DOCSLIB.ORG

2 17Summer Season

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2 17Summer Season 2 SUMMER SEASON 17 Contents The Monarch Of The Glen.......................03 Welcome . Special Offers for Groups .......................04 Singin’ In The Rain .............................05 John Durnin Kris Bryce High Society ...................................06 Concerts ....................................... 13 Explorers Garden ............................... 14 Mary Rose ..................................... 16 . to the 2017 Summer Season at the Theatre in the Hills! Theatre For All .................................22 Active Arts and hiper Youth Arts................24 After the thrill of last year's seven show Season – even now, For J. M. Barrie, that same idea of looking back to a point Festival Shop and Gallery .......................25 we're still receiving letters praising the Damsels trilogy to when something momentous began has an altogether more People .........................................26 the skies – we revert to our usual six productions this year. moving and disturbing purpose: Mary Rose dances back and Tours and Talks.................................32 However, the extraordinarily diverse range of theatrical forth across a thirty year span with unsettling ease, its single Absurd Person Singular ........................34 imaginations at play in the 2017 Season should more than ghost coming to represent the loss of an entire generation. compensate for the loss of last year's particular excitement! And if ghosts are nothing more than those who have been Support PFT ...................................40 forgotten, or left behind, then David Grieg's Europe, an Murray Airlie High Society, our second Cole Porter musical, will certainly John Stewart Society...........................42 (carpenter), extraordinary, passionate story of borders, refugees and the making the set open the Season with a bang. There's a certain style to Festival Circle ..................................43 dispossessed, is peopled almost entirely by them: for when for People Porter's music and an elegance and wit to his lyrics that home can no longer sustain you, where else do you go? PFT Supporters - Friends, Benefactors ..........44 few other musical theatre composers have rivalled – and and Festival Circle Members those qualities, when combined with this deliciously barbed A sense of belonging, of coming home, is very much a part of Supporters Evenings ...........................47 tale of society romance and self-discovery, make for an ‘the Pitlochry experience’, that indefinable something that intoxicating, energetic mix. only happens at the Theatre in the Hills and for which our Other Ways to Support PFT .....................48 loyal audiences return year after year. Our unique repertoire The five other shows in the Season range far and wide. The Lottery ........................................49 system, delivered by an ensemble of gifted, versatile Scottish première of Alan Bennett's People - as funny, sad The Ruling Class ...............................50 “The stylistic performers resident at PFT for eight months, contributes and provocative a piece as he's ever written - somehow to that experience. So, too, do the host of other activities 2017 Diary ......................................56 equivalent of a captures fifty years of immense social change in the decline available to amuse, intrigue and engage throughout the Europe.........................................58 and fall of one woman, her world and her childhood home. West End producing Season. Mostly, however, we think ‘the Pitlochry experience’ One of the landmark plays of the late 1960s, Peter Barnes' Leon Sinden Awards ............................64 is about people: people from across Scotland, the UK and the theatre set against The Ruling Class, an outrageous, hilarious assault on Ensemble Character Matrix . .65 wider world, coming together in a beautiful location to share entrenched privilege and position, still finds its target with in stories that amuse, affect and touch us all. And in a world 2017 Ensemble .................................66 a picture-postcard ruthless accuracy. And Absurd Person Singular, Ayckbourn's where we seem more often divided than united, that's no Biographies ....................................68 masterful, horribly funny study of ruthless ambition in 1970s backdrop of rolling bad thing. Credits, Patrons and Trustees ...................79 suburbia, seems all the more prescient when viewed through Perthshire hills” time's wrong-way telescope. So take your seats, say hello to the person sat next to you - Festival Food & Drink ...........................80 The Herald and prepare to enjoy this year's ‘Pitlochry experience’! PFT Staff........................................81 John Durnin Kris Bryce Vision 2021 ....................................82 ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Season 2018....................................83 01 Discover, explore, Scotland’s wild places TICKETS NOW ON SALE! wild space wild space wild space wild space Find us just off the A9, near Pitlochry Station, at: Atholl Road, Pitlochry, PH16 5AN Come and connect with your essential wildness at the John Muir Trust’s Wild Space visitor centre in Pitlochry. l See wild places and animals on film. l Hear evocative audio journeys. l Enjoy inspiring photography, artwork and gifts. johnmuirtrust.org 26th October to 12th November A hilarious romp around the glens from the master of Scottish farce, this adaptation of the classic 1930s comedy follows Photography by: Keith Brame, Peter Cairns/scotlandbigpicture.com in the footsteps of our smash-hit productions of Para Handy last year and our last Compton Mackenzie adaptation, The John Muir Trust is a Scottish charitable company limited by guarantee. Charity No: SC002061, Company No: SC081620. Registered office: Tower House, Station Road, Pitlochry PH16 5AN Whisky Galore - A Musical!. We hope you can join us to raise a glass to this eagerly anticipated world première! Tickets & Offers Groups SAVE ON 2ND SHOW SAVINGS FOR TRANSPORT THE MONARCH TICKETS DISCOUNTS SCHOOLS SUBSIDY OF THE GLEN 1 - 23 December New Benefits, JULY Special Offers Tickets now on sale! -20% & Information 31 From family gatherings The Daily Mail to work outings, and The Telegraph community groups to NEW! Enjoy Get 20% off School Groups: Enjoy 20% off Save £4.50 clubs, schools and societies, £3.00 off per your second £7.50 per pupil the cost of per ticket we offer fantastic ticket ticket on all booking (1 teacher per your Group’s if you book and rates, special offers and performances, when you 10 pupil goes train or coach pay by 31st a dedicated contact to including come back to free) and 20% travel. July for any help Groups (of 8 or more) performance. Saturday see a second off train or get the most out of their Available in Price theatre experience. nights!* show. coach travel. Band 3 only. Groups don’t need to pay THANKS ORGANISERS! Group Organisers enjoy a free interval ice-cream and programme. for tickets straight away – just reserve your tickets *£3.00 off per ticket on Price Bands 2 and 3 on all matinée and Monday - Thursday evening performances and Price Band 3 on Friday and Saturday evenings. and we will hold your reservation for up to four Make it Your Day Feast at CHOOSE FROM weeks (unless the date falls Light Lunch: £9.95 Ruth Anderson, our less than 2 weeks prior to the Festival Lunch: £14.00 dedicated Groups Manager, Whether you’re here to the performance or an offer Afternoon Tea: £7.50 Based on the classic Metro- and our friendly Box Office enjoy a matinée or evening Goldwyn-Mayer film, by stipulates otherwise). High Tea: £14.00 team are on hand to help performance, we offer special arrangement with Pre-Theatre dinner Warner Bros. Theatre We’ll then ask you for a 25% with arranging preferred something to suit everyone, Ventures, Inc. deposit, with the balance seating and advice on from £22.95 Music Pubished by EMI, from quick snacks to our all rights administered how best to make your Group tickets and offers do not apply to due 21 days before your very special pre-theatre Preview performances or Price Bands by Sony/ATV Music Publishing LLC visit. This leaves you plenty payments, as well as 1 and 4 unless otherwise indicated. All dinner, with a menu specific (Original Movie organising food, drink, offers are subject to availability and of time to finalise your to each show. We can cater cannot be used in conjunction with Choreography by Gene Kelly and Stanley other concessions or offers. Group numbers. backstage tours and talks. for Groups of up to 80! Donen) Produced by agreement with Maurice Rosenfield, Lois F. Rosenfield and We’ve teamed up Cindy Pritzker, Inc. Coming to see a Saturday Performed by with award-winning The Daily Telegraph arrangement with or Wednesday matinée Music Theatre Rabbie’s Trail International The Guardian Songs By performance of Singin’ In Burners to transport (Europe) Limited The Rain couldn’t be easier. you to the show. The Scotsman Nacio Herb Brown and Arthur Freed Call Box Office or go online for details about departure locations and times. 04 Screenplay By Betty Comden and Adolph Green MUSIC AND LYRICS BY Cole Porter Acts High Society The action takes place in BOOK BY and around Seth Lord’s Arthur Kopit waterfront estate at Oyster ADDITIONAL LYRICS BY Bay, Long Island, New York, Cast Susan Birkenhead over two days in June, 1952. Emma ...................................Joanna Lucas * BASED ON THE PLAY “THE Act 1 Scene 1 The Lords’ house, Eva ..................................Serena Giacomini * PHILADELPHIA
Load more

Recommended publications
  • Michel Tremblay Auteur
    MICHEL TREMBLAY AUTEUR NOTES BIOGRAPHIQUES Figure dominante du théâtre québécois depuis la fin des années 1960, Michel Tremblay s'est aussi imposé comme romancier, traducteur, adaptateur et scénariste. Né dans un quartier populaire de l'est de Montréal, il découvre très tôt sa vocation d'écrivain. Dès ses études secondaires, il écrit des poèmes, des pièces de théâtre, des romans. À l’adolescence, il entreprend la rédaction de contes fantastiques qu'il réunit plus tard en un recueil : Contes pour buveurs attardés. À 18 ans, il s'inscrit à l'Institut des Arts graphiques, où il apprend le métier de linotypiste, qu’il exerce de 1963 à 1966. En 1964, Michel Tremblay soumet une pièce, Le train, au concours des Jeunes auteurs de Radio-Canada : il y remporte le premier prix. La même année, il rencontre André Brassard qui deviendra le metteur en scène de presque toutes ses pièces, jusqu’en 2003. En 1965, André Brassard utilise quelques-uns des Contes pour buveurs attardés dans un spectacle consacré à la littérature fantastique : Messe noire. La même année, Michel Tremblay écrit Les belles-sœurs. Après la lecture publique des Belles-sœurs le 4 mars 1968 au Centre d’essai des auteurs dramatiques, la pièce est créée au Théâtre du Rideau Vert, le 28 août 1968. Elle connaît alors un succès retentissant, au point d’avoir fait l’objet de près de 600 productions au Québec et à l'étranger. Écrites en joual, un registre de langue propre à Montréal, Les belles-sœurs donnent une vision renouvelée du quartier ouvrier où est né Tremblay.
    [Show full text]
  • Edinburgh Eh8
    EDINBURGH EH8 9JG BOOKING TICKETS ONLiNE www.thequeenshall.net OvER THE PHONE +44 (0)131 668 2019 Mon –Sat 10am –5pm or until one hour before start on show nights iN PERSON 85 –89 Clerk Street, Edinburgh EH8 9JG Mo n–Sat 10a m–5pm or until 15 mins after start on show nights Booking charge A £1 fee is charged on all bookings made online and over the phone. This is per booking, not per ticket and helps support the running of our Box Office. Booking fees The ticket price shown is the price you will pay. if you would like to know which tickets include a £2 booking fee, please ask the Box Office. Postage Tickets can be posted out to you second class up to seven days before the event for a cost of £1.00 per transaction. Alternatively you can collect tickets free of charge from the Box Office during opening hours. Concessions Concessionary priced tickets are available where indicated. if you book online, please bring proof of eligibility with you to the event. Doors open /start times For most events, the time shown is when the artist will begin their performance. Where we don’t have this information in advance, a ‘doors open’ time is given, with more precise details available on our social media channels, website and via the Box Office on the day of the event. Accessibility Our venue is fully accessible for wheelchair users and we welcome assistance animals. Wheelchair spaces can currently be booked over the phone and in person only.
    [Show full text]
  • LABAN THEATRELABAN Trinity Laban Conservatoire of Music & Dance
    LABAN TRINITY Laban CONSERVatOIRE OF MUSIC & DANCE THEATRE MUSICAL THEATRE STUDENTS PRESENT: FRI 2 & SAT 3 DEC 14.30h & 19.30h THE CLOCKMAKer’S DAUGHTER An original faerytale musical by Michael Webborn and Daniel Finn PROGRAMME £3 THE CLOCKMAKER’S DAUGHTER Presented by Trinity Laban final year Musical Theatre students. This production is presented by special arrangement with Webborn and Finn. Director Michael Howcroft Musical Director Tony Castro Choreographer Jenny Arnold Set and Costume Designer Amy Yardley Lighting Designer Chloe Kenward The Clockmaker’s Daughter was originally produced by Theatrica Limited at the Landor Theatre. Directed by Robert McWhir Choreographed by Robbie O’Reilly Designed by David Shields Lighting by Richard Lambert Executive Producer Clive Chenery SYNOPSIS Spindlewood, like most towns of age, has its traditions. But no practice, custom, or Old Wives Warning is so firmly adhered to as ‘The Turning of the Key’. Every year, on the last night of winter, as the first day of spring unfolds, the townsfolk gather to take part in a strange ritual. They meet in the centre of the town square, where a statue bearing the likeness of a young girl stands, poised and still, one hand raised as if to toast the sky. Constance has stood in the square for as long as any can remember. And she is never more lifelike than tonight. CREATIVE TEAM BAND Director Lighting Designer Piano/Musical Director Michael Howcroft Chloe Kenward Tony Castro Musical Director Costume Supervisor Violin Tony Castro Cristiano Casimiro Rosie Judge Choreographer
    [Show full text]
  • Women in Theatre 2006 Survey
    WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).
    [Show full text]
  • Catherine Bailey Photo: Brandon Bishop
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Catherine Bailey Photo: Brandon Bishop Appearing on BBC iplayer as Miss Gale in "Malory Towers". Recently filmed "Grace" (ITV) and "Whitstable Pearl" (Acorn/Buccaneer). Greater London, England, United Other: Equity Location: Kingdom Eye Colour: Brown Height: 5'8" (172cm) Hair Colour: Light/Mid Brown Playing Age: 31 - 40 years Hair Length: Mid Length Television 2020, Television, Francine, Grace, ITV, John Alexander 2020, Television, Fi Marston, Whitstable, Acorn TV / Buccaneer, David Caffrey 2019, Television, Miss Gale, Malory Towers, King Bert Productions, Rebecca Ryecroft 2018, Television, Lady Elizabeth Cavendish, The Crown (season 2), Left Bank Pictures, Stephen Daldry and Benjamin Caron 2017, Television, Louisa Hooper, Hetty Feather, BBC, Sallie Aprahamian 2017, Television, Jess, Strike: The Silkworm Part 1, BBC & HBO, Kieron Hawkes 2016, Television, Nina, Mr Selfridge 4, ITV, Joss Agnew 2015, Television, Olivia Hamilton, And Then There Were None, Mammoth Screen for BBC 1, Craig Viveiros 2013, Television, Sammy Jo Rinsler, Doctors, BBC, Emma Sullivan 2013, Television, Stephanie Weston, Midsomer Murders: Wild Harvest, Bentley Productions, Renny Rye 2012, Television, Esther Robinson (Series Reg), House of Anubis, Nickelodeon/Lime, Tim Hopewell/Tom Poole 2011, Television, Miss Wyckham, The Sarah Jane Adventures, DW Productions Ltd, Joss Agnew 2010, Television, DS Karen Roberts (2 Eps), Holby City, BBC, Chris King 2009, Television,
    [Show full text]
  • Michel Tremblay Writer
    MICHEL TREMBLAY WRITER BIOGRAPHICAL NOTES Michel Tremblay emerged as a dominant figure of Quebec’s theatre world in the late 1960s. Since then, his considerable impact on French Canada’s thriving culture has broadened to include successful novels, translations, adaptations and screenplays. Born into an East Montreal working class neighbourhood, it soon became clear that Michel was also born to write. As a schoolboy, he was already composing poems, plays, and novels. The adolescent Michel wrote a series of fantasy stories that he later brought together in a collection entitled Contes pour buveurs attardés (Stories for Late Night Drinkers). At the age of 18, he enrolled at the Institut des Arts graphiques from which he qualified as a linotypist, a career that he pursued from 1963 to 1966. In 1964, Michel submitted a play, Le train, to a competition for young writers, Jeunes auteurs de Radio-Canada. He walked away with the First Prize. In that same year, he met André Brassard who would direct all Michel’s plays for the next 39 years. In 1965, André Brassard used some of the Contes pour buveurs attardés in a show, Messe noire, which drew on the fantasy genre for inspiration. It was also in 1965 that Michel wrote Les belles-sœurs. After a public reading of Les belles-sœurs, on March 4, 1968, at a venue for young playwrights, the Centre d’essai des auteurs dramatiques, Michel’s play was produced at the Théâtre du Rideau Vert on August 28, 1968. It was an instant and stunning success: so much so that there has been more than 600 productions both in Quebec since, and abroad.
    [Show full text]
  • Theatre Production Amount
    THEATRE PRODUCTION AMOUNT Aberdeen Performing Arts/His Majesty's Theatre Hercule Poirot in Black Coffee £5,675.16 Adelphi Theatre Made in Dagenham £1,106.08 Aldwych Theatre Dance til Dawn £892.00 Ambassadors Theatre Stomp £1,631.29 Apollo Theatre Urinetown £1,790.75 Apollo Victoria Theatre Wicked £3,973.70 Belgrade Theatre & Belgrade Studio Dreamboats and Miniskirts £1,160.08 Birmingham Hippodrome Blood Brothers £3,825.95 Brecon Theatre Various £5.83 Bristol Hippodrome Various £166.60 Charing Cross Theatre Jacques Brel is alive and well and Living in Paris £1,381.52 Chichester Festival Theatre Gypsy £2,595.42 Citizens Theatre Kill Johnny Glendenning £505.35 Civic Theatre Chelmsford Barmy Britain £315.00 Clwyd Theatr Cymru Somewhere in England £3,193.39 Criterion Theatre The 39 Steps £1,570.09 De Montfort Hall Blood Brothers £4,531.65 Devonshire Park Theatre The Perfect Murder £1,559.13 Dominion Theatre Evita £583.32 Dominion Theatre White Christmas £1,465.00 Donmar Warehouse The City of Angels £1,964.28 Duchess Theatre The Play that Goes Wrong £2,107.17 Duke of York's Theatre Neville's Island £1,309.51 Edinburgh Playhouse Jersey Boys £398.06 Exeter Northcott Theatre Three Men in a Boat £183.82 Fortune Theatre The Woman in Black £449.97 Garrick Theatre The Scottsboro Boys £3,879.22 Gielgud Theatre The Curious Incident of the Dog in the Night-time £4,950.00 Grand Opera House York Eric and Ern, Vampires Rock, The Small Hand £26.06 Greenwich Theatre Various £50.00 Hampstead Theatre Seminar £935.00 Harold Pinter Theatre Sunny Afternoon £1,332.22
    [Show full text]
  • Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
    Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
    [Show full text]
  • QH 40Th Anniversary Press Release
    EMBARGOED TILL 5/11/18 at midday THE QUEEN’S HALL – LIFE BEGINS AT 40 1979-2019: Former church celebrates 40 years of welcoming music worshippers through its doors Southside of the Tracks 12.01.19 Steven Osborne & Alban Gerhardt 06.07.19 The Queen’s Hall enters its fortieth year in 2019 with a packed and varied programme of high quality events which reflect the wealth of entertainment it has provided audiences over the years, whilst also looking forward to a bright future. The celebrations start on 12 January with a who’s who of singer-songwriters brought together on the same stage for the first time by Scotland’s foremost fiddle player, John McCusker. Renowned for his skill at transcending musical boundaries, John has shared stages with Paul Weller, Paolo Nutini and Teenage Fanclub and has been a member of Mark Knopfler’s house band since 2008. In Southside of the Tracks: 40 years of traditional music at The Queen’s Hall he will perform with his chosen house band of James Mackintosh, Ian Carr, Ewen Vernal, Michael McGoldrick and Louis Abbott (Admiral Fallow) with special guests, so far, Roddy Woomble (Idlewild), Kathleen MacInnes, Phil Cunningham, Adam Holmes, Daoiri Farrell, Heidi Talbot and Rachel Sermanni. More guests are to be announced. Nigel Griffiths, Chair of The Queen’s Hall Board of Trustees says, “We’re starting our fortieth year as we mean to go on and have a bold and ambitious programme which reflects the calibre of artists performing on our stage. In the face of developing competition it is so important for Edinburgh, as the capital city, to keep this beloved institution on the map and I believe we’re now poised to enter a truly dynamic era in The Queen’s Hall’s history.” To commemorate the concert on 6 July 1979 when The Queen’s Hall was officially opened by HM Queen Elizabeth II, we have multi-award-winning Scottish pianist Steven Osborne with one of the world’s finest cellists Alban Gerhardt performing a programme of Schumann, Brahms, De falla, Debussy and Ravel.
    [Show full text]
  • Theatre Training Company: ACTING, London College of Music: MUSICAL THEATRE, Bretton Hall: THEATRE ARTS, WAC Arts London: MUSICAL THEATRE
    TALENT REPRESENTATION Miriam Chinnick [email protected] ADDRESS Davis Gordon Management 11 Eastern Avenue Pinner HA5 1NU United Kingdom TELEPHONE +44 (0) 7989 306 252 WEBSITE www.davisgordon.com HEIGHT: 5’7” EYES: Blue HAIR: Auburn TRAINING: Actors Studio, Pinewood Studios: SCREEN ACTING, Court Theatre Training Company: ACTING, London College of Music: MUSICAL THEATRE, Bretton Hall: THEATRE ARTS, WAC Arts London: MUSICAL THEATRE. PLAYING AGE: 45-55 Jazz and Musical Theatre, Rock and Pop (Range E3-G5) Dance Skills include jazz, contemporary. Piano, keyboard, guitar. Car Driver, Tennis, Swimming, Running, Cycling. Mezzo Soprano. E3 to G5 London/RP (Native) Yorkshire, Lancashire, UK Regions. American various. European various. THEATRE TITLE ROLE DIRECTOR THEATRE/PRODUCER The Elephant Of My Heart Narrator Katerina Jugati Jessica Clements Company The Hunchback Of Notre Sister Gudule / Bertie Watkins Iris Theatre Dame Emmanuelle Once Upon A Christmas Time Professor Tidings, Head of Natalie Allison Unique Experiences / Brentwood Story Saving Leisure Park The Murder Express Vera Valentine Craig Wilkinson Funicular Productions The Line Up Tina Dubois Rob McIndoe Lion & Unicorn Theatre/The Bonnington Playwrights The Boy The Bee’s & The Miss Betty/DJ Bumble Heidi Vaughan Kazzum/Shoreditch Town Hall Blizzard Othello Emilia Simone Vause Moors Bar Theatre Salad Days Timothy's Mother/University Bryan Hodgson Theatre Royal, Bath - Regan De Don/ Lady in Park Wynter Productions Salad Days Timothy's Mother/University Bryan Hodgson Union Theatre – Sasha
    [Show full text]
  • Preface to the First Edition 1
    NOTES Preface to the First Edition 1. The Rodgers and Hammerstein Song Book (New York: Simon & Schuster and Williamson Music, 1956); Six Plays by Rodgers and Hammerstein (New York: Modern Library Association, 1959). 2. Like other Broadway-loving families, especially those residing on the west side of the coun- try, it took the release of the West Side Story movie with Natalie Wood for us to become fully cognizant of this show. 3. “The World of Stephen Sondheim,” interview, “Previn and the Pittsburgh,” channel 26 tele- vision broadcast, March 13, 1977. 4. A chronological survey of Broadway texts from the 1950s to the 1980s might include the fol- lowing: Cecil Smith, Musical Comedy in America; Lehman Engel, The American Musical Theater; David Ewen, New Complete Book of the American Musical Theatre; Ethan Mordden, Better Foot Forward; Abe Laufe, Broadway’s Greatest Musicals (New York: Funk & Wagnalls, 1977); Martin Gottfried, Broadway Musicals; Stanley Green, The World of Musical Comedy; Richard Kislan, The Musical (Englewood Cliffs, N.J.: Prentice-Hall, 1980); Gerald Bordman, American Musical Comedy, American Musical Theatre, American Musical Revue, and American Operetta; Alan Jay Lerner, The Musical Theatre: A Celebration; and Gerald Mast, Can’t Help Singin.’ 5. See Gerald Bordman, American Musical Comedy, American Musical Revue, and American Oper- etta, and Lehman Engel, The American Musical Theater. 6. Miles Kreuger, “Show Boat”: The Story of a Classic American Musical; Hollis Alpert, The Life and Times of “Porgy and Bess.” The literature on Porgy and Bess contains a particularly impres- sive collection of worthwhile analytical and historical essays by Richard Crawford, Charles Hamm, Wayne Shirley, and Lawrence Starr (see the Selected Bibliography).
    [Show full text]
  • Wedding Ceremony Classical Favourites Charts 50'S, 60'S, 70'S
    W edding Ceremony Classical Favourites Charts 50’s, 60’s, 70’s, 80’s Charts 90’s, 00’s, Now Christmas Classical Film and TV Jazz, Rags and Tangos Opera and Ballet Scottish & Irish Traditional Video Game Soundtracks ___________ EMAIL | FACEBOOK | TWITTER | YOUTUBE | INSTAGRAM ​ ​ ​ ​ ​ ​ ​ ​ © 2018. The Cairn String Quartet. All Rights Reserved Wedding Ceremony Classical Favourites BACK TO MENU A Thousand Years​ / Christina Perry Air on a G String​ / Bach All about You​ / McFly Ave Maria​ / Beyonce, Schubert and Gounod Canon​ / Pachelbel Caledonia​ / Dougie McLean For the Love of a Princess​ / Secret Wedding / Braveheart Here Come the Girls turning into Pachelbel’s Canon​ / Sugababes / Pachelbel Highland Cathedral I Giorno​ / Einaudi Kissing You​ / From Romeo and Juliet One Day Like this​ / Elbow The Final Countdown​ / Europe Wedding March​ / Wagner Wedding March​ / Mendelssohn Wedding March turning into Star Wars​ / Mendelssohn / Star Wars Wedding March turning into All you Need is Love​ / Mendelssohn / Beatles Wedding March turning into Another One Bites the Dust​ / Mendelssohn / Queen Wings​ / Birdy 500 Miles​ / the Proclaimers BACK TO MENU EMAIL | FACEBOOK | TWITTER | YOUTUBE | INSTAGRAM ​ ​ ​ ​ ​ ​ ​ ​ © 2018. The Cairn String Quartet. All Rights Reserved Charts 50, 60, 70, 80s BACK TO MENU A Forrest ​/ The Cure A Hard Days Night​ ​/ The Beatles A Little Help from My Friends​ / The Beatles A Little respect​ / Erasure Africa​ / Toto Ain't No Mountain High Enough​ / Marvin Gaye/Diana Ross Albatross​ / Fleetwood Mac All I Want is You​
    [Show full text]