JOSEPH PORRO Costume Designer
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Milla Jovovich
Textes : COMING SOON COMMUNICATION • Design : Fabrication Maison / TROÏKA . SAMUEL HADIDA et METROPOLITAN FILMEXPORT présentent une production CONSTANTIN FILM/ DAVIS FILMS/ IMPACT PICTURES un film de RUSSELL MULCAHY MILLA JOVOVICH ODED FEHR ALI LARTER IAIN GLEN ASHANTI MIKE EPPS Un film produit par Bernd Eichinger, Samuel Hadida, Robert Kulzer, Jeremy Bolt et Paul W.S. Anderson SORTIE LE 3 OCTOBRE 2007 Durée : 1h30 Vous pouvez télécharger l'affiche et des photos du film sur : http://presse.metropolitan-films.com www.metrofilms.com www.re3.fr DISTRIBUTION RELATIONS PRESSE METROPOLITAN FILMEXPORT PROGRAMMATION PARTENARIATS KINEMA FILM / François Frey 29, rue Galilée - 75116 Paris Region Paris GRP-Est-Nord ET PROMOTION 15, rue Jouffroy-d’Abbans [email protected] Tél. : 01 56 59 23 25 AGENCE MERCREDI 75017 Paris Tél. : 01 56 59 23 25 Region Marseille-Lyon-Bordeaux Tél. : 01 56 59 66 66 Tél. : 01 43 18 80 00 Fax : 01 53 57 84 02 Tél. : 05 56 44 04 04 Fax : 01 56 59 66 67 Fax : 01 43 18 80 09 Le virus expérimental mis au point par la toute-puissante Umbrella Corporation a détruit l’humanité, transformant la population du monde en zombies avides de chair humaine. Fuyant les villes, Carlos, L.J., Claire, K-Mart, Nurse Betty et quelques survivants ont pris la route dans un convoi armé, espérant retrouver d’autres humains non infectés et gagner l’Alaska, leur dernier espoir d’une terre préservée. Ils sont accompagnés dans l’ombre par Alice, une jeune femme sur laquelle Umbrella a mené autrefois de terribles expériences biogéniques qui, en modifiant son ADN, lui ont apporté des capacités surhumaines. -
Jean-Claude Van Johnson
! ! ! ! ! ! ! ! ! ! ! ! JEAN-CLAUDE VAN JOHNSON PILOT EPISODE: ‘THE ONE WITH THE BULGARIAN DRUG CARTEL” Written by Dave Callaham October 31, 2014 Scott Free Television UP ON: AN EXTREME CLOSE-UP OF JEAN-CLAUDE VAN DAMME’S FACE. He has a BLACK EYE but is otherwise impassive. Stoic. JCVD (V.O.) My name is Jean-Claude Van Damme. But you already know that, because I am extremely famous. I have starred in dozens of hit movies that have grossed over a billion dollars worldwide. Perhaps you remember my first starring role, in ‘Bloodsport.’ ‘Bloodsport’ is on television all of the time. Or maybe you have seen ‘TimeCop,’ which is like ‘Looper,’ but like a million times better. In ‘Double Impact’ I played twins. So if you have seen ‘Double Impact,’ I am even more famous to you. (beat) But this is not makeup on my eye. PULL BACK TO REVEAL: JCVD is standing in a DANK, DARK HALLWAY... JCVD (V.O.) This is not a movie set. ... where a steel pipe wielding THUG is racing toward him in SUPER SLO-MO. Bad intentions all over his face. JCVD (V.O.) And that man... is not an actor. As the Thug nears... JCVD (V.O.) I know what he is going to do before he does. He is going to swing at my head. Right on cue, the Thug rears back, starts his slo-mo swing. JCVD (V.O.) He must not know who I am. Because if he knew who I am, he would know: my head is a Hard Target. That is the name of one of my hit films. -
GB All Pages +8S 230305
▲ CONTENTS / Annual Report 2004 Page 2 -- Foreword Page 8 -- Report by the Supervisory Board Page 10 -- Corporate strategy Page 13 -- Investor relations Page 17 -- Contents / financial information Page 18 -- Management report Page 30 -- Financial information / Group Page 56 -- AG balance sheets Page 57 -- AG income statements and AG statement of cash flows Page 58 -- Terminology Page 61 -- Summary of equity interests KEY FIGURES GROUP 01.01.-31.12.2003 01.01.-31.12.2004 € million € million Sales 114.3 246.9 of which in-house productions 87.0 186.0 of which third-party productions 27.3 60.9 EBITDA 52.0 100.9 Gross profit 3.6 32.3 EBIT -11.8 14.8 Net income/loss for the year -9.9 7.0 Investments in film assets 129.3 69.0 Depreciation of film assets 61.4 84.3 31.12.2003 31.12.2004 Film assets 158.9 143.5 Equity 64.2 70.9 Balance sheet total 315.9 305.2 Employees (number) 270 235 Earnings per share in € -0.78 0.55 ▲ KEY FIGURES ▲ FOREWORD by the Management Board of Constantin Film AG Dear shareholders, implemented to full effect for the first time in 2004 and came in 1st. The blockbuster of the year was distributed dear friends of Constantin Film AG, produced substantial success. Crucial foundations for by Constantin Film and has recorded the sensational continuing the successful development of our company number of 9.2 million enthusiastic admissions since it 2004 was an eventful and very successful year for have been laid by adopting this strategy, which involves was released to theatres on July 22, 2004. -
Politics of Sly Neo-Conservative Ideology in the Cinematic Rambo Trilogy: 1982-1988
Politics of Sly Neo-conservative ideology in the cinematic Rambo trilogy: 1982-1988 Guido Buys 3464474 MA Thesis, American Studies Program, Utrecht University 20-06-2014 Table of Contents Introduction ........................................................................................................................ 3 Chapter 1: Theoretical Framework ........................................................................... 12 Popular Culture ............................................................................................................................................ 13 Political Culture ........................................................................................................................................... 16 The Origins Of Neo-Conservatism ....................................................................................................... 17 Does Neo-Conservatism Have A Nucleus? ....................................................................................... 20 The Neo-Conservative Ideology ........................................................................................................... 22 Chapter 2: First Blood .................................................................................................... 25 The Liberal Hero ......................................................................................................................................... 26 The Conservative Hero ............................................................................................................................ -
VIETNAM VETERAN THEATRICAL NARRATIVES by Amanda Boyle Submitted to the Graduate Degree Program In
MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES By Amanda Boyle Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Henry Bial ________________________________ Jane Barnette ________________________________ Rebecca Rovit ________________________________ Nicole Hodges Persley ________________________________ Adrian Lewis Date Defended: May 9, 2016 The Dissertation Committee for Amanda Boyle certifies that this is the approved version of the following dissertation: MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES ________________________________ Chairperson Henry Bial Date approved: May 12, 2016 ii Abstract This dissertation is a study of Vietnam War veteran narratives and how they are presented on stage. I argue that these plays are a form of commemoration of the Vietnam War and those who fought in it. I eXamine three plays: Medal of Honor Rag (1976) by Tom Cole, Still Life (1982) by Emily Mann, and Tracers (1983) by John DiFusco, et al. There are hundreds of plays and musicals written directly about the war. Through a dramaturgical methodology I combine teXtual analysis, production research, interviews with two of the three playwrights, academic scholarship on the plays, my own staged reading of Still Life in February 2015, and select oral/written histories from Vietnam veterans to illustrate how the plays function as commemorative-storytelling of the veteran experience. Each chapter is a dramaturgical case study that could be used for production. The plays each have a wide range of topics, motifs, and themes, many of which I address, including the overlapping themes of wounding (moments of injury and psychological repercussions), coming home (surviving the war and returning home), and commemorating (via medals and memorials). -
Brotherly Relations: Self and (M)Other in Conjoined Twin Films
Brotherly Relations: Self and (M)Other in Conjoined Twin Films Juliana de Nooy and Bronwyn Statham, University of Queensland, Australia; Griffith University, Australia Prompting fascination and fear since mythological times, twins continue to haunt our imagination. Identical, non-identical, conjoined, mutant, telepathic, homicidal, buddies, soul- mates or jealous rivals, twins feature in scores of films across a range of genres; comedy, drama, thriller, horror, sci-fi, action and auteur cinema. Amidst this apparently infinite variety, however, insistent patterns occur (De Nooy and Statham, 1998). In this paper we focus on a particular sub-set of twin films -- recent horror films featuring male conjoined twins -- to show some surprising regularities of representation. Specifically, these narratives of fraternal attachment and separation represent the twin relation as maternal. Our aim is twofold, to demonstrate this striking pattern (in our analysis of Dead Ringers, Basket Case I and II, an episode of The X-Files, and The Dark Half) and to account for it. We argue that existing work on the representation of the body in contemporary horror only partially explains the emergence of this phenomenon, and that the pattern needs to be understood as a highly specific configuration of genre (horror), gender (male) and topos (conjoined twins) that lends itself to the rehearsal of a cultural anxiety regarding gender (male maternity). The discursive power of this configuration is demonstrated in our reading of Twin Falls Idaho. This film is not in the horror genre, and it repeatedly uses the metaphor of marriage, rather than motherhood, to describe conjoined twins Francis and Blake’s relationship. -
QUEBEC FILM SOURCEBOOK 2016 Update 2015-12
QUEBEC FILM SOURCEBOOK 2016 Update 2015-12 WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM QUEBEC FILM AND TELEVISION COUNCIL TOLL FREE: 1 866 320 FILM (3456) Telephone: 514 499-7070 Fax: 514 499-7018 [email protected] www.qftc.ca For the e-book version go to www.quebecfilmsourcebook.com DISCLAIMER Although every effort has been made to ensure that this information is correct, the publisher cannot guarantee accuracy. Please take note that the information herein is meant to be used as a guide only. © Copyright 2015, Quebec Film and Televison Council. 2015 Edition Published by Quebec Film and Television Council It is a pleasure for us to provide you with this invaluable tool that is the Quebec Film SourceBook (QFSB), the annual directory of the Quebec film and television industry. Now in its 5th edition, the QFSB is a comprehensive guide to the best of what Quebec has to offer in terms of labor, services, resources and infrastructures to help you film your production in our province. In it, you will also find all you need to know about our generous tax incentives, our unions and guilds, as well as our regional and municipal film offices – everything to ensure your film or TV shoot runs as smoothly as possible, from pre-produc- tion to the production, post-production and VFX stages. -
April 2019 New Releases
April 2019 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 66 Vinyl Audio 3 CD Audio 19 FEATURED RELEASES VELVET GOLDMINE NILS LOFGREN - TODD RUNDGREN’S ORIGINAL SOUNDTRACK BLUE WITH LOU UTOPIA - LIVE AT CHICA... Music Video DVD & Blu-ray 55 Non-Music Video DVD & Blu-ray 59 MVD Distribution Independent Releases 78 Order Form 86 Deletions and Price Changes 85 BLOOD LAKE DOUBLE IMPACT: SCARED STIFF 800.888.0486 [SPECIAL EDITION] COLLECTOR’S EDITION 203 Windsor Rd., Pottstown, PA 19464 VELVET GOLDMINE NILS LOFGREN - CHUCK D - www.MVDb2b.com ORIGINAL SOUNDTRACK BLUE WITH LOU SPEAK! RAP RACE REALITY ON THE RECORD @ECKERD BEHOLD THE GOLD! We have a mind to mine Gold this month, starting off with the first-ever vinyl release of VELVET GOLDMINE, the soundtrack that features a Gold Standard of Glam. Classics and originals by Roxy Music, T. Rex, Eno and more., plus collaborations from Thom Yorke of Radiohead, Thurston Moore, Mike Watt, the Stooges’ Ron Asheton, Mark Arm of Mudhoney and Lou Reed. On blue and orange split color vinyl of course! Speaking of Lou Reed, we are beyond pumped to announce a new Nils Lofgren CD and LP BLUE WITH LOU. Nils’ first new music since 2011 is another accomplished affair, featuring six songs penned with Lou! Glam rock, Lou Reed- conversation of that ilk wouldn’t be complete with the New York Dolls and their iconic guitarist Johnny Thunders. Cleopatra Entertainment’s MADRID MEMORY is a newly uncovered Thunders 1984 DVD, with ex-Dolls and Heartbreakers in tow. -
Read Ebook \ Jean-Claude Van Damme 223 Success Facts
PZGTIDGDO8GK / eBook » Jean-Claude Van Damme 223 Success Facts - Everything You Need to Know... Jean-Claude V an Damme 223 Success Facts - Everyth ing Y ou Need to Know about Jean-Claude V an Damme Filesize: 1.2 MB Reviews Extremely helpful to all of category of men and women. it had been writtern extremely completely and helpful. You are going to like the way the blogger compose this publication. (Johathan Haag) DISCLAIMER | DMCA 0NDC4DVML2NU < Kindle // Jean-Claude Van Damme 223 Success Facts - Everything You Need to Know... JEAN-CLAUDE VAN DAMME 223 SUCCESS FACTS - EVERYTHING YOU NEED TO KNOW ABOUT JEAN-CLAUDE VAN DAMME To read Jean-Claude Van Damme 223 Success Facts - Everything You Need to Know about Jean-Claude Van Damme PDF, remember to refer to the button below and download the file or get access to other information which might be in conjuction with JEAN-CLAUDE VAN DAMME 223 SUCCESS FACTS - EVERYTHING YOU NEED TO KNOW ABOUT JEAN-CLAUDE VAN DAMME book. Emereo Publishing. Paperback. Condition: New. 256 pages. Dimensions: 9.7in. x 7.4in. x 0.5in.A Jean-Claude Van Damme look thats entirely new. This book is your ultimate resource for Jean-Claude Van Damme. Here you will find the most up-to-date 223 Success Facts, Information, and much more. In easy to read chapters, with extensive references and links to get you to know all there is to know about Jean-Claude Van Dammes Early life, Career and Personal life right away. A quick look inside: Assassination Games - Development, Jean-Claude Van Damme - Public image and influence, Until -
DOUBLE IMPACT / 1991 Van Damme – Duplo Impacto
CINEMATECA PORTUGUESA-MUSEU DO CINEMA 7 de Outubro de 2020 DUPLOS E GÊMEOS DOUBLE IMPACT / 1991 Van Damme – Duplo Impacto Um filme de Sheldon Lettich Argumento: Sheldon Lettich e Jean-Claude Van Damme, longinquamente inspirado na novela “Les Frères Corses” (1844), de Alexandre Dumas / Imagem (35 mm, cor, Panaflex/Panavision): Richard Kline / Direção artística: Okowita / Cenários: Suzette Sheets / Figurinos: Joseph Porro / Música: Arthur Kempel / Montagem: Paul Conte / Som (Dolby Stereo): Mark Ormandy (montagem), Itzhak Magal (misturas) / Interpretação: Jean- Claude Van Damme (Alex e Chad Wagner), Geoffrey Lewis (Frank Avery), Alonna Shaw (Daniele Wilde), Corinna Everson (Kari), Philip Chan (Raymond Zhang), Alan Scarfe (Nigel Griffith), Bolo Young (Moon), Andy Armstrong (Paul Wagner) e outros Produção: Ashok Smritraj e Jean-Claude Van Damme, para a Stone Groupe Pictures / Cópia: do Svenska Filminstitutet (Estocolmo), 35 mm, versão original com legendas em sueco e legendagem eletrónica em português / Duração: 108 minutos / Estreia mundial: França, 31 de Julho de 1991 / Estreia em Portugal: data não identificada. Primeira apresentação na Cinemateca. *************************** O cinema sempre teve um certo fraco pelos homens muito fortes. Se os anos 50 e 80 viram surtos de heróis cinematográficos extremamente musculosos, o subgénero em que o herói tem mais massa muscular do que matéria cinzenta surgiu nos primórdios do cinema, nos anos 10, quando os italianos cunharam o cinema monumental, com um importante personagem secundário (passe o paradoxo) no célebre Cabiria, realizado em 1914 por Giovanni Pastrone. O filme é um marco na história do cinema, mas um dos elementos a terem chamado a atenção à época foi a figura do dedicado e musculado escravo da heroína, denominado Maciste. -
KEVIN M. PHIPPS Production Designer
(6/17/21) KEVIN M. PHIPPS Production Designer www.kevinphipps.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “THE FEAR INDEX” David Caffrey Left Bank Pictures Andy Harries (TV Series) Sky Suzanne Mackie Nuala O’Leary “OUTSIDE THE WIRE” Mikael Håfström Netflix Rory Aitken Automatik Ent. Brian Kavanaugh-Jones 42 Ben Pugh Erica Steinberg “BLACK MIRROR” Anne Sewitsky Netflix Mark Kinsella (Season 5, Episode 3) Nick Pitt “IBIZA” Rachel Goldenberg Netflix Will Ferrell Gary Sanchez Prods. Adam McKay Kevin J. Messick “AMERICAN GODS” Adam Kane Starz! Bryan Fuller (Season 1, Episode 7) Fremantle North Neil Gaiman America Michael Green “THE FOREST” Jason Zada Focus Features David S. Goyer Lava Bear Films David Linde “RESIDENT EVIL: Paul W.S. Anderson Impact Pictures Jeremy Bolt RETRIBUTION” Screen Gems Don Carmody “GHOST RIDER: SPIRIT OF Mark Neveldine Columbia Pictures Ashok Amritraj VENGEANCE” Brian Taylor Hyde Park Ari Arad Ari Arad Prods. Michael De Luca “NUTCRACKER” Andrei Konchalovsky Noisette Films Ltd. Moritz Boorman Paul Lowin “BLOOD AND CHOCOLATE” Katja von Garnier Lakeshore Ent. Daniel Bobker MGM Gary Lucchesi Richard Wright ART DIRECTOR Credits Include: “V FOR VENDETTA” James McTeigue Warner Bros. Grant Hill (Supervising Art Director) Joel Silver Nomination: Art Directors Guild (ADG) Award “CHARLIE & THE Tim Burton Plan B Brad Grey CHOCOLATE FACTORY” Warner Bros. Richard D. Zanuck (Supervising Art Director) Nomination: Art Directors Guild (ADG) Award (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (6/17/21) KEVIN M. PHIPPS Production Designer - 2 - FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “ALEXANDER” Oliver Stone Warner Bros. Moritz Borman (Senior Art Director) Thomas Schuhly “TROY” Wolfgang Petersen Plan B Diana Rathbun (Supervising Art Director) Warner Bros. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee.