MUSIC FOR THE THEATRE GREETINGS ...

The Sixth Annual Chancellor's Festival of Music offers us another opportunity to focus attention on the importance of the creative and performing arts as an essential part of a great university.

"Music for the Theatre," this year's theme, provides a series of outstanding events with per­ formances by the St. Louis Symphony Orchestra, soprano , and the Pennsylvania Ballet. A highlight of the festival will be the residency of the distinguished English writer and theatrical producer, Eric Crozier and his wife, Nancy Evans, the noted mezzo-soprano. This residency, during the week of March 8, will involve students from UMC as well as from other campuses in the Univers­ ity system. Indeed, this year's festival will continue the tradition of excellence in music per­ formance and education which has characterized this event since 1977.

Through this year's festival we will seek to demonstrate once again that direct creative and re-creative experience--learning in, through, and about the arts--is of unique educational value to people of all ages. In experiencing the arts, we learn about the rich world of sensation, emotion, and personal expression which surround us each day.

On behalf of the University of Missouri­ Columbia, I welcome you to this outstanding series of musical events, and thank you for your contin­ uing support of our programs in the arts. We wish you an enjoyable and memorable time at this unique scholarship benefit performance.

----~ ordially, d

) Barbara S. Uehling\ Chancellor "'- The Sixth Annual Chancellor's Festival of Music

1982

MUSIC FOR THE THEATRE

Sponsored by the Department of Music in the College of Arts and Science, the UMC Concert Series, the University Assembly Lecture Series, the Missouri Arts Council, the City of Colum­ bia Arts Corronission, the University Development Fund Board, and the University Doctoral Activities Fund.

MONDAY, MARCH 8 10:40 - 11:30 a.m. Lecture: Eric Crozier "'s from Story to Stage"

2:40 - 4:00 p.m. Voice Master Class: Nancy Evans Fine Arts Recital Hall

TUESDAY, MARCH 9 2:40 - 4:00 p.m. Playwriting Workshop: Moderator - Fine Arts Recital Stephen Archer. Emphasis on Hall adaptation and translation of fictional material to dramatic and operatic form.

Format: Narration by Eric Crozier of some of his work with adapta­ tions and translations, plus questions from those in attendance.

WEDNESDAY, MARCH 10 10:00 - 12:00 Noon Seminar on : Mr. Crozier Fine Arts Recital with a panel of American litera­ Hall ture professors from the four campuses of the University of Missouri. UM-Rolla - Dr. Clyde Wade UM-St. Louis - Dr. Bernard Cohen UM-Kansas City - Dr. James McKinley UM-Columbia - Dr. Thomas Quirk Mr. Joe Law Moderator - Dr. Mary Lago 1:30 - 4 p.m. Performance Workshop~ Moderator - Weldon Fine Arts Recital Durham. Critique and rehearsal by Hall Eric Crozier. Opening scene from Carousel Performers: Janet Oliver and Mark Smith Coach: James M. Miller Scene from Shakespear's Merry Wives of Windsor Coach: Richard Klepac

8:00 p.m. Performance of Benjamin Britten's chamber University Theatre Libretto by Eric Crozier All-Student Cast and Faculty Chamber Orchestra Conductor: Harry Dunscombe

THURSDAY, MARCH 11 8:00 p.m. Performance of Benjamin Britten's chamber University Theatre opera Albert Herring

TUESDAY, APRIL 6 8:00 p.m. MUSIC OF BROADWAY Jesse Auditorium University Singers & Symphonic Band Duncan Couch & Charles Emmons, Conductors

THURSDAY, APRIL 22 2:40 p.m. Open Rehearsal of Dr. John Cheetham's Jesse Auditorium composition, Symphony in Four Movements SAINT LOUIS SYMPHONY ORCHESTRA

FRIDAY, APRIL 23 8:00 p.m. AN EVENING AT THE OPERA Jesse Auditorium St. Louis Symphony Orchestra University Choral Union Gerhardt Zimmermann, conductor with guest soloist CLAMMA DALE, soprano

WEDNESDAY, APRIL 28 8:00 p.m. THE PENNSYLVANIA BALLET Jesse Auditorium AN EVENING AT THE OPERA

St. Louis Symphony Orchestra University Choral Union Gerhardt Zimmermann, conductor Duncan Couch, director, University Choral Union

CLAMMA DALE, soprano

PROGRAM

Overture to Der Freischutz, Op. 77 Weber Casta diva from Norma Bellini Miss Dale

Bell Chorus from Pagtiacci. Leoncavallo Final Psalmody from Prologue in the Heavens from Mephistophetes .•. Boito St. Louis Symphony & Choral Union

Donde lieta from La Boheme Puccini Vissi d'arte from Tosca Puccini Miss Dale

Polovetzian Dances and Chorus from Prince Igor . ..• Borodin St. Louis Symphony & Choral Union

INTERMISSION

Gloria all'Egitto from Aid.a. Verdi Va, Pensiero from Nabucco Verdi St. Louis Symphony & Choral Union

Pace, pace mio Dia from La Forza det distino Verdi Miss Dale

Coronation Scene from Boris Godunov Mussorgsky Harry Morrison, bass St. Louis Symphony & Choral Union

The use of cameras and recording equipment is prohibited. Steinway Piano VOX, CANDIDE, TURNABOUT, NEW WORLD, TELARC Records David Hyslop Joan T. Briccetti Executive Director Manager 102nd Season, 1981-1982 Management: Columbia Artists Management, Inc. 165 W. 57th Street , N.Y. 10019 CLAMMA DALE

Soprano

Acclaimed by this country's leading critics as one of the most brilliant singing actresses currently before the public, Clamma Dale is "a star in every sense of the word." (Alan Rich, New York Magazine). She has scored numerous triumphs with the , Opera Company of Philadelphia, , Santa Fe Opera, Strasbourg Opera and Bogota Opera and has garnered many accolades for her performances with the orchestras of New York, Boston, Washington, D.C., Atlanta, Minnesota, Buffalo, Dallas and New Jersey. In the summer of 1981 Clamma Dale returned to the Minnesota Orchestra as guest soloist and opened the 1981- 82 season as soloist with the Cincinnati Pops. In November, 1981 Miss Dale starred in 's "Four Saints in Three Acts" at , a gala concert honoring the composer on his 85th birthday. The performance was recorded live on Nonesuch and will be the first complete recording of this much heralded work. Clamma Dale's 1975 New York City Opera debut in "The Tales of Hoffman" sparked her rapid ascent to stardom. She took the critics by storm with her stunning performance as Antonia and five nights later captivated her audience again with an equally out­ standing performance as Giuletta in the same opera. The pro­ ducer of the Houston Grand Opera's highly acclaimed "" witnessed her triumphs and immediately engaged her to sing the lead' role on Broadway and throughout the United States and Canada in such cities as Los Angeles, Chicago, Boston, Phil­ adelphia, Montreal and . Miss Dale also stars on the RCA recording of "Porgy and Bess." Her brilliant and poignant por­ trayal of Bess catapulted Clamma Dale to national attention, causing critics to scramble for new superlatives to describe this phenomenal singer. In 1980 Clamma Dale again triumphed in "The Tales of Hoffman" with the Strasbourg Opera, singing both Antonia and Giuletta. Soon after her return to the United States, Miss Dale made her stunning debut with the Opera Company of Philadelphia when, on eight hours' notice, she replaced as Nelda in "I ." She matched these successes with her performances as , and Leonora in "Il Trovatore" at the Bogota Opera. Clamma Dale's renown as a recitalist parallels her operatic career. As first prize winner in the Walter W. Naumburg 50th Anniversary Voice Competition, she gave the first of her three highly ac­ claimed New York recitals at in May 1976. Donal Henahan wrote in The New York Times, "Rarely does a singer carry off a solo recital with such easy authority and stage presence, or please as consistently as Miss Dale dk." Harriett Johnson echoed in the New York Post, "She triumphed. She made it immediately apparent that she not only possesses a luscious voice but that she expresses rare qualities as a recitalist . ., • Miss Dale is a statusque, gracious, obviously intelligent singer with a full irridescent lyric soprano of liquid ease. It is smooth and warm as cashmere and with as much substance." "Hers could very well be the finest lyric spinto voice heard since the early career of Leontyne Price. Her sound is to be reckoned with." (New York Daily News) engaged this brilliant young singer to appear with him as soprano soloist in the premiere performances of his "Songfest" with the National Symphony at the Kennedy Center in Washington, D.C. as well as with the at Avery Fisher Hall. She performed "Songfest" throughout Europe's major cities, among them Paris, and , and also filmed a performance for national German television. Miss Dale appears as soprano soloist on the Deutsche Grammaphon recording of this work with Bernstein and the National Symphony. She has also performed in George Rochberg's "String Quartet No. 2 with Soprano" as part of the Bicentennial Chamber Music Series and was soloist in the Sacred Music Society presentation of Ref ice's "Cecilia" at Avery Fisher Hall. In January 1977 she was invited to perform at the gala concert held at the Kennedy Center in honor of President-elect and Mrs. Carter as well as the In­ augural Ball the following evening. She returned to the White House in April 1978 to sing at a state dinner for Romanian President Nicolae Ceausescu, and in April 1980 was the featured soloist at the international conference commemorating the 35th anniversary of the founding of the United Nations. Clarnrna Dale was born in Chester, Pennsylvania. Encouraged by her father, she began taking music lessons while in elementary school, studying voice privately in high school. She earned both her bachelor's and master's degrees from the . Despite her demanding performance schedule, Miss Dale has found time to engage in community affairs. The recipient of a grant from the Martha Baird Rockefeller Foundation, she has been an Affiliate Artist at a number of United States colleges, written articles on black music and musicians and also initiated and conducted a music appreciation program at Rikers Island Prison in New York. HARRY MORRISON

Bass

Professor of Music, Harry S. Morrison, joined the Faculty of the University of Missouri-Columbia Department of Music in 1960. Professor Morrison holds the B.A., M.A., M.F.A. degrees from the University of Iowa and has studied privately with Thomas Mac Burney of Chicago and William Brady of New York City. Prior to coming to UMC, he was on the faculties of the Universities of Idaho and Iowa~ and Parsons College. His career as a performer includes numerous performances in opera and oratorio.

Mr. Morrison has appeared with the National Opera Company of North Carolina, and the St. Louis Symphony and has presented recit­ als at universities, colleges and for civic groups throughout the midwest and Pacific northwest.

FESTIVAL COMMITTEE

Donald McGlothlin, Chair Peter Kurau Mary Lago, Co-Chair Joe Law Duncan Couch Harry S. Morrison Weldon Durham Perry Parrigin Winifred Horner Carla Waal Richard Hocks Eva Szekely SAINT LOUIS SYMPHONY ORCHESTRA 1981-1982 SEASON LEONARD SLATKIN, Music Director and Conductor GERHARDT ZIMMERMANN, Associate Conductor CATHERINE COMET, Exxon/Arts Endowment Conductor THOMAS PECK, Chorus Director ANTONIA JOY WILSON, Affiliate Artists Conducting Assistant

FIRST VIOLINS VIOLONCELLOS BASS CLARINET Jacques Israelievitch John Sant' Ambrogio James Meyer Concertmaster, Principal, Eloise and Oscar Johnson, Frank Y. and Katherine BASSOONS Jr. Chair G. Gladney Chair George Berry John Korman Yuan Tung Principal Associate Concertmaster, Associate Principal • Robert Motil Louis D. Beaumont Chair •Catherine Lehr Robert Wisneskey Lazar Gosman Savely Schuster Bradford Buckley Second Associate Concertmaster Marilyn Beabout Takaoki Sugitani Richard Brewer CONTRA BASSOON Buckley Assistant Concertmaster Aleksander Ciechanski Bradford James Krohn Anne Fagerburg HORNS Assistant Concertmaster Masayoshi Kataoka Roland Pandolfi Haruka Watanabe Kenneth Pinckney Principal Darwyn Apple Robert Silverman • Lawrence Strieby Charlene Clark Sallie WeMott Carl Schiebler Lawrence Diamond Kenneth Schultz BASSES Dana Meryl Edson DOUBLE Kaid Friedel Silvian lticovici Henry Loew Jenny Lind Jones Principal, TRUMPETS Eiko Kataoka Symphony Women 's Susan Slaughter Associatio n Chair John Lippi Principal, Helen Shklar Carolyn White Symphony Women 's Robert Swain Associate Principal Association Chair Miran Viher • Christopher Carson *Malcolm McDuffee Hiroko Yoshida Warren Claunch Roger Grossheider Joseph Kleeman Gary Smith SECOND VIOLINS Ralph Maisel Cara Mia Antonello Donald Martin TROMBONES Principal, Richard Muehlmann Bernard Schneider Dr. Frederick Eno Woodruff Principal Chair HARP Frances Tietov Roger Davenport Beverly Schiebler Melvyn Jernigan Associate Principal Principal, • Brent Akins Elizabeth Elio t Mallinckrodt TUBA Deborah Bloom Chair John MacEnulty III Louis Kampouris FLUTES Marka Akins Jacob Berg TIMPANI Richard Holmes Peggy Andrix Principal Elizabeth Crowder • Janice Smith Principal Stubbs Carol Wolowsky Denos Janice Coleman • Thomas Lorraine Glass Jan Gippo PERCUSSION M. Louise Grossheider Richard O'Donnell Thomas LeVeck PICCOLO Jan Gippo Prindpal, Thomas Pettigrew St. Lo uis Post-Dispatch Wendy Plank OBOES Chair Judith Riediger Peter Bowman John Kasica Leon Schankman Principal Thomas Stubbs • Barbara Herr VIOLAS KEYBOARD INSTRUMENTS Thomas Dumm Thomas Parkes Marc Gordon Barbara Liberman Principal, Florence G. and Ben H. and Katherine Morton J. May Chair G. Wells Chair ENGLISH HORN Marc Gordon Kathleen Mattis PERSONNEL MANAGER Associate Principal CLARINETS Carl R. Schiebler • Joan Korrnan George Silfies Joseph Kleeman, Assistant Gerald Fleminger Principal, Lee Gronemeyer Walter Susskind Chair LIBRARIAN Leonid Gutman • Robert Coleman John Tafoya Lynn Hague Christine Ward Cheryl L. Roberts, Assistant William Martin James Meyer Margaret Salomon STAGE MANAGER Anthony Verme E FLAT CLARINET Martin McManus Charles Weiser Robert Coleman Gerald Eiffert, Assistant • Assistant Principal

For these concerts, the Saint Louis Symphony Orchestra is utilizing the revolving seating method for section string players who are listed alphabetically in the roster. UNIVERSITY CHORAL UNION Duncan Couch, Director Dana DePugh, Rehearsal Accompanist Personnel Soprano

C. Michelle Adams Donna McCormick Marilyn Cheetam Elizabeth Anderson Denise McKenzie Larissa Chu Laura Anderson Ester R. Mendoza Kathleen Clausen Nancy Anderson Victoria S. Mitchell Rosetta V. Clare Deana Astle Marilyn Murdock +Cassandra Clyma Teresa Audesirk Stacie Nash Maura Cornman Brenda Baker +Mary Beth Nick Lisa Cramer Janet Baldwin Suzanne Paling Valerie Crawford Stephanie Banton Anne Marie Paradise Patricia M. Dalton Methilde C. Berkley Lea Patterson Carolyn Dickinson Julie Bock Jill Quinn Christine Dietz Barbara Bogard Virginia Rathert Mary Delwood Pat Brei Teri Reiter Sarah Dixon Kathryn Burlison D'Lise Richardson Ginah Martensen Duff Mary Campbell +Carol Janette Robertson Mary Ann Henley Duff Donna L. Carroll Dawn Robinson Leslie Dunagan Ann Church Edy C. Rodgers Margaret Ann Durham Gine Cline Ronna K. Rothenberger Julie Echtenkamp Rebecca S. Comley Lisa Scavuzzo Mary Edmondson Donna Dawson +Leslie Scheuler Dorothy G. Emslie Tammy DeMint Lisa Schoolcraft Deborah Erickson Teri Dickmann Jean Sensintaffar Rachel E. Ernst +Kris Edmonds +Laura L. Shelby Norma Fair Marlene Evans +Susie Shoman Anna Margaret Fields Elwyn Ewer Cathy Smith Melinda Frazee Sharon Fieker Mimi C. Spener Loretta Stewart Frye Wendy Firth + Sarah Spurgeon Linda Gage Chris Ford Michelle Stephenson Pamela Gardener Becky Forsee Elisa Stern Alice E. Gerard Louise Frazee Lisa F. Stift Susan Gray +Mary Frerking Lori Stockton Valorie Green Jane Fuller Linda Strothmann Mary Gregory Karen L. Girardeau +Anne Trousdale Carol J. Griesemer Mavis Graven Suzanne Vonder Haar Joi Guinty Madeline Greub Kay Verts Julie Halsey Carol Grouws Christine Wallace Elizabeth Hamman Sue Guenther April Ward Cindy Heimsoth Kathryn Haggans Kathy Watkins Mary Alice Helikson Cindy Hall Jennifer Webb Kay A. Hendricks Tamie Hansbrough Keiko Westover Linda S. Henning Elyssa Anne Harvey +Leslie C. White +Pamela Howard Tricia Haston Vickie Williamson Kelley Hughes Melissa Hopkins Sharyl C. Woehrle Jeannie Hunter Anne Hoffman Shyue-Yih Wann Jill E, James Margaret Hoxie Gretchen Kenner +Sheri L. Hulett Alto Dawn Kirksey Marth.<> Hir~inger Judy Knudson Laura Ingersoli­ Cheryl Ann Kueffer Dianne Isaac +cathy Alder Sharon Leduc Patricia Ives Virginia Almon Nancy Leoni Alicyn Kaye Frances Armstrong Linnea D. Lilja +Stephanie Kelley DiAnne Atkins Kim Loberg Pam Kelly Sheryll Lee Baker Carolyn Lock Elizabeth King Lisa Balmer Carole Long Mary Elizabeth King Kara Bettenhausen +Phyllis L. Martin Kathy Kobylecky Margaret Bianchetta Carol J. McAllister Rebecca Ann Kottwitz Julie Boyle Julie McKinzie Brenda Lang Sally Brown Toni Messina Lori V. Lawrence Susan Burlison Allison Miller Rhonda Levy Mary Louise Bussabarger Chervl Montgomery Jan Lewis Suzanne Marie Calvin +Blye Moore Catharine J. Longman Marilyn Capron Caroline Moore Dianne Marshall Ruth Capron Jill Moore Elaine Maykowski Susan Carlson Lunda Morton Leona McConachie Cathleen Coyle Alto (continued)

Janet Murff Randall E. Leonard Dan Leonard Patricia Musgroves Darren A. McArtly Daniel Lewis Helen Neikirk M. Shawn Mccorkle Tod N. Luethans Karlene Nichols Dale A. Neuman +Fdd Mast Emelie G. Norris Dennis Northrip Joe L. McDonald Kerre Norton James Pease Mark McDonald Marjorie O'Laughlin Don Reader Daniel McLaughlin Elizabeth Peters +Fred Rippeto Chuck McMillin Alice Anna Reese Tom Rolfes Curtis T. Meyer Karen Reinke Mark Spindler Larry Mudd Karen Riley Brett Slates Mitch Mussorgsky Carol Rinne Joseph P. Szalka Enioch vonDarryl Norwood +Cristi Rippeto Charles Talley Paul Peters Angela Roeder Lyman C. Taylor John Riley June Roberts Charles Tomlin Ed Robinson Dawn Sackman Jeff Whetstine Rob Rodgers Marty Sawyer Matthew Weimer +J. Curtis Shaw Susan L. Schmitt +{)oug Yarwood Alan Smith Eva Simpson Mark E. Smith Laurie Sly Joe Saathoff Chris Schiermeier Susie Smith Bass Yoko Smith Jim Schwartz Kimberly Stoecklein W. Elbert Starn Karon Surby Thomas Mark Adams Frank E. Stegmaier Mary Jane Thorne Richard Aleshire -:-Bradford Stephens + Nan Wade Lyndell Backues Randall Swetnam Kimberly S. Walitzer Robert Bastian Robert Treece Claire White Randall Bennett Louis Trierweiler Carol Wilke +Ross Bernhardt Andrew C. Twaddle Karen Wilke David Black Charles Williamson Karen Williams Brad Bolon Doug Wilson Kathryn Williams Jon E. Borgman Steven Mayer Winter Betty K. Wilson Don Branades George Wise Katy Wilson Steve Brueggeman +John Werhle Joyce Wise Michael Danter Rick Wright Allison ';forth Herb Dempsey Robert Voss Susie Viti Bradley DeSelms Jeffrey Zumsteg Kathleen Zollner Leon T. Dickinson Robert Driver W. Theodore Eldridge Ienor Robert W. Ellis Tim Erickson David Emslie Paul Bartholomew Earl C. Ewer Frances Baskett David Farache Tom Bell Steve Farber +Tim Bentch Joel C. Felten +Friends of Music Scholar David Boggs +Eric Foley Douglas Borg Elbert Frye Mark T. Danter Ron Garney Thomas Defer Timothy P. Gilmore Clyde Engel Gary John Gittemeier Kurt Bannick Ford Keith A. Gockel Edwin Galeai Mark Henock William A. Gates Edward Hewer +Rz.ymond Glover C. Clarendon Hyde David Gregory David J. Ives Everett E. Hancock Joong-kon Kim Terry G. Harris Lee Kirkgaard +Andy Huckaba Paul Noel Klaus +Michael Imboden Dennis Klussman Brad Jones Wendall Knehans Patrick Knowles Michael Knes Mark Lanier Anthony LaBarbera Robert W. Leaverne Jim Laws John Lenhardt Richard Ledue FINANCIAL ASSISTANCE FOR IBIS EVENT HAS BEEN PROVIDED BY TI-IE MISSOURI ARTS COUNCIL