Anna Holloway Image Collection on Ironclad Warships, 1889-1911 MS0438
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Fair Treatment? African-American Presence at International Expositions in the South, 1884 – 1902
FAIR TREATMENT? AFRICAN-AMERICAN PRESENCE AT INTERNATIONAL EXPOSITIONS IN THE SOUTH, 1884 – 1902 BY SARA S. CROMWELL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN LIBERAL STUDIES December 2010 Winston-Salem, North Carolina Approved By: Anthony S. Parent, Ph.D., Advisor Jeanne M. Simonelli, Ph.D., Chair John Hayes, Ph.D. ACKNOWLEDGMENTS Many thanks to my friends, family, and coworkers for their support, encouragement, and patience as I worked on my thesis. A special thank you to the Interlibrary Loan Department of the Z. Smith Reynolds Library for their invaluable assistance in my research. And finally, thanks to Dr. Parent, Dr. Simonelli, and Dr. Hayes for their helpful advice throughout the process. ii TABLE OF CONTENTS LIST OF FIGURES ............................................................................................... iv ABSTRACT .......................................................................................................... v INTRODUCTION ................................................................................................. 1 CHAPTER ONE WORLD‘S INDUSTRIAL AND COTTON CENTENNIAL EXPOSITION AT NEW ORLEANS, 1884-85 .............................................................................. 17 CHAPTER TWO A DECADE OF CHANGES .................................................................................. 40 CHAPTER THREE COTTON STATES AND INTERNATIONAL EXPOSITION -
The Webfooter
January 2017 Happy New Year Remembering the Alaska-Yukon-Pacific Expo – see page 4. Webfooters Post Card Club PO Box 17240 Portland OR 97217-0240 www.thewebfooters.com (paid advertisement) 2 The Largest Antique Paper Shows in the Northwest The Greater Portland Postcard Stamp and Antique Paper Show February 25-26, 2017 Lloyd Center Double Tree Hotel Exhibit Hall 1000 NE Multnomah Street Portland, Oregon Old Postcards, Photographs, Stereo View Cards, Books, Stamps, Valentines, Matchbooks, Magazines, Prints, Maps, Trade Cards, Posters & Much, Much More! ADMISSION: $1 Show Hours: Saturday: 10 AM – 6 PM Sunday: 10 AM – 4 PM For Information: Terry Weis 601 NW 72nd Circle Vancouver, WA 98665-8462 503-679-4755 www.portlandpapershows.com FREE APPRAISALS FREE ADMISSION WITH THIS AD (paid advertisement) 3 Remembering the Alaska- Yukon-Pacific Exposition Rainier Vista with the Cacades and Court of Honor at the Alaska-Yukon-Pacific Exposition. In 1909, Seattle was the site of the Alaska-Yukon-Pacific Exposition, a world's fair held to publicize the development of the Pacific Northwest. This was one of Seattle’s largest events and it was originally planned for 1907, to mark the 10th anniversary of the Klondike Gold Rush, but the organizers found out about the Jamestown Exposition being held that year, and rescheduled. The fairgrounds became the campus of the University of Washington. 4 The fair evolved from an inspiration by Godfrey Chealander, the Grand Secretary of the Arctic Brotherhood. He was one of the organizers of the Alaska Territory exhibit at the 1905 Lewis and Clark Exposition which was held in Portland, Oregon. -
Guide to the Merrimac & Monitor Post Card Company “Virginia in Dry
Guide to the Merrimac & Monitor Post Card Company “Virginia in Dry Dock” Postcard, 1906 MS0429 The Mariners' Museum Library at Christopher Newport University Contact Information: The Mariners' Museum Library 100 Museum Drive Newport News, VA 23606 Phone: (757) 591-7782 Fax: (757) 591-7310 Email: [email protected] URL: www.MarinersMuseum.org/library Processed by Jay E. Moore, 2012 DESCRIPTIVE SUMMARY Repository: The Mariners' Museum Library Title: Merrimac & Monitor Post Card Company “Virginia in Dry Dock” Postcard Inclusive Dates: 1906 Catalog number: MS0429 Physical Characteristics: 1 picture postcard Language: English Creator: Merrimac & Monitor Post Card Company (Firm); Richardson, Benjamin A. (Benjamin Adworth) HISTORICAL SKETCH The Merrimac & Monitor Post Card Company was formed in 1906 with the immediate purpose of issuing commemorative postcards to be sold during the Jamestown Tercentenary celebration in 1907. The company produced postcards commemorating the events of Mar.8 and 9, 1862 during the Battle of Hampton Roads. It also created postcards pertaining to the life of CSS Virginia. They range from the April 19, 1861 destruction at the Gosport Navy Yard of the US steam frigate Merrimack, from whose hulk Virginia was built, to the destruction of the ironclad on the shores of Craney Island, Virginia, on May 10-11, 1862 at the hands of its own crew. The paintings on the postcards were taken from a series of original works by Benjamin A. Richardson (1833-1909). Richardson, born in Portsmouth, was a self-taught, amateur artist. Early in life, he earned a living as a house and sign painter. During the Civil War, Richardson enlisted in Norfolk as a private in the Confederate States Army in the United Artillery under Captain Thomas Kevill. -
Opportunity Zone Prospectus
NORFOLK ® OPPORTUNITY ZONE PROSPECTUS N O R F O L K V I R G I N I A - I N V E S T M E N T P R O S P E C T U S 1 WELCOME For more than 300 years, Norfolk has served as the cultural and economic heart of Hampton Roads, mixing ideas, connecting people, creating new experiences and new businesses, and powering the growth of a region that is home to 1.75 million people and a real GDP approaching $84 billion. One of America’s oldest global trade destinations, Norfolk has been transformed into a global center for international security and coastal resilience. We are home to Naval Station Norfolk, the world’s largest naval base, and NATO’s only headquarters in North America. We also serve as a national leader in health care, transportation, higher education, and visual and performing arts. Norfolk is investing in transformative projects that will enhance our assets, foster inclusive economic growth, and develop talented and motivated residents. In 2018, we launched the transformation of the St. Paul’s Area, which will reshape three public housing communities that encompass more than 200 acres near our thriving downtown. Investments in the people, physical infrastructure, and anchor institutions that are native to this area are helping us to attract new businesses and entrepreneurs that will drive regional productivity and growth. The neighborhoods of the St. Paul’s Area are just one example of the 16 qualified opportunity zones, the most of any city or county in the Commonwealth of Virginia, that we hope you will consider for investment. -
Skgrftary of the Treasury
CLIENT 60TH DOCK CONGRESS. I HOUSE OF REPRESENTATIVES. ) 8d Sess~on. ( XO. 10) 9. RECEIPTS AND DIHBURHEiiIENTS. LETTER FROM THE SKGRFTARY OF THE TREASURY, TRA. NSMITTING A Combined Statement of the Receipts and Disbursements of the Government for the Fiscal Year Ended June 30, 1908. December 7, 1908.— Referred to the Committee on Appropriations and ordered to be printed. TREASURY DEPARTMENT, OFFICE OF THE SECRFTARY) Waskington, D. r . , December 7, 1908 To t)he SPEAKER oF THE HoUsE olr REPREsENTATIvEs. SIR: In compliance with the requirements of section 15 of an act entitled "An Act making appropriations for the legislative, executive, and judicial expenses of the Government for the fiscal year ending June 80, 1895, and for othe purposes, " approved July 81, 1894, I have the honor to transmit herewith a combined statement of the receipts and disbursements of the Government for the fiscal year ended June 80, 1908, Respectfully, GEORGE B. CORTELYOU, SecretQ're . COMBINED STATEMENT OF THE RECEIPTS A. ND DISBURSEMENTS (APPARENT AND ACTUAL) TMK U ZTITXI3 STWTKS FISCAL YEAR ENDED JUNE 80, 1908. TREASURY DEPARTMENT, DIVIHION OF BOOKKEEPING AND WARRANTS. SIR: I have the honor to submit herewith a statement of the receipts derived by the Government from customs, internal revenue, and sales of public lands, in each District and State, and from the various miscellaneous sources, during the fiscal year ended June 80, 1908, amounting, in the aggregate, to It601, 126, 118.58; also, a statement of the disbursements for the same period, by appropriations, exclusive of the principal of the public debt, showing the aniounts disbursed by each Department for ''salaries, " " " "ordinary expenses, "public works, "miscellaneous, " and unusual and extraordinary " aggregating $659, 196, 819.68. -
Winter 2019 Eric Carle Illustration for Panda Bear, Panda Bear, What Do You See? by Bill Martin, Jr
winter 2019 Eric Carle Illustration for Panda Bear, Panda Bear, What Do You See? by Bill Martin, Jr. Collection of Eric and Barbara Carle © 2003 Eric Carle Save the Date June 14–September 8, 2019 Scholarship and Innovation This fall, the Chrysler Museum of Art will present Thomas Jefferson, Architect: Palladian Models, Democratic Principles, and the Conflict of Ideals. It will be the first of several major exhibitions organized by the Chrysler Museum’s curatorial team. We aim to mark the Chrysler as a producer of original content and new ideas that will raise our national profile. This ambitious revitalization of the exhibition program will prioritize the skills and knowledge of our staff and bring great art to our community in fresh and compelling ways. Thomas Jefferson, Architect is a partnership with the Palladio Museum in Vicenza, Italy. It is the first major exhibition on Jefferson’s design practice since the 1970s and incorporates a wealth of new scholarship that confronts his desire to convey ideals of liberty and democracy while creating monuments that were founded on the economic and social institution of slavery. In upcoming seasons, the Chrysler will present Alma W. Thomas: A Creative Life, Americans in Spain, and Jacob Lawrence. The exhibitions are led by Chrysler curators, some in collaboration with a curator from a peer institution, and are intended to travel to other museums. A catalog with new scholarship will accompany each exhibition. Developing exhibitions in-house is not unprecedented at the Chrysler. In 2015, we presented Tseng Kwong Chi: Performing for the Camera. It traveled to three other museums and was accompanied by a catalog with new critical essays. -
Theaters and Performing Arts Companies in Hampton Roads
Theaters & Performing Arts Companies THE PLAY’S THE THING: THEATERS AND PERFORMING ARTS COMPANIES IN HAMPTON ROADS ll of Hampton Roads is but a stage and the theater companies merely players that strut across it. Yet, what a stage it is! The area’s companies provide a rich menu of thought-provoking and entertaining productions, all of which enhance Athe region with vital cultural and economic benefits. The vibrant community of thespians in Hampton Roads premiered in the late 19th and early 20th centuries at venues like The Academy of Music, and the American, the Colonial and the Wells theaters, where vaudeville mixed with drama and the emerging moving picture amusements. In fact, in the early days of the 20th century, Norfolk was viewed as the cultural “gateway to the south.” A brief decline into adult entertainment occurred in several of these theaters during the middle of the 20th century, followed by a slow and deliberate emergence into a healthy and engaging theatrical life. Currently, the theatrical venues of Hampton Roads boast several major professional companies, a changing plate of smaller com- munity performing companies, and a host of universities and colleges stretching the diversity of dramatic selections. Whether sup- ported by magnanimous corporate sponsorship, dedicated avocational passions or the hobby of a few rich patrons of the arts, local theater contributes significantly to the revitalization of Hampton Roads communities. THE WELLS THEATRE Since opening in 1913, the historic landmark New Wells Theatre welcomed guests into an ornate and exquisite venue of beaux-arts classicism, originally seating 1,650 with a top balcony “For Negro Audiences Only.” It once featured “Ben Hur,” with chariots on treadmills, and hosted the likes of Fred and Adele Astaire, Will Rogers and John Philip Sousa. -
Secbetaby of the Tbeasuby
RECEIPTS A. ND DISBURSEMENTS. LETTER FROM THE SECBETABY OF THE TBEASUBY TRANSMITTING A Combined Statement of the Receipts and Disbursements of the Government for the Fiscal Year Ended June 30, 1910. DEcEMBER 5, 1910.— Referred to the Committee on Appropriations and ordered to be printed. TREASURY DEPARTMENT OFFICE OF THE SECRETARY, Washington, D. C, December 5', 1910. To the SPEAKER oF THE HQUsE oF REPREsENTATIvEs. SIR: In compliance with the requirements of section 15 of an act entitled "An Act making appropriations for the legislative, executive, and judicial expenses of the Government for the fiscal year ending June 30, ]895, and for other purposes, " approved July' 3l, 1894 (28 Stat. , p. 210), I have the honor to transmit herewith a combined statement of the receipts and disbursements of the Government for the fiscal year ended June 30, 1910. Respectfully, FRANKLIN MACVEAGH, Secretary. COMBINED )YATEXlEXT OF THE RECEIPTS AND DISBURSEMENTS OF FOII THE FI~SCAL CHEAP ENDED JI,'IAE l30, 1NO. TREASURY DEPARTMENT, DiviSION OF BOOKKEEPING AND WARRANTS. SIR: I have the honor to submit herewith detailed statements of the receipts and disburse- ments of the Governmer;t for the fiscal year ended tune 30, 1910, as follows: Ordinary receipts derived by the Goveriirnent from customs, internal revenue including corporation tax, and sales of public lands in each district and State, and from various miscellaneous sources, $675, 511,715. 02; and public debt receipts, $31,674, 292. 50. Total receipts, $707, 186, 007.52. Ordinary disburse- ments, $659, 705, 391.08, which includes $8, 495, 612.87 grants from the Treasury for deficiencies in the postal revenues; disbursements for the Panama Canal, $33, 911,673. -
"Every American Should Stand Here Once": Jamestown's 400Th Anniversary Commemoration and the Creation of an American Origin Narrative
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2013 "Every American Should Stand Here Once": Jamestown's 400th Anniversary Commemoration and the Creation of an American Origin Narrative Elizabeth Howard College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons Recommended Citation Howard, Elizabeth, ""Every American Should Stand Here Once": Jamestown's 400th Anniversary Commemoration and the Creation of an American Origin Narrative" (2013). Dissertations, Theses, and Masters Projects. Paper 1539626708. https://dx.doi.org/doi:10.21220/s2-xh3y-g425 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “Every American Should Stand Here Once”: Jamestown’s 400th Anniversary Commemoration and the Creation of an American Origin Narrative Elizabeth Howard McLean, Virginia B.A., Yale University, 2008 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts Department of American Studies The College of William and Mary August 2013 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Elizabeth Ann Howard Approved by tyie Committee, April 2012 : ,■ Committee Chair Associate Professor'Charles MbGovern, History and American Studies College of William and Mary Associate Professor M. Lynn Weiss, English and American Studies College of William and Mary f Associate Professor Karin Wulf, History and American Sttraies College of William and Mary ABSTRACT This thesis examines the way that narratives of American origin are created, sustained, and altered, utilizing the 400th anniversary of the English settlement of Jamestown, Virginia as a lens. -
Winter 2020 Save the Date June 19–September 20, 2020 Strandbeests: Theo Jansen's Fantastical Beach Creatures
winter 2020 Save the Date June 19–September 20, 2020 Strandbeests: Theo Jansen's Fantastical Beach Creatures Theo Jansen, Animaris Mulus, 2017, Courtesy of Theo Jansen, Photo by Alexander Schlichter Collaboratively organized by Museum Services, LLC and Theo Jansen Building the Collection One of the cornerstones of excellence at the Chrysler Museum of Art is the outstanding collection. We pride ourselves on the depth and quality of to Tell New Stories our holdings in European and American painting and sculpture as well as comprehensive collections of photography and glass. We have fine selections from ancient Egypt, Greece, Rome, Assyria, and pre-colonial Latin America as well representative works from Asia and Africa. These marvelous pieces allow us to appreciate the breadth of human creativity and educate our visitors about the cultures of other times and places. As proud as we are of our masterpieces, we recognize that there are more stories to tell. The collection was largely formed by the interests of Jean and Walter P. Chrysler, Jr. and a few trusted advisors and dealers in the third quarter of the twentieth century. Today, we seek to build on the strengths of the collection but also explore new areas and keep the Museum at the forefront of the field. Scholars have reassessed the traditional history of art, frequently bringing attention to the contributions of women and people of color as well the broad geographic range of artistic production. As a result, the Chrysler seeks to build the collection to tell a fuller story. Last year, the Chrysler purchased a Besamim—a very fine spice box that may have been used as part of the Sabbath ceremony. -
Calendar of Events
Calendar the November/December 2010 hrysler of events CTHE MAGAZINE OF THE CHRYSLER MUSEUM OF ART p 4 Exhibitions • p 6 News • p 8 Daily Calendar • p 11 Public Programs • p 15 Member Programs G ENERAL INFORMATION COVER Contact Us The Museum Shop Group and School Tours Stevens & Williams Open during Museum hours Stourbridge, England Chrysler Museum of Art (757) 333-6269 Covered Jar in the 245 W. Olney Road (757) 333-6297 www.chrysler.org/programs.asp Chinese Taste Norfolk, VA 23510 with Rock Crystal Phone: (757) 664-6200 Cuisine & Company Board of Trustees Engraving, ca. 1884 Fax: (757) 664-6201 at The Chrysler Café 2010–2011 Engraved by Joseph E-mail: [email protected] Wednesdays, 11 a.m.–8 p.m. Shirley C. Baldwin Keller (English, Website: www.chrysler.org 1880–1925) Thursdays–Saturdays, 11 a.m.–3 p.m. Carolyn K. Barry Blown, cut, and Sundays, 12–3 p.m. Robert M. Boyd Museum Hours engraved glass (757) 333-6291 Nancy W. Branch Museum purchase Wednesday, 10 a.m.–9 p.m. Macon F. Brock, Jr., Chairman Thursday–Saturday, 10 a.m.–5 p.m. Historic Houses Robert W. Carter Sunday, 12–5 p.m. Free Admission Andrew S. Fine The Museum galleries are closed each The Moses Myers House Elizabeth Fraim Monday and Tuesday, as well as on 323 E. Freemason St. (at Bank St.), Norfolk David R. Goode, Vice Chairman major holidays. The Norfolk History Museum at the Cyrus W. Grandy V Marc Jacobson Admission Willoughby-Baylor House 601 E. Freemason Street, Norfolk Maurice A. -
International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28