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The Othered Intellectual in Joyce and Ellison Will Simonson Bucknell University, [email protected]
Bucknell University Bucknell Digital Commons Honors Theses Student Theses Spring 2018 An Ivory Tower on the Outskirts of Town: The Othered Intellectual in Joyce and Ellison Will Simonson Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the Literature in English, British Isles Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Simonson, Will, "An Ivory Tower on the Outskirts of Town: The Othered Intellectual in Joyce and Ellison" (2018). Honors Theses. 437. https://digitalcommons.bucknell.edu/honors_theses/437 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. iv Acknowledgements First and foremost, I wish to acknowledge my thesis director, Professor Anthony Stewart, without whom this thesis would likely not have begun, much less been completed. I am eternally grateful for the countless hours spent in your office this year, those spent on this project and all the others. For your guidance, mentorship, and encouragement, I am truly indebted. I wish to thank Professor Raphael Dalleo, for agreeing to serve as my Second Reader, Professor Fernando Blanco, for taking an interest in this project and becoming a part of it, and Professor Saundra Morris, for meticulous editing and thoughtful feedback, as well as invaluable assistance in navigating this endeavor. Thank you also to the English Graduate students for reading so many early drafts and tirelessly making my work better. -
2020 Musical Event of the Year “Fooled Around and Fell in Love” (Feat
FOR YOUR CMA CONSIDERATION ENTERTAINER OF THE YEAR FEMALE VOCALIST OF THE YEAR SINGLE OF THE YEAR SONG OF THE YEAR MUSIC VIDEO OF THE YEAR “BLUEBIRD” #1 COUNTRY RADIO AIRPLAY HIT OVER 200 MILLION GLOBAL STREAMS ALBUM OF THE YEAR WILDCARD #1 TOP COUNTRY ALBUMS DEBUT THE BIGGEST FEMALE COUNTRY ALBUM DEBUT OF 2019 & 2020 MUSICAL EVENT OF THE YEAR “FOOLED AROUND AND FELL IN LOVE” (FEAT. MAREN MORRIS, ELLE KING, ASHLEY MCBRYDE, TENILLE TOWNES & CAYLEE HAMMACK) “We could argue [Lambert’s] has been the most important country music career of the 21st century” – © 2020 Sony Music Entertainment ENTERTAINER ERIC CHURCH “In a Music Row universe where it’s always about the next big thing – the hottest new pop star to collaborate with, the shiniest producer, the most current songwriters – Church is explicitly focused on his core group and never caving to trends or the fleeting fad of the moment.” –Marissa Moss LUKE COMBS “A bona fide country music superstar.” –Rolling Stone “Let’s face it. Right now, it’s Combs’ world, and we just live in it.” –Billboard “Luke Combs is the rare exception who exploded onto the scene, had a better year than almost anyone else in country music, and is only getting more and more popular with every new song he shares.” –Forbes MIRANDA LAMBERT “The most riveting country star of her generation.” –NPR “We could argue [Lambert’s] has been the most important country music career of the 21st century.” –Variety “One of few things mainstream-country-heads and music critics seem to agree on: Miranda Lambert rules.” –Nashville Scene “The queen of modern country.” –Uproxx “.. -
March 2020 | Adar-Nisan 5780 | Volume 68 Number 2
March 2020 | Adar-Nisan 5780 | Volume 68 Number 2 THIS PURIM WE'RE GOING INSIDE THIS EDITION: HOW JEWS USE MEMORY AS A TOOL ON PURIM 10 REASONS YOU WON’T WANT TO MISS THIS YEAR’S SPIEL ANNUAL PURIM CARNIVAL HAMANTASCHEN BAKE RenewHow Jews Use Memory Our as a Tool Days on Purim By: Brandon Chiat, Digital Media Manager Jews are a people of memory. In many ways, the past Purim calls to mind the verse from Lamentations: Restore grounds Jewish identity, infusing Jewish life with context, us to You, O Lord, that we may be restored! Renew our purpose, and meaning. days as of old." Jewish memory is why Beth El gathers every year on Rabbi Schwartz explains the bizarrely worded phrase Purim to hear the words of Megillat Esther read aloud in "renew our days as of old" ("chadeish yameinu its entirety. Uniquely, Purim is the only Jewish holiday in k'kedem"): "We have a natural yearning for the past. We which the tradition explicitly commands Jews to listen to look back to happy moments in our life, like sitting next the story in full. to Zadie at Passover Seder, or eating Bubbie's matzah ball soup. These are moments that speak to our identity, "The Megillah is a story of secular, non-religious, our understanding of who we are and where we came unobservant Jews, who find themselves directly from." responsible for the fate of Jewish identity in their part of the diaspora," explained Rabbi Steve Schwartz. "The While it is natural to idealize the past, reflection in powerful message of Purim is that even if you're on the Judaism is more purposeful. -
European Journal of American Studies, 12-4
European journal of American studies 12-4 | 2017 Special Issue: Sound and Vision: Intermediality and American Music Electronic version URL: https://journals.openedition.org/ejas/12383 DOI: 10.4000/ejas.12383 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-4 | 2017, “Special Issue: Sound and Vision: Intermediality and American Music” [Online], Online since 22 December 2017, connection on 08 July 2021. URL: https:// journals.openedition.org/ejas/12383; DOI: https://doi.org/10.4000/ejas.12383 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity Johannes Voelz Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics Lukas Etter The Power of Conformity: Music, Sound, and Vision in Back to the Future Marc Priewe Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) Johanna Hartmann “Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report Wolfgang Lorenz European journal of American studies, 12-4 | 2017 2 Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling 1 The medium of music represents a pioneering force of crossing boundaries on cultural, ethnic, racial, and national levels. Critics such as Wilfried Raussert and Reinhold Wagnleitner argue that music more than any other medium travels easily across borders, language barriers, and creates new cultural contact zones (Raussert 1). -
STAMPA DISPONIBILITA' ARTICOLI - Ordinata Per Descrizione DADO S.A.S
STAMPA DISPONIBILITA' ARTICOLI - Ordinata per descrizione DADO S.A.S. DI DEMARCHI Selezioni Da Codice: 8002455033710 Da Descrizione: Da Produttore: A Codice: ZV 9061 A Descrizione: ZV 8016 1/72 A Produttore:ì Gruppo Mer.: 57 AUTOMEZZI 1/24 Fornitore: Tutti Cat.Omogenee: Tutte Magazzino: 00 MAGAZZINO PRINCIPALE Descrizione Codice UM Moltip. 2^UM GrM Esistenza Dispon. Carichi Scarichi ABARTH 500 ASSETTO CORSE N. 49 BU 28101 PZ x 57 ABARTH 500 ESSEESSE BU 22121 PZ x 57 ABARTH 500 NEW BU 22111 PZ x 57 ABARTH 500 RALLY R3T MONDO 51143 PZ x 57 ABARTH 695 TRIBUTO FERRARI KIT MONDO 60037 PZ x 57 ABARTH GRANDE PUNTO RALLYS2000 BU 28103 PZ x 57 AC SHELBY SERIE 1 1999 8002455015235 PZ x 57 ALFA ROMEO 156 G. DI FINAZA 8002455001870 PZ x 57 ALFA ROMEO 156 CA2405 PZ x 57 ALFA ROMEO 156 CARABINIERI 8002455001863 PZ x 57 ALFA ROMEO 156 CARABINIERI CA2403 PZ x 57 ALFA ROMEO 156 CARABINIERI KIT 8002455055866 PZ x 57 ALFA ROMEO 156 GRAN TURISMO BU 15108 PZ x 57 ALFA ROMEO 156 GUARDIA FINANZA BU24001 PZ x 57 ALFA ROMEO 156 POLIZIA 8002455001856 PZ x 57 ALFA ROMEO 156 POLIZIA CA2404 PZ x 57 ALFA ROMEO 156 POLIZIA 99 KIT 8002455055859 PZ x 57 ALFA ROMEO 156 SUPERTUR.98 KIT 8002455055187 PZ x 57 ALFA ROMEO 156 TAXI 8002455001221 PZ x 57 1,00 1,00 ALFA ROMEO 156 TAXI CA2442 PZ x 57 ALFA ROMEO 156 VIGILI DEL FUOC 8002455015082 PZ x 57 ALFA ROMEO 159 CARABINIERI BU24008 PZ x 57 ALFA ROMEO 159 POLIZIA BU24007 PZ x 57 ALFA ROMEO 159 S.W. -
East Bristol Auctions
East Bristol Auctions Games, Trains & Automobiles TOY SALE - Worldwide 1 Hanham Business Park Postage, Packing & Delivery Available On All Items, see Memorial Road www.eastbristol.co.uk Bristol BS15 3JE United Kingdom Viewing Friday 28th July 9am - 5pm Started 29 Jul 2017 09:55 BST Lot Description An original 1:18 scale diecast model 1974 Dodge Monaco Sedan Police Car ' The Bluesmobile ' from The Blues Brothers movie. 1 Appears mint, within the original display box. Made by Joyride ERTL. A rare and original 1985 Dr Who Annual panel of artwork. Depicting Colin Baker as The Doctor. Measures approx; 33cm x 44cm. 2 Watercolour and ink. Can be seen on pages 6 and 7 of the 1985 annual. An original vintage 1980's Kenner made The Real Ghostbusters carded action figure of Peter Venkman 'And Ghoulgroan Ghost.' The 3 figure still sealed to the original cardback, untouched. A Scalextric ' Vintage Collection ' C305 4 1/2 Litre Bentley ' 1:32 scale slot racing car. Appears mint, within a very near mint original 4 display box (the rear flap never having been folded). An original vintage Corgi diecast model Chipperfields Circus 511 ' Performing Poodles .' Contents appear near mint, likely unused, 5 within a very near mint original box. An original vintage Japanese made ' Modern Toys Co.' battery operated tinplate ' Space Ranger No.3 ' with spaceman UFO toy. No. 6 4722. Within its original box with original card top protector. Contents mint. Rare. 7 A Hornby 00 gauge railway trainset locomotive R078 Flying Scotsman. Appears unused, within the original box. A fantastic original precision diecast Sun Star made 1:24 scale Routemaster model bus '2908 RM 870 - WLT 870 First Production 8 Routemaster With A Leyland Engine'. -
Chapter 11), Making the Events That Occur Within the Time and Space Of
CHAPTER I INTRODUCTION: IN PRAISE OF BABBITTRY. SORT OF. SPATIAL PRACTICES IN SUBURBIA Kenneth Jackson’s Crabgrass Frontiers, one of the key histories of American suburbia, marshals a fascinating array of evidence from sociology, geography, real estate literature, union membership profiles, the popular press and census information to represent the American suburbs in terms of population density, home-ownership, and residential status. But even as it notes that “nothing over the years has succeeded in gluing this automobile-oriented civilization into any kind of cohesion – save that of individual routine,” Jackson’s comprehensive history under-analyzes one of its four key suburban traits – the journey-to-work.1 It is difficult to account for the paucity of engagements with suburban transportation and everyday experiences like commuting, even in excellent histories like Jackson’s. In 2005, the average American spent slightly more than twenty-five minutes per day commuting, a time investment that, over the course of a year, translates to more time commuting than he or she will likely spend on vacation.2 Highway-dependent suburban sprawl perpetually moves farther across the map in search of cheap available land, often moving away from both traditional central 1 In the introduction, Jackson describes journey-to-work’s place in suburbia with average travel time and distance in opposition to South America (home of siestas) and Europe, asserting that “an easier connection between work and residence is more valued and achieved in other cultures” (10). 2 One 2003 news report calculates the commuting-to-vacation ratio at 5-to-4: “Americans spend more than 100 hours commuting to work each year, according to American Community Survey (ACS) data released today by the U.S. -
Wavelength (September 1986)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1986 Wavelength (September 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1986) 71 https://scholarworks.uno.edu/wavelength/62 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NS SIC MAGA u........s......... ..AID lteniiH .... ., • ' lw•~.MI-- "I'm not sure, but I'm almost positive, that all music came from New Orleans." -Ernie K-Doe, 1979 Features The Party ... .... .. .. ... 21 The Faith . .... .. ....... 23 The Saints . .... .... .. 24 Departments September News ... ... .. 4 Latin ... ... .. ..... .. 8 Chomp Report ...... .. .. 10 Caribbean . .. .. ......... 12 Rock ........ ... ........ 14 Comedy ... ... .... .. ... 16 U.S. Indies .. .. ... .. ... 18 September Listings ... ... 29 Classifieds ..... ..... 33 Last Page . .. .. .... .... 34 Cover Art by Bunny MaHhews A1mlbzrot NetWCSfk Pubaidwr ~ N.. un~.,~n S ~·ou F:ditor. Cnnn~ /..c;rn.ih Atk 1 n~ Assonat• FAI1lor. (it.:n..: S4.at.&mU/It) Art Dindor. Thom~... Oul.an Ad,mL-Jn •. Fht.ah.:th hlf1l.J•~ - 1>1.:.tn.a N.M.l~'-' COft· tributon, Sl(\\.' Armf,ru,tcr. St (M.."tlfl!C Hry.&n. 0..-t> C.n.Jh4:llll, R1d. Culcnun. Carul Gn1ad) . (iu'U GUl'uuo('. Lynn H.arty. P.-t Jully. J.mlC' l.k:n, Bunny M .anhc~'· M. 11.k Oltvter. H.1mmnnd ~·,teL IAlm: Sll'l"t:l. -
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G. -
Donaldson, Your Full Name and Your Parents’ Names, Your Mother and Father
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. LOU DONALDSON NEA Jazz Master (2012) Interviewee: Louis Andrew “Lou” Donaldson (November 1, 1926- ) Interviewer: Ted Panken with recording engineer Ken Kimery Dates: June 20 and 21, 2012 Depository: Archives Center, National Music of American History, Description: Transcript. 82 pp. [June 20th, PART 1, TRACK 1] Panken: I’m Ted Panken. It’s June 20, 2012, and it’s day one of an interview with Lou Donaldson for the Smithsonian Institution Oral History Jazz Project. I’d like to start by putting on the record, Mr. Donaldson, your full name and your parents’ names, your mother and father. Donaldson: Yeah. Louis Andrew Donaldson, Jr. My father, Louis Andrew Donaldson, Sr. My mother was Lucy Wallace Donaldson. Panken: You grew up in Badin, North Carolina? Donaldson: Badin. That’s right. Badin, North Carolina. Panken: What kind of town is it? Donaldson: It’s a town where they had nothing but the Alcoa Aluminum plant. Everybody in that town, unless they were doctors or lawyers or teachers or something, worked in the plant. Panken: So it was a company town. Donaldson: Company town. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Panken: Were you parents from there, or had they migrated there? Donaldson: No-no. They migrated. Panken: Where were they from? Donaldson: My mother was from Virginia. My father was from Tennessee. But he came to North Carolina to go to college. -
Mouser and Imahara Launch New Home and Factory Automation Series
FOR IMMEDIATE RELEASE Mouser and Grant Imahara Drive Innovation with “Back to the Future” Inspired Contest October 19, 2015 – Mouser Electronics, Inc., the global authorized distributor with the newest semiconductors and electronic components, is teaming up with celebrity engineer Grant Imahara to announce a new social media contest to support the upcoming Back to the Future Day on October 21, 2015. Mouser is asking the engineering community to either like or comment on Back to the Future Day Facebook posts for a chance to win an Innovation Kit as part of the Back to the Future Day contest. October 21 marks the official day that Doc Brown’s DeLorean time machine in Back to the Future™ II traveled from 1985 to 2015 – a time that was characterized with highly- advanced technologies, including hovering skateboards and flying cars. The Mouser contest began on October 14 and ends on October 21, 2015 – the same day Doc and Marty go “back to the future”. The social media contest is part of the award-winning Empowering Innovation Together™ program designed to inspire creative thinking for both professional and aspiring engineers available only on Mouser.com. The most recent innovation topic features Driverless Cars and ties in Back to the Future™ with a new video featuring Grant and driverless technology engineer Paul Godsmark from CAVCOE (Canadian Automated Vehicles Centre of Excellence). Join the duo as they tour Los Angeles, the entertainment capital of the world, in a time machine replica from the Back to the Future™ movie to explore the future of driverless cars. The series will include accompanying articles, blogs, and other technically-related content. -
Auto Biography: a Daughter's Story Told in Cars
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-20-2005 Auto Biography: A Daughter's Story Told in Cars Lynda Routledge Stephenson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Stephenson, Lynda Routledge, "Auto Biography: A Daughter's Story Told in Cars" (2005). University of New Orleans Theses and Dissertations. 231. https://scholarworks.uno.edu/td/231 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. AUTO BIOGRAPHY A DAUGHTER'S STORY TOLD IN CARS A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Drama and Communications Creative Writing by Lynda Rutledge Stephenson B.A. Baylor University, 1972 M.A. Texas Tech University, 1981 May 2005 © 2005, Lynda Rutledge Stephenson ii To my sisters, who have their own tales to tell iii TABLE OF CONTENTS Abstract ..........................................................................................................................v Epigraphs .....................................................................................................................