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The School of Paris Catalogue
THE SCHOOL OF PARIS 12 MARCH - 28 APRIL 2016 Francis Bacon (1909 - 1992) Title: Woodrow Wilson, Paris, 1919, from Triptych (1986-1987) Medium: Original Etching and aquatint in colours, 1986/8, on wove paper, with full margins, signed by the artist in pencil Edition: 38/99 - There were also 15 Hors Commerce copies There were also 15 artists proofs in Roman numerals. Literature: Bruno Sabatier, "Francis Bacon: Oeuvre Graphique-Graphic Work. Catalogue Raisonné", JSC Modern Art Gallery, París 2012 Note: The present work is taken from an old press cutting of Woodrow Wilson in Paris for the Peace Conference of 1919. It was originally part of a triptych of works which included a study for the portraits of John Edwards and a Photograph of Totsky studio in Mexico in 1940. Woodrow Wilson (1856 - 1924) was the 28th President of the United States, elected President in 1912 and again in 1916. Published by: Editions Poligrafa, Barcelona, Spain Size: P. 25½ x 19¼ in (648 x 489 mm.) S. 35¼ x 24½ in. (895 x 622 mm.) George Braque (1882 - 1963) Title: Feuillage en couleurs Foliage in colours Medium: Etching in colours, circa 1956, on BFK Rives watermarked paper, signed by the artist in pencil, with blindstamp "ATELIER CROMMELYNCK PRESSES DUTROU PARIS" Size: Image size: 440 x 380 MMS ; Paper size 500 X 670 mms Edition: XVI/XX Publisher: The Society des Bibliophiles de France, Paris Note: There was also a version of this in Black and White which was possibly a state of our piece (Vallier 106) Reference: Dora Vallier “Braque: The Complete Graphics” Number 105 after George Braque (1882 - 1963) Title: Les Fleurs Violets Bouquet des Fleurs Medium: Etching and Aquatint in colours, circa 1955/60, on Arches watermarked paper, signed by the artist in pencil, with blindstamp "ATELIER CROMMELYNCK PARIS" Size: Image size: 19 in x 11 5/8 in (48.3 cm x 29.5 cm) ; Paper size 26 in x 19 3/4 in (66 cm x 50.2 cm) Edition: 92/200 - There was also an edition of 50 on Japan paper. -
Slaves of Sleep: Nightmares of Evil Jinn in a Parallel Universe and Discovering the Meaning of Dreams Online
W9zNH [Ebook pdf] Slaves of Sleep: Nightmares of Evil Jinn in a Parallel Universe and Discovering the Meaning of Dreams Online [W9zNH.ebook] Slaves of Sleep: Nightmares of Evil Jinn in a Parallel Universe and Discovering the Meaning of Dreams Pdf Free L. Ron Hubbard audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #232342 in eBooks 2012-01-01 2012-01-01File Name: B007BS76XI | File size: 36.Mb L. Ron Hubbard : Slaves of Sleep: Nightmares of Evil Jinn in a Parallel Universe and Discovering the Meaning of Dreams before purchasing it in order to gage whether or not it would be worth my time, and all praised Slaves of Sleep: Nightmares of Evil Jinn in a Parallel Universe and Discovering the Meaning of Dreams: 6 of 6 people found the following review helpful. Refreshing Adult Fantasy!By Stevehttp://www..com/Slaves-Sleep- Nightmares-Dreaming-Insomnia-ebook/dp/B008Y8CMP6/ref=cm_cr_arp_d_product_top?ie=UTF8It's refreshing to read a Fantasy that is not geared down to a young teen level. Hubbard is a master of language and an incredibly engaging writer. The two stories here included - SLAVES OF SLEEP and MASTERS OF SLEEP were written 20 years apart, from the beginning and later periods of the Author's career. And rather than being a rehash of Arabian Nights, these stories are completely original and in that fast-paced style that Hubbard is famous for. It's almost impossible to put the book down - just wonderful, clean fun and a joy to read.These books are why I read. -
Two Queens of ^Baghdad Oi.Uchicago.Edu
oi.uchicago.edu Two Queens of ^Baghdad oi.uchicago.edu Courtesy of Dr. Erich Schmidt TOMB OF ZUBAIDAH oi.uchicago.edu Two Queens of Baghdad MOTHER AND WIFE OF HARUN AL-RASH I D By NABIA ABBOTT ti Vita 0CCO' cniia latur THE UNIVERSITY OF CHICAGO PRESS CHICAGO • ILLINOIS oi.uchicago.edu The University of Chicago Press • Chicago 37 Agent: Cambridge University Press • London Copyright 1946 by The University of Chicago. All rights reserved. Published 1946. Composed and printed by The University of Chicago Press, Chicago, Illinois, U.S.A. oi.uchicago.edu Preface HE historical and legendary fame of Harun al- Rashld, the most renowned of the caliphs of Bagh dad and hero of many an Arabian Nights' tale, has ren dered him for centuries a potent attraction for his torians, biographers, and litterateurs. Early Moslem historians recognized a measure of political influence exerted on him by his mother Khaizuran and by his wife Zubaidah. His more recent biographers have tended either to exaggerate or to underestimate the role of these royal women, and all have treated them more or less summarily. It seemed, therefore, desirable to break fresh ground in an effort to uncover all the pertinent his torical materials on the two queens themselves, in order the better to understand and estimate the nature and the extent of their influence on Harun and on several others of the early cAbbasid caliphs. As the work progressed, first Khaizuran and then Zubaidah emerged from the privacy of the royal harem to the center of the stage of early cAbbasid history. -
Reframing Borders: a Study of the Veil, Writing, and Representation of the Female Body in the Photo-Based Artwork of Mona Hatoum
REFRAMING BORDERS: A STUDY OF THE VEIL, WRITING, AND REPRESENTATION OF THE FEMALE BODY IN THE PHOTO-BASED ARTWORK OF MONA HATOUM, SHIRIN NESHAT, AND LALLA ESSAYDI by MARYAM A M A ALWAZZAN A THESIS Presented to the Department of The HIstory of Art and Architecture and the Graduate School of the UniversIty of Oregon in partIaL fulfiLLment of the requirements for the degree of Master of Arts December 2018 THESIS APPROVAL PAGE Student: Maryam A M A Alwazzan Title: ReframIng Borders: A Study of the VeIL, WritIng and RepresentatIon of the femaLe body In the Photo-Based Artwork of Mona Hatoum, Shirin Neshat and LaLLa Essaydi This thesIs has been accepted and approved in partIaL fulfiLLment of the requirements for the Master of Art HIstory degree in the Department of The HIstory of Art and Architecture by: Kate Mondloch ChaIr Derek Burdette Member MIchaeL Allan Member and Janet Woodruff-Borden VIce Provost and Dean of the Graduate School OriginaL approvaL sIgnatures are on fiLe wIth the UniversIty of Oregon Graduate School. Degree awarded December 2018. II © 2018 Maryam A M A ALwazzan This work is lIcensed under a CreatIve Commons Attribution-NonCommercial-NoDerivs (United States) License. III THESIS ABSTRACT Maryam A M A ALwazzan Master of Arts Department of The HIstory of Art and Architecture December 2018 Title: ReframIng Borders: A Study of the VeIL, WritIng and RepresentatIon of The Female Body In The Photo-Based Artwork of Mona Hatoum, Shirin Neshat and LaLLa Essaydi For a long tIme, most women beLIeved they had to choose between theIr MusLIm or Arab identIty and theIr beLIef in socIaL equaLIty of sexes. -
2256 Inventory 4.Pdf
The Robert Bloch Collection, Acc. ~2256-89-0]-27 Page 11 Box ~ (continueo) Periooicals (continueol: F~ntastic Adyentutes: Vol. 5 (No.8), Allg. 194]: "You Can't Kio Lefty Feep", pp.148-166; "Fairy Tale" under the name Tarleton Fiske, pp.184-202; biographical note on Tarleton Fiske, p.203. Vol. 5 (No.9), Oct. 194]: "A Horse On Lefty Feep", pp. 86-101; "Mystery Of The Creeping Underwear" under the name Tarleton FIske, pp.132-146. Vol. 6 (No.1), Feb. 1944; "Lefty Feep's ~l:abian Nightmare", pp.178-192. Vol. 6 (No. 2), ~pr. 1944: "Lefty Feep Does Time", pp. 156-1'15. Vol. 7 (No.2), Apr. IH5: "Lefty Feep Gets Henpeckeo", 1'1'.116-131. Vol. 6 (No.3), July 1946: "Tree's A Cro"d", pp.74-90. Vol. 9 (No. 51, sept. 1947: "The Mad Scientist", pp. 108-124. Vol. 12 (No.3), Mar. 1950: "Girl From Mars", pp.28-33. Vol. 12 (No.7), July 1950: "End Of YOUl: Rope", 1'p.l10- 124. Vol. 12 (No. S), Aug. 1950: "The Devil With Youl", pp. 8-68. Vol. 13 (No.7), July 1951: "The Dead Don't Die", pp. 8-54; biogl;aphical note, pp.2, 129-130. Fantastic Monsters Of The F11ms, Vol. 1 (No.1), 1962: "Black Lotus", p.10-21, 62. Fantastic Uniyel;se: Vol. 1 (No.6), May 1954: "The Goddess Of Wisdom", pp. 117-128. Vol. 4 (No, 6), Jan. 1956: "You Got To Have Brains", pp .112-120. Vol. 5 (No.6), July 1956: "Founoing Fathel:s", pp.34- Vol. -
Prints, Multiples & Photography
Prints, Multiples & Photography Lot 3601 – 3761 Auction: Saturday, 25 June 2016, 4pm Preview: Sat. 11 to Tue. 21 June 2016 Silke Stahlschmidt Jennifer Greenland Tel. +41 44 445 63 42 Tel. +41 44 445 63 46 [email protected] [email protected] Further editing: Jara Koller Due to layout reasons it may be possible that some sheet sizes are not fully illustrated. Please visit the online catalogue for untrimmed illustrations. The condition of the prints are only partly and in particular cases noted in the catalogue. Please do not hesitate to contact us for a detailed condition report. 3601 HENRI DE TOULOUSE-LAUTREC (Albi 1864 - 1901 Malromé/Gironde) Douze Dessins. 1947. Portfolio with 11 (colour-)offsets. From an unknown edition. Varying image sizes on vélin min. 36.8 x 27.1 cm, max. 46.5 x 32.6 cm. Published by Holbein, Basel. Printed by Albert Carman, New York. In original folder. 1 sheet missing. CHF 700 / 900 (€ 650 / 830) 3601 3602 EDGAR DEGAS (1834 Paris 1917) Danseuse mettant son chausson. Circa 1892. Etching. From an unknown edition. Image 17.9 x 11.6 cm on vélin 32.7 x 24.9 cm. Catalogue raisonné: - Adhémar, no. 60. - Delteil, no. 36. - Reed/Shapiro, no. 55. CHF 800 / 1 200 (€ 740 / 1 110) 3602 | 3 Prints, Multiples & Photography 3603 ERICH HECKEL (Döbeln 1883 - 1970 Radolfzell) Schlafender Knabe. 1963. Drypoint. 61/100. Signed and dated lower right: Heckel 63. Image 25 x 20 cm on vélin 50 x 38.5 cm. Published and prin- ted by Erker-Presse, St. Gallen (with the blindstamp). -
A Resource Guide to New York City's Many Cultures
D iv e r C it y : A Resource Guide to New York City’s Many Cultures New York City 2012 DiverCity: A Resource Guide to New York City’s Many Cultures Table of Contents I. Museums and Cultural Institutions A. Art Museums Page 1 B. Historical and Cultural Museums Page 7 C. Landmarks and Memorials Page 12 D. Additional Cultural Institutions Page 15 II. Cultural/Community Organizations and Associations Page 18 III. Performing Arts Centers and Organizations Page 22 IV. College/University Cultural Departments and Potential Speakers Page 25 Mu s eu m s a nd Cu l t u r a l In s ti t u ti o n s “We have become not a melting pot but a beautiful mosaic. Different people, different beliefs, different yearnings, different hopes, different dreams." - Jimmy Carter, 39th President of the United States 1 A) ART MUSEUMS Name Address Phone/ Website Admission Information Description American 2 Lincoln (212) 595-9533 FREE at all times The American Folk Art Museum is the Folk Art Square at leading center for the study and Museum 66th St. Folkartmuseum.org Hours: Tues-Sat enjoyment of American folk art, as well 12:00PM-7:30PM; Sun as the work of international self- taught 12:00PM- 6:00PM artists. Diversity in programming has become a growing emphasis for the museum since the 1990s. Major presentations of African- American and Latino artworks have become a regular feature of the museum's exhibition schedule and permanent collection. Asia Society 725 Park Avenue at (212) 288-6400 FREE Fridays 6-9PM The Asia Society is America's leading 70th Street institution dedicated to fostering Asiasociety.org Price: $10 Adults; $7 understanding of Asia and Seniors; $5 Student ID communication between Americans FREE children under 16 and the peoples of Asia and the Pacific. -
Fantasy Commentator 20
...covering the field of imaginative literature... A. Langley Searles editor and publisher contributing editors; William H. Evans, Thyril L. Ladd, Sam Moskowitz, Matthew H. Onderdonk, Darrell C. Richardson, Richard Witter Vol. II, No. 8 --- 0O0--- Fall 1948 CONTENTS T EDITORIAL: This-'n'-That A. Langley Searles 260 ARTICLES: The "Polaris" Trilogy Richard Witter 261 An Analytical Approach to the George T. Wetzel 265 Supernatural-Horror Tale In a Glass---- Darkly Matthew H. Onderdonk 267 Fantasy in the Popular Magazine William H. Evans 273 The Immortal Storm (part 13) Sam Moskowitz 284 Talbot Mundy: Oriental Mystic Darrell C. Richardson 290 Indexes to Volume Tito of Fantasy Commentator 294 VERSE: Beyond the Shadovz Genevieve K. Stevens 266 REGULAR FEATURES: Book Reviews: Phi 11 pot t s ‘ Lycanthrope Marion Zimmer * 271 Merritt's w Bok's Black Wheel A. Langley Searles 282 Tips on Tales Thyril L. Ladd 264 Thumbing the Munsey Files William H. Evans 292 This is the twentieth number of Fantasy Commentator, an amateur, non-profit . periodical of limited circulation appearing at quarterly intervals. Subscription rates: 25^ per copy, five issues for $1, This magazine does not exchange sub scriptions with other publications except by specific arrangement. All opinions t expressed herein are the individual contributors' own, and do not necessarily re flect those of staff members. Although Fantasy Commentator publishes no fiction, manuscripts dealing with any phase of imaginative literature are always welcome. Please address communications to the editor at 7 East 235th St., New York 66, N.Y. copyright 1948 by A. Langley Searles 260 FANTASY COMMENTATOR THIS-'N'-THAT Again we return to the task of listing all fantasy fiction that has appeared in 1948 since our last issue; world of the jinns, described with con Ashton, Francis: Alas, That Great City siderably more blood than art, (Dakers, 9/6). -
UNIVERSITY of CALIFORNIA, IRVINE Narrative and Iranian
UNIVERSITY OF CALIFORNIA, IRVINE Narrative and Iranian Identity in the New Persian Renaissance and the Later Perso-Islamicate World DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in History by Conrad Justin Harter Dissertation Committee: Professor Touraj Daryaee, Chair Professor Mark Andrew LeVine Professor Emeritus James Buchanan Given 2016 © 2016 Conrad Justin Harter DEDICATION To my friends and family, and most importantly, my wife Pamela ii TABLE OF CONTENTS Page LIST OF FIGURES iv ACKNOWLEDGMENTS v CURRICULUM VITAE vi ABSTRACT OF THE DISSERTATION vii CHAPTER 1: INTRODUCTION 1 CHAPTER 2: Persian Histories in the 9th-12th Centuries CE 47 CHAPTER 3: Universal History, Geography, and Literature 100 CHAPTER 4: Ideological Aims and Regime Legitimation 145 CHAPTER 5: Use of Shahnama Throughout Time and Space 192 BIBLIOGRAPHY 240 iii LIST OF FIGURES Page Figure 1 Map of Central Asia 5 iv ACKNOWLEDGMENTS I would like to express my gratitude to all of the people who have made this possible, to those who have provided guidance both academic and personal, and to all those who have mentored me thus far in so many different ways. I would like to thank my advisor and dissertation chair, Professor Touraj Daryaee, for providing me with not only a place to study the Shahnama and Persianate culture and history at UC Irvine, but also with invaluable guidance while I was there. I would like to thank my other committee members, Professor Mark LeVine and Professor Emeritus James Given, for willing to sit on my committee and to read an entire dissertation focused on the history and literature of medieval Iran and Central Asia, even though their own interests and decades of academic research lay elsewhere. -
Voicing the Voiceless: Feminism and Contemporary Arab Muslim Women's Autobiographies
VOICING THE VOICELESS: FEMINISM AND CONTEMPORARY ARAB MUSLIM WOMEN'S AUTOBIOGRAPHIES Taghreed Mahmoud Abu Sarhan A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2011 Committee: Ellen Berry, Advisor Vibha Bhalla Graduate Faculty Representative Radhika Gajjala Erin Labbie iii ABSTRACT Ellen Berry, Advisor Arab Muslim women have been portrayed by the West in general and Western Feminism in particular as oppressed, weak, submissive, and passive. A few critics, Nawar al-Hassan Golley, is an example, clarify that Arab Muslim women are not weak and passive as they are seen by the Western Feminism viewed through the lens of their own culture and historical background. Using Transnational Feminist theory, my study examines four autobiographies: Harem Years By Huda Sha’arawi, A Mountainous Journey a Poet’s Autobiography by Fadwa Tuqan, A Daughter of Isis by Nawal El Saadawi, and Dreams of Trespass, Tales of a Harem Girlhood by Fatima Mernissi. This study promises to add to the extant literature that examine Arab Muslim women’s status by viewing Arab women’s autobiographies as real life stories to introduce examples of Arab Muslim women figures who have effected positive and significant changes for themselves and their societies. Moreover, this study seeks to demonstrate, through the study of select Arab Muslim women’s autobiographies, that Arab Muslim women are educated, have feminist consciousnesses, and national figures with their own clear reading of their own religion and culture, more telling than that of the reading of outsiders. -
The Gnostic L. Ron Hubbard: Was He Influenced by Aleister Crowley?
$ The Journal of CESNUR $ The Gnostic L. Ron Hubbard: Was He Influenced by Aleister Crowley? Massimo Introvigne CESNUR (Center for Studies on New Religions) [email protected] ABSTRACT: Scientology was defined by its founder himself, L. Ron Hubbard, as a “Gnostic religion.” In 1969, however, a Trotskyist Australian journalist and an opponent of Scientology, Alex Mitchell, disclosed in a Sunday Times article that Hubbard had been involved, in 1945–46, in the activities of California’s Agapé Lodge of the Ordo Templi Orientis, an occult organization led by British magus Aleister Crowley. The article generated a cottage industry of exposés criticizing Hubbard as having been a member of a “black magic” organization. Some scholars also believe Hubbard to have been influenced by Crowley in his subsequent writings about Dianetics and Scientology. While conflicting narratives exist about why exactly Hubbard participated in the activities of the Agapé Lodge and his leader, the rocket scientist Jack Parsons, the article argues that Hubbard researched magic well before 1945, came to conclusions about the role of magic in Western culture that are largely shared by 21st century scholars, and created with Scientology a system that is inherently religious rather than magic. KEYWORDS: Scientology, L. Ron Hubbard, Babalon Working, Aleister Crowley, Jack Parsons, John Whiteside Parsons, O.T.O., Agapé Lodge. Scientology and Gnosticism Some weeks ago, I was visited by a leading Chinese scholar of religion, Zhang Xinzhang from Zhejiang University. Zhang is a scholar of Gnosticism and a critic of movements the Chinese government identifies as xie jiao (“heterodox teachings,” sometimes translated, less accurately, as “evil cults”). -
OOK R VI WS from Sciencefiction to Fiction Science
OOK R VI WS From Science fiction to Fiction science I N TI S : TH MO RN S I N OF M NT L H LTH by L Ron Hubbard Introduction by J Winter M New York : Hermitage House 19 2 pp $ H S of Lafayette Ronald Hubbard author of ianetics: The Modern TScience of Mental Health offers an almost unparalleled illustration of the principle held by writers on general semantics that language habits tend ulti mately to become internalized Korzybski said that one s evaluations tend to reflect the structure of the language one speaks ; Wendell Johnson has described the way the language does your thinking for you and has said that every speaker is his own most interested and affected listener Hubbard is a writer of science fiction efore writing ianetics he had writ ten eath s eputy (a novel about accident proneness) Final lackout (science fiction) The Kingslayer (science fiction) Slaves of Sleep (fantasy novel) Triton (fantasy) How many more novels he has written I do not know but he has also been an incredibly prolific contributor to science fiction and other magazines ccording to his own account of himself in the 19 2 3 edition of Who s Who in the ast he had had at that time (he was born in 1911) five million words published under six names How many more millions of words he has published since then it is impossible even to guess without at least knowing the names he writes under ut it appears to me inevitable that anyone writing several million words of fantasy and science fiction should ultimately begin to internalize the assumptions underlying that verbiage