir: G. Spolentini Manhattan School of Music, 2012 Costume Designer Little Shop of Horrors dir: G. Spolentini Manhattan School of Music, 2012 Scenic Designer Love’s Fire director: Dennis Reid Purchase Rep, 2011 Costume Designer American Buffalo director: Chris McCann Purchase Rep, 2010 styling Wardrobe Stylist Aziz Ansari: Modern Romance photog.: Ruvan Wijesooriya Penguin Press, 2015 Asst Wardrobe Stylist Foo Fighters: The Late Show stylist: Val Klarich CBS, 2015 Prop Stylist Sosharu (Event) stylist: Satoshi Kawamoto Melting Butter, 2015 Wardrobe Stylist The National:I Need My Girl director: Sophia Peer Route 88 Films, 2014 Wardrobe Stylist Voices III photographer: Michelle Watt USA Today , 2014 Asst Wardrobe Stylist Apple iPad Air 2 Commercial stylist: Vicki Ferrell Imperial Woodpecker, 2014 Asst Wardrobe Stylist Charles Schwab Commercial stylist: Irene Bilo MJZ, 2014 Wardrobe Stylist The National: Sea of Love director: Sophia Peer Route 88 Films, 2013 SKILLS PROFESSIONAL TRAINING Adobe Photoshop, InDesign, Microsoft Office, Sync Purchase College, State University of New York OnSet, MTPro, hand drafting, basic AutoCAD, scale BFA: Theatre Design/Technology - May 2012 model making, scenic painting, prop construction, The Public Theater - New York, NY hand sewing, industrial machine sewing, basic Costume Internship - Summer 2010 draping/patterning, fabric dyeing, distressing, Glimmerglass Opera - Cooperstown, NY budget management, NYS Driver License Wardrobe Internship - Summer 2009 REFERENCES available upon request.

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CONTACT: Robin Mesger the Lippin Group 323/965-1990 FOR
CONTACT: Robin Mesger The Lippin Group 323/965-1990 FOR IMMEDIATE RELEASE September 14, 2002 2002 PRIMETIME EMMY AWARDS The Academy of Television Arts & Sciences (ATAS) tonight (Saturday, September 14, 2002) presented Emmys in 61 categories for programs and individual achievements at the 54th Annual Emmy Awards Presentation at the Shrine Auditorium. Included among the presentations were Emmy Awards for the following previously announced categories: Outstanding Achievement in Animation and Outstanding Voice-Over Performance. ATAS Chairman & CEO Bryce Zabel presided over the awards ceremony assisted by a lineup of major television stars as presenters. The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Programs Individuals Total HBO 0 16 16 NBC 1 14 15 ABC 0 5 5 A&E 1 4 5 FOX 1 4 5 CBS 1 3 4 DISC 1 3 4 UPN 0 2 2 TNT 0 2 2 MTV 1 0 1 NICK 1 0 1 PBS 1 0 1 SHO 0 1 1 WB 0 1 1 Emmys in 27 other categories will be presented at the 2002 Primetime Emmy Awards telecast on Sunday, September 22, 2002, 8:00 p.m. – conclusion, ET/PT) over the NBC Television Network at the Shrine Auditorium. A complete list of all awards presented tonight is attached, The final page of the attached list includes a recap of all programs with multiple awards. For further information, see www.emmys.tv. To receive TV Academy news releases via electronic mail, please address your request to [email protected] or [email protected].
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'Perfect Fit': Industrial Strategies, Textual Negotiations and Celebrity
‘Perfect Fit’: Industrial Strategies, Textual Negotiations and Celebrity Culture in Fashion Television Helen Warner Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film and Television Studies Submitted July 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. Helen Warner P a g e | 2 ABSTRACT According to the head of the American Costume Designers‟ Guild, Deborah Nadoolman Landis, fashion is emphatically „not costume‟. However, if this is the case, how do we approach costume in a television show like Sex and the City (1998-2004), which we know (via press articles and various other extra-textual materials) to be comprised of designer clothes? Once onscreen, are the clothes in Sex and the City to be interpreted as „costume‟, rather than „fashion‟? To be sure, it is important to tease out precise definitions of key terms, but to position fashion as the antithesis of costume is reductive. Landis‟ claim is based on the assumption that the purpose of costume is to tell a story. She thereby neglects to acknowledge that the audience may read certain costumes as fashion - which exists in a framework of discourses that can be located beyond the text. This is particularly relevant with regard to contemporary US television which, according to press reports, has witnessed an emergence of „fashion programming‟ - fictional programming with a narrative focus on fashion.
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Forty Shades of Blue
Sundance Film Festival – 2005 Grand Jury Prize Berlin Film Festival/Panorama 2005 FORTY SHADES OF BLUE By Ira Sachs “Atmospheric and haunting… Forty Shades of Blue is a movie that seeps under your skin” David Ansen, Newsweek SALES CONTACT FORTY SHADES OF BLUE Cast Alan ............................................................................................Rip Torn Laura .................................................................................... Dina Korzun Michael ........................................................................... Darren Burrows Lonni.................................................................................. Paprika Steen Duigan ...................................................................................... Red West Celia ...................................................................................Jenny O’Hara Shel .................................................................................. Jerry Chipman Sam ........................................................................... Andrew Henderson April...........................................................................Emily McKenna Cox Cindy .......................................................................................Liz Morton Betty................................................................................Joanne Pankow Filmmakers Director .................................................................................... Ira Sachs Screenwriters ................................................ Michael
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Style Over Substance? Fashion, Spectacle and Narrative in Contemporary US Television
Style over substance? Fashion, spectacle and narrative in contemporary US television Helen Warner University of East Anglia Previous scholarship on fashion and film has debated the aesthetic role played by onscreen costume. Yet there has been little exploration of fashion and its use in television. Existing work on fashion in onscreen media has approached the debate from a textual perspective, and such work has been informed by the longstanding assumption that fashion acts primarily as ‘spectacle’, disrupting the economy of narrative flow. This article seeks to challenge this assumption by arguing that previous work is limited by the wider conceptual and methodological problems of purely textual approaches. Using CW’s Gossip Girl as a case study, the author suggests that a mixed- method approach to the study of costume (using both textual analysis and reception studies) provides a more productive foundation upon which to begin to examine the function of onscreen fashion in contemporary US television. Such an approach may have particular importance in understanding how costume in ‘fashion-forward’ television can be best understood if one steps beyond the text to explore the sense-making of viewers, the intentions of costume designers and the relationship between viewers, the shows and the wider fashion market. An article about the US network CW’s Gossip Girl (2007–) recently appeared in the fashion and style section of The New York Times. The article claimed that the show ‘has always been more than a television series about its overt sub- ject, the social machinations of Manhattan private-school students. It has also presented a cavalcade of fashion’ (La Ferla, 2008).
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P R O G R a M
DIANE PERNET & LE CENTRE POMPIDOU PRÉSENTENT A SHADED VIEW ON FASHION FILM FESTIVAL INTERNATIONAL DU FILM DE MODE - 8E ÉDITION - DU 2 AU 6 DÉCEMBRE 2015 PROGRAMME EN COLLABORATION AVEC A SHADED VIEW JURY & PRIX ON FASHION FILM Comme chaque année, FESTIVAL INTERNATIONAL DU FILM DE MODE 8 E EDITIOn – DU 2 au 6 DÉCEMBRE 2015 un jury de prescripteurs internationaux des arts et des médias remet des Prix aux meilleurs films. A Shaded View On Fashion Film – le Festival International LISTE DES PRIX LE JURY D’ASVOFF8 du Film de Mode - fondé par la journaliste et icône Diane Pernet – avait déjà marqué les esprits en 2014 en recevant GRAND PRIX PRÉSIDENT DU JURY l'une des figures de la mode belge, le créateur Dries Van Noten. ASVOFF Jean Paul Gaultier - Couturier e Pour sa 8 Edition du 2 au 6 décembre au Centre Pompidou, PARTICIPANTS MEILLEURE DIRECTION ARTISTIQUE la manifestation franchit un cap symbolique supplémentaire Emmanuel Asmar - Avocat d'affaires MEILLEUR ACTEUR/ACTRICE avec l’un des couturiers français les plus emblématiques Dimitri Chamblas - Directeur artistique 3e Scène Opéra de Paris MEILLEUR STYLISME de l'Histoire de la Mode : Jean Paul Gaultier. Lyne Cohen Solal - Journaliste et femme politique Ce dernier présidera le jury de la compétition de courts-métrages MEILLEURE BANDE SONORE Eric Daman - Costume Designer de mode. Il lui sera également dédié une séance Carte Blanche MEILLEUR FILM PUBLICITAIRE Andrew Davis - Creative Director Wonderland + Rollacoaster animée par la journaliste et critique Elisabeth Quin. MEILLEUR TALENT EMERGENT Marc Happel - Costume Director NYC Ballet Dominique Jakob - Jakob+MacFarlane architectes PRIX SPÉCIAUX Stephen Jones - Modiste ASVOFF proposera par ailleurs 80 courts métrages en compétition PRIX BEAUTÉ doté par Shu Uemura Butheina Kazim - CINÉMA Akil incarnant le meilleur des productions de l’année.
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Party Girl Paillettes
Page 1 Thursday s MEN’S: s DENIM: Contemporary Zegna brands get creative to EYE: Sandra profits fall, buck downturn, page 12. Bernhard on but company comedy, sees growth s Kabbalah and potential, FINANCIAL: Roberto Kathy Griffin, page 3. Cavalli flip-flops on page 4. sale of a stake, page 3. Women’sWomen’s Wear Wear Daily Daily • The• The Retailers’ Retailers’ Daily Daily Newspaper Newspaper • Tktktktk• June 4, tk,2009 tktk • $3.00• $3.00 WSportswear/Men’swDTHURSdAY Partyheddeck Girl Diane von Furstenberg packed plenty of fun into a resort lineup that worked a festive palette, colorful polkadots and flirty dresses, such as this printed chiffon dress sprinkled with confetti paillettes. For more, see pages 8 to 10. Avoiding Distractions: Men’s Brands Retrench, Focus on Core Products By Brenner Thomas and Jean E. Palmieri Men’s wear companies are working on their core. Picky consumers, risk-averse retailers and a cutthroat adherence WwD to the bottom line have prompted Men’s many vendors to focus on heritage, brand-identifying products as they downplay product extensions or ancillary classifications. JA Apparel, the company that operates the Joseph Abboud brand, is farming out major categories to licensees in order to focus on its classic clothing business. Luxury outerwear maker Belstaff beefed up its core offering of iconic waxed motorcycle jackets by creating an in-stock program. And island lifestyle company Tommy Bahama has seen a renewed vigor for its camp shirts, the product that See Vendors, Page6 o EN t A CEN y ALA t by PHOTO BY BY PHOTO photo 3x14 (left) WWD.COM WWDTHURSDSportswearAY FASHION ™ 8 Resort continues with looks from Calvin Klein, A weekly update on consumer attitudes and behavior based Diane von Furstenberg, Carolina Herrera and more.
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Honey, Spice and Sometimes Nice: the 20Th and 21St Centuries Cultural, Social and Political Work of the Queen Bee
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 11-2018 Honey, Spice and Sometimes Nice: The 20th and 21st centuries Cultural, Social and Political Work of the Queen Bee Sarah Elisabet Stanislawa Schmer Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Schmer, Sarah Elisabet Stanislawa, "Honey, Spice and Sometimes Nice: The 20th and 21st centuries Cultural, Social and Political Work of the Queen Bee" (2018). Women's History Theses. 39. https://digitalcommons.slc.edu/womenshistory_etd/39 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Sarah Lawrence College Honey, Spice and Sometimes Nice: The 20th and 21st centuries Cultural, Social and Political Work of the Queen Bee by Sarah Elisabet Stanislawa Schmer Thesis Advisor: Professor Lyde Cullen Sizer Submitted in partial completion of the Master of Arts Degree in Women’s History at Sarah Lawrence College December 2018 2 Abstract This thesis was partially inspired by my personal experience of attending Emma Willard School, an all-girls boarding school in Troy, New York. This thesis examines the social, cultural and political history of the Queen Bee figure in the popular culture of the twentieth and twenty first centuries. The Queen Bee is a fluid anti-heroine however, a feminist character who while she tears down others around her to succeed is also genuine with relatable emotions.
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MEET the FASHION INDUSTRY INSIDERS THURSDAY, SEPTEMBER 26, 2013, 5:00-7:00 PM Tillie Lewis Theater, San Joaquin Delta College
San Joaquin Delta College Fashion Program’s 5th Annual MEET THE FASHION INDUSTRY INSIDERS THURSDAY, SEPTEMBER 26, 2013, 5:00-7:00 PM Tillie Lewis Theater, San Joaquin Delta College Fashion Industry Professionals from New York, Los Angeles and San Francisco gather in Stockton once a year to share their insights about the industry, dispel myths about careers in fashion and provide valuable information about starting a career and becoming successful in the fashion industry. On Thursday, September 26th, the Fashion Program at Delta College will hosts its annual Meet the Fashion Industry Insiders event in Tillie Lewis Theater on the Delta College Campus. The event is an evening of casual conversations between the industry insiders about their careers, industry experiences, advice and more. The insiders represent an array of specializations from design to celebrity styling to product development and more. They bring with them a wealth of experience and wisdom to share with those attending the event. “The insiders are really inspiring,” said Kyle Gajeton, Delta Fashion Student. “They always encourage us to follow our dreams and never give up on our dreams or goals.” Kyle noted that the event gets better and better every year. Kasey Sneed, Fashion Merchandising Student stated that she gets to hear from people in the industry whom she would never be able to meet. “I get to hear from professionals who are doing what I want to do in my future career and hear their advice for success.” Kelsee Sailsbery attended last year for the first time and felt that it was so worth it for her career.
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L'a.S.S.O. Nella Manica
! in collaborazione con ! presenta un film diretto da Ari Sandel ! L’A.S.S.O. NELLA MANICA Con Mae Whitman, Robbie Amell, Bella Thorne, Bianca Santos e Skyler Samuels DAL 19 AGOSTO AL CINEMA Durata: 100 minuti I materiali sono scaricabili dall’ area stampa di www.eaglepictures.com Ufficio Stampa Film - Echo: Stefania Collalto – [email protected] - tel. +39 0246762519 Lisa Menga – [email protected] - tel. +39 02-46762529 Diletta Colombo – [email protected] - tel. +39 02-46762533 Ufficio Stampa Eagle Pictures: [email protected] SINOSSI Bianca (Mae Whitman) è un’adolescente acqua e sapone, come tante, contenta della scuola e dei suoi amici fino al giorno in cui, parlando con due amiche, decisamente più “popolari” e attraenti di lei (Skyler Samuels e Bianca Santos), scopre di essere stata soprannominata ‘A.S.S.O.’ (Amica Sfigata Strategicamente Oscena). Così il suo universo fatto di certezze comincia a vacillare. Bianca ignora i saggi consigli elargiti dall’amica del cuore e si lega a Wesley (Robbie Amell), il muscoloso della scuola, tanto furbetto quanto innocuo, per tentare di cancellare per sempre questo soprannome. Così facendo, spera di attrarre anche l’attenzione di Toby (Nick Eversman), di trovare finalmente la sicurezza e la fiducia necessarie per affrontare la temibile Madison (Bella Thorne) e di ricordare a tutti che, indipendentemente dal proprio aspetto fisico o dal proprio comportamento, prima o poi ognuno di noi è un’A.S.S.O. È un dato di fatto, e non c’è niente di male. Diretto da Ari Sandel, da una sceneggiatura di Josh A. Cagan (ispirato al libro di Kody Keplinger), L’A.S.S.O.
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You Know You Want It Eric Daman Free Pdf Download
You Know You Want It Eric Daman Free Pdf Download 1 / 6 2 / 6 You Know You Want It Eric Daman Free Pdf Download 3 / 6 Step 2: Search the emoji for which you want to learn the meaning. ... And did you know you can type Yin Yang ☯ text symbol right from your keyboard? ... iOS Emoji by Eric Fredricksen 2016 (source code) This'll work best in Safari; ... Emoji Quiz is available for free download … ... (The merely curious can opt for a $5 PDF.. your students do the reading and offers you reports on how well your class and individual students understand the ... expert in native and early American history, Eric brings ... As the authors of America's History, we know better ... Finally, we want to express our apprecia- ... downloadable PDF e- book or with the main text's.. Eric Wong. Wai Lam ... Hamzah Asyrani Sulaiman, Abdullah Bade, Daut Daman, and ... a sequence, nor do we know where the action boundaries are. We will ... In essence, we need to recompute all three inputs to the classi-. 1. you know you want it eric daman The Ipr mice develop lymphadenopathy and suffer from a systemic lupus erythematosus-like autoimmune disease, indicating an important role .... We now have even more eric daman gossip girl style guide reason to eric ... girl style guide Girl stylist Eric Daman's new style guide, You Know You Want It, I had ... on the book series of the same name written by Cecily von eric daman gossip .... from WWD issue 01/12/2010 Download PDF ... gang are expected to be on hand for costume designer Eric Daman's book party at Henri Bendel.
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Wydrukuj Tekst
TEKSTURA Rocznik Filologiczno-Kulturoznawczy tom 1 (5): 2014 http://dx.doi.org/10.12775/Tek.2014.005 Aleksandra Dudczak (UMK) [email protected] „Wiesz, że mnie kochasz” – moda na młodość W serialu GOSSIP GIRL Ktokolwiek powiedział, że za pieniądze szczęścia nie kupisz, nie wiedział gdzie robić zakupy. Blair Waldorf1 Wszystko ma swoją cenę W tytułowym serialu osoby, które swym rodowodem nawiązują do posta- ci z pamiętników gimnazjalistów, stają się ofiarami mody wielkich projek- tantów. Najlepsi architekci, styliści i designerzy tworzą dla nich świat pełen blichtru, złotych obcasów i garniturów szytych na miarę. Imponujące wnę- trza dla potrzeb obrazu stworzone zostały przez Christinę Tonkin2. Deko- ratorce udało się z pokoi głównych bohaterów stworzyć małe galerie sztuki współczesnej. Eric Daman, który swoimi stylizacjami wyróżnił się w serialu Seks w wielkim mieście, w Plotkarze odziewa bohaterów w złoto i nadaje im seksapilu. Wszystko to łączy w całość nowoczesna architektura wschodniej części Górnego Manhattanu, od zachodu ograniczonego Central Parkiem, a od wschodu East River. Dopiero gdzieś na drugim planie rozgrywa się lan- drynkowy melodramat – papierowe historie miłosne i problemy dojrzewa- nia, gdyż to niewątpliwie jest serial o nastolatkach, którzy podążają za modą udawania dorosłych. 1 Ścieżka dialogowa serialu Gossip Girl, sezon 1, odcinek 3, tłumaczenie własne. 2 Christina Tonkin – kreatorka wnętrz do m.in. serialu Gossip Girl czy Seks w wiel- kim mieście. 62 ALEKSANDRA DUDCZAK Serial o tajemniczej plotkarze (jej głos podkłada Kristen Bell) z Manhatta- nu nie jest autorskim pomysłem Josha Schwartza i Stephenie Savage, twór- ców odcinków Gossip Girl. Najsłynniejszą, a na pewno najbardziej modną blogerkę w tej części Nowego Jorku stworzyła Cecily von Ziegesar w swojej 12-częściowej opowieści w zamyśle kierowanej do nastolatków, ale czytanej również przez dojrzałych odbiorców.
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