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After Seminal Anthology, Busby Celebrates New Daughters of Africa
Home Nigeria World Politics Sport Opinion Business Technology Arts Guardian TV Literature After seminal anthology, Busby celebrates New Daughters of Africa By Olatoun Gabi-Williams 21 April 2019 | 4:19 am New Daughters of Africa at the WOW Festival, International Women’s Day 2019 Reports online are increasing about projects in the creative industries aimed not only at countering fear of the ‘other’ and resentment about the growing number of ‘others’ in our midst but at highlighting ways ‘others’ enrich and strengthen us. As nationalism and nativism rise across the globe, my cyber world is under siege. I am not complaining. Powerful images posted online from art biennials have stayed with me: Venice, Berlin, Dak’Art (Dakar, Senegal) and Art X in Lagos, Nigeria. Memorable, startling art, love- infused, aiming to transform the way I, we, see all kinds of difference: gender, race, culture and ability. Rarely can art claim immediate transformative power; what it can do is capture the imagination and plant seeds for a conversation and perhaps – ultimately – a conversion. Latest In this essay, I turn my thoughts away from arresting visual art to focus on a landmark Trump says Congress 'can't union: Margaret Busby OBE with Candida Lacey of Myriad Editions (UK) and 200+ 2 mins ago women from Africa and its diasporas. It is a great literary assembly put together for the purpose of reconstructing perceptions about Africa and her women, celebrating African Why Buhari administratio women in literature and showcasing the dazzling range of their work. Importantly, the delayed - Dogara women have assembled for the purpose of making a difference in black women’s lives 23 mins ago through the inauguration of the Margaret Busby New Daughters of Africa (NDOA) Award. -
Purple Hibiscus
1 A GLOSSARY OF IGBO WORDS, NAMES AND PHRASES Taken from the text: Purple Hibiscus by Chimamanda Ngozi Adichie Appendix A: Catholic Terms Appendix B: Pidgin English Compiled & Translated for the NW School by: Eze Anamelechi March 2009 A Abuja: Capital of Nigeria—Federal capital territory modeled after Washington, D.C. (p. 132) “Abumonye n'uwa, onyekambu n'uwa”: “Am I who in the world, who am I in this life?”‖ (p. 276) Adamu: Arabic/Islamic name for Adam, and thus very popular among Muslim Hausas of northern Nigeria. (p. 103) Ade Coker: Ade (ah-DEH) Yoruba male name meaning "crown" or "royal one." Lagosians are known to adopt foreign names (i.e. Coker) Agbogho: short for Agboghobia meaning young lady, maiden (p. 64) Agwonatumbe: "The snake that strikes the tortoise" (i.e. despite the shell/shield)—the name of a masquerade at Aro festival (p. 86) Aja: "sand" or the ritual of "appeasing an oracle" (p. 143) Akamu: Pap made from corn; like English custard made from corn starch; a common and standard accompaniment to Nigerian breakfasts (p. 41) Akara: Bean cake/Pea fritters made from fried ground black-eyed pea paste. A staple Nigerian veggie burger (p. 148) Aku na efe: Aku is flying (p. 218) Aku: Aku are winged termites most common during the rainy season when they swarm; also means "wealth." Akwam ozu: Funeral/grief ritual or send-off ceremonies for the dead. (p. 203) Amaka (f): Short form of female name Chiamaka meaning "God is beautiful" (p. 78) Amaka ka?: "Amaka say?" or guess? (p. -
Reading Groups Collection Multiple-Copy Titles Available for Loan Master List Revised May 2019
Reading Groups Collection Multiple-Copy Titles Available for Loan Master list revised May 2019 Susan ABULHAWA - Mornings in Jenin (2011, 352 pages) Palestine, 1948. A mother clutches her six-month-old son as Israeli soldiers march through the village of Ein Hod. In a split second, her son is snatched from her arms and the fate of the Abulheja family is changed forever. Forced into a refugee camp in Jenin , the family struggles to rebuild their world. Their stories unfold through the eyes of the youngest sibling, Amal, the daughter born in the camp who will eventually find herself alone in the United States; the eldest son who loses everything in the struggle for freedom; the stolen son who grows up as an Israeli, becoming an enemy soldier to his own brother. Mornings in Jenin is a novel of love and loss, war and oppression, and heartbreak and hope, spanning five countries and four generations of one of the most intractable conflicts of our lifetime. Ayobami ADEBAYO - Stay with me (2017, 298 pages) Yejide is hoping for a miracle, for a child. It is all her husband wants, all her mother-in-law wants, and she has tried everything - arduous pilgrimages, medical consultations, dances with prophets, appeals to God. But when her in- laws insist upon a new wife, it is too much for Yejide to bear. It will lead to jealousy, betrayal and despair. Unravelling against the social and political turbulence of '80s Nigeria, Stay with Me sings with the voices, colours, joys and fears of its surroundings. Ayobami Adebayo weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief and the all-consuming bonds of motherhood. -
Why Cancel Culture Is
_________________________________________________________________________________________________________________ Why cancel culture is ‘obscene’ Attacked and falsely accused of transphobia, award-winning author Chimamanda Ngozi Adichie is hitting back, excoriating her critics and their sanctimonious hypocrisy. Nigerian author Chimamanda Ngozi Adichie is calling out social media hypocrisy and ‘sanctimony’. By Rosemary Neill July 9, 2021 When the Nigerian literary star Chimamanda Ngozi Adichie was accused of being transphobic on social media, her initial default position was to remain silent. The winner of the Orange and PEN Pinter prizes is famous — her TED talk calling for more diversity in storytelling attracted almost nine million views — so she figured that people posting false or distorted claims about her “comes with the territory’’. As the online abuse continued, Adichie became concerned that “in this age of social media, where a story travels the world in minutes, silence sometimes means that other people can hijack your story and soon their false version becomes the defining story about you”. Last month, the author of celebrated fiction works Purple Hibiscus, Half of a Yellow Sun and Americanah, decided she had had enough. In an eloquent yet ferocious essay 2 titled It is Obscene, she called out social media militancy and accused two of her former writing students of “insulting” or trying to cancel her, and engaging in “ugly opportunism” after she remarked that “trans women are trans women” in a 2017 television interview. Recently, she was attacked online again — and even accused of trying to “kill children” — after she described an essay that Harry Potter author JK Rowling penned on sex and gender as “a perfectly reasonable piece”. -
Understanding Black Feminism Through the Lens of Beyoncé’S Pop Culture Performance Kathryn M
Seattle aP cific nivU ersity Digital Commons @ SPU Honors Projects University Scholars Spring June 7th, 2018 I Got Hot Sauce In My Bag: Understanding Black Feminism Through The Lens of Beyoncé’s Pop Culture Performance Kathryn M. Butterworth Follow this and additional works at: https://digitalcommons.spu.edu/honorsprojects Part of the Feminist, Gender, and Sexuality Studies Commons, and the Race, Ethnicity and Post- Colonial Studies Commons Recommended Citation Butterworth, Kathryn M., "I Got Hot Sauce In My Bag: Understanding Black Feminism Through The Lens of Beyoncé’s Pop Culture Performance" (2018). Honors Projects. 81. https://digitalcommons.spu.edu/honorsprojects/81 This Honors Project is brought to you for free and open access by the University Scholars at Digital Commons @ SPU. It has been accepted for inclusion in Honors Projects by an authorized administrator of Digital Commons @ SPU. I GOT HOT SAUCE IN MY BAG: UNDERSTANDING BLACK FEMINISM THROUGH THE LENS OF BEYONCÉ’S POP CULTURE PREFORMANCE by KATHRYN BUTTERWORTH FACULTY ADVISOR, YELENA BAILEY SECOND READER, CHRISTINE CHANEY A project submitted in partial fulfillment of the requirements of the University Scholars Program Seattle Pacific University 2018 Approved_________________________________ Date____________________________________ Abstract In this paper I argue that Beyoncé’s visual album, Lemonade, functions as a textual hybrid between poetry, surrealist aesthetics and popular culture—challenging the accepted understanding of cultural production within academia. Furthermore, Lemonade centers black life while presenting mainstream audiences with poetry and avant-garde imagery that challenge dominant views of black womanhood. Using theorists bell hooks, Stuart Hall, Patricia Hill- Collins and Audre Lorde, among others, I argue that Beyoncé’s work challenges the understanding of artistic production while simultaneously fitting within a long tradition of black feminist cultural production. -
Unconscious Bias: Learn More
Unconscious Bias: Learn More Tools and resources: • Project Implicit, find our your implicit associations about race, gender, sexual orientation, and other topics: https://implicit.harvard.edu/implicit/ • More Facebook videos and tools: https://managingbias.fb.com/ • Re:Work guide – Raise awareness about unconscious bias, from Google: https://rework.withgoogle.com/guides/unbiasing-raise-awareness/steps/introduction/ • Test yourself for hidden bias, Teaching Tolerance project of the Southern Poverty Law Center: http://www.tolerance.org/activity/test-yourself-hidden-bias • Four Days to Change: 12 Radical Habits to Overcome Bias and Thrive in a Diverse World, by Michael Welp, PhD: https://www.goodreads.com/book/show/30039076-four-days-to- change • White Supremacy Culture, Kenneth Jones and Tema Okun, Dismantling Racism: A Workbook for Social Change Groups, 2001: https://www.thc.texas.gov/public/upload/preserve/museums/files/White_Supremacy_Cult ure.pdf Videos: • The danger of a single story, TED Talk by Chimamanda Ngozi Adichie: https://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story • Understanding unconscious bias, The Royal Society: https://www.youtube.com/watch?time_continue=179&v=dVp9Z5k0dEE • Acala on everyday racism: what should we do? – video, The Guardian: http://www.theguardian.com/commentisfree/video/2015/mar/18/everyday-racism-what- should-we-do?CMP=share_btn_link • Playing With Perceptions, TED Radio Hour, NPR, October 30, 2015: http://www.npr.org/programs/ted-radio-hour/358360814/playing-with- perceptions?showDate=2015-10-30 -
876 the Authenticity of the Epic of Sundiata: Stopping the Single Story
The Authenticity of the Epic of Sundiata: Stopping the Single Story Jennifer Pyell-Campbell University of Northern Colorado ENG 380 Medieval Abstract Chimamanda Adichie’s TED talk “The Danger of the Single Story” highlights how sometimes society sees and hears “different versions of [a] single story” which promotes an incomplete view of a group of people or place. For instance, a popular 1994 Disney movie, The Lion King is a good example of this. Majority of Americans know or have seen the movie, but very few know about The Epic of Sundiata. The similarities The Lion King has to Sundiata are too close to ignore that the movie might have been inspired by the epic. Sundiata is a 13th-century African story passed down by griots, oral historians. It covers the life of Sundiata Keita, the founder of the Mali Empire. Currently, the epic is being taught in African schools as part of their history. So, why is the Epic of Sundiata acceptable for a film in America, whereas the literature is not taught in many of the K-12 schools? In a BBC article, it stated, “Western historians had lamented the lack of written records in some African countries and had used this as a reason to legitimise such Authenticity neglect.” However, Sundiata has been found translated in Arabic in 1890 and available in English since 1965. When reading Western literature, references to Africa is overwhelming single-sided and told from the colonizers of Africa. Academia is reflecting on decolonizing the curriculum in order to close this gap of the single story. -
The Place of Translation in Nigerian Cultural Diplomacy and Its Impact on Translation Exchanges Sylvia I
Document generated on 09/24/2021 12:44 p.m. TTR Traduction, terminologie, rédaction The Place of Translation in Nigerian Cultural Diplomacy and its Impact on Translation Exchanges Sylvia I. C. Madueke Traduction et politique(s) Article abstract Translation, Politics and Policies This paper focuses on the translation of Nigerian literature into French from Volume 32, Number 1, 1er semestre 2019 the perspective of cultural diplomacy and as a cultural product (Flotow, 2007; Córdoba Serrano, 2013). It reviews Nigerian cultural diplomacy initiatives to URI: https://id.erudit.org/iderudit/1068015ar determine if translation is highlighted as part of cultural export and as a means DOI: https://doi.org/10.7202/1068015ar through which the Nigerian image and culture are promoted. Even though translation exchanges are not promoted by the Nigerian government, there is a field of translation of Nigerian texts into French. Data from a list of Nigerian See table of contents novels translated into French between 1953 and 2017 provide contextual and historical information on the circulation of translations as well as on the works that are selected for translation into French. Publisher(s) Association canadienne de traductologie ISSN 0835-8443 (print) 1708-2188 (digital) Explore this journal Cite this article Madueke, S. I. C. (2019). The Place of Translation in Nigerian Cultural Diplomacy and its Impact on Translation Exchanges. TTR, 32(1), 81–112. https://doi.org/10.7202/1068015ar Tous droits réservés © Sylvia I. C. Madueke, 2020 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. -
There Was a Nation: Narrating the Erasure of Biafra and the Marginalisation of the Igbo in Chimamanda Ngozi Adichie's Half Of
9ROXPH,,,,VVXH,,,0D\,661 There was a Nation: Narrating the Erasure of Biafra and the Marginalisation of the Igbo in Chimamanda Ngozi Adichie’s Half of a Yellow Sun Dr. Ranjana Das Sarkhel Assistant Professor, Dept. of Humanities Shri Shankaracharya College of Engineering and Technology Bhilai, Chhattisgarh India Abstract The Biafra War (1967-70) also known as the Nigerian Civil War was a result of the genocide of the Igbo people. The Igbo were massacred in a series of coup and counter coups during the years that followed Nigeria’s independence. The Igbo dominated eastern region of Nigeria seceded in 1967, declaring itself independent as the Republic of Biafra. As Nigerian forces moved to retake Biafra, a three year war erased Biafra from the map, leaving behind more than a million dead. Nigeria also imposed economic sanctions, blocked international medical aid and relief. While the world community watched in silence the mass suffering of the Igbo, many stories of the war remained untold in the official records. Chimamanda Ngozi Adichie’s Half of a Yellow Sun presents the human story of this political event which was not only a legacy of colonisation but also reflected the cruel faces of tribalism, oil-politics and economic deprivation. Adichie covers the years leading to the war, the course of the struggle and its aftermath while narrating stories of death and survival, love and loss, betrayal and hope. Her stories are of how the lives of ordinary people are suddenly changed by the horrors of living close to enemy lines, the pain of living in refugee camps and dying without a home. -
Translation, Transculturation and Diasporic Images In
Prague Journal of English Studies MD ABU SHAHID ABDULLAH Volume 6, No. 1, 2017 ISSN: 1804-8722 (print) South African Novel.” 2011. Web. http://othes.univie.ac.at/14477/1/2011- '2,10.1515/pjes-2017-0006 ISSN: 2336-2685 (online) 05-10_0506703.pdf. Tal, Kali. Worlds of Hurt: Reading the Literatures of Trauma. Cambridge: New Transatlantic African Writing: Cambridge University Press, 1996. Print. Translation, Transculturation and Diasporic van der Kolk, Bessel A. and Rita Fisler. “Dissociation and the Fragmentary Nature of Traumatic Memories: Overview and Exploratory Study.” Journal Images in Chimamanda Ngozi Adichie’s The 1 of Traumatic Stress. 8.4 (1995): 505-525. Print. Thing Around Your Neck and Americanah Vickroy, Laurie. Trauma and Survival in Contemporary Fiction. Charlottesville and London: University of Virginia Press, 2002. Print. Whitehead, Anne. Trauma Fiction. Edinburgh: Edinburgh University Press, Elena Rodríguez Murphy 2004. Print. Described as one of the leading voices of her generation, Nigerian writer Chimamanda MD ABU SHAHID ABDULLAH is a Ph.D. Fellow at Otto-Friedrich Ngozi Adichie has become one of the many African authors who through their narratives University Bamberg, Germany. He completed his M.A. in the European have succeeded in challenging the literary canon both in Europe and North America Joint Master’s Degree in English and American Studies programme from the while redefi ning African literature from the diaspora. Her specifi c use of the English same university in 2014, including one exchange semester at the University of language as well as transcultural writing strategies allow Adichie to skilfully represent Graz (Karl-Franzens University) in Austria. -
Shifting Intersections: Fluidity of Gender and Race in Chimamanda Ngozi Adichie’S Americanah Mary Margaret Bonvillain Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2016 Shifting intersections: Fluidity of gender and race in Chimamanda Ngozi Adichie’s Americanah Mary Margaret Bonvillain Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the English Language and Literature Commons Recommended Citation Bonvillain, Mary Margaret, "Shifting intersections: Fluidity of gender and race in Chimamanda Ngozi Adichie’s Americanah" (2016). Graduate Theses and Dissertations. 16435. https://lib.dr.iastate.edu/etd/16435 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Shifting intersections: Fluidity of gender and race in Chimamanda Ngozi Adichie’s Americanah by Mary Margaret Bonvillain A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee Michèle A. Schaal, Major Professor Brianna Burke Yalem Teshome Iowa State University Ames, Iowa 2016 Copyright © Mary Margaret Bonvillain, 2016. All rights reserved. ii DEDICATION “No subject posits itself spontaneously and at once as the inessential from the outset; it is not the Other who, defining itself -
TOP 10 INTERNATIONAL BESTSELLERS How to Stop Time MATT HAIG
Canongate TOP 10 INTERNATIONAL BESTSELLERS How to Stop Time MATT HAIG The Sunday Times top ten bestseller from the author of Reasons to Stay Alive and The Humans THE SUNDAY TIMES BESTSELLER A RICHARD & JUDY BOOK CLUB PICK WINNER OF THE 2017 BOOKS ARE MY BAG READERS AWARD FOR POPULAR FICTION SHORTLISTED FOR THE BRITISH BOOK AWARDS FICTION BOOK OF THE YEAR HOW MANY LIFETIMES DOES IT TAKE TO LEARN HOW TO LIVE? Tom Hazard has a dangerous secret. He may look like an ordinary 41-year-old history teacher, but he’s been alive for RELEASE DATE: 14 DECEMBER 2017 centuries. From Elizabethan England to Jazz-Age Paris, from PAPERBACK New York to the South Seas, Tom has seen it all. As long as he 9781782118640 keeps changing his identity he can keep one step ahead of his £8.99 past - and stay alive. The only thing he must not do is fall in love … ABOUT THE AUTHOR Matt Haig is the number one bestselling author of Reasons to Stay Alive and six highly acclaimed novels for adults, including How to Stop Time, The Humans and The Radleys. As a writer for children and young adults he has won the Blue Peter Book Award, the Smarties Book Prize and been shortlisted three times for the Carnegie Medal. His work has been published in over forty languages.@matthaig1 | matthaig.com Canongate Top 10 International Bestsellers 02 The Beautiful Poetry of Donald Trump ROB SEARS Does a poet’s heart beat under Donald Trump’s brash exterior? Experience his best quotes and tweets, rearranged into poems and haikus.