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Prints, Multiples & Photography Prints, Multiples & Photography Lot 3601 – 3761 Auction: Saturday, 25 June 2016, 4pm Preview: Sat. 11 to Tue. 21 June 2016 Silke Stahlschmidt Jennifer Greenland Tel. +41 44 445 63 42 Tel. +41 44 445 63 46 [email protected] [email protected] Further editing: Jara Koller Due to layout reasons it may be possible that some sheet sizes are not fully illustrated. Please visit the online catalogue for untrimmed illustrations. The condition of the prints are only partly and in particular cases noted in the catalogue. Please do not hesitate to contact us for a detailed condition report. 3601 HENRI DE TOULOUSE-LAUTREC (Albi 1864 - 1901 Malromé/Gironde) Douze Dessins. 1947. Portfolio with 11 (colour-)offsets. From an unknown edition. Varying image sizes on vélin min. 36.8 x 27.1 cm, max. 46.5 x 32.6 cm. Published by Holbein, Basel. Printed by Albert Carman, New York. In original folder. 1 sheet missing. CHF 700 / 900 (€ 650 / 830) 3601 3602 EDGAR DEGAS (1834 Paris 1917) Danseuse mettant son chausson. Circa 1892. Etching. From an unknown edition. Image 17.9 x 11.6 cm on vélin 32.7 x 24.9 cm. Catalogue raisonné: - Adhémar, no. 60. - Delteil, no. 36. - Reed/Shapiro, no. 55. CHF 800 / 1 200 (€ 740 / 1 110) 3602 | 3 Prints, Multiples & Photography 3603 ERICH HECKEL (Döbeln 1883 - 1970 Radolfzell) Schlafender Knabe. 1963. Drypoint. 61/100. Signed and dated lower right: Heckel 63. Image 25 x 20 cm on vélin 50 x 38.5 cm. Published and prin- ted by Erker-Presse, St. Gallen (with the blindstamp). Catalogue raisonné: Dube, no. R191. CHF 500 / 600 (€ 460 / 560) 3603 3604* OTTO MUELLER (Liebau 1874 - 1930 Breslau) Zirkuspaar (Varieté). 1920/1921. Lithograph. From an edition of 125. Mono- grammed lower right: O.M. Image 26.4 x 19 cm on vélin 41 x 31 cm. Edited by Paul Westheim. Published by Gustav Kiepenheuer, Weimar. From the magazine „Die Schaffenden“ (with the blindstamp), III. year, 1st portfolio, 1921. Catalogue raisonné: Karsch, no. 113c. Literature: Söhn, Gerhart: Handbuch der Original-Graphik in deutschen Zeitschrif- ten, Mappenwerken, Kunstbüchern und Katalogen (HDO) 1890 - 1933, Düsseldorf 1998, vol. VII, no. 72709-7. CHF 2 500 / 3 000 (€ 2 310 / 2 780) 3604 | 4 3605 GEORGES BRAQUE (Argenteuil 1882 - 1963 Paris) Théogonie. 1932. Etching. From an edition of 50. Signed lower left: G. Braque. Image 36.5 x 29.8 cm on vélin by Holland van Gelder (with the watermark) 53.4 x 38.3 cm. Published by Edition Maeght, Paris. From the 17-part Suite Vollard series „La théogonie d‘Hésiode“. Provenance: Acquired from Auktionshaus Kornfeld by the present owner; since then private collection Switzerland. Catalogue raisonné: Vallier, no. 20 I. CHF 1 500 / 2 000 (€ 1 390 / 1 850) 3605 3606 PAUL GAUGUIN (Paris 1848 - 1903 Atuona) La femme aux figures. 1894/1950. Etching, 2nd state, posthumous print. Unsigned. Image 26.5 x 42 cm on vélin by Canson & Montgolfier (with the water- mark) 48 x 64 cm. Published by Jacqueline Delâtre. Catalogue raisonné: Kornfeld, no. 25 II. CHF 1 200 / 1 800 (€ 1 110 / 1 670) 3606 | 5 Prints, Multiples & Photography 3607 3607 ERNST LUDWIG KIRCHNER (Aschaffenburg 1880 - 1938 Frauenkirch/ Davos) Zwei Bauern. 1918. Woodcut, 2nd state, one of 3 known prints of this state known to date. Signed lower right: ELKirchner, also inscribed: Herzli- chen Weihnachtsgruss. Image 15.3 x 11.6 cm on vélin 41.5 x 29 cm. Irregularly trimmed. We thank Prof. Dr. Gercken for his scientific advice. Catalogue raisonné: - Dube, no. H 372 (II from II). - Gercken, no. 905 II. CHF 5 000 / 7 000 (€ 4 630 / 6 480) | 6 3608 3608 ERNST LUDWIG KIRCHNER (Aschaffenburg 1880 - 1938 Frauenkirch/ Davos) Akt Gruppe mit liegendem Reh. 1922. Drypoint etching, 2nd state, one of 4 known prints to date. Trial proof. Signed and dated lower right: ELKirchner 22, as well as titled lower left: Probedruck. Image 18.2 x 18.2 cm on vélin 23.7 x 21 cm. Probably trimmed. We thank Prof. Dr. Gercken for his scientific advice. The work will be included with the title „Adam und Eva mit Schlange und lie- gendem Reh“ in his forthcoming catalogue of prints by Ernst Ludwig Kirchner under the number 1493. Catalogue raisonné: Dube, Nr. R525 (II von III). CHF 6 000 / 8 000 (€ 5 560 / 7 410) | 7 Prints, Multiples & Photography 3609 3609 ERNST LUDWIG KIRCHNER (Aschaffenburg 1880 - 1938 Frauenkirch/ Davos) Der Wanderer. 1922. Drypoint etching, 3rd state, one of 9 prints of this state known to date. On the reverse with the estate stamp: Nachlass E.L. Kirch- ner R395 III. Image 18.2 x 30.5 cm on vélin 30.4 x 42.6 cm. We thank Prof. Dr. Gercken for his scientific to their new house “Auf dem Wildboden this period. His woodcuts are best known advice. The work will be included in his bei Frauenkirch” in 1923. The mountains in this context but, as we can see in the forthcoming catalogue of prints by Ernst provided Kirchner protection against the present work “Der Wanderer” (The Wan- Ludwig Kirchner under the number 1309. war. He clung to the landscape which he derer9, he also grappled intensively with perceived as so positive, explored his new etching. Depicting a wanderer traversing Catalogue raisonné: Dube, no. R407 (III surroundings and actively sought contact the Swiss mountains on a path, this work from IV). to the farmers, which helped him to over- captivates through the extraordinary come his mental and physical problems choice of the format. With just a few lines, Seriously ill and traumatised by World in the meantime. Reidemeister describes Kirchner creates a mountainscape in War I, Ernst Ludwig Kirchner initially came Kirchner’s journey to Davos as follows: „... which he prominently positions the wan- to Davos for medical treatment in 1917. after diverse stations of a torturous medi- derer through his strong, closely placed Ravaged by paralysis symptoms in his legs cal history [he] again established roots in drypoint lines. and arms as well as his drug and medicine the mountains of the Davos valley, in order addiction, he intended to make Switzer- to become an interpreter of spectacular The present etching impressively land a short-term refuge for recovery nature and of a strong human race integ- demonstrates the quality of Kirchner’s and convalescence. However, it quickly rated in its rhythm there.“ (Exhibition ca- graphic oeuvre. became his new home and engine for a talogue: Expressionism in the mountains, new creative phase in his oeuvre. Already also Kunstmuseum Berlin, 2007, p. 9). CHF 15 000 / 20 000 in the following year, he rented the house (€ 13 890 / 18 520) “In den Lärchen”, which he retained as His admiration of the farmers who lived in a summer residence. In 1921, his life close touch with nature and worked hard companion, Erna Schilling, finally reloca- physically was expressed by Kirchner in ted to Switzerland and they both moved numerous graphic reproductions during | 8 Prints, Multiples & Photography 3610* HENRI MATISSE (Le Cateau-Cambrésis 1869 - 1954 Nice) From: Dix Danseuses. 1927. Lithograph. From an unknown edition. Lower left with the stamped monogramm: HM, as well as inscribed: Essai. Image 46 x 27.5 cm on vélin by Arches (with the watermark) 50.5 x 32.6 cm. Catalogue raisonné: Duthuit, no. 481. CHF 6 000 / 8 000 (€ 5 560 / 7 410) 3611* PABLO PICASSO (Málaga 1881 - 1973 Mougins) Homme dévoilant une femme. 1931. Drypoint etching. 2nd state. From the edi- tion of 250. Image 36.6 x 29.6 cm on vélin (with the watermark: Vollard) 45 x 33.9 cm. From the 100-part „Suite Vollard“. Catalogue raisonné: - Geiser, no. 203 II. - Bloch, no. 138. CHF 8 000 / 12 000 (€ 7 410 / 11 110) 3610 | 10 3611 | 11 Prints, Multiples & Photography 3612* PABLO PICASSO (Málaga 1881 - 1973 Mougins) Inès et son enfant. 1947. Lithograph. 19/50. Signed lower right: Picasso, as well as dated in the stone top right: 29.1.47. Image 63 x 39 cm on vélin by Arches (with the watermark) 65.4 x 50 cm. Catalogue raisonné: Bloch, no. 414. Literature: Gauss, Ulrike (Hrsg.): Pablo Picasso. Die Lithographie. Graphikmuse- um Pablo Picasso. Die Sammlung Huizinga, Münster 2000, no. 169. The wide variety of possibilities deriving from the various printing processes enab- les Picasso to live to the full his propensity to experiment, thereby causing lithogra- phy to gain a particular status. Although engravings dominate his voluminous graphic oeuvre, lithography offers him a most crucial advantage: “the possibility to capture phases of work on which he can continue to work later on”. With regard to the paintings “Guernica” (1937) and “The Morgue” (1945), he took photographs of the various stages of their creation. Litho- graphy permitted him to preserve each individual state of the work intact in spite of its further artistic transformation (as a duplicate).” (cit. Erich Franz, in: Exhibition Catalogue Münster, 2000, p. 10). The following two lithographs „Inès et son enfant“ (“Inès and her child”), made in 1947, convey this unique quality of the lithograph and show in a striking way “how Picasso uses every possibility in order to do justice to his artistic perception and 3612 way of working, in order to let the work de- velop, to review its creation, to transform 3613* it and, sometimes, very seldom, to destroy PICASSO, PABLO it.” (cit.: Hachmeister, Heiner (ed.): Pablo (Málaga 1881 - 1973 Mougins) Picasso. Paraphrasen und Variationen. Inès et son enfant. 1947. Seltene Graphik, Münster 2004, p. 5.). Lithograph. 18/50. Signed lower right: Picasso, as well as dated in the stone top Based on the first state, Picasso creates left: 29.1.47.
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