UC Irvine Flashpoints
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cardinals, Inquisitors, and Jesuits: Curial Patronage and Counter-Reformation in Cosimo I's Florence
Cardinals, Inquisitors, and Jesuits: Curial Patronage and Counter-Reformation in Cosimo I’s Florence Gregory Murry Cet article analyse les motivations du duc de Florence Côme I qui l’ont amené à soute- nir l’inquisition et les activités des jésuites entre 1540 et 1560. À travers l’examen de la correspondance gouvernementale et des archives concernant les bénéfices Toscan, cette étude met en lumière les liens entre le mécénat de la curie et les instances de la réforme Catholique, sous trois aspects interreliés. Premièrement, Côme n’a pas rompu ses liens spirituels avec Rome, puisque cela aurait mis en danger les intérêts séculiers de son réseau de clients, qui ceux-ci avaient une grande activité au sein des États Papaux. Deuxiè- mement, étant donné cette restriction, le duc a dû établir des liens avec des cardinaux de la curie pouvant lui garantir des faveurs séculières et spirituelles pour son réseau de clients. Troisièmement, par la suite, ces mêmes cardinaux ont profité de leur position stratégique pour renverser le rapport de force et ainsi imposer l’inquisition et les Jésuites au gouvernement florentin réticent. ith its large, literate middle class and burgeoning capitalist economy, Florence Wshould have been a city ripe for reformation. Indeed, if sociological considera- tions alone mattered, Cosimo I’s nasty personal relationship with Pope Paul III would have exploded into outright revolt, and the networks of heretical opinion circulating among the city’s cultured elite would have found fertile ground on Tuscan soil.1 However, sociology seems ill-suited to explain why Italy stayed Catholic since Italy had its cities, artisans, merchants, and nascent capitalism long before England, France, or Germany. -
3 a Martyr of Painting
The social lives of paintings in Sixteenth-Century Venice Kessel, E.J.M. van Citation Kessel, E. J. M. van. (2011, December 1). The social lives of paintings in Sixteenth-Century Venice. Retrieved from https://hdl.handle.net/1887/18182 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral License: thesis in the Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/18182 Note: To cite this publication please use the final published version (if applicable). 3 A Martyr of Painting Irene di Spilimbergo, Titian, and Venetian Portraiture between Life and Death Pygmalion’s love for the figure of ivory, which was made by his own hands, gives us an example of those people who try to circumvent the forces of nature, never willing to en- joy that sweet and soft love that regularly occurs between man and woman. While we are naturally always inclined to love, those people give themselves over to love things that are hardly fruitful, only for their own pleasure, such as Paintings, Sculptures, medals, or similar things. And they love them so dearly that those same things manage to satisfy their desires, as if their desire had been satisfied by real Love that has to be between man and woman.1 Giuseppe Orologi, comment on Ovid’s Metamorphoses (1578) As Giuseppe Orologi, a writer with connections to Titian, makes clear in his commentary on Ovid’s story of the sculptor Pygmalion, some people of his 1 ‘L’amore di Pigmaleone, alla figura di Avorio fatta da le sue mani, ci da essempio -
Photographs of Paintings on Sale
THE METROPOLITAN MUSEUM OF ART PHOTOGRAPHS OF PAINTINGS ON SALE NEW YORK 1928 The photographs listed in this pamphlet are on sale as follows: UNMOUNTED MOUNTED Sheet Dull or Dull or Size Glossy Gray Sepia Glossy Gray Sepia $. 15 $. 15 $. 20 4X 5 IO $. 8x 6o Io .40 . 50 . 50 . Mailing charges, 4x5, unmounted, $. o5, mounted, $. so; 8x Io, unmounted, $. Io, mounted, $. 15. ENLARGEMENTS ENLARGEMENTS UNMOUNTED MOUNTED ON MUSLIN Sheet Size Gray Sepia Gray Sepia IIX 14 $1.50 2.00 2.25 $2.75 14x17 3.00 3.50 4.00 4.50 18X zz 4.00 5.00 5.50 6.5o 20 X 24 5.00 6. oo 7.00 8.00 Mailing charges on enlargements vary according to size of enlargement and distance. The following symbols are used in the text: *pas- tel, **=water-color. Orders should be addressed to the Secretary of the Museum, and accompanied by post-office order or check drawn to The Metropolitan Museum of Art. Stamps are acceptable with small orders. H. W. KENT, Secretary PHOTOGRAPHS OF PAINTINGS Arranged Alphabetically according to Schools AMERICAN ABBEY, EDWIN A. BLAKELOCK, R. A. Dirge of Three Queens- Indian Encampment King Lear Pipe Dance ALEXANDER, JOHN BLASHFIELD, E. H. Ring Carry On Study in Black and Green BLUM, ROBERT Walt Whitman Ameya ALLSTON, WASHINGTON Street Scene, Ikao Deluge BOGERT, GEORGE Spanish Girl Chile Church, Isle of Wight AMERICAN SCHOOL October Moonlight Sarah Cornell Clarkson BOGGS, FRANK Miss Foote On the Thames Col. Marinus Willett BOHM, MAX AMES, JOSEPH Evening Meal James Topham Brady Nature and Imagination BAKER, GEORGE BRIDGES, CHARLES John F. -
Storia Di Firenze Annali I 2006.Indd
!NNALIDISTORIADIFIRENZE ) Avvertenza Le pagine a seguire forniscono, per gli anni 2001 e 2002, un elenco ordi- nato alfabeticamente per autore dei volumi, dei saggi in opere collettanee e degli articoli su riviste attinenti la storia fi orentina. Tale materiale, ugualmente suddiviso in tre sezioni, è disponibile anche nel portale «Storia di Firenze» nella sezione «Bibliografi a» dove è possibile trovare anche il link alla scheda del vo- lume disponibile nel catalogo delle case editrice (htpp://www.dssg.unifi .it/sdf/ bibliografi a.html). Nel prossimo numero degli «Annali» comparirà la bibliogra- fi a relativa al biennio 2003-2004. L’eccezionale vastità della produzione scientifi ca su Firenze e l’assenza di uno strumento unico di aggiornamento bibliografi co al riguardo, oltre ad essere il motivo essenziale di questo lavoro ne rappresenta anche il principale elemento di diffi coltà. Per gli intenti del portale, il profi lo scientifi co e gli interessi dei membri della redazione, la cultura fi losofi ca e letteraria e la storia delle arti fi - gurative risultano relativamente in secondo piano rispetto ai temi storiografi ci. La ricerca di cui queste pagine sono il frutto ha infatti integrato risorse diverse (bibliografi e on-line, siti di case editrici, segnalazioni su riviste e spogli di data- base bibliografi ci), nell’intento, non sempre di facile realizzazione, di isolare materiali propriamente riferiti alla storia di Firenze e omettendo una consimile ricerca in fonti a carattere storico-artistico o storico-letterario. Ci auguriamo che questa consapevole limitazione, anziché indebolire l’effi cacia del nostro lavoro, ne precisi la consistenza e quindi la fruibilità per i lettori. -
The Art of Music :A Comprehensive Ilbrar
1wmm H?mi BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE GIFT or Hetirg W, Sage 1891 A36:66^a, ' ?>/m7^7 9306 Cornell University Library ML 100.M39 V.9 The art of music :a comprehensive ilbrar 3 1924 022 385 342 Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022385342 THE ART OF MUSIC The Art of Music A Comprehensive Library of Information for Music Lovers and Musicians Editor-in-Chief DANIEL GREGORY MASON Columbia UniveTsity Associate Editors EDWARD B. HILL LELAND HALL Harvard University Past Professor, Univ. of Wisconsin Managing Editor CESAR SAERCHINGER Modem Music Society of New Yoric In Fourteen Volumes Profusely Illustrated NEW YORK THE NATIONAL SOCIETY OF MUSIC Lillian Nordica as Briinnhilde After a pholo from life THE ART OF MUSIC: VOLUME NINE The Opera Department Editor: CESAR SAERCHINGER Secretary Modern Music Society of New York Author, 'The Opera Since Wagner,' etc. Introduction by ALFRED HERTZ Conductor San Francisco Symphony Orchestra Formerly Conductor Metropolitan Opera House, New York NEW YORK THE NASTIONAL SOCIETY OF MUSIC i\.3(ft(fliji Copyright, 1918. by THE NATIONAL SOCIETY OF MUSIC, Inc. [All Bights Reserved] THE OPERA INTRODUCTION The opera is a problem—a problem to the composer • and to the audience. The composer's problem has been in the course of solution for over three centuries and the problem of the audience is fresh with every per- formance. -
Cinema Ritrovato Di Gian Luca Farinelli, Vittorio Martinelli, Nicola Mazzanti, Mark-Paul Meyer, Ruud Visschedijk
Cinema Ritrovato di Gian Luca Farinelli, Vittorio Martinelli, Nicola Mazzanti, Mark-Paul Meyer, Ruud Visschedijk Iniziamo dalla foto che abbiamo scelto per il manifesto, perché è un’immagine rivelatrice dell’identità di questo festival. Ad un primo sguardo non suscita un interesse particolare. È la foto di scena di un film qualsiasi prodotto in un periodo in cui di cinema se ne faceva tanto, un’immagine come tante. Però se la guardiamo meglio vediamo che al centro della foto c’è uno dei grandi attori del cinema italiano, Aldo Fabrizi, il Don Pietro di Roma città aperta, alle prese con la giustizia. Ci accorgiamo anche che il set è il lato sud di Piazza Maggiore; si scorgono il Palazzo del Podestà, San Petronio, il Nettuno, Palazzo de’ Banchi. L’immagine inizia a intrigarci. Siccome il cinema italiano è da sempre fortemente romano, pochissimi sono stati i film girati a Bologna, almeno sino agli anni ’60. Ecco perché Hanno rubato un tram, il film da cui abbiamo sottratto quest’immagine, è una vera scoperta che ci giunge dal passato. Nonostante si tratti di una piccola produzione, di un film modesto, di cui all’epoca nessuno si accorse, poterlo vedere oggi è un’esperienza straordinaria perché ci porta nella Bologna di quarantasei anni fa e ci fa sentire tutta la distanza del tempo, le dimensioni della trasformazione, l’ampiezza dei cambiamenti, esperienza tanto più forte perché si tratta di immagini inaspettate di un film dimenticabile, che nessuno vedeva più da decenni. Il film è anche un curioso incontro tra generazioni diverse del cinema italiano. -
History 600 Syllabus Page 2 You for Thinking on Your Feet—An Important Part of Academic Life As Well As Life Outside the Academy
History 600. European historiography from Antiquity to the Enlightenment University of Massachusetts Amherst Fall Semester 2000 Wed. 9–12, Massachusetts Center for Renaissance Studies (or Herter 400) Prof. Brian W. Ogilvie Office: Herter 624, (413) 545-1599 Home Phone: (802) 388-9676 Thursday – Monday (before 10 PM please) E-mail: [email protected] Office hours: Tues. 11–11:45, Wed. 2–3:30, Thurs. 11–11:45, and by appointment. Brief description of course Examination of the method, style, and purpose of history from antiquity (Greek and Hebrew historiography) through the eighteenth century. We will read selected histories from the past and recent studies on the nature of historiography. Some questions that will motivate our discussions include: · Is history a unitary discipline? Do specific traits separate it from other ways of looking at the past? Are these traits methodological, metaphysical, or both? · How have the subject matter and style of history changed within the Western tradition? · Did history undergo a radical transformation in the late eighteenth and early nineteenth centuries? If so, what changed and why? · What have different cultural traditions contributed to Western approaches to understanding and explaining the past? · What can historians in the twenty-first century learn from the history of their discipline? Summary of requirements: 3 10-page papers, oral presentations, discussion. Course goals At the end of this course, you should be better able to: · Understand the development of the Western historical tradition from antiquity to the Enlightenment and speak knowledgeably about them. · Understand how modern historians address the history of their field. · Relate these developments to your own historical interests and writing. -
Retired Teacher Perishes in Cherokee Ct. House Fire by PAUL J
Ad Populos, Non Aditus, Pervenimus Published Every Thursday Since September 3, 1890 (908) 232-4407 USPS 680020 Thursday, December 15, 2005 OUR 115th YEAR – ISSUE NO. 50-2005 Periodical – Postage Paid at Westfield, N.J. www.goleader.com [email protected] SIXTY CENTS Retired Teacher Perishes In Cherokee Ct. House Fire By PAUL J. PEYTON She was found by Fire Captain Roger Sr. They, along with Chief Kelly, placed Specially Written for The Westfield Leader Sawicki on the kitchen floor of her her on a stretcher where CPR was initi- WESTFIELD — A 76-year-old re- two-and-a-half story dwelling on ated. The Westfield Rescue Squad then tired Westfield teacher was killed last Cherokee Court, located off of Clifton transported the victim to Robert Wood Thursday from injuries sustained in a Street on the south side of town. Johnson Hospital in Rahway. house fire. She is the first person killed in Captain Sawicki carried the victim, The fire was brought under control a fire in town since November 28, 1993. who was in cardiac arrest, to the front by 4:52 p.m. Fire units remained on Westfield Fire Chief Dan Kelly said door, where she was handed over to the scene until 9:45 p.m. to assist in Grace Salomon was overcome by heat firefighter James Pfeiffer, Lieutenant Scott securing the house and to support the from flames, toxic gases and smoke. Miller and volunteer firefighter Dan Kelly, fire investigation. Chief Kelly believes a decorative candle in the living room caused the fire. He said the blaze spread quickly to the dining room and kitchen. -
Mary in Film
PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas -
Racing Flow-TM FLOW + BIAS REPORT: 2009
Racing Flow-TM FLOW + BIAS REPORT: 2009 CIRCUIT=1-NYRA date=12/31/09 track=Dot race surface dist winner BL12 BIAS RACEFLOW 1 DIRT 5.50 Hollywood Hills 0.0 -19 13 2 DIRT 6.00 Successful friend 5.0 -19 -19 3 DIRT 6.00 Brilliant Son 5.2 -19 47 4 DIRT 6.00 Raynick's Jet 10.6 -19 -61 5 DIRT 6.00 Yes It's the Truth 2.7 -19 65 6 DIRT 8.00 Keep Thinking 0.0 -19 -112 7 DIRT 8.32 Storm's Majesty 4.0 -19 6 8 DIRT 13.00 Tiger's Rock 9.4 -19 6 9 DIRT 8.50 Mel's Gold 2.5 -19 69 CIRCUIT=1-NYRA date=12/30/09 track=Dot race surface dist winner BL12 BIAS RACEFLOW 1 DIRT 8.00 Spring Elusion 4.4 71 -68 2 DIRT 8.32 Sharp Instinct 0.0 71 -74 3 DIRT 6.00 O'Sotopretty 4.0 71 -61 4 DIRT 6.00 Indy's Forum 4.7 71 -46 5 DIRT 6.00 Ten Carrot Nikki 0.0 71 -18 6 DIRT 8.00 Sawtooth Moutain 12.1 71 9 7 DIRT 6.00 Cleric 0.6 71 -73 8 DIRT 6.00 Mt. Glittermore 4.0 71 -119 9 DIRT 6.00 Of All Times 0.0 71 0 CIRCUIT=1-NYRA date=12/27/09 track=Dot race surface dist winner BL12 BIAS RACEFLOW 1 DIRT 8.50 Quip 4.5 -38 49 2 DIRT 6.00 E Z Passer 4.2 -38 255 3 DIRT 8.32 Dancing Daisy 7.9 -38 14 4 DIRT 6.00 Risky Rachel 0.0 -38 8 5 DIRT 6.00 Kaffiend 0.0 -38 150 6 DIRT 6.00 Capridge 6.2 -38 187 7 DIRT 8.50 Stargleam 14.5 -38 76 8 DIRT 8.50 Wishful Tomcat 0.0 -38 -203 9 DIRT 8.50 Midwatch 0.0 -38 -59 CIRCUIT=1-NYRA date=12/26/09 track=Dot race surface dist winner BL12 BIAS RACEFLOW 1 DIRT 6.00 Papaleo 7.0 108 129 2 DIRT 6.00 Overcommunication 1.0 108 -72 3 DIRT 6.00 Digger 0.0 108 -211 4 DIRT 6.00 Bryan Kicks 0.0 108 136 5 DIRT 6.00 We Get It 16.8 108 129 6 DIRT 6.00 Yawanna Trust 4.5 108 -21 7 DIRT 6.00 Smarty Karakorum 6.5 108 83 8 DIRT 8.32 Almighty Silver 18.7 108 133 9 DIRT 8.32 Offlee Cool 0.0 108 -60 CIRCUIT=1-NYRA date=12/13/09 track=Dot race surface dist winner BL12 BIAS RACEFLOW 1 DIRT 8.32 Crafty Bear 3.0 -158 -139 2 DIRT 6.00 Cheers Darling 0.5 -158 61 3 DIRT 6.00 Iberian Gate 3.0 -158 154 4 DIRT 6.00 Pewter 0.5 -158 8 5 DIRT 6.00 Wolfson 6.2 -158 86 6 DIRT 6.00 Mr. -
Colle Val D'elsa
LA FABBRICHINA_SUMMARY BUILDINGS 1-2-5 LA FABBRICHINA_SUMMARY BUILDINGS 3-4 Type of investiment opportunity: Type of investiment opportunity: Various commercial - managerial spaces located in a property The properties are located on the ground and rst oors of a for reovation adjacent to a supermarket acquired by a leading property for renovation that was used as a terracotta factory. large-scale retail company. The various properties along with The various properties along with the supermarket and the the supermarket and the other neighbouring properties will other neighbouring properties will constitute a newly-designed constitute a newly-designed commercial centre in which the commercial centre in which the union of modern architecture union of modern architecture and the reclamation of ex-factories and the reclamation of ex-factories will create an intriguing will create an intriguing environment that will stimulate viewing, environment that will stimulate viewing, purchase and use not purchase and use not only amongst those who live in the city but only amongst those who live in the city but also amongst those also amongst those travelling through. The property SR1 consists travelling through of a number of commercial spaces located on the ground oor of Conditions: a building for construction For renovation Conditions: Area: • Building n. 1 and n. 5: for renovation • Building n. 3 (sqm) 900 • Building n. 2: under construction • Building n. 4 (sqm) 980 Year built: Price: Building n. 2: 2014 • Building n. 3: €. 2.250.000 Price: • Building n. 4: €. 2.500.000 • Building n. 1: €. 2.250.000 • Building n. 2: €. 1.250.000 Use provided for by the current Town Planning Regulation: • Building n. -
The Hypnerotomachia Poliphili: Image and Text in a Renaissance Romance
The Hypnerotomachia Poliphili: Image and Text in a Renaissance Romance April Oettinger Winston-Salem, North Carolina B.A., Colgate University, 1994 M.A., University of Virginia, 1996 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy McIntire Department of Art University of Virginia May2000 To my parents, ever supportive guides in my ongoing discovery of the forestand the trees; To Carrie, my companionon those early journeys through the Dark Forest; and To Max, my Poliphilo. 11 © Copyright by April Oettinger AllRights Reserved May2000 ill Acknowledgments I am indebted to numerous friendsand colleagues who have guided and enriched my journey at every turn. My advisors Paul Barolskyand David Summers first encouraged me to pursue my studies of the Polifilo; their unflagging support sustained me throughout, and their example continues to inspire me to follow in Poliphilo's path. My other readers, Francesca Fiorani and David Van Der Muelen provided valuable suggestions andadvice on patronage, dedications, and incunabula. I also wish to expressmy gratitude to Anne Schutte, Alistair Fowler, Deborah Parker, Martin Colker, and Terry Bellanger for stimulating conversations and generous advice, and Martin Colker and Thomas Govero for their assistance with the translations of Leonardo Grassi's dedication of the Polifiloand Ludovico Odassio's dedication of the Comucopiae. I am also grateful to Linda Carroll, Wendy Steadman Sheard, Patricia Fortini Brown, Wolfgang Wolters, Louisa Matthews, Anne Barriault,Norman Land, Ralph Lieberman, DeborahHoward, Jurgen Schultz, Ann Markam Schultz, and Mark SamuelsLasner forthought-provoking conversations at home and abroad. A Dupont Fellowship fromthe University of Virginia in 1998-1999 and a Fulbright Fellowship in 1999-2000 enabled me to continue my research in Italy, where I was fortunate to explore the holdings of several marvelous libraries.