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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
Movie Review: ‘Creed II’
Movie Review: ‘Creed II’ NEW YORK — Moviegoers under 33 take note: You had yet to be born when “Rocky IV,” the 1985 film that hovers in the background of the sports drama “Creed II” (MGM), was released. While viewers of any age will know what to expect from this latest extension of the durable franchise long before they buy a ticket, the tried and true, against-the-odds formula still works somehow. Early on in this chapter of the saga, Adonis Creed (Michael B. Jordan), with the help of his hard-driving trainer, Rocky Balboa (Sylvester Stallone), wins the world heavyweight championship. He also proposes to his live-in girlfriend, Bianca (Tessa Thompson), a singer who suffers from hearing loss. But the rise of Viktor Drago (Florian Munteanu), a rival Adonis feels compelled to take on, sets up an emotionally fraught match since the up-and-comer’s father and coach, Ivan (Dolph Lundgren), is the Russian fighter whose blows killed Adonis’ dad, Apollo, back in the Reagan era. (Rocky subsequently fought and beat Ivan.) Rocky continues to feel remorse over his opponent-turned-ally Apollo’s death and urges Adonis not to accept Viktor’s challenge, a stance that threatens to cause a breach in their close relationship. It’s a conflict Rocky can ill afford since the death of his wife and alienation from his son have left him emotionally isolated. He can still count on the loyal friendship of Apollo’s widow and Adonis’ adoptive mom, Mary Anne (Phylicia Rashad), however. Working from a script Stallone co-wrote with Juel Taylor, director Steven Caple Jr. -
Proceedings 2012
TABLE OF CONTENTS Introduction iv Beacon 2012 Sponsors v Conference Program vi Outstanding Papers by Panel 1 SESSION I POLITICAL SCIENCE 2 Alison Conrad “Negative Political Advertising and the American Electorate” Mentor: Prof. Elaine Torda Orange County Community College EDUCATION 10 Michele Granitz “Non-Traditional Women of a Local Community College” Mentor: Dr. Bahar Diken Reading Area Community College INTERDISCIPLINARY STUDIES 18 Brogan Murphy “The Missing Link in the Puzzling Autism Epidemic: The Effect of the Internet on the Social Impact Equation” Mentor: Prof. Shweta Sen Montgomery College HISTORY 31 Megan G. Willmes “The People’s History vs. Company Profit: Mine Wars in West Virginia, the Battle of Blair Mountain, and the Ongoing Fight for Historical Preservation” Mentor: Dr. Joyce Brotton Northern Virginia Community College COMMUNICATIONS I: POPULAR CULTURE 37 Cristiana Lombardo “Parent-Child Relationships in the Wicked Child Sub-Genre of Horror Movies” Mentor: Dr. Mira Sakrajda Westchester Community College ALLIED HEALTH AND NURSING 46 Ana Sicilia “Alpha 1 Anti-Trypsin Deficiency Lung Disease Awareness and Latest Treatments” Mentor: Dr. Amy Ceconi Bergen Community College i TABLE OF CONTENTS (CONTINUED) SESSION II PSYCHOLOGY 50 Stacy Beaty “The Effect of Education and Stress Reduction Programs on Feelings of Control and Positive Lifestyle Changes in Cancer Patients and Survivors” Mentor: Dr. Gina Turner and Dr. Sharon Lee-Bond Northampton Community College THE ARTS 60 Angelica Klein “The Art of Remembering: War Memorials Past and Present” Mentor: Prof. Robert Bunkin Borough of Manhattan Community College NATURAL AND PHYSICAL SCIENCES 76 Fiorella Villar “Characterization of the Tissue Distribution of the Three Splicing Variants of LAMP-2” Mentor: Prof. -
(B) Questions for Professional EQ,Uipment Makers We Ask You to Advise Us of the Cost and Estimated Delivery Dates (Projected
(b) Questions for Professional EQ,uipment Makers We ask you to advise us of the cost and estimated delivery dates (projected from the time the FCC releases its Final Qrder on the HDTV Standard) of HDTV production equipment in the following production formats, together with any bases or assumptions utilized:'· Sampling Spatial (HxV) Frequency Cost Delivery Dates (MHz) I 1280 x 720 p 75.3 1920 x 1080 i 74.25 720 p/1080 i 75.3/74.25 I (dual format) i Attachment 4 lists the items of production equipment for which we are seeking infonnation. Please identify the relative impacts, if any, on operational costs, complexity or delivery date of using one or the other of the identified production formats. Do you believe that equipment in any or all of such formats would continue to be useable in a 960 p-scan or 1080 p-scan transmission environment? Which equipment format, if any, would be more readily useable in, or upgradeable to, such an environment? Please explain. Finally, if you have any basis now to estimate the cost and delivery date of HDTV studio origination equipment in the 1920 x 1080 p-scan format, please give us your estimates and the basis therefore. 3.0 HDTV CONSUMER EQUIPMENT Our ACATS Experts Group, as noted above, must also evaluate the cost and timing impacts of multiple-scan transmission formats and forward compatibility on various types of HDTV consumer equipment (CE), such as receivers, VCRs, laser disc players, cable converters, and other future eqUipment, such as CDs and flat panel displays. -
ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
Verbal Features of Film Reviews in the Modern American Media Discourse
Online Journal of Communication and Media Technologies, 2020, 10(3), e202020 e-ISSN: 1986-3497 Verbal Features of Film Reviews in the Modern American Media Discourse Marina R. Zheltukhina 1* 0000-0001-7680-4003 56669701900 A-7301-2015 Gennady G. Slyshkin 2 0000-0001-8121-0250 57191286505 G-1470-2014 Galina N. Gumovskaya 3 0000-0002-5823-792X Ekaterina A. Baranova 4 0000-0003-1794-9936 57211620013 AAF-3744-2019 Natalia G. Sklyarova 5 0000-0002-2875-3317 57193058610 K-3848-2017 Ksenya S. Vorkina 6 0000-0002-3804-3925 Lyudmila A. Donskova 7 0000-0002-7432-3908 1 Institute of Foreign Languages, Volgograd State Socio-Pedagogical University, Volgograd, RUSSIA 2 Institute of Linguistics and Intercultural Communication, I.M. Sechenov First Moscow State Medical University (Sechenov University), Institute of Law and National Security, Russian Presidential Academy of National Economy and Public Administration, Moscow, RUSSIA 3 Foreign Languages Department, National Research University Higher School of Economics, Moscow, RUSSIA 4 Communicative Management Department, Journalism Chair, Russian State Social University, Moscow, RUSSIA 5 Institute of philology, journalism and cross-cultural communication, Southern Federal University, Rostov-on-Don, RUSSIA 6 Faculty of Philology, Peoples’ Friendship University of Russia (RUDN University), Moscow, RUSSIA 7 Department of Foreign Languages, Kuban State Agrarian University, Krasnodar, RUSSIA * Corresponding author: [email protected] Citation: Zheltukhina, M. R., Slyshkin, G. G., Gumovskaya, G. N., Baranova, E. A., Sklyarova, N. G., Vorkina, K. S., & Donskova, L. A. (2020). Verbal Features of Film Reviews in the Modern American Media Discourse. Online Journal of Communication and Media Technologies, 10(3), e202020. https://doi.org/10.30935/ojcmt/8386 ARTICLE INFO ABSTRACT Received: 18 Feb 2020 The article discusses the verbal specifics of film reviews. -
How Are the Major Streaming Services Reshaping the Film Industry
How Are the Major Streaming Services Reshaping the Film Industry Master Thesis MSc Strategy, Organization and Leadership Submission: May 9th, 2018 Normal pages: 106 (237.228 characters incl. spaces) Supervisor: Mehran Moghaddas (DVIP, INT) Students: Viktoria Vas & Gerda Binkyte Copenhagen Business School 2018 Abstract The paper examines the effects major streaming services, such as Netflix, Amazon, HBO have on the Danish film industry, and seeks to identify how individual producers and independent production companies in the country can exploit the rising opportunities. The research used a mix of deductive and inductive reasoning in the analysis, for which twelve semi-structured in-depth interviews were conducted with industry professionals from Denmark over the course of five weeks. This led to insightful findings that can be used for further researches for both academics and professionals. The analysis built on theories discussed in the literature review; Porter’s five forces (Porter, 1979), supply chain, emerging strategy (Mintzberg, 1987), marketing mix, four trajectories of change (McGahan, 2004). The findings include changes in certain links in the supply chain of film production, such as; affects on producers and film financing, changes in sales and distribution. While for producers SVOD services mainly bring additional financing opportunities, decreasing the power of DFI and the national broadcasters, sales agents and distribution is highly affected. Sales agents will need to adapt to the changing conditions, and transform themselves from traditional sales agents to agents who offer extra services for their clients. Distribution is affected in a way that its release windows system is disrupted and shortening some of these windows might not be avoided in the future. -
Motion Picture License List of MPL Participating Theatrical Distributors & Producers
Motion Picture License List of MPL Participating Theatrical Distributors & Producers MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS 20th Century Studios Paramount Pictures (f/k/a Twentieth Century Fox Film Corp.) Paramount Vantage Buena Vista Pictures Picturehouse Cannon Pictures Pixar Animation Studios Columbia Pictures Polygram Filmed Entertainment Dreamworks Animation SKG Republic Pictures Dreamworks Pictures RKO Pictures (Releases 2011 to present) Screen Gems PLEASE CHOOSE Dreamworks Pictures CATEGORY: (Releases prior to 2011) Searchlight Pictures (f/ka/a Fox Searchlight Pictures) Fine Line Features Sony Pictures Entertainment Focus Features Major Hollywood Studios STX Entertainment & Affiliated Labels Fox - Walden Touchstone Pictures Fox 2000 Films TV Tristar Pictures Fox Look Triumph Films Independent Hanna-Barbera United Artists Pictures Hollywood Pictures Faith-Based Universal Pictures Lionsgate Entertainment USA Films Lorimar Telepictures Children’s Walt Disney Pictures Metro-Goldwyn-Mayer (MGM) Studios Warner Bros. Pictures Spanish Language New Line Cinema Warner Bros. Television Nickelodeon Movies Foreign & International Warner Horizon Television Orion Pictures Warner Independent Pictures Paramount Classics TV 41 Entertaiment LLC Ditial Lifestyle Studios A&E Networks Productions DIY Netowrk Productions Abso Lutely Productions East West Documentaries Ltd Agatha Christie Productions Elle Driver Al Dakheel Inc Emporium Productions Alcon Television Endor Productions All-In-Production Gmbh Fabrik Entertainment Ambi Exclusive Acquisitions -
Oscars and America 2011
AMERICA AND THE MOVIES WHAT THE ACADEMY AWARD NOMINEES FOR BEST PICTURE TELL US ABOUT OURSELVES I am glad to be here, and honored. I spent some time with Ben this summer in the exotic venues of Oxford and Cambridge, but it was on the bus ride between the two where we got to share our visions and see the similarities between the two. I am excited about what is happening here at Arizona State and look forward to seeing what comes of your efforts. I’m sure you realize the opportunity you have. And it is an opportunity to study, as Karl Barth once put it, the two Bibles. One, and in many ways the most important one is the Holy Scripture, which tells us clearly of the great story of Creation, Fall, Redemption and Consummation, the story by which all stories are measured for their truth, goodness and beauty. But the second, the book of Nature, rounds out that story, and is important, too, in its own way. Nature in its broadest sense includes everything human and finite. Among so much else, it gives us the record of humanity’s attempts to understand the reality in which God has placed us, whether that humanity understands the biblical story or not. And that is why we study the great novels, short stories and films of humankind: to see how humanity understands itself and to compare that understanding to the reality we find proclaimed in the Bible. Without those stories, we would have to go through the experiences of fallen humanity to be able to sympathize with them, and we don’t want to have to do that, unless we have a screw loose somewhere in our brain. -
SUTTIRAT ANNE LARLARB Costume Designer/Production Designer
SUTTIRAT ANNE LARLARB Costume Designer/Production Designer Selected Credits as Costume Designer: UNTITLED OBI-WAN KENOBI SERIES – Disney+ / Lucas Films – Deborah Chow, director BOND 25: NO TIME TO DIE (feature) – MGM - Cary Joji Fukunaga, director GEMINI MAN (feature) – Skydance / Paramount Pictures - Ang Lee, director AMERICAN GODS (season 1) – Fremantle Media / Starz – various directors STEVE JOBS (feature) – Universal Pictures - Danny Boyle, director THE WALK (feature) – Sony Pictures Entertainment - Robert Zemeckis, director TEN THOUSAND SAINTS (feature) – Archer Gray - Shari Springer & Robert Pulcini, directors THE GOOD LIE (feature) – Imagine Entertainment - Philippe Falardeau, director 2012 SUMMER OLYMPICS – OPENING CEREMONY, LONDON - Danny Boyle, director TRANCE (feature) – Fox Searchlight Pictures / Pathé – Danny Boyle, director CINEMA VERITE (mow) – HBO - Shari Springer& Robert Pulcini, directors Nominee – Outstanding Costumdes for a Miniseries, Movie, or Special – Emmy Awards 2011 127 HOURS (feature) – Fox Searchlight Pictures - Danny Boyle, director Nominee – Best Picture – 2011 Academy Awards Nominee – Best Film – 2011 BAFTA Awards THE AMERICAN (feature) – Focus Features - Anton Corbijn, director BEASTLY (feature) – CBS Films - Daniel Barnz, director THE EXTRA MAN (feature) – Magnolia Pictures - Shari Springer & Robert Pulcini, directors Sundance Film Festival, World Premiere 2010 PEACOCK (feature) – Mandate Pictures - Michael Lander, director SLUMDOG MILLIONAIRE (feature) – Fox Searchlight Pictures – Danny Boyle, director