The Chronicles of Professionalization: the Expert, the Child, and the Making of American Children’S Literature
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THE CHRONICLES OF PROFESSIONALIZATION: THE EXPERT, THE CHILD, AND THE MAKING OF AMERICAN CHILDREN’S LITERATURE By REBEKAH FITZSIMMONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2015 1 © 2015 Rebekah Fitzsimmons 2 To my husband Rob: Thank you for riding this roller coaster with me. 3 ACKNOWLEDGMENTS First, I would like to thank my dissertation director, Dr. Kenneth Kidd. Since the first time I visited UF in 2008, you have been my cheerleader, my inspiration, and my ideal mentor. To my dissertation committee: Dr. Anastasia Ulanowicz, Dr. Susan Hegeman, and Dr. Sevan Terzian. I am constantly in awe of the work that you do and the generosity with which you share your abundant knowledge and very limited time. I have been extremely lucky to be a part of a vibrant community of children’s literature scholars. I want to thank Casey Wilson, Mariko Turk, Akilah Brown, Mary Roca, Kendra Hare, Poushali Bhadury, John Cech and everyone else for their brilliance, conversation, feedback, thoughts, ideas, and sympathy. Also, special thanks to Suzan Alteri and Rita Smith, for all of their help inside of the Baldwin (outside too). I have also been lucky enough to spend time with other scholars at UF who have, over the years, provided invaluable support, encouragement, and friendship. I finish this project knowing that Kristen Denslow, Matt and Christy Snyder, David and Ginny Lawrimore, Sarah Hayes, Sarah Traphagen, Jennifer Coenen, Emily McCann, John Tinnel, Andrew Wilson and many others had a hand in my success and continued sanity. That encouragement and friendship was also abundant beyond the boundaries of Gainesville and graduate school: many thanks to Nicole Pasquarello, Devon Merling, Lindsay Blackwell and so many others who have been cheering me on from a distance. I would like to thank my family for a lifetime of love and support. Special thanks to my parents and sisters, who were always willing to come visit me in Florida (especially in the winter, go figure). Also, thank you to Pam Lavender, for putting me in touch with Ellen Tuckner: Ms. Tuckner provided me with extremely valuable feedback about my theories on early reader picture books in the classroom while this project was in its 4 earliest genesis. Thank you also to my in-laws and extended Florida family, for helping me feel at home in Gainesville and supporting me in so many ways. Finally, thank you to my husband, Rob. You have been with me for the entire dissertation process: you listened to me talk through ideas, supported me through exams, encouraged me constantly through the years of writing, and have handled a lot of crazy during the defense and final revision process. This project would not be what it is without all of your valuable input, help, support, and love. I am so lucky to have you in my life. 5 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF FIGURES .......................................................................................................... 9 LIST OF ABBREVIATIONS ........................................................................................... 10 ABSTRACT ................................................................................................................... 11 CHAPTER 1 INTRODUCTION: PROFESSIONALISM AND CHILDHOOD IN AMERICA ........... 13 Rise of Professionalism in America ........................................................................ 16 The Cultural History of American Childhood ........................................................... 23 Emerging Consumer Market for and about Children ............................................... 29 Canon Formation .................................................................................................... 37 Theoretical Framework ........................................................................................... 44 2 “RECOMMENDED FOR PURCHASE BY EXPERT”: EARLY 20TH CENTURY CHILDREN’S LITERATURE LIBRARIANS AS EDUBROW CANON MAKERS ..... 51 The Progressives and the Free Library Movements ............................................... 53 Professional History of Publishing .......................................................................... 63 Children Gain Access to Library Reading Rooms ................................................... 68 Book Lists by Influential Librarians ......................................................................... 73 Caroline Hewins ............................................................................................... 74 Anne Carroll Moore .......................................................................................... 80 Alice Jordan ...................................................................................................... 89 Book Lists in Books .......................................................................................... 95 The Great Excluded; or, Books “Not Recommended for Purchase by Expert” ....... 96 Garden Walls: Librarians Build Professional Infrastructures in Support of Children’s Literature .......................................................................................... 109 Children’s Book Week .................................................................................... 112 The Horn Book ............................................................................................... 117 ALA Prizes: Newbery and Caldecott .............................................................. 122 The Value of the ALA Prizes .......................................................................... 131 3 HOP ON POP: THE RISE OF EARLY READER BOOKS IN A NEW AGE OF EDUCATION ......................................................................................................... 146 Education Reforms in America ............................................................................. 149 The Reading Wars ................................................................................................ 161 Early Reader Picture Books .................................................................................. 174 The Cat in the Hat .......................................................................................... 176 6 Little Bear ....................................................................................................... 183 Reading Between Blurred Lines: Instruction and Delight ............................... 189 An Expanding Market: Dividing Early Readers into Micro-niche Categories ......... 192 4 ALL FALL DOWN: THE DECLINING INFLUENCE OF LIBRARIANS AGAINST EMERGING RIVALS............................................................................................. 204 The Librarians’ “Secret Garden” Enclave .............................................................. 209 Rivalries Among Edubrow Professionals .............................................................. 230 Librarians Versus Teachers ............................................................................ 232 Librarians Versus Publishers .......................................................................... 238 Librarians Versus Booksellers ........................................................................ 242 Rivalries in Action: Anne Carroll Moore Fails to Squash Stuart Little ............. 251 5 DOWN THE RABBIT HOLE: THE PAPERBACK REVOLUTION AND SHIFTING MARKETS IN THE GLOBAL CHILDREN’S LITERATURE FIELD ........................ 260 Academics Take Notice of Children’s Literature ................................................... 263 The Paperback Revolution of the 1960s ............................................................... 274 Paperbacks and the Children’s Literature Market ................................................. 281 Watership Down: Canons at Cross Purposes ....................................................... 292 Watership Down: A British Prize Winner ........................................................ 293 Watership Down: An American Bestseller ...................................................... 297 Awards Versus Bestsellers: Which Prize is Most Prized? .............................. 304 6 CHILDREN’S LITERATURE COMES OF AGE: BLOCKBUSTER BOOKS AND THE YOUNG ADULT REVOLUTION.................................................................... 314 Bestsellerdom Births the Blockbuster Strategy ..................................................... 318 Conglomerates Become the Book Industry Norm ................................................. 330 Changes at the Publishing Level .................................................................... 332 Super Bookstores ........................................................................................... 336 YA Literature: Beginnings ..................................................................................... 344 Defining YA .................................................................................................... 344 The Emergence of YA Paperbacks in Britain ................................................. 349 YA Literature from 1970 to 1990s ................................................................... 355 Commercial Book Market Response to the Emerging YA Genre ................... 359 Educational Response to the Emerging YA Genre ......................................... 363 The Hunger Games as YA Blockbuster