Navarathri Festival - 2019

Total Page:16

File Type:pdf, Size:1020Kb

Navarathri Festival - 2019 Navarathri Festival - 2019 The Hindu Society of Victoria of Shri Shiva Vishnu Temple Cordially invites you to celebrate Navarathri with music, dance and fine art at The Cultural Heritage Centre, 52 Boundary Road, Carrum Downs Sunday 29th September – Monday 7th October 2019. IAA Art display in Museum hall on all days. Free Admission. Date Time School / Organisation Item Teacher / Performers Sunday 09:00- Sapthaswara Carnatic Vocal Smt Jayshree 29th Sept 09:45 Ramachandran OAM 09:50- Kavin Kalai Music Academy Carnatic Music Smt Rama Sivarajah 10:35 10:40- Ragaamrutha Music School Carnatic Vocal Smt Madhuri Vasa 11:25 11:30- Shri Nrityam Bharathanrityam Shri.T.Shriraam 12:00 12.05- Natyakalamandir Bharathanatyam Smt Sujatha Surendran 12.55 13.00 Ramana Natyalaya Bharathanatyam Smt Aruna Anand 13:30 Sunday 16.30- Rangan Brothers Carnatic Vocal Students of Raghuveer th 29 Sept 17.15 Rangan & Narayan Rangan 17.20- Kala Kruthi Carnatic Vocal Smt Shobha Sekhar 18.10 18.15- Raaga Sudha School of Carnatic Music Shri Murali Kumar 19.00 Carnatic Music Vocal & Violin 19.05- Laya Vidhya Carnatic Music Shri Sridhar Chari 19.50 19.55 Nrithakshetra Bharathanatyam Smt Shanty Rajendra 21.00 Monday 18:30- Swaraga Music School Carnatic Music Smt Sriranjani 30th Sept 19:15 Kumaraswamy 19:20- Sruthi-Laya Kendra Classical Music Shri Ravichandhira OAM and 20.05 Smt Narmatha Ravichandhira 20.10 Bharatha Choodamani Bharathanatyam Smt Narmatha 20.55 Ravichandhira Tuesday 18:30- Abhirami school of Dance Bharathanatyam Smt Rasmi Radhakrishnan 1st Oct 19:15 19:20- Nrithyopasana Bharathanatyam Smt Lalitha Narayanan 20.05 20:10 Sindhu Bhairavi Centre of Arts Bharathanatyam Smt Chandana Brijesh 20.55 Wednesday 18:30- Ragamaliga Carnatic Vocal Smt Dawina Venthan 2nd Oct 19.15 19:20- Krishna Ravali Carnatic Vocal Smt Rama Rao 20:00 20:05- Prakalpa Samskruti Indian Classical Smt. Shyama Sasidharan 20:55 Dances Thursday 18:30- Keerthana School of Music Carnatic Music Smt Uthra 3rd Oct 19:15- Vijayaragavan 19:20- Varsha School of Fine Arts Carnatic Vocal Smt Dushanthy Lakshman 20.05 20.10- Nadopasana School of Music Carnatic Vocal Smt Sudha Srikumar 20.55 Friday 18:15- Sound check for MIM 4th Oct 18.30 Kala Vidhya School of Dance Bharathanatyam Smt Suganthy Pirapagaran 19:00 19:05- MIM Presents Ragamalika Carnatic Music Shri Sathees Ruthiraseelan 19:40 Veena, Keyboard Percussion 19:45- Indian Arts Academy Carnatic Music Shri Yogaraja Kandasamy 20.55 Percussion Saturday 09.15- Kannappa Adigalar Mazhalaigal Bhajans Smt Niranjani Senthuran 5th Oct 10.00 Bhajan group 10.05- Krishna Brundavan Bhajans Smt Nethra Sreenath 10.35 10.40- Chandralaya School of Dance Bharathanatyam Smt Deepa Mani 11.10 11:15- Ghungroo School of Dance Kathak Smt Sumona Bhattacharya 11.45 11.45- Narthanalaya Academy of Indian Carnatic Music Smt Sivarubhini 12.45 Music and Dance and Dance Kanagasabai Saturday 16:00- HSV Hinduism School students Hinduism School Shri Kugathasan , 5th Oct 18:00 Sanatana Dharma Sansthan Smt Mangalam Vasan & Ms Lakshanya Vasan 18:05- Tatkaar Kathak Dance Institute Kathak Dance Smt Shikha Chhangani 18:20 Drama 18:25- Sohamasmi Odissi Smt Monica Singh Sangwan 19.00 Saturday 19:05- Nrithyakala Ashram Bharathanatyam Smt Sridevi Anoop October 5th 19:35 19:40- Kalakshetra Dance Academy Kuchipudi Kumari Akhila Reddy 19.55 Vijayawada 20:00- Kerala Hindu Society Classical Dance Smt Yoge Biju 20.45 and Music Sunday 6th 09:00- Geethaanjalie Carnatic Vocal Shri Sivanandan Ahilan Oct 09:45 09:50- Satheepan Ilankumaran Mridangam Shri Satheepan Ilankumaran 10:25 Mridangam School 10:30- Natya Sudha Mohiniyattam Smt Tara Rajkumar OAM 11.10 11.15- Kalanjali Bharatha Natyam Bharathanatyam Smt Renuka Arumughasamy 11.55 School 12:00- Kathaprana Dance Academy Kathak Dance Smt Sanchita Abrol 12:30 12.35- Tanishka Dance Academy Indian Classical Smt Therma Katticaran 13.25 Dances SundayPM 16.00 - Telugu Malli Variety Shri Rama Prasad Oct 6th 16.45 Programme 16:45 Sri Sai Nataraja Kuchipudi Kuchipudi Dance Smt Sridevi Challapalli 17:15 Dance School 17:20 Bharathakalanjali Bharathanatyam Smt Radhika Mahadeva 18:10 and Mridangam Mandolin,Violin 18:15- Pravaha Dance Foundation Bharathanatyam Shri Rashan Samsul 18.40 and Kandyan 18:45- Sivalayam Nadanalayam Bharathanatyam Smt Yalini Thirulogan 19.25 19.30- Rhythm & Folk School Marathi Dance Smt Reshma Parulekar 19.45 School 19.45 Nadanalaya Music and Dance Bharathanatyam Smt Meena Ilankumaran 20.55 School Monday 18:15- Dhaan Music School Carnatic Vocal Smt. Jenany Abarnasuthan 7th Oct 19:05 Sharma 19.10- Kala Aradhana School of Indian Bharathanatyam Smt Karthika Theva 19:40- Classical Dance Monday 19:45- Pitchumani School of Music Carnatic Music Shri Iyer Brothers 7th Oct 20.15 Veena Monday 20.20 - The Academy of Indian Music Percussion Sai Nivaeithan & Sai 7th Oct 21.00 Ensemble. Sarangan Ravichandhira Temple hours: Mon to Fri: 7:30 AM to 12:05 PM and 4:00 PM to 9:05 PM Saturday, Sunday & Public holidays: 7:30 AM to 1:05 PM and 4:00 PM to 9:05 PM CANTEEN HOURS Mon to Fri: 5:30 PM to 9:00 PM Saturday, Sunday & Public hols: 9:30 AM to 2:00 PM and 5:00 PM to 9:00 PM .
Recommended publications
  • Note Staff Symbol Carnatic Name Hindustani Name Chakra Sa C
    The Indian Scale & Comparison with Western Staff Notations: The vowel 'a' is pronounced as 'a' in 'father', the vowel 'i' as 'ee' in 'feet', in the Sa-Ri-Ga Scale In this scale, a high note (swara) will be indicated by a dot over it and a note in the lower octave will be indicated by a dot under it. Hindustani Chakra Note Staff Symbol Carnatic Name Name MulAadhar Sa C - Natural Shadaj Shadaj (Base of spine) Shuddha Swadhishthan ri D - flat Komal ri Rishabh (Genitals) Chatushruti Ri D - Natural Shudhh Ri Rishabh Sadharana Manipur ga E - Flat Komal ga Gandhara (Navel & Solar Antara Plexus) Ga E - Natural Shudhh Ga Gandhara Shudhh Shudhh Anahat Ma F - Natural Madhyam Madhyam (Heart) Tivra ma F - Sharp Prati Madhyam Madhyam Vishudhh Pa G - Natural Panchama Panchama (Throat) Shuddha Ajna dha A - Flat Komal Dhaivat Dhaivata (Third eye) Chatushruti Shudhh Dha A - Natural Dhaivata Dhaivat ni B - Flat Kaisiki Nishada Komal Nishad Sahsaar Ni B - Natural Kakali Nishada Shudhh Nishad (Crown of head) Så C - Natural Shadaja Shadaj Property of www.SarodSitar.com Copyright © 2010 Not to be copied or shared without permission. Short description of Few Popular Raags :: Sanskrut (Sanskrit) pronunciation is Raag and NOT Raga (Alphabetical) Aroha Timing Name of Raag (Karnataki Details Avroha Resemblance) Mood Vadi, Samvadi (Main Swaras) It is a old raag obtained by the combination of two raags, Ahiri Sa ri Ga Ma Pa Ga Ma Dha ni Så Ahir Bhairav Morning & Bhairav. It belongs to the Bhairav Thaat. Its first part (poorvang) has the Bhairav ang and the second part has kafi or Så ni Dha Pa Ma Ga ri Sa (Chakravaka) serious, devotional harpriya ang.
    [Show full text]
  • Godrej Consumer Products Limited
    GODREJ CONSUMER PRODUCTS LIMITED List of shareholders in respect of whom dividend for the last seven consective years remains unpaid/unclaimed The Unclaimed Dividend amounts below for each shareholder is the sum of all Unclaimed Dividends for the period Nov 2009 to May 2016 of the respective shareholder. The equity shares held by each shareholder is as on Nov 11, 2016 Sr.No Folio Name of the Shareholder Address Number of Equity Total Dividend Amount shares due for remaining unclaimed (Rs.) transfer to IEPF 1 0024910 ROOP KISHORE SHAKERVA I R CONSTRUCTION CO LTD P O BOX # 3766 DAMMAM SAUDI ARABIA 180 6,120.00 2 0025470 JANAKIRAMA RAMAMURTHY KASSEMDARWISHFAKROO & SONS PO BOX 3898 DOHA QATAR 240 8,160.00 3 0025472 NARESH KUMAR MAHAJAN 176 HIGHLAND MEADOW CIRCLE COPPELL TEXAS U S A 240 8,160.00 4 0025645 KAPUR CHAND GUPTA C/O PT SOUTH PAC IFIC VISCOSE PB 11 PURWAKARTA WEST JAWA INDONESIA 360 12,240.00 5 0025925 JAGDISHCHANDRA SHUKLA C/O GEN ELECTRONICS & TDG CO PO BOX 4092 RUWI SULTANATE OF OMAN 240 8,160.00 6 0027324 HARISH KUMAR ARORA 24 STONEMOUNT TRAIL BRAMPTON ONTARIO CANADA L6R OR1 360 12,240.00 7 0028652 SANJAY VARNE SSB TOYOTA DIVI PO BOX 6168 RUWI AUDIT DEPT MUSCAT S OF OMAN 60 2,040.00 8 0028930 MOHAMMED HUSSAIN P A LEBANESE DAIRY COMPANY POST BOX NO 1079 AJMAN U A E 120 4,080.00 9 K006217 K C SAMUEL P O BOX 1956 AL JUBAIL 31951 KINGDOM OF SAUDI ARABIA 180 6,120.00 10 0001965 NIRMAL KUMAR JAIN DEP OF REVENUE [INCOMETAX] OFFICE OF THE TAX RECOVERY OFFICER 4 15/295A VAIBHAV 120 4,080.00 BHAWAN CIVIL LINES KANPUR 11 0005572 PRAVEEN
    [Show full text]
  • Fusion Without Confusion Raga Basics Indian
    Fusion Without Confusion Raga Basics Indian Rhythm Basics Solkattu, also known as konnakol is the art of performing percussion syllables vocally. It comes from the Carnatic music tradition of South India and is mostly used in conjunction with instrumental music and dance instruction, although it has been widely adopted throughout the world as a modern composition and performance tool. Similarly, the music of North India has its own system of rhythm vocalization that is based on Bols, which are the vocalization of specific sounds that correspond to specific sounds that are made on the drums of North India, most notably the Tabla drums. Like in the south, the bols are used in musical training, as well as composition and performance. In addition, solkattu sounds are often referred to as bols, and the practice of reciting bols in the north is sometimes referred to as solkattu, so the distinction between the two practices is blurred a bit. The exercises and compositions we will discuss contain bols that are found in both North and South India, however they come from the tradition of the North Indian tabla drums. Furthermore, the theoretical aspect of the compositions is distinctly from the Hindustani, (north Indian) tradition. Hence, for the purpose of this presentation, the use of the term Solkattu refers to the broader, more general practice of Indian rhythmic language. South Indian Percussion Mridangam Dolak Kanjira Gattam North Indian Percussion Tabla Baya (a.k.a. Tabla) Pakhawaj Indian Rhythm Terms Tal (also tala, taal, or taala) – The Indian system of rhythm. Tal literally means "clap".
    [Show full text]
  • Analyzing the Melodic Structure of a Raga-Based Song
    Georgian Electronic Scientific Journal: Musicology and Cultural Science 2009 | No.2(4) A Statistical Analysis Of A Raga-Based Song Soubhik Chakraborty1*, Ripunjai Kumar Shukla2, Kolla Krishnapriya3, Loveleen4, Shivee Chauhan5, Mona Kumari6, Sandeep Singh Solanki7 1, 2Department of Applied Mathematics, BIT Mesra, Ranchi-835215, India 3-7Department of Electronics and Communication Engineering, BIT Mesra, Ranchi-835215, India * email: [email protected] Abstract The origins of Indian classical music lie in the cultural and spiritual values of India and go back to the Vedic Age. The art of music was, and still is, regarded as both holy and heavenly giving not only aesthetic pleasure but also inducing a joyful religious discipline. Emotion and devotion are the essential characteristics of Indian music from the aesthetic side. From the technical perspective, we talk about melody and rhythm. A raga, the nucleus of Indian classical music, may be defined as a melodic structure with fixed notes and a set of rules characterizing a certain mood conveyed by performance.. The strength of raga-based songs, although they generally do not quite maintain the raga correctly, in promoting Indian classical music among laymen cannot be thrown away. The present paper analyzes an old and popular playback song based on the raga Bhairavi using a statistical approach, thereby extending our previous work from pure classical music to a semi-classical paradigm. The analysis consists of forming melody groups of notes and measuring the significance of these groups and segments, analysis of lengths of melody groups, comparing melody groups over similarity etc. Finally, the paper raises the question “What % of a raga is contained in a song?” as an open research problem demanding an in-depth statistical investigation.
    [Show full text]
  • List of Empanelled Artist
    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ
    [Show full text]
  • June 2018 (Special Edition on Ganakaladhara Madurai Mani Iyer)
    Lalitha Kala Tarangini Premier Quarterly Music Magazine from Sri Rama Lalitha Kala Mandira Volume 2018, Issue 2 June 2018 Sangeetha Kalarathna Titte Krishna Iyengar RR Keshavamurthy - The Lion of Karnataka DK Pattammal the Immortal legend Indian Music Experience (IME) Special Edition on Madurai Mani Iyer Raga Laya Prabha award felicitation Sri Rama Lalitha Kala Mandira awarded “Raaga Laya Prabha” on 13th May 2018 to Aditi B Prahalad (Vocal), BK Raghu (Violin) and Akshay Anand (Mridangam) who are the upcoming youngsters from Bangalore. This award is to commemorate the memory of the Founder-Director, Karnataka Kalashree GV Ranganayakamma, Vidushi GV Neela and her Sister, Founder-patron and Veena artiste Dr. GV Vijayalakshmi. The award carries a cash prize of Rs. Twenty Five Thousand and a citation. The award function was followed by a concert of Abhishek Raghuram (Vocal). B Vittal Rangan (Violin), NC Bharadwaj (Mridanga) and Guruprasanna (Kanjra) in presence of a capacity crowd. Left to Right Standing - Sri DR Srikantaiah - President, Akshay Anand, Sri GV Krishna Prasad - Hon. Secretary, Vidushi Neela Ramgopal,Vidwan Abhishek Raghuram, Aditi B Prahalad, BK Raghu June 2018 Titte Krishna Iyengar and RR Keshavamurthy. I am sure they will be an inspiration to the youngsters. Ganakaladhara Madurai Mani Iyer (MMI) shone like a jewel during the golden period of Karnatak music. He, Music world celebrated the centenary year of DK Pattam- along with GN Balasubramaniam (GN Sir) revolutionised mal a doyen in her own right on March 19, 2019. Vice karnatak music so much so that we talk about music in President of India, Shri M Venkaiah Naidu inaugurated the terms of before MMI, GN Sir and after MMI and GN Sir.
    [Show full text]
  • Sandesh Sandesh Issue 3 “The Message” a Newsletter from Indus of Fox Valley
    October 2007 Volume 5 Sandesh Sandesh Issue 3 “The Message” A Newsletter from IndUS of Fox Valley From Editors’ Desk Indian Classical Music and Dances: A Brief Introduction Dear Readers, By B. S. Sridhar Each year the October issue of Sandesh is dedicated to the theme Classical Indian Music raga is a projection of artist’s inner spirit. of upcoming annual IndUS ban- The origin of Indian music is said to be The current classification of ragas can be quet. The theme of IndUS-2007 is rooted in the Vedas (1000-1700 B.C.). traced to two seminal works by great Music & Dances of India and the Over the centuries classical music has musicologists: Svaramelakalanidhi by articles in this issue are a prelude evolved into two distinct schools, namely, Raamamaatya (c. 1550 AD) and to such a rich and diverse compo- Hindustani (the North Indian) and Carnatic Caturdandi Prakaasikaa by Venkatamakhi nent of Indian culture. (the South Indian). (1660 A.D.). The ten principal families of ragas in Hindustani are: Asavari, Bhairav, The lack of space prevents us to Carnatic music is devotional in nature, with Bhairavi, Bilawal, Kafi, Kalyan, Khamaj, cover many other interesting attention on melody and rhythm, heavy Marwa, Purvi and Todi. Carnatic labels for forms and important aspects of emphasis is placed on sahitya or lyrics. The ragas generally differ but there are Indian music and dance. We are music is often in praise of the Hindu equivalent ragas in both systems. sure that at the banquet you will pantheon and often the poets are known to discover interesting and informa- express other emotions such as love, anger, Tala refers to rhythmic cycles.
    [Show full text]
  • Carnatic Music Primer
    A KARNATIC MUSIC PRIMER P. Sriram PUBLISHED BY The Carnatic Music Association of North America, Inc. ABOUT THE AUTHOR Dr. Parthasarathy Sriram, is an aerospace engineer, with a bachelor’s degree from IIT, Madras (1982) and a Ph.D. from Georgia Institute of Technology where is currently a research engineer in the Dept. of Aerospace Engineering. The preface written by Dr. Sriram speaks of why he wrote this monograph. At present Dr. Sriram is looking after the affairs of the provisionally recognized South Eastern chapter of the Carnatic Music Association of North America in Atlanta, Georgia. CMANA is very privileged to publish this scientific approach to Carnatic Music written by a young student of music. © copyright by CMANA, 375 Ridgewood Ave, Paramus, New Jersey 1990 Price: $3.00 Table of Contents Preface...........................................................................................................................i Introduction .................................................................................................................1 Swaras and Swarasthanas..........................................................................................5 Ragas.............................................................................................................................10 The Melakarta Scheme ...............................................................................................12 Janya Ragas .................................................................................................................23
    [Show full text]
  • Vol.74-76 2003-2005.Pdf
    ISSN. 0970-3101 THE JOURNAL Of THE MUSIC ACADEMY MADRAS Devoted to the Advancement of the Science and Art of Music Vol. LXXIV 2003 ^ JllilPd frTBrf^ ^TTT^ II “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; (but) where my Bhaktas sing, there be /, N arada !” Narada Bhakti Sutra EDITORIAL BOARD Dr. V.V. Srivatsa (Editor) N. Murali, President (Ex. Officio) Dr. Malathi Rangaswami (Convenor) Sulochana Pattabhi Raman Lakshmi Viswanathan Dr. SA.K. Durga Dr. Pappu Venugopala Rao V. Sriram THE MUSIC ACADEMY MADRAS New No. 168 (Old No. 306), T.T.K. Road, Chennai 600 014. Email : [email protected] Website : www.musicacademymadras.in ANNUAL SUBSCRIPTION - INLAND Rs. 150 FOREIGN US $ 5 Statement about ownership and other particulars about newspaper “JOURNAL OF THE MUSIC ACADEMY MADRAS” Chennai as required to be published under Section 19-D sub-section (B) of the Press and Registration Books Act read with rule 8 of the Registration of Newspapers (Central Rules) 1956. FORM IV JOURNAL OF THE MUSIC ACADEMY MADRAS Place of Publication Chennai All Correspondence relating to the journal should be addressed Periodicity of Publication and all books etc., intended for it should be sent in duplicate to the Annual Editor, The journal o f the Music Academy Madras, New 168 (Old 306), Printer Mr. N Subramanian T.T.K. Road, Chennai 600 014. 14, Neelakanta Mehta Street Articles on music and dance are accepted for publication on the T Nagar, Chennai 600 017 recommendation of the Editor. The Editor reserves the right to accept Publisher Dr.
    [Show full text]
  • Sruti Online LETTERS Subscribe to Magzter GOLD
    To enjoy unlimited reading of Sruti online LETTERS Subscribe to Magzter GOLD For queries, contact [email protected] or log in and chat with a representative on www.magzter.com SRUTI BOX Chat lines are open 24x7. Hariharasubramania Iyer well as other times of the year. It would himself acknowledged, they are be useful to rasikas and students living standing on the shoulders of giants The article on guru Vechoor outside Chennai. and are able to see far. They are well Hariharasubramania Iyer of Trivandrum educated, technologically savvy, keen is a well documented and interesting S.K. Anil Murthy by email learners and have a far better voice portrayal of the esteemed musician. culture than the giants of the past. They Thanks to the author C. Ramakrishnan P.V. Krishnamoorthy are dedicated and have chosen classical for sparing no effort to collate minute music as a career which is none-too- details of the personality and present it Most of us had only heard of this promising, what with dwindling and in a delectable manner. Although I have great man, more as a brother of the ageing audiences. Their only sources not heard of any concert of Vechoor in late irrepressible Subbudu. Coming to of a neat income seem to be foreign Bengaluru, I had a couple of students know of his pioneering contributions tours and ‘fusion’ programmes. Local from Kerala who had been his students. to various forms of music and dance, remunerations are paltry, with almost nil Their pathantaram was solid and the working for All India Radio and gate collections.
    [Show full text]
  • Raga (Melodic Mode) Raga This Article Is About Melodic Modes in Indian Music
    FREE SAMPLES FREE VST RESOURCES EFFECTS BLOG VIRTUAL INSTRUMENTS Raga (Melodic Mode) Raga This article is about melodic modes in Indian music. For subgenre of reggae music, see Ragga. For similar terms, see Ragini (actress), Raga (disambiguation), and Ragam (disambiguation). A Raga performance at Collège des Bernardins, France Indian classical music Carnatic music · Hindustani music · Concepts Shruti · Svara · Alankara · Raga · Rasa · Tala · A Raga (IAST: rāga), Raag or Ragam, literally means "coloring, tingeing, dyeing".[1][2] The term also refers to a concept close to melodic mode in Indian classical music.[3] Raga is a remarkable and central feature of classical Indian music tradition, but has no direct translation to concepts in the classical European music tradition.[4][5] Each raga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "color the mind" and affect the emotions of the audience.[1][2][5] A raga consists of at least five notes, and each raga provides the musician with a musical framework.[3][6][7] The specific notes within a raga can be reordered and improvised by the musician, but a specific raga is either ascending or descending. Each raga has an emotional significance and symbolic associations such as with season, time and mood.[3] The raga is considered a means in Indian musical tradition to evoke certain feelings in an audience. Hundreds of raga are recognized in the classical Indian tradition, of which about 30 are common.[3][7] Each raga, state Dorothea
    [Show full text]
  • Sri Jayachamarajendra Wadiyar MS Amma Statue Enshrined at SRLKM
    Lalitha Kala Tarangini Premier Quarterly Music Magazine from Sri Rama Lalitha Kala Mandira Volume 2019, Issue 2 June 2019 Premier Quarterly Music Magazine from Music Magazine from Quarterly Premier Mandira Lalitha Kala Sri Rama September 2019 Issue 3, Lalitha Kala Tarangini Lalitha Kala Special Edition on HH Sri Jayachamarajendra Wadiyar MS Amma Statue enshrined at SRLKM A statue of MS Subbulakshmi was enshrined at Sri Rama Lalitha Kala Mandira on Sunday 07th July 2019. His Holiness Sri Sri Yadugiri Yathiraja Narayana Ramanuja Jeeyar of Yathiraja Mutt unveiled the statue at the SRLKM premises. It is for the first time in Bangalore that MS Amma statue is installed and it serves as inspiration and blessings for the musicians performing at SRLKM. The statue is designed and sculpted by N Anantha Sathyam an associate of Karnataka Chitrakala Parishath who was also awarded Lalitha Kala Suma by SRLKM. Left to Right Standing - Dr. MR Yogananda, Treasurer, SRLKM, His Holiness Sri Sri Yadugiri Yathiraja Narayana Ramanuja Jeeyar , Sri GV Krishna Prasad, Hon. Secretary, SRLKM, Mrs. and Mr. Umesh (Corporator BSK area) September 2019 that Is mind-boggling. Gopalakrishna Gandhi, grandson of Mahatma, Ex. Governor of Bengal paying high tribute to HH I am happy to inform that Lalitha Kala Tarangini (LKT) has Jayachamarajendra Wadiyar said “Jayachamarajendra Wadi- successfully completed 6 years and the magazine is very yar assumed office with grace, held it with majesty and well appreciated by the educated readers. Most of our read- discharged it with serenity” something very rare to find these ers, consider this a knowledge house that ought to be pre- days.
    [Show full text]