Les Nouveautés Musique (Pdf)
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Road1064 Mar31.14 Playlist
Play List for ROAD HOME Road #1064 Date: Mar 31.14 Mar30.15 PM KIND SELECTION ARTIST SOURCE TIME talk on Fitter First exercise BALL bob 3:25 CHAIR OPENING theme Road Home theme The McDades Commissioned (Solon McDade) 0:16 poem The Chair Louis Jenkins personal collection 0:54 talk With Louis Stack of Fitter First Bob www.fitter1.com 1:08 I'm Sitting On Top of the World Harry Manx Isle of Manx 3:17 How Great Our Lord Randy Newman w James Faust 2:57 Taylor Defying Gravity Emmylou Harris Quarter Moon In A Ten Cent Town 1:42 poem Inscribed on a Prayer Wheel and William Stafford (The Way It Is) 1:32 Spun Defying Gravity Emmylou Harris Quarter Moon In A Ten Cent Town 1:56 Big Blue Ball Various Real World Artists Big Blue Ball 4:49 (Peter Gabriel) Beachball Dan Reeder This New Century 1:57 poem They Are Holding A Ball Hafiz (Ladinsky) (A Year with Hafiz) 1:17 Bongo's Lament Ted Tanner From a Blue Room 3:20 poet Ball Rolls On a Point Kay Ryan (poetryfoundation.org) 1:12 Rocking Chair Eric Bibb Booker`s Guitar 4:14 Rockin` Chair Maria Muldaur I'm A Woman: 30 Years Of 3:45 poet Sitting Together Rumi - Coleman Barks What Was Said to the Rose 1:34 The Ballad Of Easy Chair Jory Nash Lo-Fi Northern Blues 4:09 talk on 'sitting is the new smoking' bob 4:32 poetry The Mercy Seat Johnny Cash American III: Solitary Man 4:03 Red Rocking Chair Rani Arbo & Daisy Mayhem Gambling Eden 3:04 poem The Chairs That No One Sits In Billy Collins (Poetry magazine Nov 2008) 1:51 theme Road Home theme The McDades Commissioned (Solon McDade) 1:00 . -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Wzmacniacz Zintegrowany Goldenote S-1 Cena
Wzmacniacz zintegrowany Goldenote S-1 Cena: 4799 zł Dystrybucja: Moje Audio Kontakt: Powstańców Śląskich 118, 53-333 Wrocław tel/fax: (71) 336 52 67 tel. kom.: 606 276 001, 790 425 142 e-mail: [email protected] Strona producenta: Goldenote Tekst: Krzysztof Kalinkowski Podczas poprzedniego testu (zestaw Lector – TUTAJ) wspomniałem, że wiele urządzeń testowanych przez „High Fidelity” pochodzi z Włoch. I jakoś tak się porobiło, że w moje ręce trafił kolejny włoski produkt, zintegrowany wzmacniacz Goldenote S-1. To pokazuje naprawdę, jak wiele urządzeń audio pochodzących z tego kraju jest dostępnych u nas w Polsce. Myślę, że wśród nich, każdy może znaleźć coś dla siebie, na wielu półkach cenowych i jakościowych, i wiele osób będzie z takiego wyboru zadowolonych. Szczególnie, że są to w większości produkty oferujące „bardzo wiele za stosunkowo niewiele”. Ale myślę, że o tym zdążyli się już Państwo przekonać czytając wcześniejsze testy, lub słuchając samodzielnie produktów oferowanych przez włoskich producentów. S-1 to najtańszy wzmacniacz oferowany przez firmę Akamai (tym razem pod nazwą Goldenote), prowadzoną przez Maurizio Ateriniego (na zdjęciu podczas wystawy High End 2008 w Monachium). Produkty tej firmy znam dość dobrze – przez pewien czas miałem w swoim systemie odtwarzacz Koala Tube, miałem też okazję zapoznać się odtwarzaczem plików DSS-30 (test Naczelnego TUTAJ) oraz inną elektroniką z linii Blacknote (test TUTAJ). Znam też, choć już nieco gorzej, ponieważ nie słuchałem ich w swoim systemie, źródła analogowe, kolumny i wzmacniacze z serii Demidoff. Moim zdaniem wszystkie te urządzenia potwierdzają regułę, którą przedstawiłem poprzednio, iż Muzyka jest przez nie traktowana priorytetowo. Uprzedzając nieco fakty, powiem, że również testowany wzmacniacz nie jest od niej wyjątkiem. -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Kol Nidre: Variations on a Theme a GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT
Kol Nidre: Variations on a Theme A GREAT JEWISH BOOKS TEACHER WORKSHOP RESOURCE KIT Teachers’ Guide This guide accompanies resources that can be found at: http://teachgreatjewishbooks.org/resource-kits/kol-nidre-variations- theme. Introduction Kol Nidre is a legal formula recited in the evening service that begins the holiday of Yom Kippur, the Jewish day of atonement. This ritual recitation may have been developed in the early medieval period as a response to Jews being forced to convert, either to Christianity or Islam. The text absolves those who recite it from vows in God’s name made under duress, so that the breaking of such vows is not counted as a sin. Its dramatic recitation and musical setting lend it an emotional intensity that has allowed the prayer to develop resonances beyond the stated meaning of the text. The High Holidays—the celebration of the new year on the Jewish calendar, which includes Rosh Hashanah and Yom Kippur—have in general come to signify a return to tradition and to religious duties that may have been neglected over the past year, and Kol Nidre serves as a climactic moment of this return. This kit gathers together examples of the use of Kol Nidre in modern Jewish literature, music, and film, asking students to consider how the prayer has come to stand for adherence to and return to Jewish tradition, and what precisely that return entails. Cover image: Cover of sheet music for an arrangement of Kol Nidre by Solomon Schenker, 1913. Courtesy of the Center for Jewish History, https://www.flickr.com/photos/center_for_jewish_history/4991049347. -
Zeha Schröder
Die Nilsson-Schmilsson-Late- Night-Memorial-Radio-Show Eine Radio-Hommage von Zeha Schröder Moderator. (Fade-Out der Startschleife aus „Everybody’s Talking“.) …So, das waren die Nachrichten und der Verkehrshinweis. Und jetzt heißt es wieder hallo, liebe Leute da draußen, und herzlich will- kommen zu einer weiteren Ausgabe von Freddys Radio Show. Ich bin Freddy, ihr seid die Hörer, die Fronten wären also geklärt, und wer von euch früher schon mal reingehört hat, der weiß, wie der Hase läuft: Einmal im Monat stell ich euch an dieser Stelle eine un- bekannte Band vor oder auch einen Solokünstler, der einen unverwechselbaren special touch hat. Das kann ein Newcomer sein oder ein erprobter Außenseiter oder, wie heute Abend, ein vergessenes Genie aus der Mottenkiste des Rock & Pop. Nur eins kann es nicht sein, jedenfalls nicht, solange ich hier die Knöpfe drücke: das Einheitsgedudel vom Fließband, das ihr sonst den ganzen Tag in die Oh- ren geträufelt kriegt, sobald ihr das Radio einschaltet. Okay, Leute, having said that, lasst uns doch mal einen Blick auf unseren heutigen Ehrengast werfen. Keine Ahnung, was ihr gerade so treibt, ein paar von euch sitzen jetzt garantiert am Steuer, ein paar liegen in der Badewanne oder schieben sich gleich die Pizza in den Ofen. Aber vielleicht hockt ja der eine oder andere auch noch vorm Rechner und meint, er kann sich nebenher ein bisschen berieseln lassen. Tja, meine Lieben, daraus wird heute nichts, heute wird dazugelernt, heute gibt’s was auf die Ohren, und zwar ganz speziell für euch Computerfreaks da draußen. Denn der Mann, den ich euch heute vorstellen möchte, ist Fleisch von eurem Fleisch: Harald Edward Nilsson the Third a.k.a. -
Messe E-Moll WAB 27 Zweite Fassung/Second Version 1882
Anton BRUCKNER Messe e-Moll WAB 27 Zweite Fassung/Second version 1882 Coro (SSAATTBB) 2 Oboi, 2 Clarinetti, 2 Fagotti, 4 Corni, 2 Trombe, 3 Tromboni herausgegeben von/edited by Dagmar Glüxam Urtext Partitur/Full score C Carus 27.093 Inhalt / Contents Vorwort 4 Foreword 8 Abbildungen 12 Kyrie (Coro SSAATTBB) 14 Gloria (Coro) 20 Credo (Coro) 32 Sanctus (Coro) 49 Benedictus (Coro SSATTBB) 55 Agnus Dei (Coro SSAATTBB) 63 Kritischer Bericht 73 Zu diesem Werk liegt folgendes Aufführungsmaterial vor: Partitur (Carus 27.093), Klavierauszug (Carus 27.093/03), Klavierauszug XL Großdruck (Carus 27.093/04), Chorpartitur (Carus 27.093/05), komplettes Orchestermaterial (Carus 27.093/19). The following performance material is available: full score (Carus 27.093), vocal score (Carus 27.093/03), vocal score XL in larger print (Carus 27.093/04), choral score (Carus 27.093/05), complete orchestral material (Carus 27.093/19). Carus 27.093 3 Vorwort Als Anton Bruckner (1824–1896) zwischen August und November C-Dur (WAB 31) für vierstimmigen gemischten Chor a cappella 1866 seine Messe in e-Moll (WAB 27) komponierte, konnte er (1. Fassung 1835–1843, 2. Fassung 1891) oder der Windhaager bereits eine langjährige Erfahrung als Kirchenmusiker aufweisen und Messe in C-Dur für Alt, zwei Hörner und Orgel (WAB 25; 1842) auch auf ein überaus umfangreiches kirchenmusikalisches Œuvre können hier etwa die Messe ohne Gloria in d-Moll („Kronstorfer zurückblicken.1 Schon als Kind wurde er durch seinen musikbe- Messe“; WAB 146, 1844) für vierstimmigen gemischten Chor a geisterten Vater und Schullehrer Anton Bruckner (1791–1837) zur cappella oder das Requiem für vierstimmigen Männerchor und Mitwirkung – u. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
“Etre Fédérateur Sans Dénaturer L'identité Du Festival”
Depuis deux ans, deux aux festivaliers évidem- nouvelles scènes ont été ment qui nous permettent The Beta Band, ajoutées. Cette année, nous de sauver le festival à 75%. “Etre fédérateur sans avons une grande première Nous avons énormément de Quelques chiffres groupe lambda ? avec un premier live sur la passionnés, beaucoup sont dénaturer l’identité du plage. Au Palais, on voulait conscients de ça, on les présenter des artistes qui remercie, c’est gràce à eux “ La pomme de The Beta Band festival” ont leur place à 100% à la qu’on continuera. - 550 bénévoles a suffisamment mûri et est Route du Rock mais pour qui De notre côté, on essaie de - 300 journalistes remplie de larves, elle doit tomber de l’arbre et Entretien avec François ce n’est pas forcément un maximiser les services, avec cadeau de faire jouer sur une la navette gratuite, le camp- - 52 poubelles laisser ses graines retourner à Floret, directeur du fes- la terre. “. tival : grande scène.Ils sont plus à ing, la plage gratuite, le pass l’aise au Palais, dans un cadre collection. On essaie de faire - 50 kW de son Sa huitième bougie à peine beaucoup plus convivial et un maximum pour remercier soufflée, le groupe pop Comment envisages-tu cette - 30 groupes britannique vient d’annoncer nouvelle édition ? intimiste. notre public car on lui est Enfin, un des attraits du fes- énormément reconnaissant. - 14 runners sa séparation. Richard Greentree et ses acolytes On peut raisonnablement tival est sûrement son cadre particulier, à la mi-aout. Il y a Nous remercions d’avance - 13 containers raccrochent, en laissant espérer entre 19000 et 22000 derrière eux trois albums dont spectateurs ce qui serait un la mer, la plage, et des sites les 550 bénévoles qui sont - 9 pays extraordinaires comme le fort sur le site, qui ont pour chefs “ Heroes to Zeros “ beau succès par rapport à dernier effort somptueux l’année précédente (13000 de St-Père, le Palais du Grand d’équipe Francis et Morgan. -
Repeat-The-Beat: Industries, Genres and Citizenships in Dance Music Magazines Repeat-The-Beat: Iii
Repeat-The-Beat: Industries, Genres and Citizenships in Dance Music Magazines Christy Elizabeth Newman This dissertation is submitted in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) in Communication Studies at Murdoch University 1997 Repeat-The-Beat: i Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary educational institution. ____________________ Christy Elizabeth Newman Repeat-The-Beat: ii Copyright License Permission to copy all or part of this thesis for study and research purposes is hereby granted. 1. Signed Christy Elizabeth Newman Date: November 3, 1997 2. Title of Thesis:Repeat-the-Beat: Industries, Genres and Citizenships in Dance Music Magazines Repeat-The-Beat: iii Abstract This thesis examines a particular cultural object: dance music magazines. It explores the co-imbrication of the magazines with dance music and considers how a reconfiguration of the field of genre theory can help to dismantle the generic separations of ‘textual’ and ‘industrial’ approaches to cultural objects. The main argument of the thesis is as follows. The magazine industries produce an object of cultural exchange which is made commercially viable through a narrowing of its target audiences. These audiences arise in the space created by the dance music industries’ negotiation of an imagined contest between 'underground' authenticity and 'mainstream' productivity. In turn, dance music magazines produce a powerfully exclusive space for the communication networks of the dance music genre by capitalising on the desire to stabilise genre and therefore taking up generic instability as a positive youth marketing strategy.