DISTRICT LINES News and Views of the Historic Districts Council Winter 2002, Volume XVI, Number 3

Total Page:16

File Type:pdf, Size:1020Kb

DISTRICT LINES News and Views of the Historic Districts Council Winter 2002, Volume XVI, Number 3 DISTRICT LINES news and views of the historic districts council winter 2002, volume XVI, number 3 p1 ~ 2002—The Year in Preservation p2 ~ The President’s Column p2 ~ The Year in HDC p6 ~ The City as Palimpsest p7 ~ City Proposes Fees for Landmark Permits p2 ~ New Books about Old New York 2002—The Year in Preservation Preservation in New York City has not had a good year. There have been suc- cesses, to be sure, most of them the victo- ries of neighborhood advocates who have soldiered on in some cases for decades. But the successes have been outweighed by losses. Some of the disappointments are due to the city’s budget crisis, which has scrapped almost any chance for the Landmarks Preservation Commission to gain needed staff. The budget is responsi- ble also for the threat of landmark permit fees arising like a malignant phoenix (see article on page 7). More commonly however—and more preventable—the year’s losses are due to miscarriages of municipal land-use regulation. But first the good news: In Manhat- tan, Harlem’s Hamilton Heights/Sugar Hill neighborhood has, by dint of intense com- munity involvement and partnership with the LPC, increased the number of desig- nated landmark properties almost three- One of the year’s biggest losses was the designated landmark Amster Yard, on 49th Street between 2nd and fold, from 206 to 586 (see map, page 4). 3rd Avenues. The 1860s courtyard buildings shown here around the time of designation in 1966 no longer When the Hamilton Heights Historic exist. They were demolished, the trees and plantings were uprooted, and the townhouses facing 49th Street District was designated in 1974, less than were torn down except for a one-brick-thick facade. See box, page 5. five blocks of 19th century rowhouses and low-rise apartment buildings were pro- tected. Now fifteen blocks of apartment the original district. If it would only see SAVE THE DATE buildings, row houses, carriage houses, boundary avenues in other districts in the and churches are designated. With HDC’s same light! for HDC's Ninth Annual Preservation co-sponsorship, the neighborhood In Midtown Manhattan, for example, Conference received a grant from the Preservation although the Murray Hill Neighborhood "Preserving the Suburban Metropolis" League of New York State and the New Association succeeded in its 30-year cam- York State Council on the Arts to apply paign to gain historic status for parts of its A day of preservation panels about the for listing on the State and National Regis- rowhouse neighborhood, the district was "other" New York ter of Historic Places and received it. This gerrymandered to exclude the higher-rise allows tax incentives for appropriate reha- avenue blocks, leaving the new district Saturday, March 8, 2003 bilitation of commercial properties vulnerable along the edges. Similarly in In a laudable action after much com- Tribeca, the LPC designated a small The New-York Historical Society munity urging, the LPC designated the extension to the Tribeca South Historic 2 West 77th Street at Central Park West majority of Edgecombe Avenue in Hamil- District through the midblocks of Cham- ton Heights and expanded the boundaries bers, Warren, and Murray Streets exclud- Call HDC at 212 614-9107 for details of the 1974 designation to better protect continued on p. 4 Historic Districts Council District Lines ~ Winter 2002 ~ page 2 appointees chosen by the mayor absolutely must speak the language of THE PRESIDENT’S COLUMN preservation and have a thorough under- standing of the landmarks law and the commission’s role in upholding it. Impor- The Historic Districts Council was tant in the best of times, expertise in the proud to honor former City Council mem- top echelon is essential when money is so ber Ken Fisher as the 2002 Landmarks tight. Experience and intelligence can help Lion. Celebrated at Federal Hall National to some degree to make up for the eco- Memorial in Lower Manhattan, the event nomic shortfalls now faced by our city, but helped focus attention on the economic this is no time for on-the-job training at revival of downtown, our city’s oldest the Landmarks Preservation Commission. neighborhood. Ken eloquently addressed –Hal Bromm, President several concerns shared by HDC, among them the future of the New York City Landmarks Preservation Commission. The Year in HDC This concern was also expressed by Michael Bloomberg while he was cam- Over the past year, the Historic Dis- paigning for mayor. At an August 2001 tricts Council continued and even Meris D. photo: candidates’ breakfast co-sponsored by increased its educational and community Joe Lombardi’s Octagon House, a candy-colored con- HDC, Mr. Bloomberg spoke convinc- outreach programs. In March 2002, we fection in Irvington, NY. ingly of his concern for the city’s land- hosted our 8th Annual Preservation Con- marks law and the commission that is ference at the New School in Greenwich charged with upholding it. He said there Village. Entitled “Preserving the Modern were “a whole bunch of agencies that Metropolis,” it focused on the architectural By drawing on examples in New York we’ve cut back–Landmarks is certainly legacy of the 20th century in New York and England, speakers in the morning one of them–where we’ve been penny City. In three sessions, it featured well panel discussed the intricacies of using wise and pound foolish.” Candidate known architects, historians and preserva- Modern design in historic communities. Bloomberg went on to say, “Landmarks is tion practitioners such as Hugh Hardy, Tom Anthony M. Tung, architect and former like your top management and organiza- Mellins, Rolf Olhausen, Françoise Bollack, LPC commissioner, gave an impressive tion, that’s where you really want to Jeffrey Kroessler, and Landmarks Preserva- keynote lecture with fascinating slides spend your money. If you’ve got great tion Commission chair Sherida Paulsen. and visuals collected during his tour of 22 people and structure at the top, it filters all the way down.” He also said “I think you have to have somebody running Landmarks who has the respect of the constituency they serve.” DISTRICT HDC agrees, and urges the mayor to fill the ten expired seats on the commis- LINES sion with dedicated, knowledgeable indi- news and views of the viduals who are professionally conversant historic districts council with historic preservation. Any new editor ~ Penelope Bareau layout and production ~ Ross Horowitz editorial consultant ~ Jack Taylor contributors ~ Simeon Bankoff, Penelope Bare Hal Bromm, Eve Kahn, Jeffrey Kroessler the historic districts council is the citywide non-profit advocate for new york’s designated histroic districts, and for neighborhoods worthy of preservation. the council is dedicated photo: © P. Decker © P. photo: photo: © P. Decker © P. photo: to preserving the integrity of new Hal Bromm and presenters Kate Burns Ottavino and york city’s landmarks law and to HDC Director Franny Eberhart with the Joan K. Davidson present Ken Fisher with his Lion furthering the preservation ethic. redoubtable Margot Gayle, 1993 Landmarks Lion. award, a 19th-century engraving of City Hall Park 1993 was a good year for Lions. Historic Districts Council District Lines ~ Winter 2002 ~ page 3 offer similar programs throughout 2003 in all five boroughs. On the publishing front, one new proj- ect is the New Boundaries Initiative, the first phase of which will be a white paper on the discrepancy between historic neigh- borhoods and designated historic districts. And over the summer, HDC revised our classic “Creating an Historic District” in order to account for changes in procedure at the LPC and to incorporate new resources available to the public. The new edition will be available in spring 2003. Lest we be dull from too much work, we had parties. In June, Joseph Pell Lom- bardi, a preservation architect and HDC photo: © P. Decker © P. photo: adviser, invited us to his astonishing Octa- HDC Adviser Joseph Pell Lombardi, who owns and restored the Octagon House, and HDC Director gon House in Irvington NY for a lawn Susan Tunick on the grounds of the Octagon House by the gazebo. party. His house is a fabulous 19th century confection which he has spent the past 20 years restoring and which he opened to us for tours. In September the annual Grass- cities throughout the world to research evening panels to Friends of HDC to roots Awards & Preservation Party took his recent book, “Preserving the World’s discuss specific aspects of preservation. place at Bargemusic underneath the Great Cities.” During the afternoon, Speakers included current officials from Brooklyn Bridge. The award winners speakers discussed Modern masterpieces the City Planning Commission and the were: Evelyn and Everett Ortner; the and communities in New York City: for LPC, former public officials, and neigh- Murray Hill Neighborhood Association.; every Ford Foundation and Seagram borhood advocates who discussed con- Save Gansevoort Market; the Jackson building that is protected under the Land- textual zoning and historic districts, the Heights Beautification Group; and Linda marks Law there are buildings such as 2 designation process and enforcing the Jones of Staten Island. Our Friend from Columbus Circle and neighborhoods such Landmarks Law. Standing-room audi- the Media Award went to The City Sec- as Parkway Village that remain at risk. ences were intrigued to learn how the tion of The New York Times; and our Friend The day was rounded out by a lunchtime Landmarks Law and Zoning Resolution in High Places Award was given to Coun- lecture on the Lower East Side by archi- are enforced by the people who have cilmember Dennis Gallagher from Rich- tectural historian Joyce Mendelsohn. been and are currently responsible for mond Hill.
Recommended publications
  • Cultural Guide for Seniors: Brooklyn PHOTOGRAPHY
    ART / DESIGN ARCHITECTURE DANCE / SING THEATRE / LIVE MONUMENTS GALLERIES / ® PARKSCultural Guide for Seniors: Brooklyn PHOTOGRAPHY Acknowledgments NYC-ARTS in primetime is made possible in part by First Republic Bank and by the Rubin Museum of Art. Funding for NYC-ARTS is also made possible by Rosalind P. Walter, The Paul and Irma Milstein Foundation, The Philip & Janice Levin Foundation, Elise Jaffe and Jeffrey Brown, Jody and John Arnhold, and The Lemberg Foundation. This program is NYC-ARTS.org supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. On multiple platforms, Thirteen/WNET’s Additional funding provided by members of NYC-ARTS aims to increase awareness of THIRTEEN. New York City’s nonprofit cultural organizations, whose offerings greatly benefit We are grateful to Megan Flood for residents and visitors—from children to adults, contributing the design of the cover of this and teenagers to senior citizens. publication. NYC-ARTS promotes cultural groups’ We are grateful for the cooperation of the activities and events to tri-state, national and cultural organizations that supplied information international audiences through nonprint media, for this guide. using new technologies as they develop. Through websites, television, mobile applications and social media, NYC-ARTS This program is supported, in part, by nurtures New York City’s position as a public funds from the New York City thriving cultural capital of the world, one that Department of Cultural Affairs. has both world renowned institutions and those that are focused on local communities. WNET 825 Eighth Avenue New York, NY 10019 http://WNET.org (212) 560-2000 Cover Design: Megan Flood Copyright © 2012 WNET Table of Contents A.I.R./Artists in Residence Gallery.............................................................................
    [Show full text]
  • Winter 2006 - 2007 BARGEMUSIC FULTON FERRY LANDING, BROOKLYN
    Winter 2006 - 2007 BARGEMUSIC FULTON FERRY LANDING, BROOKLYN It doesn’t take long to hear what makes Bargemusic the perfect chamber music hall... In a standard hall, even a comparatively small one like Alice Tully or Merkin, the sound they produced would have been not just quiet, but distant as well. In the intimate confines of Bargemusic, though, this restrained passage sacrificed nothing in presence or fine-grained detail. Allan Kozinn, The New York Times 52 WEEKS A YEAR WWW.BARGEMUSIC.ORG THURSDAY, FRIDAY, [email protected] SATURDAY AND (718) 624-2083 SUNDAY (718) 624-4061 “To understand the universality of music, try swaying in the wakes of passing sightseeing boats while listening to Liszt’s music... played on a piano framed against the night skyline of Lower Manhattan. Moored beneath the Brooklyn Bridge and floating in the East River, Bargemusic, its loyal followers and its beautiful if improbable setting soldier on.” - Bernard Holland, The New York Times June 25, 2005 RESERVATIONS Call: (718) 624-2083 in the office or (718) 624-4061 on the Barge. Seats are assigned in order of phone call or email. Email: [email protected] Ticket Prices: Regular: $35 / Enhanced: $40 Seniors: $30 (Thursdays and Fridays) / Full-time* Students: $20 Special concerts as listed, for everyone. Purchase tickets at the concert by cash or check only, please. Ask about group sales. Credit Cards by Phone: Purchase tickets with MasterCard or VISA, only by telephone at (718) 624-2083. Cancellations: Please let us know before the concert if you cannot attend so that your seat can be reassigned.
    [Show full text]
  • Summer 2007 X
    BARGEMUSIC Unique floating concert hall— in residence to the community at large all year long. Summer 2007 X “It doesn’t take long to hear what makes Bargemusic the perfect chamber music hall… ” —Allan Kozinn, The New York Times “Bargemusic—New York’s favorite floating concert hall.” —Anne Midgette, The New York Times w www.bargemusic.org [email protected] 718.624.2083 718.624.4061 Fulton Ferry Landing, Brooklyn w Reservations W Call: 718.624.2083 in the office or 718.624.4061 on the Barge. Seats are assigned in order of phone call or email. Email: [email protected] Ticket Prices: Regular: $35 / Enhanced: $40 Seniors: $30 (Wednesdays, Thursdays and Fridays) / Full-time Students: $20 Special concerts as listed, for everyone. Purchase tickets at the concert by cash or check only, please. Ask about group sales. Credit Cards by Phone: Purchase tickets with MasterCard or VISA, only by telephone at 718.624.2083. Cancellations: Please let us know before the concert if you cannot attend so that your seat can be reassigned. If you have already paid by check or credit card, you may donate your tickets for a tax deduction. We are not able to refund payments. w Directions W Bargemusic is in Brooklyn on the Fulton Ferry Landing near the Brooklyn Bridge By Subway: From Manhattan, ride in the rear of the A train to High Street station in Brooklyn. (From Brooklyn, ride in the front of the train). Use the FULTON STREET EXIT. Walk downhill on Cadman Plaza West to the East River, 3 blocks.
    [Show full text]
  • Ramon Gilsanz Is a Founding Partner in the Firm Gilsanz Murray Steficek
    Ramon Gilsanz, PE, SE, F.SEI, F.ASCE, Hon. AIA NYS Ramon Gilsanz is a founding Partner of Gilsanz Murray Steficek. In his over 35 year career as a structural engineer he has worked on a wide range of projects, both new construction and renovation. Among the new construction projects, Mr. Gilsanz has worked on residential towers, hospitals, office buildings, industrial facilities, and specialty projects such as art installations. He has been involved in renovating buildings, theaters and museums that have been deemed historical landmarks. Mr. Gilsanz is active in making contributions to the structural engineering industry through involvement in professional societies. He is currently serving as Chair of the New York City Department of Buildings’ Structural Technical Committee, a group responsible for the revisions of the New York City Building Code; Director for the New York/Northeast Chapter of Earthquake Engineering Research Institute (EERI); Chair of the American Council of Engineering Companies of New York Metropolitan Section Structural Code Committee; Past-Chairman of the code committee of the Structural Engineers Association of New York (SEAoNY), and he is working on several committees for the American Society of Civil Engineers (ASCE), including ASCE 7-16 Minimum Design Loads For Buildings And Other Structures, American Concrete Institute (ACI), and American Institute of Steel Construction (AISC) where he currently sits on the AISC Committee on Specifications. He also participated on the Code Advisory Committee for the National Council of Structural Engineers (NCSEA) and numerous New York City Committees on Standards. Mr. Gilsanz served on the Urban Green Council's Building Resiliency Task Force (BRTF) following Hurricane Sandy in October 2012.
    [Show full text]
  • Spring 2010 X
    BARGEMUSIC In residence to the community all year long. Spring 2010 X “It doesn’t take long to hear what makes Bargemusic the perfect chamber music hall… ” —Allan Kozinn, The New York Times “The popular venture atop a floating barge … a wonderfully intimate place to hear chamber music.” —Anthony Tommasini, The New York Times w www.bargemusic.org [email protected] 718.624.2083 718.624.4061 Fulton Ferry Landing, Brooklyn w www.bargemusic.org W w Reservations W For reservations & all inquiries: 718.624.2083 or 718.624.4061 Seats are assigned in order of phone call or email. Email: [email protected] Ticket Prices: Vary by performance; please see individual calendar listings. Purchase tickets at the concert by cash or check only, please. Ask about group sales and gift certificates. Credit Cards by Phone: Purchase tickets with MasterCard or VISA, only by telephone at 718.624.2083. Cancellations: Please let us know before the concert if you cannot attend so that your seat can be reassigned. If you have already paid by check or credit card, you may donate your tickets for a tax deduction. We are not able to refund payments. w Directions W Bargemusic is in Brooklyn on the Fulton Ferry Landing near the Brooklyn Bridge See map online at www.bargemusic.org. By Subway: From Manhattan, ride in the rear of the A or C train to High Street station in Brooklyn. (From Brooklyn, ride in the front of the train). Use the FULTON STREET EXIT. Walk downhill on Cadman Plaza West to the East River, 3 blocks.
    [Show full text]
  • Landmarks Preservation in New York City: a Critique
    University of Rhode Island DigitalCommons@URI Open Access Master's Theses 1977 Landmarks Preservation in New York City: a Critique Karen Ansis University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Ansis, Karen, "Landmarks Preservation in New York City: a Critique" (1977). Open Access Master's Theses. Paper 1354. https://digitalcommons.uri.edu/theses/1354 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. LANDMARKS PRESERVATION IN NEW YORK CITY: A CRITIQUE by KAREN ANSIS A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF COMMUNITY PLANNING UNIVERSITY OF RHODE ISLAND 197? MASTER OF COMMUNITY PLANNING THESIS OF KAREN ANSIS Approved: Thesis Committee: Major Professor ~C! I~ ~~?=r_J!_J Dean of the Graduate School UNIVERSITY OF RHODE ISLAND 1977 Abstract Along with a substantial increase in interest in historic preser­ vation in the last decade has come an acute awareness that landmarks preservation is a rea l estate, planning, and development activity which frequently involves extensive costs and difficult market decisions. In response to the needs to assuage and resolve financial and legal conflicts and to establish equitable public pol icy regarding the built environment, in 1965 the City of New York enacted one of the most inno­ vative and progressive landmarks preservation statutes in the country. Because this law has served as a model for other localities and because this law has been successfully challenged in litigation, its strengthen­ ing and the strengthening of the framework for landmarks preservation in New York City are pressing concerns for preservationists.
    [Show full text]
  • Summer 2009 X
    BARGEMUSIC Unique floating concert hall— in residence to the community at large all year long. Summer 2009 X “It doesn’t take long to hear what makes Bargemusic the perfect chamber music hall… ” —Allan Kozinn, The New York Times “Bargemusic—New York’s favorite floating concert hall.” —Anne Midgette, The New York Times w www.bargemusic.org [email protected] 718.624.2083 718.624.4061 Fulton Ferry Landing, Brooklyn w www.bargemusic.org W w Reservations W For reservations & all inquiries: 718.624.2083 or 718.624.4061 Seats are assigned in order of phone call or email. Email: [email protected] Ticket Prices: Regular: $35 / Enhanced: $40 Seniors: $30 (Enhanced: $35) / Full-time Students: $15 (Enhanced: $20) Special concerts as listed, for everyone. Purchase tickets at the concert by cash or check only, please. Ask about group sales. Credit Cards by Phone: Purchase tickets with MasterCard or VISA, only by telephone at 718.624.2083. Cancellations: Please let us know before the concert if you cannot attend so that your seat can be reassigned. If you have already paid by check or credit card, you may donate your tickets for a tax deduction. We are not able to refund payments. w Directions W Bargemusic is in Brooklyn on the Fulton Ferry Landing near the Brooklyn Bridge See map online at www.bargemusic.org. By Subway: From Manhattan, ride in the rear of the A or C train to High Street station in Brooklyn. (From Brooklyn, ride in the front of the train). Use the FULTON STREET EXIT. Walk downhill on Cadman Plaza West to the East River, 3 blocks.
    [Show full text]
  • Winter 2009/10
    BARGEMUSIC In residence to the community all year long. Winter 2009-10 X “It doesn’t take long to hear what makes Bargemusic the perfect chamber music hall… ” —Allan Kozinn, The New York Times “The popular venture atop a floating barge … a wonderfully intimate place to hear chamber music.” —Anthony Tommasini, The New York Times w www.bargemusic.org [email protected] 718.624.2083 718.624.4061 Fulton Ferry Landing, Brooklyn w www.bargemusic.org W w Reservations W For reservations & all inquiries: 718.624.2083 or 718.624.4061 Seats are assigned in order of phone call or email. Email: [email protected] Ticket Prices: Vary by performance; please see individual calendar listings. Purchase tickets at the concert by cash or check only, please. Ask about group sales and gift certificates. Credit Cards by Phone: Purchase tickets with MasterCard or VISA, only by telephone at 718.624.2083. Cancellations: Please let us know before the concert if you cannot attend so that your seat can be reassigned. If you have already paid by check or credit card, you may donate your tickets for a tax deduction. We are not able to refund payments. w Directions W Bargemusic is in Brooklyn on the Fulton Ferry Landing near the Brooklyn Bridge See map online at www.bargemusic.org. By Subway: From Manhattan, ride in the rear of the A or C train to High Street station in Brooklyn. (From Brooklyn, ride in the front of the train). Use the FULTON STREET EXIT. Walk downhill on Cadman Plaza West to the East River, 3 blocks.
    [Show full text]
  • Spring 2006 BARGE MUSIC FULTON FERRY LANDING, BROOKLYN
    Spring 2006 BARGE MUSIC FULTON FERRY LANDING, BROOKLYN It doesn't take long to hear what makes Bargemusic the perfect chamber music hall ... ~n a standard hall, even a comparatively small one like Alice Tully or Merkin, the sound they produced would have been not just quiet, but distant as well. In the intimate confines of Bargemusic, though, this restrained passage sacrificed nothing in presence or fine-grained detail. Allan Kozinn - The New York Times 52 WEEKS A YEAR WWW.BARGEMUSIC.ORG THURSDAY, FRIDAY, 718 624-2083, 718 624-4061 SATURDAY AND [email protected] SUNDAY ••To understand the universality of music, try swaying in the wakes of passing sightseeing boats while listening to Liszt's music. .. played on a piano framed against the night skyline of Lower Manhattan. Moored beneath the Brooklyn Bridge and floating in the East River, Bargemusic, its loyal followers and its beautiful if improbable setting soldier on. " - Bernard Holland, The New York Times June 25, 2005 RESERVATIONS Call: (718) 624-2083 in the office or (718) 624-4061 on the Barge. Seats are assigned in order of phone call or email. Email: [email protected] Ticket Prices: Regular: $35/ Enhanced: $40 Senior: $30 (Thursdays) / Full-time Student: $25 Special concerts as listed, for everyone. Purchase tickets at the concert by cash or check only, please. Ask about group sales. Credit Cards by Phone: Purchase tickets with MasterCard or VISA, only by telephone at (718) 624-2083. Cancellations: Please let us know before the concert if you cannot attend so that your seat can be reassigned.
    [Show full text]
  • District Lines Autumn 2003
    DISTRICT LINES news and views of the historic districts council autumn 2003 volume XVII number 2 p.1 ~ Landmark Demolition, by Intent or Neglect p.2 ~ President’s Column p.3 ~ Landmarks Commission Proposes Fees for Permits—Update p.4 ~ District Profiles: Charlton-King-Vandam Historic District, Manhattan p.5 ~ “Streams of Exotic, Devilish Creatures”—Herbert Muschamp’s Ideal City p.7 ~ Hart-felt Tribute: HDC to Lionize Kitty Carlisle p.8 ~ ARecent LPC Appointment p.9 ~ HDC Welcomes New Directors and Advisers p.10 ~ Latest Gifts and Grants Landmark Demolition, by Intent or Neglect In the past two or three years, many landmarks have been destroyed without May 1999 the site was purchased by the Landmarks Preservation Commission permits and without Department of Instituto Cervantes, a Spanish-govern- Buildings permits. It has happened sometimes in the middle of the night with ment cultural organization, which no one around, sometimes behind walls by workers with jackhammers and axes. wanted an auditorium and, not allowed Because this is such a major offense not only of the Landmarks Law but also, to build over the cottages, proposed to build underneath them. The institute more importantly, to the buildings and neighborhoods in which the vandalism applied to the LPC in August 2000 to occurs, District Lines is using this issue and the next to explore the topic. excavate the courtyard, demolish two of the four houses inside the courtyard and Part One: By Intent ignations, in the 1960s, and deserved to perform other alterations. The LPC be. In 1970 the owner, hoping to pre- held four public hearings between When the owner of a landmark takes up serve Amster Yard in perpetuity, sold October 2000 and February 2001 and tools or hires a contractor to tear down the air rights to a developer of an office finally approved the application.
    [Show full text]
  • News July 2017
    Turtle Bay News A Publication of the Turtle Bay Association August 2017 Vol. 60, No. 3 Turtle Bay Association, at 60 Years Old, Will Celebrate Its Achievements ome 60 years ago this fall, a small a city plan they deemed harmful to the ate, and group of East 49th Street residents neighborhood. They gave themselves a the group Sgot together at Amster Yard, locat- name – the East 49th Street Association changed ed between Second and Third avenues, – and after some long, thoughtful strat- its name to to strategize on how they could scuttle egy sessions, they went on to win their the Turtle battle: The city halted its plan to broaden Bay Asso- 49th Street to make way for more auto- ciation. mobile traffic, which would have meant This fall, narrowing the sidewalks and uprooting as the or- well-established shade trees in the pro- ganization cess. marks its Dag Hammarskjold Plaza 60th an- today, looking east. Their success encouraged the group to niversary, it can look back with pride at take on other fights to preserve the neigh- some hard-fought struggles to maintain borliness of the East Midtown area, and the area’s residential appeal, a major before long, residents from blocks north challenge for a neighborhood located and south of 49th Street had joined the Two clapboard houses at 312-314 East 53rd between the United Nations’ six-block Street, built in 1866. Both are designated cause. Soon, the designation of “49th complex on one side and the office tow- landmarks. Street” no longer seemed appropri- continued on page 5 Turtle Bay’s Supermarket Loss Reflects City-wide Event Calendar Trend National Night Out Against Crime In the fall of 2015, when the Food Empo- ing them are specialty fresh and prepared Tuesday, August 1, 5-8:30 pm rium in Turtle Bay closed, residents were food stores (Whole Foods, Trader Joe’s) unhappy to hear that a CVS store would that carry few, if any, household items, Dag Hammarskjold Plaza replace it.
    [Show full text]
  • The Big Apple Greeter Guide To
    Big Apple Greeter welcomes you to New York City! www.bigapplegreeter.org The Big Apple Greeter Guide to DUMBO text by marianne gennari. an acronym for down under the manhattan bridge overpass, DUMBO is a graphic design by joy makon. photographs by susan kroeter neighborhood of cobblestone streets and spacious buildings that were once a hub and caroline misan. of industry in Brooklyn. Known for its views of Manhattan, DUMBO is now home to © 2010 Big Apple Greeter 5/2010 Big Apple Greeter artists and families as well as to exciting art galleries and performance spaces. 1 Centre Street, New York, NY 10007 Phone: 212-669-8159 1 Web: www.bigapplegreeter.org ( + . 0 (( (* ) , / (' () (+ * - (, (- The Big Apple Greeter Guide to DUMBO (( () (* (- 0 () (+ (, (. (' (* fulton ferry landing manhattan bridge Where is DUMBO? greeter’s secret Things to See (0 (/ Situated between the Manhattan The Tobacco Warehouse, originally built and Do in DUMBO and Brooklyn Bridges in Western by the Lorillard family, sits on the ( + . 0 (( (* upland of Empire-Fulton Ferry State Park, empire-fulton ferry state Brooklyn, DUMBO is bordered (-by just north of the Brooklyn(. Bridge, and just(/ park at 26 New Dock Street on the (( (+the East River, Brooklyn Heights, south of the Empire Stores. Together, East River between the Brooklyn Vinegar Hill and Downtown these landmark 19th century warehouses and Manhattan Bridges is a 9 acre are vivid reminders of the shipping ) , / (' () (+ Brooklyn. activity that once defined the downtown urban oasis with unbeatable views Brooklyn waterfront. of Manhattan and New York (0 )' )( (* About DUMBO ( Harbor.+ The perfect place. for a 0 (( Until the late 1890s, the neighborhood was known stroll and some serious photography, the park becomes primarily for its ferry terminal that connected Brooklyn an outdoor sculpture garden in the summer.
    [Show full text]