DOCSLIB.ORG

Expositions and Fairs Collection, 1853-1974

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

http://oac.cdlib.org/findaid/ark:/13030/kt6x0nc9hf No online items Finding Aid for the Expositions and Fairs Collection, 1853-1974 Processed by K. Landesman; machine-readable finding aid created by Caroline Cubé © 2004 The Regents of the University of California. All rights reserved. Finding Aid for the Expositions 344 1 and Fairs Collection, 1853-1974 Finding Aid for the Expositions and Fairs Collection, 1853-1974 Collection number: 344 UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Processed by: K. Landesman, June 1985 Encoded by: Caroline Cubé, June 2004 Online finding aid edited by: Josh Fiala, September 2004 © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Expositions and Fairs Collection, Date (inclusive): 1853-1974 Collection number: 344 Extent: 24 boxes (12 linear ft.) 10 oversize boxes Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Language: English. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Department of Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. Preferred Citation [Identification of item], Expositions and Fairs Collection (Collection 344). Department of Special Collections, Charles E. Young Research Library, UCLA. UCLA Catalog Record ID UCLA Catalog Record ID: 964419 Scope and Content Collection consists of pamphlets, brochures, catalogs, clippings, photographs, scrapbooks, and ephemera related to various expositions and fairs. Events include: World's Columbian Exposition (Chicago, 1893), Midwinter International Exposition (San Francisco, 1894), Trans-Mississippi and International Exposition (Omaha, 1898), Pan-American Exposition (Buffalo, 1901), Louisiana Purchase Exposition (St. Louis, 1904), Lewis and Clark Centennial Exposition (Portland, Oregon, 1905), Jamestown Exposition (Norfolk, 1907), Panama-Pacific International Exposition (San Francisco, 1915), and Golden Gate International Exposition (San Francisco, 1939). Also includes material for other U.S. fairs (up to Spokane, 1974), a historical register of the U.S. Centennial Exposition (Philadelphia, 1876), and materials from Paris, London, and other foreign fairs. Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. Exhibitions--Archival resources. Fairs--Archival resources. Finding Aid for the Expositions 344 2 and Fairs Collection, 1853-1974 Chicago. 1893 Books and Pamphlets Box 1, Folder 1 World's Columbian Exposition hand-souvenir book. Chicago. 1893. Box 1, Folder 2 Chicago concessions. Chicago. 1893. Box 1, Folder 3 Report of Nevada State Board world's fair commissioners. Carson City. 1895. Box 1, Folder 4 Department of Horticulture: World's Columbian Exposition ... classification and rules. n.p. n.d. Box 1, Folder 5 Mines, Mining, and Metallurgy: World's Columbian Exposition. Classification and rules. n.p. n.d. Box 1, Folder 6 World's Columbian Exposition: classification and rules, Department of Liberal Arts. n.p. n.d. Box 1, Folder 7 L'Italia al l'Esposizione di Chicago. Firenze. 1894. Box 1, Folder 8 The Ho-o-den. Tokyo. 1893. Box 1, Folder 9 Department of Fine Arts: official catalogue of exhibits. Chicago. 1893. Box 1, Folder 10 New York and the World's Fair. Chicago. 1892. Box 1, Folder 11 The White city by Lake Michigan. Chicago. 1893. Box 1, Folder 12 Glimpses of the World's Fair. n.p. n.d. Box 1, Folder 13 Classification of the World's Columbian Exposition. Chicago. 1891. Physical Description: (2 copies) Box 1, Folder 14 Catalogue of Californian Writers issued by the San Francisco women's literary exhibit. San Francisco. 1893. Box 1, Folder 15 National Live Stock Association: final report. Springfield. 1894. Box 1, Folder 16 Official catalogue exhibition of the German Empire. Berlin. 1893. Box 1, Folder 17 Buchgewerbliche kollektiv-ausstellung des Deutschen reiches, Chicago, 1893. Leipzig. 1893. Box 1, Folder 18 The World's Columbian Exposition, 1893. Chicago. 1892. Box 1, Folder 19 Katalog Deutsche unterrichtsausstellung in Chicago, 1893. n.p. n.d. Box 1, Folder 20 By-laws and official directory of _______ county world's fair association. n.p. 1891. Physical Description: (2 copies) Box 1, Folder 21 Rand, McNally & Company's a week at the fair. Chicago. 1893. Box 1, Folder 22 Souvenir of La Rabida. World's Columbian Exposition. The Reliks of Columbus. Washington. 1893. Box 2 Newspaper clippings. Box 3, Folder 1 Postcards. Box 3, Folder 2 Miscellaneous correspondence. Box 3, Folder 3 Miscellaneous ephemera. Buffalo. 1901 Note (See also Boxes 26-34) Books and Pamphlets Box 4, Folder 1 Pan-American Exposition of the State of Washington: Report. n.p. 1901. Box 4, Folder 2 Pan-American souvenir: President McKinley memorial edition. n.p. 1901. Box 4, Folder 3 Officers of the Pan-American Exposition. n.p. 1901. Box 4, Folder 4 Prize list: dog show. n.p. n.d. Box 4, Folder 5 Report of the Director General. Buffalo. 1902. Box 4, Folder 6 The Rand-McNally hand-book ... New York. 1899. Box 4, Folder 7 Art hand-book. Buffalo. 1901. Physical Description: (2 copies) Finding Aid for the Expositions 344 3 and Fairs Collection, 1853-1974 Buffalo. 1901 Box 4, Folder 8 Music at the Pan American Exposition. Buffalo. 1901. Physical Description: (2 copies, 1 envelope) Box 4, Folder 9 Official catalogue of the Mexican exhibitions. Buffalo. 1901. Box 4, Folder 10 Official catalogue and guide book to the Pan-American Exposition. Buffalo. 1901. Box 4, Folder 11 Official views of Pan-American Exposition. Buffalo. 1901. Physical Description: (2 copies) Box 4, Folder 12 Souvenir ... Pan-American Exposition. Buffalo. 1901. Box 4, Folder 13 Rand-McNally photo views of the Pan-American Exposition. n.p. n.d. Box 4, Folder 14 The Pan American Exposition and how to see it. Buffalo. 1901. Box 4, Folder 15 Pan-American Exposition cold storage circular. Buffalo. 1901. Box 4, Folder 16 The World's work: Pan American ... New York. 1901. Box 4, Folder 17 The Cosmopolitan: The America's ... New York. 1901. Books, Pamphlets, Ephemera Box 5, Folder 1 Snap shots on the midway. Buffalo. 1901. Physical Description: (2 copies) Box 5, Folder 2 Around the “Pan.” New York. 1901. Box 5, Folder 1 Miscellaneous ephemera. St. Louis. 1904 Note (See also Boxes 26-34) Books and Pamphlets Box 6, Folder 1 Official catalogue of exhibits, Department of Liberal Arts. St. Louis. 1904. Box 6, Folder 2 Description of exhibit of Colleges of Agriculture and Mechanic Arts and Experiment Stations. n.p. n.d. Box 6, Folder 3 Exposition universelle internationale de Saint-Louis ... catalogue de la ... Ville de Paris. Paris. 1904. Box 6, Folder 4 Department of Horticulture, Universal Exposition at Saint Louis, Division of Exhibits. St. Louis. 1904. Physical Description: (3 copies, 1 with envelope) Box 6, Folder 5 The Exhibit of the Smithsonian astrophysical observatory. n.p. 1904. Box 6, Folder 6 The Imperial geological survey of Japan: a catalogue of articles. Tokyo. 1904. Box 6, Folder 7 World's Fair Manual. St. Louis. 1903. Physical Description: (2 copies) Box 6, Folder 8 Shidzuoka Prefecture Japan: its products and resources. Tokyo. 1904. Box 6, Folder 9 Domestic exploitation of the Louisiana Purchase Exposition World's Fair. n.p. n.d. Box 6, Folder 10 Address upon the opening of the Louisiana Purchase Exposition. New York. 1904. Box 6, Folder 11 Informe preliminar del viaje de exploracion del “Azopardo.” Buenos Aires. 1900. Box 6, Folder 12 Official directory of the Louisiana Purchase Exposition. St. Louis. 1903. Box 6, Folder 13 Les routes nationales de la Bulgarie. Sofia. 1904. Box 6, Folder 14 Report of the Nebraska State Commission to the Louisiana Purchase Exposition. Omaha. 1905. Box 6, Folder 15 World's fair, St. Louis, 1904: official classification of exhibit departments. n.p. n.d. Physical Description: (2 copies) Box 6, Folder 16 World's fair, St. Louis, 1903: rules and regulations. St. Louis. 1901. Box 6, Folder 17 Report of the Tennessee commission world's fair. Tennessee. 1905. Box 6, Folder 18 A Trip around the main picture and through the plateau of the states. Chicago. 1904. Box 6, Folder 19 Universal exposition commemorating acquisition of the Louisiana Territory ... St. Louis. 1903. Finding Aid for the Expositions 344 4 and Fairs Collection, 1853-1974 St. Louis. 1904 Box 6, Folder 20 Universal exposition St. Louis, 1904: kingdom of Belgium. Brussels. 1904. Box 6, Folder 21 Bulgaria at the universal exposition. St. Louis. 1904. Box 6, Folder 22 Mexico at the beginning of the twentieth century. Mexico. 1904. Box 6, Folder 23 Universal exposition Saint Louis, 1904: rules and regulations ... awards. St. Louis. 1904. Box 6, Folder 24 Universal exposition, Saint Louis, 1904: rules and regulations ... transportation of exhibits. St. Louis. 1904. Box 6, Folder 25 Java and mocha in the United States. Chicago. 1904. Box 6, Folder 26 Dairy cow demonstration, Louisiana Purchase Exposition. Wisconsin. 1905. Box 6, Folder 27 The Dairy cow demonstration. New York. 1905. Box 6, Folder 28 Rules regarding the supply of electricity. n.p. n.d. Box 6, Folder 29 Report of the Minnesota Board of Managers for the Louisiana Purchase Exposition. St. Paul. 1905. Box 6, Folder 30 Louisiana Purchase Exposition. St. Louis. 1904. Box 6, Folder 31 Proyect [sic] for improving the navigability of the River Uruguay.
Recommended publications
  • The World's Columbian Exposition: Idea, Experience, Aftermath

    The World's Columbian Exposition: Idea, Experience, Aftermath

    The World's Columbian Exposition: Idea, Experience, Aftermath Julie Kirsten Rose Morgan Hill, California B.A., San Jose State University, 1993 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of English University of Virginia August 1996 L IV\CLslerI s E~A-3 \ ~ \qa,(c, . R_to{ r~ 1 COLOPHON AND DEDICATION This thesis was conceived and produced as a hypertextual project; this print version exists solely to complete the request and requirements of department of Graduate Arts and Sciences. To experience this work as it was intended, please point your World Wide Web browser to: http:/ /xroads.virginia.edu/ ~MA96/WCE/title.html Many thanks to John Bunch for his time and patience while I created this hypertextual thesis, and to my advisor Alan Howard for his great suggestions, support, and faith.,.I've truly enjoyed this year-long adventure! I'd like to dedicate this thesis, and my work throughout my Master's Program in English/ American Studies at the University of Virginia to my husband, Craig. Without his love, support, encouragement, and partnership, this thesis and degree could not have been possible. 1 INTRODUCTION The World's Columbian Exposition, held in Chicago in 1893, was the last and the greatest of the nineteenth century's World's Fairs. Nominally a celebration of Columbus' voyages 400 years prior, the Exposition was in actuality a reflection and celebration of American culture and society--for fun, edification, and profit--and a blueprint for life in modem and postmodern America.
  • Fair Treatment? African-American Presence at International Expositions in the South, 1884 – 1902

    Fair Treatment? African-American Presence at International Expositions in the South, 1884 – 1902

    FAIR TREATMENT? AFRICAN-AMERICAN PRESENCE AT INTERNATIONAL EXPOSITIONS IN THE SOUTH, 1884 – 1902 BY SARA S. CROMWELL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN LIBERAL STUDIES December 2010 Winston-Salem, North Carolina Approved By: Anthony S. Parent, Ph.D., Advisor Jeanne M. Simonelli, Ph.D., Chair John Hayes, Ph.D. ACKNOWLEDGMENTS Many thanks to my friends, family, and coworkers for their support, encouragement, and patience as I worked on my thesis. A special thank you to the Interlibrary Loan Department of the Z. Smith Reynolds Library for their invaluable assistance in my research. And finally, thanks to Dr. Parent, Dr. Simonelli, and Dr. Hayes for their helpful advice throughout the process. ii TABLE OF CONTENTS LIST OF FIGURES ............................................................................................... iv ABSTRACT .......................................................................................................... v INTRODUCTION ................................................................................................. 1 CHAPTER ONE WORLD‘S INDUSTRIAL AND COTTON CENTENNIAL EXPOSITION AT NEW ORLEANS, 1884-85 .............................................................................. 17 CHAPTER TWO A DECADE OF CHANGES .................................................................................. 40 CHAPTER THREE COTTON STATES AND INTERNATIONAL EXPOSITION
  • The Webfooter

    The Webfooter

    January 2017 Happy New Year Remembering the Alaska-Yukon-Pacific Expo – see page 4. Webfooters Post Card Club PO Box 17240 Portland OR 97217-0240 www.thewebfooters.com (paid advertisement) 2 The Largest Antique Paper Shows in the Northwest The Greater Portland Postcard Stamp and Antique Paper Show February 25-26, 2017 Lloyd Center Double Tree Hotel Exhibit Hall 1000 NE Multnomah Street Portland, Oregon Old Postcards, Photographs, Stereo View Cards, Books, Stamps, Valentines, Matchbooks, Magazines, Prints, Maps, Trade Cards, Posters & Much, Much More! ADMISSION: $1 Show Hours: Saturday: 10 AM – 6 PM Sunday: 10 AM – 4 PM For Information: Terry Weis 601 NW 72nd Circle Vancouver, WA 98665-8462 503-679-4755 www.portlandpapershows.com FREE APPRAISALS FREE ADMISSION WITH THIS AD (paid advertisement) 3 Remembering the Alaska- Yukon-Pacific Exposition Rainier Vista with the Cacades and Court of Honor at the Alaska-Yukon-Pacific Exposition. In 1909, Seattle was the site of the Alaska-Yukon-Pacific Exposition, a world's fair held to publicize the development of the Pacific Northwest. This was one of Seattle’s largest events and it was originally planned for 1907, to mark the 10th anniversary of the Klondike Gold Rush, but the organizers found out about the Jamestown Exposition being held that year, and rescheduled. The fairgrounds became the campus of the University of Washington. 4 The fair evolved from an inspiration by Godfrey Chealander, the Grand Secretary of the Arctic Brotherhood. He was one of the organizers of the Alaska Territory exhibit at the 1905 Lewis and Clark Exposition which was held in Portland, Oregon.
  • Japan and the World Expositions As a Tool for Cultural Diplomacy During the Meiji Period

    Japan and the World Expositions As a Tool for Cultural Diplomacy During the Meiji Period

    Facultad de Ciencias Humanas y Sociales Grado en Relaciones Internacionales Trabajo Fin de Grado Japan and the World Expositions as a tool for cultural diplomacy during the Meiji Period Estudiante: Elena Molina Urosa Directora: Ana Trujillo Dennis Madrid, abril 2019 Table of content: 1. INTRODUCTION: .............................................................................................................................. 2 2. OBJECTIVES AND METHODOLOGY: ................................................................................................. 3 3. STATE OF PLAY: ............................................................................................................................... 4 4. THEORETICAL FRAMEWORK:........................................................................................................... 6 5. HISTORICAL OVERVIEW: ................................................................................................................ 10 6. MEIJI GOVERNMENT’S STRATEGY FOR BUILDING JAPANESE IDENTITY AND NATIONALIST SENTIMENT: ...................................................................................................................................... 15 6.1. Japan’s domestic policy: ........................................................................................................ 16 6.2. Japan’s foreign policy: ............................................................................................................ 19 7. WORLD EXPOSITIONS: ..................................................................................................................
  • The Making of the Panama-California Exposition, 1909-1915 by Richard W

    The Making of the Panama-California Exposition, 1909-1915 by Richard W

    The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Winter 1990, Volume 36, Number 1 Thomas L. Scharf, Editor The Making of the Panama-California Exposition, 1909-1915 by Richard W. Amero Researcher and Writer on the history of Balboa Park Images from this article On July 9, 1901, G. Aubrey Davidson, founder of the Southern Trust and Commerce Bank and Commerce Bank and president of the San Diego Chamber of Commerce, said San Diego should stage an exposition in 1915 to celebrate the completion of the Panama Canal. He told his fellow Chamber of Commerce members that San Diego would be the first American port of call north of the Panama Canal on the Pacific Coast. An exposition would call attention to the city and bolster an economy still shaky from the Wall Street panic of 1907. The Chamber of Commerce authorized Davidson to appoint a committee to look into his idea.1 Because the idea began with him, Davidson is called "the father of the exposition."2 On September 3, 1909, a special Chamber of Commerce committee formed the Panama- California Exposition Company and sent articles of incorporation to the Secretary of State in Sacramento.3 In 1910 San Diego had a population of 39,578, San Diego County 61,665, Los Angeles 319,198 and San Francisco 416,912. San Diego's meager population, the smallest of any city ever to attempt holding an international exposition, testifies to the city's extraordinary pluck and vitality.4 The Board of Directors of the Panama-California Exposition Company, on September 10, 1909, elected Ulysses S.

  • Ocm51577308.Pdf (5.278Mb)

    -TIlf-- WORLD'S r AIR ... or 1904 ... OPENS APRIL 30TH... CLOSES DECEMBER 1ST . Important Information for Visitors Hotel Accommod~tions ::: ':' J!.ririci~aj Fe~ tures. ~ :' ;', :: ', ' : : GroonU I'ian. ~Ia~ or st: li)lils: . Transport o\i uri:Facilities. ..' . ..... _i':" .... ... .. .. :':~ /.\ : : ::. : ... :. , ~ ;, : :d: ~ ~ ISSUED BY THE 'PRESS ARD 'PUBUC1TY <IJEPARTMENT. III rl .... \\ \ \ 11 · , \.\lC ....\ · "10;'='"'.\ \.' The Weather at St. Louis. Fri•co•Roch /•land The weather wh.lch visitors to the i:.onisl• Mi,aouri Pacific ana Purchase Exposition may exr&ct ls shown by the • •normals" at St. T• .)nfs·, take.n from . the records ot the TT::.ited States Weather .• • -• •-- • ....Coua� Bu.reau. These 1111ormals" nre the averages ot the tempe:ature at St. Louis during the thirty•three years that the weather bureau hns had astaclonlnSt. Louis. The" normals" are as follows: May._...... .......... 66.1 September......... 70.2 June ................. 75.4 October... ...... ... 68. 7 July.. ........ -........ 79.4 November......... 44.8 August.............. 77.6 How closely the actual temperature !or any one year follows the normal Is well shown by the meaJ:! temperature tor each month, taken by the weather bureau at St. Lonls, during the past year. These temperatures are: Mny............. _ ..... 71.8 September ........ 66.4 June ................. 74.2 October ............ 62. 2 July·-·················80.8 November ......... 53.8 August ... ..... ... 76,4 The Louisiana Purchase Exposition is to lnst sevenmonths, instead of six months, as :�' . ,c h l n d - s. •• did- :t t. qGtnfLit {! .pi �'t �PO�lt.lo� ',, •.<>6,e�1V!S"AtitWSQtj\, t.he 140-JS,&4�•-�ralfase .J •Expo(fitlGtt �lfl'Ifot t:!6se t!Jftll 'Dt;cetnller 'l�t, •.
  • Skgrftary of the Treasury

    Skgrftary of the Treasury

    CLIENT 60TH DOCK CONGRESS. I HOUSE OF REPRESENTATIVES. ) 8d Sess~on. ( XO. 10) 9. RECEIPTS AND DIHBURHEiiIENTS. LETTER FROM THE SKGRFTARY OF THE TREASURY, TRA. NSMITTING A Combined Statement of the Receipts and Disbursements of the Government for the Fiscal Year Ended June 30, 1908. December 7, 1908.— Referred to the Committee on Appropriations and ordered to be printed. TREASURY DEPARTMENT, OFFICE OF THE SECRFTARY) Waskington, D. r . , December 7, 1908 To t)he SPEAKER oF THE HoUsE olr REPREsENTATIvEs. SIR: In compliance with the requirements of section 15 of an act entitled "An Act making appropriations for the legislative, executive, and judicial expenses of the Government for the fiscal year ending June 80, 1895, and for othe purposes, " approved July 81, 1894, I have the honor to transmit herewith a combined statement of the receipts and disbursements of the Government for the fiscal year ended June 80, 1908, Respectfully, GEORGE B. CORTELYOU, SecretQ're . COMBINED STATEMENT OF THE RECEIPTS A. ND DISBURSEMENTS (APPARENT AND ACTUAL) TMK U ZTITXI3 STWTKS FISCAL YEAR ENDED JUNE 80, 1908. TREASURY DEPARTMENT, DIVIHION OF BOOKKEEPING AND WARRANTS. SIR: I have the honor to submit herewith a statement of the receipts derived by the Government from customs, internal revenue, and sales of public lands, in each District and State, and from the various miscellaneous sources, during the fiscal year ended June 80, 1908, amounting, in the aggregate, to It601, 126, 118.58; also, a statement of the disbursements for the same period, by appropriations, exclusive of the principal of the public debt, showing the aniounts disbursed by each Department for ''salaries, " " " "ordinary expenses, "public works, "miscellaneous, " and unusual and extraordinary " aggregating $659, 196, 819.68.
  • Concepts and Categories in the History of World Expositions: Introductory Remarks

    Concepts and Categories in the History of World Expositions: Introductory Remarks

    CORE Metadata, citation and similar papers at core.ac.uk Provided by OpenstarTs Guido Abbattista Concepts and Categories in the History of World Expositions: Introductory Remarks This collection of essays presents the results of a two-year project carried out in 2012- 2013 at the University of Trieste by a group of researchers from various disciplines working under the direction of this author. We hope the variety of approaches and methods that in- spired the studies may convincingly illustrate some of the original and interesting perspec- tives from which national, international, universal and world expositions can be explored. World’s fairs and expositions have aroused increasing interest among scholars in the last two decades. As the authors of a 2006 essential bibliography point out, research on the history of international exhibitions and world’s fairs is burgeoning and […] sources on the topic have proliferated enormously in recent years. As a consequence, the field has grown tremendously and now involves disciplines as diverse as History, Cultural Geography, Urban Studies, Art History and the History of Architecture, among others.1 Scholars now have a growing number of specialized publications and reference texts in several languages at their disposal, including an Encyclopedia of World’s Fairs and Expositions2 as well as works on particular expositions, single national experiences or on 1 A. C. T. Geppert, J. Coffey and T. Lau,International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography (Fresno, CA: Freie Universität Berlin-California State University, 2006), last accessed 1 August 2014, http://www.fresnostate.edu/library/subjectresources/specialcollections/world- fairs/ExpoBibliography3ed.pdf.
  • The 1984 Louisiana World Exposition and the World's Fair Tradition

    The 1984 Louisiana World Exposition and the World's Fair Tradition

    Visions in Leisure and Business Volume 3 Number 4 Article 13 1985 The 1984 Louisiana World Exposition and the World's Fair Tradition Michael T. Marsden Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/visions Recommended Citation Marsden, Michael T. (1985) "The 1984 Louisiana World Exposition and the World's Fair Tradition," Visions in Leisure and Business: Vol. 3 : No. 4 , Article 13. Available at: https://scholarworks.bgsu.edu/visions/vol3/iss4/13 This Article is brought to you for free and open access by the Journals at ScholarWorks@BGSU. It has been accepted for inclusion in Visions in Leisure and Business by an authorized editor of ScholarWorks@BGSU. THE 1984 LOUISIANA WORLD EXPOSITION AND THE WORLD'S FAIR TRADITION BY MICHAEL T. MARSDEN, PROFESSOR DEPARTMENT OF POPULAR CULTURE DIRECTOR-AMERICAN CULTURE Ph.D. PROGRAM BOWLING GREEN STATE UNIVERSITY BOWLING GREEN, OHIO 43403 ABSTRACT The New. Orleans Exposition was an entertainment event not in the tradition of the World's Fairs. It was designed as an elaborate theme park. Problems came from not understanding the nature of the World's Fair audiences and who attend this type of event. THE 1984 LOUISIANA WORLD EXPOSITION AND THE WORLD 'S FAIR TRADITION INTRODUCTION Few World's Fairs have been as heavily promoted or as financially unsuccessful as New Orleans' recent entry into the business of sponsoring world class celebrations. The promotional copy on one of the 1984 Louisiana World Exposition's official publications read as follows: THE GREAT CELEBRATION! "The World's Fair and New Orleans.
  • Guide to the Larry Zim World's Fair Collection

    Guide to the Larry Zim World's Fair Collection

    Guide to the Larry Zim World's Fair Collection NMAH.AC.0519 Angela Baccala 1999 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 5 Series 1: World 's Fairs Materials, 1841-1988......................................................... 5 Series 2: Reference and Miscellaneous Materials................................................. 39 Series 3: Larry Zim Materials................................................................................. 40 Series 4: Oversize Materials, 1909-1968..............................................................

  • Anna Holloway Image Collection on Ironclad Warships, 1889-1911 MS0438

    Guide to the Anna Holloway Image Collection on Ironclad Warships, 1889-1911 MS0438 The Mariners' Museum Library at Christopher Newport University Contact Information: The Mariners' Museum Library 100 Museum Drive Newport News, VA 23606 Phone: (757) 591-7782 Fax: (757) 591-7310 Email: [email protected] URL: www.mariner.org/library Processed by Johanna Quinn, 2010 DESCRIPTIVE SUMMARY Repository: The Mariners' Museum Library Title: Anna Holloway Image Collection on Ironclad Warships Inclusive Dates: 1889-1911 Catalog number: MS0438 Physical Characteristics: 11 items, including cigarette cards, advertising cards, picture postcards and stereographs Language: English Creator: Holloway, Anna Gibson BIOGRAPHICAL SKETCH Anna Gibson Holloway is the Vice President of Museum Collections and Programs at The Mariners’ Museum in Newport News, VA where she oversees the Curatorial, Collections Management, Education, Conservation and Exhibition Design functions of the Museum. She also serves as curator of the USS Monitor Center and in that role, won the American Association of Museum’s Award for the Best Exhibition of 2007. Before the cheesebox on a raft entered her life, she was the Director of Education and Resident Pirate at The Mariners’ Museum, then Chief Curator. In the waning years of the 20th century, she was Manager of School Tour Programs for the Chrysler Museum of Art in Norfolk, VA and has also worked for Jamestown Settlement as part of the crew of the Susan Constant, and for the Colonial Williamsburg Foundation where she was a puppeteer and understudy fire eater. This Winston-Salem native graduated from The University of North Carolina at Greensboro with baccalaureate degrees in English Literature and Medieval Civilization, neither of which was very helpful in fulfilling her goal of being a rock star.
  • The Cultural Significance of World's Fair Architecture

    The Cultural Significance of World's Fair Architecture

    The Kentucky Review Volume 2 | Number 1 Article 4 1980 Structuring the Ephemeral: The ulturC al Significance of World's Fair Architecture Raymond F. Betts University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the Architecture Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Betts, Raymond F. (1980) "Structuring the Ephemeral: The ulturC al Significance of World's Fair Architecture," The Kentucky Review: Vol. 2 : No. 1 , Article 4. Available at: https://uknowledge.uky.edu/kentucky-review/vol2/iss1/4 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Structuring the Ephemeral: The Cultural Significance of World's Fair Architecture Raymond F. Betts For a period of slightly more than one hundred years international expositions created their own majesty as "phantom kingdoms": grandly planned, hastily constructed, greatly admired, quickly forgotten. These "world's fairs" were the emblems of an era confident that its technological achievements would assure greater human progress and international harmony. The ceremonial opening of the Great Exhibition of London was depicted in the Illustrated London News of 3 May 1851 "as the commencement of a new era of peace and good-will." On the occasion of the