DOCSLIB.ORG

Gettypublications

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gettypublications Getty Publications 1 Fall 2017 Giovanni bellini LANDSCAPES OF FAITH IN RENAISSANCE VENICE edited by davide gasparotto Giovanni Bellini Landscapes of Faith in Renaissance Venice Edited by Davide Gasparotto Praised by Albrecht Dürer as being “the best in painting,” Giovanni Bellini (ca. 1430– 1516) is unquestionably the supreme Venetian painter of the quattrocento and one of Connect with Us DAVIDE GASPAROTTO is senior curator in the Department the greatest Italian artists of all time. His landscapes assume a prominence unseen in of Paintings at the J. Paul Getty Western art since classical antiquity. Drawing from a selection of masterpieces that ® Find us on Facebook Museum. span Bellini's long and successful career, this exhibition catalogue focuses on the main www.facebook.com/GettyPublications function of landscape in his oeuvre: to enhance the meditational nature of paintings EXHIBITION intended for the private devotion of intellectually sophisticated, elite patrons. The sub- The J. Paul Getty Museum Follow us on Twitter tle doctrinal content of Bellini’s work—the isolated crucifix in a landscape, the “sacred GettyPublications The Getty Center conversation,” the image of Saint Jerome in the wilderness—is always infused with his @GettyPubs Los Angeles, CA instinct for natural representation, resulting in extremely personal interpretations of The J. Paul Getty Museum October 10, 2017, to religious subjects immersed in landscapes where the real and the symbolic are inextri- Getty Research Institute January 14, 2018 Follow us on Tumblr cably intertwined. Getty Conservation Institute www.gettypubs.tumblr.com This volume includes a biography of the artist, essays by leading authorities in the Getty Foundation field explicating the themes of the J. Paul Getty Museum’s exhibition, and detailed discussions and glorious reproductions of the twelve works in the show, including their To order E-Newsletter history and provenance, function, iconography, chronology, and style. INDIVIDUALS BOOKSTORES For information about Getty J. PAUL GETTY MUSEUM Publications and future titles, 148 pages, 9 × 11 inches Visit your local bookstore or call: 800 621-2736 (U.S. and Canada) sign up for Art Bound, our 65 color and 1 b/w illustrations 800 223-3431 (North America) (44) 020 7079 4900 (U.K. and Europe) monthly electronic newsletter at ISBN 978-1-60606-531-0, hardcover 310 440-7059 (International) https://community.getty.edu US $35.00 X [UK £20.00] www.getty.edu/publications [email protected] OCTOBER Art History Cover image: TK. Inside front cover: Giovanni Bellini (Venice, ca. 1430–1516), Transfiguration (detail), ca. 1478–79. Panel, 116 × 154 cm (455⁄8 × 605⁄8 in.). Naples, Galleria Nazionale di Capodimonte. Scala / Ministero per i Beni e le Attività culturali / Art Resource, NY. Page 2, clockwise from top: Octopus Frontlet, AD 300–600, Moche, Museo de la Nación, Ministry of Culture–Peru. Plaque, AD 700–800 Maya; Mexico, Campeche, Jaina Island, Shell (Strombus gigas), 7.94 × 9.53 × 0.7 cm (31⁄8 × 3¾ × ¼ in.), Washington, DC, Dumbarton Oaks Research Library and Collection, PC.B.543. Belt Ornament with Head of an Ancestor, AD 675–725 Maya; Mexico, Yucatan, Chichen Itza, Sacred Cenote, Jadeite. 8 × 5.8 × 5.2 cm (31⁄8 × 25⁄16 × 21⁄16 in.) Cambridge, Peabody Museum of Archaeology and Ethnology, Harvard University, 10-70-20/C6100. Pair of Ear Ornaments, Winged Runners AD 400–700 Moche; Peru, Gold, turquoise, sodalite, shell Diam.: 8 cm (3 3⁄16 in.) New York, The Metropolitan Museum of Art, Gift and Bequest of Alice K. Bache, 1966, 1977 (66.196.40–66.196.41). 2 Getty Publications Getty Publications 3 Fall 2017 Fall 2017 GoldenFPO Kingdoms Luxury Arts in the Ancient Americas Golden Kingdoms Luxury Arts in the Ancient Americas Highly valued works made of jade, gold, and delicate shell Edited by Joanne Pillsbury, Timothy Potts, and Kim N. Richter traveled great distances across space and time, revealing JOANNE PILLSBURY is the This volume accompanies a major international loan exhibition featuring more than connections between regions and challenging our sense of Andrall E. Pearson Curator in the three hundred works of art many rarely or never before seen in the United States. It Department of the Arts of Africa, traces the development of gold working and other luxury arts in the Americas from Oceania, and the Americas bounded traditions. at the Metropolitan Museum antiquity until the arrival of Europeans in the early sixteenth century. Presenting of Art. spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, TIMOTHY POTTS is director Guatemala, and Mexico, this exhibition focuses on specific places and times—cruci- of the J. Paul Getty Museum. bles of innovation—where artistic exchange, rivalry, and creativity led to the produc- tion of some of the greatest works of art known from the ancient Americas. The book KIM N. RICHTER is senior research specialist in the and exhibition explore not only artistic practices but also the historical, cultural, social, Director’s Office at the Getty and political conditions in which luxury arts were produced and circulated, alongside Research Institute. their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a EXHIBITION thematic exploration of indigenous ideas of value and luxury. Central to the book is the The J. Paul Getty Museum idea of the exchange of materials and ideas across regions and across time: works of The Getty Center great value would often be transported over long distances, or passed down over gen- Los Angeles, CA erations, in both cases attracting new audiences and inspiring new artists. The idea of September 16, 2017, to exchange is at the intellectual heart of this volume, researched and written by twenty January 28, 2018 scholars based in the United States and Latin America. The Metropolitan Museum of Art New York, NY J. PAUL GETTY MUSEUM February 26 to May 28, 2018 GETTY RESEARCH INSTITUTE 5 328 pages, 9 ⁄8 × 11¾ inches 428 color illustrations, 4 maps ISBN 978-1-60606-548-8, hardcover US $59.95 X [UK £40.00] SEPTEMBER Art History 4 Getty Publications Getty Publications 5 Fall 2017 Fall 2017 Photography in Argentina Making Art Concrete Contradiction and Continuity Works from Argentina and Brazil in the Edited by Idurre Alonso and Judith Keller Colección Patricia Phelps de Cisneros IDURRE ALONSO is associate From its independence in 1810 until the economic crisis of 2001, Argentina has been Pia Gottschaller and Aleca Le Blanc curator of Latin American seen, in the national and international collective imaginary, as a modern country with Edited by Pia Gottschaller, Aleca Le Blanc, Zanna Gilbert, Tom Learner, Collections at the Getty Research and Andrew Perchuk Institute. a powerful economic system, a massive European immigrant population, an especially strong middle class, and an almost nonexistent indigenous culture. In some ways, the JUDITH KELLER is senior PIA GOTTSCHALLER is a In the years after World War II, artists in Argentina and Brazil experimented with geo- early history of Argentina strongly resembles that of the United States, with its march curator in the Department of senior research specialist at the metric abstraction and engaged in lively debates about the role of the artwork in soci- to the prairies and frontier ideology, the image of the cowboy as a national symbol Getty Conservation Institute. Photographs at the J. Paul Getty ety. Some of these artists used novel synthetic materials, creating objects that offered Museum. Among her many (equivalent to the Argentine gaucho), the importance of the immigrant population, ALECA LE BLANC is assistant publications are Walker Evans an alternative to established traditions in painting—proposing that these objects and the advanced and liberal ideas of the founding fathers. But did Argentine history professor of art history at Cuba (Getty Publications, 2001), become part of everyday, concrete reality. Combining art historical and scientific truly follow a linear path toward modernization? How did photography help shape or the University of California, Graciela Iturbide: Juchitán (Getty analysis, experts from the Getty Conservation Institute and Getty Research Institute deconstruct notions associated with Argentina? Riverside. Publications, 2007), and Japan’s are collaborating with the Colección Patricia Phelps de Cisneros, a world-renowned Modern Divide: The Photographs of Photography in Argentina examines the complexities of this country’s history, ZANNA GILBERT is a research collection of Latin American art, to research the formal strategies and material deci- Hiroshi Hamaya and Kansuke stressing the heterogeneity of its realities, and especially the power of constructed pho- specialist at the Getty Research sions of these artists working in the concrete and neo-concrete vein. Yamamoto (Getty Publications, tographic images—that is, the practice of altering reality for artistic expression, an Institute. 2013). Making Art Concrete presents works by Lygia Clark, Willys de Castro, Judith important vein in Argentine photography. TOM LEARNER is head of Lauand, Raúl Lozza, Hélio Oiticica, and Rhod Rothfuss, among others, with spectacu- Influential specialists from Argentina have contributed essays on various topics, science at the Getty Conser- vation Institute. lar new photography. The photographs, along with information about the now-invisible EXHIBITION such as the shaping of national myths, the adaptation of gesture as related to the The J. Paul Getty Museum processes that determine the appearance of these works, are key to interpreting the “disappeared” during the dictatorship period, the role of contemporary photography ANDREW PERCHUK is deputy The Getty Center director of the Getty Research artists’ technical choices as well as the objects themselves. Indeed, this volume sheds in the context of recent sociopolitical events, and the reinterpreting of traditional Los Angeles, CA Institute. further light on the social, political, and cultural underpinnings of the artists’ proposi- September 15, 2017, to notions of documentary photography in Argentina and the rest of Latin America.
Load more

Recommended publications
  • Federal Wage System Glossary of Printing Terms for the 4400 Job Family
    Glossary of Printing Terms for the 4400 Job Family TS-45 October 1981 Federal Wage System Glossary of Printing Terms for the 4400 Job Family The terms and definitions contained in this glossary are intended to facilitate the application of published job grading standards to occupations in the Printing Family. The glossary does not represent a comprehensive listing of technical terms and processes common to printing occupations. Additional information may be found in dictionaries, and technical publications such as agency guides, trade magazines, and technical manuals. Aluminum Plate. A thin sheet of aluminum used in lithography for some press plates; image applied photographically; used for both surface-type and deep-etch offset plates. Aperture. A small opening in a plate or sheet. In cameras, the aperture is usually variable in the form of an iris diaphragm and regulates the amount of light which passes through the lens. The working aperture is the diameter of that part of the lens actually used. Asphaltum. A bituminous mixture used as an acid resist or protectant in photomechanics. In lithography, used to make printing image on press plate permanently ink-receptive. Autoscreen (Film). A photographic film embodying the halftone screen; exposed to a continuous-tone image, produces a dot pattern automatically just as if a halftone screen had been used in the camera. Backing-Up. Printing the other side, of a printed sheet. Back Pressure. The squeeze pressure between the blanket (offset) cylinder and the impression cylinder; sometimes called "impression pressure." Base Color. A first color used as a background on which other colors are printed.
    [Show full text]
  • Cat Art Show 3: the Sequel Returns Again with Some Serious Cattitude Towards Our President, Diversity, Gender, Religion, Social Media, and Sushi
    FOR IMMEDIATE RELEASE Thursday, May 17, 2018 CAT ART SHOW 3: THE SEQUEL RETURNS AGAIN WITH SOME SERIOUS CATTITUDE TOWARDS OUR PRESIDENT, DIVERSITY, GENDER, RELIGION, SOCIAL MEDIA, AND SUSHI Over 140 works by 100 renowned and emerging international artists, including Mark Ryden, ​ Devan Shimoyama, Tasya Van Ree, Ellen von Unwerth, and Casey Weldon to be ​ ​ ​ showcased during the 10-day exhibition in Los Angeles. (Rose Freymuth-Frazier, Divine Intervention, 2018, oil on linen, courtesy of the artist and Cat Art Show) ​ ​ ON VIEW FROM JUNE 14 - 24, 2018 12PM —5PM Daily Think Tank Gallery, 939 Maple Avenue, 2nd Floor, Los Angeles, CA 90015 Admission is free Monday through Friday courtesy a generous donation by cat art loving benefactor OPENING NIGHT THURSDAY, JUNE 14 VIP Opening: 6–8:30PM Public Opening: 8:30–11PM PURCHASE TICKETS HERE ADDITIONAL EXHIBITION RELATED PROGRAMMING: FELINE FROLIC THURSDAY, JUNE 21 Lecture by Dr. Paul Koudounaris and burlesque PURRformances by Vanessa Burgundy and Iza la Vamp 7–10PM CLOSING PARTY SATURDAY, JUNE 23 Benefiting Kitten Rescue LA ​ 7–10PM HIGH-RES IMAGERY Select high-resolution images of the works are available here. ​ LOS ANGELES, CA–May 1, 2018. Cat Art Show, the world’s most popular biennial art exhibition ​ ​ dedicated to the feline is back for a third time, opening Thursday, June 14, 2018 at Think Tank Gallery in Downtown Los Angeles. Beneficiaries of the exhibition include The Ian Somerhalder Foundation and ​ Kitten Rescue LA. Cat Art Show 3: The Sequel Returns Again will feature more than 100 globally-recognized and emerging artists, including Lola Gil, Travis Louie, Daniel Maidman, Brandon Boyd, Brandi Milne, Marion Peck, ​ ​ Mick Rock, Edel Rodriguez, Mark Ryden, Devan Shimoyama, Tasya Van Ree, Ellen von Unwerth, and Casey Weldon, among others.
    [Show full text]
  • Duotone Setup and File Submission Instructions DUOTONE PRINTING > OVERVIEW CONVEYOR ARTS PAGE 02
    CONVEYOR ARTS PAGE 01 Duotone Setup and File Submission Instructions DUOTONE PRINTING > OVERVIEW CONVEYOR ARTS PAGE 02 Duotone printing utilizes grey and black ink to achieve a rich print with a wide tonal range, while maintaining a completely neutral black and white print. This printing process requires us to create separations for the press manually, which makes for a different workflow between you and Conveyor Arts. Unlike with other types of printing, you will need to provide us with a packaged INDD folder, rather than a PDF. Here are a few things to keep in mind as you’re preparing to submit your project: 1. All files to be printed in duotone must be flattened 8-bit PSDs with an embedded grayscale ICC profile (We like Gray Gamma 2.2). 2. All files to be printed in duotone must be placed in a subfolder titled “duotone” within the “links” folder of your packaged Indesign file. IMAGE PREP CONVEYOR ARTS PAGE 03 All files to be printed in duotone must be flattened 8-bit PSDs with an embedded grayscale ICC profile. Image > Mode > Grayscale Image > Mode > 8 Bits/Channel IMAGE PREP CONVEYOR ARTS PAGE 04 Edit > C o nv e r t To Pr o file... IMAGE PREP CONVEYOR ARTS PAGE 05 Select Gray Gamma 2.2 and click OK PACKAGING YOUR INDESIGN FILE CONVEYOR ARTS PAGE 06 Once you’ve finished laying out your book in InDesign, go to File > Pa c k a g e... *Before making the final package, double check that all fonts are activated, and all links are connected.
    [Show full text]
  • Core Knowledge Art History Syllabus
    Core Knowledge Art History Syllabus This syllabus runs 13 weeks, with 2 sessions per week. The midterm is scheduled for the end of the seventh week. The final exam is slated for last class meeting but might be shifted to an exam period to give the instructor one more class period. Goals: • understanding of the basic terms, facts, and concepts in art history • comprehension of the progress of art as fluid development of a series of styles and trends that overlap and react to each other as well as to historical events • recognition of the basic concepts inherent in each style, and the outstanding exemplars of each Lecture Notes: For each lecture a number of exemplary works of art are listed. In some cases instructors may wish to discuss all of these works; in other cases they may wish to focus on only some of them. Textbooks: It should be possible to teach this course using any one of the five texts listed below as a primary textbook. Cole et al., Art of the Western World Gardner, Art Through the Ages Janson, History of Art, 2 vols. Schneider Adams, Laurie, A History of Western Art Stokstad, Art History, 2 vols. Writing Assignments: A short, descriptive paper on a single work of art or topic would be in order. Syllabus created by the Core Knowledge Foundation 1 https://www.coreknowledge.org/ Use of this Syllabus: This syllabus was created by Bruce Cole, Distinguished Professor of Fine Arts, Indiana University, as part of What Elementary Teachers Need to Know, a teacher education initiative developed by the Core Knowledge Foundation.
    [Show full text]
  • Bodies of Knowledge: the Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Geoffrey Shamos University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Shamos, Geoffrey, "Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600" (2015). Publicly Accessible Penn Dissertations. 1128. https://repository.upenn.edu/edissertations/1128 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1128 For more information, please contact [email protected]. Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Abstract During the second half of the sixteenth century, engraved series of allegorical subjects featuring personified figures flourished for several decades in the Low Countries before falling into disfavor. Designed by the Netherlandsâ?? leading artists and cut by professional engravers, such series were collected primarily by the urban intelligentsia, who appreciated the use of personification for the representation of immaterial concepts and for the transmission of knowledge, both in prints and in public spectacles. The pairing of embodied forms and serial format was particularly well suited to the portrayal of abstract themes with multiple components, such as the Four Elements, Four Seasons, Seven Planets, Five Senses, or Seven Virtues and Seven Vices. While many of the themes had existed prior to their adoption in Netherlandish graphics, their pictorial rendering had rarely been so pervasive or systematic.
    [Show full text]
  • Best of ITALY
    TRUTH IN TRAVEL TRUTH IN TRAVEL Best of ITALY VENICE & THE NORTH PAGE S 2–9 Venice Milan VENICE NORTHERN The Prince of Venice ITALY Viewing Titian’s paintings in their original basilicas and palazzi reveals a Venice of courtesans and intrigue. Pulitzer Prize—winning critic Manuela Hoelterhoff’s walking guide to the city amplifies the experience of reliving the tumultuous times of Florence the Old Master—and finds some aesthetically pleasing hotels and restaurants along the way. TUSCANY (Trail of Glory map on page 5) FLORENCE & TUSCANY PAGE S 10 –1 5 Best of ITALYCENTRAL ITALY TUSCAN COAST Rome Tuscany by the Sea Believe it or not, Tuscany has a shoreline—145 miles of it, with ports large and small, hidden beaches, a rich wildlife preserve, and, of course, the blessings of the Italian table. Clive Irving Naples discovers a sexy combo of coast, cuisine, and Pompeii Caravaggio—and customizes a beach-by-beach, Capri harbor-by-harbor map for seaside fun. SARDINIA SOUTHERN ITALY ROME & CENTRAL ITALY PAGE S 16–2 0 ROME Treasures of the Popes You’re in Rome, but the Vatican is a city in itself. (In fact, a nation.) What should you see? John Palermo Julius Norwich picks his masterpieces, and warns of the potency of Vatican hospitality. SICILY VENICE & THE NORTH PAGE 2 Two miles long, spanned by three bridges and six gondola ferries, the Grand Canal is an avenue of palaces built between the fourteenth and eigh- teenth centuries. A rich, luminous city, her beauty reflected at every turn, Venice was the perfect muse for an ambitious Renaissance artist.
    [Show full text]
  • SPRING CAT PDFMKR.Qxd
    NewTitles Getty Publications Spring 2006 WITH COMPLETE BACKLIST 1 To order INDIVIDUALS visit your local bookstore or call: 800 223-3431 (North America) 310 440-7333 (International) www.getty.edu BOOKSTORES 800 451-7556 (U.S.) 416 516-0911 (Canada) (44) (0) 1865 361122 (U.K. and Europe) New Titles Contents New Titles 1 Complete Backlist Titles 14 J. Paul Getty Museum 14 Getty Conservation Institute 38 Getty Research Institute 44 Electronic Resources and Journals 51 Index 52 Order Form 55 NewTitles Rubens and Brueghel A Working Friendship Edited by Anne Woollett With contributions by Anne Woollett, Ariane van Suchtelen, Tiarna Doherty, Mark Leonard, and Jørgen Wadum Truly collaborative paintings, that is, not simply mechanical but also conceptual co-productions, are rare in the history of art. This gorgeously illustrated catalogue explores just such an extraordinary partnership between Antwerp’s most eminent painters of the early seventeenth century, Peter Paul Rubens (1577–1640) and Jan Brueghel the Elder (1568–1625). Rubens and Brueghel exe- cuted approximately twenty-five works together between around 1598 and Brueghel’s death in 1625. Highly prized and sought after by collectors throughout Europe, the collaborative works of Rubens and Brueghel were shaped by their close friendship and dis- tinguished by an extremely high level of quality, further enhanced by the status of the artists themselves. Published to coincide with an exhibition at the Getty Museum to be held July 5 to September 24, 2006, the catalogue features twenty-six color plates of such Rubens/Brueghel paintings as The Return from War, The Feast of Acheloüs, Garden of Eden with the Fall of Man, Allegory of Sight, Battle of the Amazons, Nature Adored by the Graces, and Madonna and Child in a Garland of Flowers, along with Rubens and Brueghel’s collaborations with important contemporaries such as Frans Snyders and Hendrick van Balen.
    [Show full text]
  • Gary Baseman Did You Know?
    Enroll at uclaextension.edu or call (310) 825-9971 Arts 13 examined are Alexander Calder, Marcel Duchamp, Isamu Noguchi, Louise Bourgeois, Carl Andre, Robert Art History Irwin, and Hiroshi Sugimoto. Internet access required & Theory to retrieve course materials. ARTS Reg# Z0538CA For information on enrollment, location, and space Through Apr 22: $195 / After: $215 availability call (310) 825-9971. For information Westwood: 413 1010 Westwood Center 13 Art History & Theory on course content call (310) 206-1422 or email Wed 7-10pm, May 22 & 29 [email protected]. Pasadena: Norton Simon Museum 14 Art Studio Workshops ✷✷Sat 11am-2pm, Jun 1, 3 mtgs 16 Photography NEW COURSE Roni Feinstein, PhD, Institute of Fine Arts, New York Royals, Romance, and Rococo: University The 18th-Century French Interior 862.45 Art 0.9 CEU Survey of Western Art History: Part III One of the focal points of elite life in the mid-18th X 446.3 Art 4 units century was the ostentatious display of artworks in and This art history survey concentrates on the masterpieces around the home. Functional yet artistic objects were of architecture, painting, sculpture, and related arts from simultaneously in the background and forefront of daily the late 17th through early 20th centuries. The course life. French collectors put a wide variety of objects on begins with the transition from Baroque to the Age of view, such as paintings, sculpture, furniture, decorative Enlightenment and Romantic-Classicism in the 18th arts, books, and dress, as a means of exhibiting wealth, century. Continuing with Realism, Impressionism, and intellect, and taste.
    [Show full text]
  • GARY BASEMAN Education
    GARY BASEMAN www.garybaseman.com Education: B.A. in Communications, University of California, Los Angeles, 1982 Phi Beta Kappa, Magna Cum Laude SELECTED SOLO EXHIBITIONS 2019 Imaginary Friends, Tauranga Art Gallery, New Zealand The Purr Room, The Other Art Fair, London, UK 2018 The Purr Room, The Other Art Fair Los Angeles, Santa Monica, CA 2015 My Eyes are Bigger than My Stomach, Drake One Fifty, Toronto, Canada HAPPY TOBY TO YOU! Hong Kong Times Square, Hong Kong, China Secret Society, Colette, Paris, France 2014 The Door is Always Open, Shanghai chi K11 Art Museum, Shanghai, China Mythical Homeland, Summerhall, Edinburgh, Scotland Play With Me, Or Else, Groove@CentralWorld, Bangkok, Thailand The Door is Always Open, Museum of Contemporary Art, Taipei, Taiwan 2013 Mythical Homeland, Aqua Art Fair, Miami, FL, December Mythical Homeland, Shulamit Gallery, Venice, CA The Door is Always Open, Skirball Cultural Center, Los Angeles, CA 2012 Nightmares of Halloween Past, KK Gallery, Los Angeles, CA Vicious, Antonio Colombo Arte Contemporanea, Milan, Italy The Omnipresent Toby, Innocean, Huntington Beach, CA 2011 Walking through Walls, Jonathan LeVine Gallery, New York, NY 2010 Dream Reality, Choque Cultural Gallery, Sao Paolo, Brazil Dream Reality, Southern Arkansas University, Magnolia, AR 2009 La Noche de la Fusión, Corey Helford Gallery, Culver City, CA Sacrificing of the Cake, Urbanix, Tel Aviv, Israel 2008 Knowledge Comes From Gas Release, Iguapop Gallery, Barcelona, Spain 2007 Hide and Seek in the Forest of ChouChou, Billy Shire Fine
    [Show full text]
  • Downloadable Results (Pdf)
    Muller British Athletics Championships Manchester Regional Arena Heptathlon From Friday 25 June to Sunday 27 June 2021 Women 's High Jump LETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS RESULTS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS ATHLETICS 26 June 2021 TIME TEMPERATURE Start 10:59 14°C 78 % End 11:5214°C 78 % MARK COMPETITOR NAT AGE Record Date WR2.09 Stefka KOSTADINOVA BUL 22 30 Aug 1987 NR1.98 Katarina JOHNSON-THOMPSON GBR 23 12 Aug 2016 CR1.97 Isobel POOLEY GBR 22 4 Jul 2015 CR1.97 Morgan LAKE GBR 21 30 Jun 2018 SR1.92 Deirdre RYAN IRL 24 15 Jul 2006 POSSTART COMPETITOR AGE MARK POINTS 1 3 Ellen BARBER 23 1.75 916 PB YEOVIL 2 1 Katie STAINTON 26 1.69 842 SB BIRCHFIELD HARRIERS 3 5 Ashleigh SPILIOPOULOU 22 1.69 842 ENFIELD & HARINGEY H 4 4 Emma CANNING 24 1.66 806 SB EDINBURGH AC 5 2 Ella RUSH 17 1.66 806 AMBER VALLEY 6 6 Natasha SMITH 21 1.66 806 SB BIRCHFIELD HARRIERS 7 7 Emily TYRRELL 19 1.60 736 TEAM BATH 8 Amaya SCOTT-RULE 20 DNS 0 SOUTHAMPTON 1 2 Issued Saturday, 26 June 2021 at 11:55 High Jump Women - Heptathlon RESULTS SERIES 1.51 1.54 1.57 1.60 1.63 1.66 1.69 1.72 1.75 1.78 1 Katie STAINTON - - - O O O O XXX 2 Ella RUSH - O O XO O O XXX 3 Ellen BARBER - - - O O XXO O O XO XXX 4 Emma CANNING - - - O O O XXX 5 Ashleigh SPILIOPOULOU - - - O O XO O XXX 6 Natasha SMITH - O O O O XO XXX 7 Emily TYRRELL O O XO O XXX 8 Amaya SCOTT-RULE GREAT BRITAIN & N.I.
    [Show full text]
  • Download Here
    POTTERY SOUTHWEST Volume 26, Nos. 1 and 2 July, 2007 Spring/Summer 2007 ($3.00) ISSN 0738-8020 In This Issue: Editorial Board member Peter J. McKenna presents recent observations on Isleta Red on Tan and proposes answers to some interesting questions. In Max Sokol's article he provides a comparative study of labor expenditure on two phases of Mesa Verde Black-on- White. Thanks to Leslie Cohen for taking the lead editorial role for this issue. Ongoing features include "Recent Dissertations and Theses" with abstracts by permission from Proquest, "On the Shelf", and "On View". Finally, we provide some technical tips on submissions. An electronic publication creates formatting challenges beyond those of conventional printing or photocopying. These tips make publishing in Pottery Southwest easier for our contributors. We hope you will take advantage of them and send in your submissions (see Page 37 for how-to). CONTENTS Page Observations on Isleta Red on Tan by Peter J. McKenna.................................................................................................... 2-15 Human Resource Expenditure for Mesa Verde Black-on-White Pottery Production by Maxwell Lee Sokol............................................................................................... 16-28 Recent Dissertations and Theses Abstracts from ProQuest El Paso Polychrome in the Casas Grandes Region, Chihuahua, Mexico: Ceramic exchange between Paquime and the Jornada Mogollon by: Jessica Prue Burgett, Ph.D............... 29 Production, exchange, and social identity: A study of Chupadero black-on-white pottery (New Mexico) by Tiffany C. Clark, Ph.D................................................................................. 30 The emergence of Jicarilla Apache enclave economy during the 19th century in northern New Mexico by: Tiffany C. Clark, Ph.D................................................................................. 31 On the Shelf: Recent Publications of Interest......................................................................
    [Show full text]
  • Imagines-Number-2-2018-August
    Imagines è pubblicata a Firenze dalle Gallerie degli Uffizi Direttore responsabile Eike D. Schmidt Redazione Dipartimento Informatica e Strategie Digitali Coordinatore Gianluca Ciccardi Coordinatore delle iniziative scientifiche delle Gallerie degli Uffizi Fabrizio Paolucci Hanno lavorato a questo numero Andrea Biotti, Patrizia Naldini, Marianna Petricelli Traduzioni: Eurotrad con la supervisione di Giovanna Pecorilla ISSN n. 2533-2015 2 august 2018 index n. 2 (2018, August) 6 EIKE SCHMIDT Digital reflexions 10 SILVIA MASCALCHI School/Work programmes at the Uffizi Galleries. Diary of an experience in progress 20 SIMONE ROVIDA When Art Takes Centre Stage. Uffizi Live and live performance arts as a means to capitalise on museum resources 38 ELVIRA ALTIERO, FEDERICA CAPPELLI, LUCIA LO STIMOLO, GIANLUCA MATARRELLI An online database for the conservation and study of the Uffizi ancient sculptures 52 ALESSANDRO MUSCILLO The forgotten Grand Duke. The series of Medici-Lorraine busts and their commendation in the so-called Antiricetto of the Gallery of Statues and Paintings 84 ADELINA MODESTI Maestra Elisabetta Sirani, “Virtuosa del Pennello” 98 CARLA BASAGNI PABLO LÓPEZ MARCOS Traces of the “Museo Firenze com’era in the Uffizi: the archive of Piero Aranguren (Prato 1911- Florence 1988), donated to the Library catalog 107 FABRIZIO PAOLUCCI ROMAN ART II SEC. D. C., Sleepimg Ariadne 118 VINCENZO SALADINO ROMAN ART, Apoxyomenos (athlete with a Scraper) 123 DANIELA PARENTI Spinello Aretino, Christ Blessing Niccolò di Pietro Gerini, Crocifixion 132 ELVIRA ALTIERO Niccolò di Buonaccorso, Presentation of the Virgin in the Temple n.2 | august 2018 Eike Schmidt DIGITAL REFLEXIONS 6 n Abbas Kiarostami’s film Shirin (2008), sing questions of guilt and responsibility for an hour and a half we see women – would have been superimposed upon Iin a theatre in Iran watching a fictio- its famous first half, the action-packed nal movie based on the tragic and twi- Nibelungenlied (Song of the Nibelungs).
    [Show full text]