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Karnataka Tourism Vision Group 2014 Report
Karnataka Tourism Vision group 2014 report KARNATAKA TOURISM VISION GROUP (KTVG) Recommendations to the GoK: Jan 2014 Task force KTVG Karnataka Tourism Vision Group 2014 Report 1 FOREWORD Tourism matters. As highlighted in the UN WTO 2013 report, Tourism can account for 9% of GDP (direct, indirect and induced), 1 in 11 jobs and 6% of world exports. We are all aware of amazing tourist experiences globally and the impact of the sector on the economy of countries. Karnataka needs to think big, think like a Nation-State if it is to forge ahead to realise its immense tourism potential. The State is blessed with natural and historical advantage, which coupled with a strong arts and culture ethos, can be leveraged to great advantage. If Karnataka can get its Tourism strategy (and brand promise) right and focus on promotion and excellence in providing a wholesome tourist experience, we believe that it can be among the best destinations in the world. The impact on job creation (we estimate 4.3 million over the next decade) and economic gain (Rs. 85,000 crores) is reason enough for us to pay serious attention to focus on the Tourism sector. The Government of Karnataka had set up a Tourism Vision group in Oct 2013 consisting of eminent citizens and domain specialists to advise the government on the way ahead for the Tourism sector. In this exercise, we had active cooperation from the Hon. Minister of Tourism, Mr. R.V. Deshpande; Tourism Secretary, Mr. Arvind Jadhav; Tourism Director, Ms. Satyavathi and their team. The Vision group of over 50 individuals met jointly in over 7 sessions during Oct-Dec 2013. -
EMPIRICAL ARTICLE a STUDY on CONTEMPORARY KANNADA CINEMA and HUMAN RIGHTS Jayadatta S1, Krishna Murthy B
DOI: 10.14260/jadbm/2015/35 EMPIRICAL ARTICLE A STUDY ON CONTEMPORARY KANNADA CINEMA AND HUMAN RIGHTS Jayadatta S1, Krishna Murthy B. Y2 HOW TO CITE THIS ARTICLE: Jayadatta S, Krishna Murthy B. Y. “A Study on Contemporary Kannada Cinema and Human Rights”. Journal of Advances in Business Management; Vol. 1, Issue 3, July-September 2015; Page: 305-310, DOI: 10.14260/jadbm/2015/35 INTRODUCTION: India is the larger film producer in world. It produces nearly 800-1000 films per year. Out of which regional language films also add their contribution to national and international scenario. Bollywood is the name of Hindi cinema, Tollywood is of Telugu cinema, Molly wood is of Tamil cinema, Sandal wood is of Kannada cinema etc. Celebrated its 75th year in 2009 and moving towards century. Kannada film industry has its own history from 1934 Saathi sulochana to Puttakkana Highway-2012 industry has seen many up and downs. It has its audience across all over the globe. Industry has the great talented directors, actors, novel writers like late Dr. Rajakumar and Mr. V. K. Murthy have been honored by prestigious Dada Saheb Palake awarded, the director like late Mr. Puttanna Kanagal, late Lakshmi Narayana Rao, Mr. Girish Kasaravalli, Late Mr. G. V. Iyer, Actor/director Jnanapeeta award Dr. Girish Karnad, Late Shankarna, etc Have contributed their achievements and laid milestone in film industry. Master Kishan’s Care of Footpath and Film Shanthi received in the book of Gunnies Award. Observing the film trends from past 1934-2011 it can be conclude that the early film age was about theater oriented content, 1940-50 was on mythology and social oriented subjects, 50-60s were the devotional subjects, 60-70s were based on Kannada Unification stories, 70-80s were on aggressive and love stories, Women oriented majority based on Novels works.80-90s on mixed western culture with crime stories, 90-2000 expose of half nudity and double meaning in dialogue and songs, 2001- 2011 half nudity, crime, violence, vulgarity themes. -
Preserving and Protecting Mysore Heritage Tmt
Session – I Preserving And Protecting Mysore Heritage Tmt. Neela Manjunath, Commissioner, Archaeology, Museums and Heritage Department, Bangalore. An introduction to Mysore Heritage Heritage Heritage is whatever we inherit from our predecessors Heritage can be identified as: Tangible Intangible Natural Heritage can be environmental, architectural and archaeological or culture related, it is not restricted to monuments alone Heritage building means a building possessing architectural, aesthetic, historic or cultural values which is identified by the heritage conservation expert committee An introduction to Mysore heritage Mysore was the capital of princely Mysore State till 1831. 99 Location Mysore is to the south-west of Bangalore at a distance of 139 Kms. and is well connected by rail and road. The city is 763 meters above MSL Princely Heritage City The city of Mysore has retained its special characteristics of a ‘native‘princely city. The city is a classic example of our architectural and cultural heritage. Princely Heritage City : The total harmony of buildings, sites, lakes, parks and open spaces of Mysore with the back drop of Chamundi hill adds to the attraction of this princely city. History of Mysore The Mysore Kingdom was a small feudatory of the Vijayanagara Empire until the emergence of Raja Wodeyar in 1578. He inherited the tradition of Vijayanagara after its fall in 1565 A.D. 100 History of Mysore - Dasara The Dasara festivities of Vijayanagara was started in the feudatory Mysore by Raja Wodeyar in 1610. Mysore witnessed an era of pomp and glory under the reign of the wodeyars and Tippu Sultan. Mysore witnessed an all round development under the visionary zeal of able Dewans. -
Tamil Nadu Government Gazette
© [Regd. No. TN/CCN/467/2012-14. GOVERNMENT OF TAMIL NADU [R. Dis. No. 197/2009. 2018 [Price: Rs. 13.60 Paise. TAMIL NADU GOVERNMENT GAZETTE PUBLISHED BY AUTHORITY No. 15] CHENNAI, WEDNESDAY, APRIL 11, 2018 Panguni 28, Hevilambi, Thiruvalluvar Aandu – 2049 Part VI—Section 4 Advertisements by private individuals and private institutions CONTENTS PRIVATE ADVERTISEMENTS Pages. Change of Names .. 545-576 Notice .. 576-577 NOTICE NO LEGAL RESPONSIBILITY IS ACCEPTED FOR THE PUBLICATION OF ADVERTISEMENTS REGARDING CHANGE OF NAME IN THE TAMIL NADU GOVERNMENT GAZETTE. PERSONS NOTIFYING THE CHANGES WILL REMAIN SOLELY RESPONSIBLE FOR THE LEGAL CONSEQUENCES AND ALSO FOR ANY OTHER MISREPRESENTATION, ETC. (By Order) Director of Stationery and Printing. CHANGE OF NAMES 7763. My daughter, Chinnammal alias Atchaya, born on 7766. I, M. Veni, wife of Thiru V. Nagarajan, born on 10th September 2006 (native district: Madurai), residing at 25th May 1975 (native district: Ramanathapuram), residing No. 4, Thirukumaran Nagar, Thirunagar, Madurai-625 006, at No. 62, Singaravelar Street, Kosakulam Main Road, shall henceforth be known as S. ATCHAYA K. Pudur, Madurai-625 007, shall henceforth be M. SUBRAMANI known as N. NEELAVENI Madurai, 2nd April 2018. (Father) M. VENI Madurai, 2nd April 2018. 7764. I, S Pandi, son of Thiru Subbaiya, born on 19th March 1979 (native district: Dindigul), residing at 7767. I, P. Chandrasekar, son of Thiru A. Palanisamy, No. 34, Vanjinathan Street, Sellur, Kattabomman born on 1st July 1969 (native district: Ramanathapuram), Nagar, Madurai-625 002, shall henceforth be residing at No. 2/630, Kasthuribai Colony, Nethaji known as S PANDIARAJAN Nagar, Perungudi, Madurai-625 022, shall henceforth be S PANDI known as P. -
Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Research Paper Impact Factor
Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s. -
Application of Film Marketing Tools in Kannada Film Industry: an Empirical Analysis 1M.Prabhudev, 2Dr.M.S.Sapna, 3Dr.Bhargavi D.Hemmige and 4Dr
International Journal of Trend in Research and Development, Volume 4(2), ISSN: 2394-9333 www.ijtrd.com Application of Film Marketing Tools in Kannada Film Industry: An Empirical Analysis 1M.Prabhudev, 2Dr.M.S.Sapna, 3Dr.Bhargavi D.Hemmige and 4Dr. B.P.Mahesh Chandra Guru, 1Research Scholar, 2Assistant Professor, 3Assistant Professor and HOD, 4Professor, 3Department of Communication and Journalism, Mahajana’s First Grade College, Mysore, Karnataka State, India 1,2,4 Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. Abstract: Film marketing process has been enriched by the remarkably. About 80 to 100 films were made every year in revolutionary changes in the field of communication science Kannada. and technology. The article is based on empirical study of Kannada film industry is marching towards progress application of film marketing tools in Kannada film industry. despite competition from other films, challenges of other film The Kannada film industry has achieved commendable personalities, video piracy, dubbing of films, inadequate film progress during the last eight decades. The film marketing theatres and other drawbacks. Kannada film industry is strategies have undergone revolutionary changes consequent on recognized at various levels for the rare accomplishments. several media campaigns, fairs and festivals in India. The There is a significant rise in the number of films (Banakar, 2016:03). review of literature clearly indicates that not even a single Kannada film industry has grown confidently both in terms of scientific investigation has been carried out on film marketing number and quality. It has the capacity for the attainment of with special reference to Kannada film industry. -
A Dialogue on Managing Karnataka's Fisheries
1 A DIALOGUE ON MANAGING KARNATAKA’S FISHERIES Organized by College of Fisheries, Mangalore Karnataka Veterinary, Animal and Fisheries Sciences University (www. cofmangalore.org) & Dakshin Foundation, Bangalore (www.dakshin.org) Sponsored by National Fisheries Development Board, Hyderabad Workshop Programme Schedule Day 1 (8th December 2011) Registration Inaugural Ceremony Session 1: Introduction to the workshop and its objectives-Ramachandra Bhatta and Aarthi Sridhar(Dakshin) Management of fisheries – experiences with ‘solutions’- Aarthi Sridhar Group discussions: Identifying the burning issues in Karnataka’s fisheries. Presentation by each group Session 2: Community based monitoring – experiences from across the world- Sajan John (Dakshin) Discussion Day 2 (9th December 2011) Session 3: Overview of the marine ecosystems and state of Fisheries Marine ecosystems - dynamics and linkages- Naveen Namboothri (Dakshin) State of Karnataka Fisheries- Dinesh Babu (CMFRI, Mangalore) Discussion Session 4: Co-management in fisheries Co-management experiences from Kerala and Tamil Nadu- Marianne Manuel (Dakshin) Discussion: What role can communities play in the management of Karnataka’s fisheries? Day 3 (10th December 2011) Field session Field visit to Meenakaliya fishing village to experiment with the idea of 2-way learning processes in fisheries Group Discussion Feedback from the participants and concluding remarks 1 Table of Contents Introduction 3 Format of the workshop 4 Concerns with fisheries 5 Transitions in fishing technologies and methods -
100Treescrashinjustaweek
Thursday, May30, 2019 DECCAN HERALD 3 Take alook at some gifting Metrolife cityscape options for this Eid P4 100trees crash in just aweek Bengaluru hasamonsoon problem. Treesand branches are falling in unprecedented numbers, andthe dangers to life and limb are huge tleast 500-oddtrees have crashedinBen- CBD affected, Agaluru over thepast saystop cop four months,100 in thelast week alone. Gustywinds On Monday,whenit accompaniedbythunder- rained heavily, police storms andheavy rain are clearedfallentree Atwo-wheelerwas damagedafter atreefellonitnear Vyalikaval Police Station limits An uprootedtreecamecrashing down on aNano parked in Sadashivanagarlast uprootingtrees. branches at 300places, on May 27. DH PHOTOSBYJANARDHAN BK weekend. The heavydownpour damagedbothpublicand privatepropertyinseveral Accordingtoenviron- accordingtoAdditional parts across the city. mentalists,mostaffected Commissioner of Police treesare exotic–soft-wood- (Traffic)PHarisheka- Bigtime damageto ed treesnicetolookbut un- ran. “Thiswas a RJ Shruti’snarrow escape able to standuptoastorm. joint operation by electric poles Concretisation of foot- theBBMPand the Hundreds of electric poles Shruti,aka PatPat Pataki branch fell on thecar paths is anotherreason: Bengalurutraffic were damagedastrees and Shruti,and herfamily in frontofus. We were thetrees getnowater to police.Trees were branches crashedonthem. had anarrow escape frightened andour worst nourishtheir roots. uprooted in 40 places Bescom says 982falls have when abig tree branch fearscametruewhen Thefallingtrees and andfallentreebranches caused damage to 564 fell on theircar last abranchfelltothe left branches have damaged obstructed thesmooth poles. “Wehave replaced weekend. Shruti,whose of ourcar,damagingit. cars,bikes andprivate prop- movementoftraffic in 545ofthem,”asenior show is airedonBig FM We moved aheadand erty,but thankfullynolives otherplaces,”hetold official says.Additional 92.7,narratesher ordeal just when we thought have been lost. -
Geographical Features of Karnataka
Class : B.A 5th Semester Subject : History & Archaeology Title of the Paper : History and Culture of Karnataka(From Early Times to 1336) Paper II Optional Session: 7,8 & 9. Topic : Geographical Features of Karnataka. __________________________________________________________________________________ Introduction Karnataka State is situated in between 11.30 to 18.48 Northern latitude and 74.12 to 78.50 East longitude, Karnataka is surrounded by Maharashtra in North, Goa in Northwest, Tamilnadu & Keral in South, Andhara Pradesh & Telengana in East. Karnataka is 2000 feet above sea level. Present Karnataka is divided in to 30 Districts 230 Talukas 29733 Villages. The length of the state is 770 km and breadth is 400 km total extent of the State is 1,92,204 sq. km The main rivers of Karnataka is Krishna, Bhima, Tungabhadra, Malaprabha, Ghatprabha, Kali, Sharavati, Varadha, Kaveri, Netravati, Arkavati, Aghanashini etc. are the important rivers in the State. The region where two rivers joins is called as Doab. Shorapur Doab in Yadgiri district where river Bhima joins the Krishna. Raichur Doab where river Tungabhadra joins Krishna, the plateau of Raichur Doab & Tungabhdra referred as Rayalaseema. Geographical Classification of Karnataka 1. Coastal region 2. Sahyadri Mountains /Western Ghats 3. Northern Plain 4. Southern Plain Importance of Geographical Features : Richard Hakluyat, pointed out that “The Geography & Chronology are the Sun & Moon, the right and left eye of History”. Human history in a region is shaped by the physical features. The growth of civilization is depend upon the climate, fertility of soil, natural barriers. Geographically Karnataka is one of the oldest part of Deccan plateau. The history and culture of Karnataka has been molded by the Geographical features. -
Bangalore for the Visitor
Bangalore For the Visitor PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 12 Dec 2011 08:58:04 UTC Contents Articles The City 11 BBaannggaalloorree 11 HHiissttoorryoofBB aann ggaalloorree 1188 KKaarrnnaattaakkaa 2233 KKaarrnnaattaakkaGGoovv eerrnnmmeenntt 4466 Geography 5151 LLaakkeesiinBB aanngg aalloorree 5511 HHeebbbbaalllaakkee 6611 SSaannkkeeyttaannkk 6644 MMaaddiiwwaallaLLaakkee 6677 Key Landmarks 6868 BBaannggaalloorreCCaann ttoonnmmeenntt 6688 BBaannggaalloorreFFoorrtt 7700 CCuubbbboonPPaarrkk 7711 LLaalBBaagghh 7777 Transportation 8282 BBaannggaalloorreMM eettrrooppoolliittaanTT rraannssppoorrtCC oorrppoorraattiioonn 8822 BBeennggaalluurruIInn tteerrnnaattiioonnaalAA iirrppoorrtt 8866 Culture 9595 Economy 9696 Notable people 9797 LLiisstoof ppee oopplleffrroo mBBaa nnggaalloorree 9977 Bangalore Brands 101 KKiinnggffiisshheerAAiirrll iinneess 110011 References AArrttiicclleSSoo uurrcceesaann dCC oonnttrriibbuuttoorrss 111155 IImmaaggeSS oouurrcceess,LL iicceennsseesaa nndCC oonnttrriibbuuttoorrss 111188 Article Licenses LLiicceennssee 112211 11 The City Bangalore Bengaluru (ಬೆಂಗಳೂರು)) Bangalore — — metropolitan city — — Clockwise from top: UB City, Infosys, Glass house at Lal Bagh, Vidhana Soudha, Shiva statue, Bagmane Tech Park Bengaluru (ಬೆಂಗಳೂರು)) Location of Bengaluru (ಬೆಂಗಳೂರು)) in Karnataka and India Coordinates 12°58′′00″″N 77°34′′00″″EE Country India Region Bayaluseeme Bangalore 22 State Karnataka District(s) Bangalore Urban [1][1] Mayor Sharadamma [2][2] Commissioner Shankarlinge Gowda [3][3] Population 8425970 (3rd) (2011) •• Density •• 11371 /km22 (29451 /sq mi) [4][4] •• Metro •• 8499399 (5th) (2011) Time zone IST (UTC+05:30) [5][5] Area 741.0 square kilometres (286.1 sq mi) •• Elevation •• 920 metres (3020 ft) [6][6] Website Bengaluru ? Bangalore English pronunciation: / / ˈˈbæŋɡəɡəllɔəɔər, bæŋɡəˈllɔəɔər/, also called Bengaluru (Kannada: ಬೆಂಗಳೂರು,, Bengaḷūru [[ˈˈbeŋɡəɭ uuːːru]ru] (( listen)) is the capital of the Indian state of Karnataka. -
Franchisees in the State of Karnataka (Other Than Bangalore)
Franchisees in the State of Karnataka (other than Bangalore) Sl. Place Location Franchisee Name Address Tel. No. No. Renuka Travel Agency, Opp 1 Arsikere KEB Office K Sriram Prasad 9844174172 KEB, NH 206, Arsikere Shabari Tours & Travels, Shop Attavara 2 K.M.C M S Shabareesh No. 05, Zephyr Heights, Attavar, 9964379628 (Mangaluru) Mangaluru-01 No 17, Ramesh Complex, Near Near Municipal 3 Bagepalli S B Sathish Municipal Office, Ward No 23, 9902655022 Office Bagepalli-561207 New Nataraj Studio, Near Private Near Private Bus 9448657259, 4 Balehonnur B S Nataraj Bus Stand, Iliyas Comlex, Stand 9448940215 Balehonnur S/O U.N.Ganiga, Barkur 5 Barkur Srikanth Ganiga Somanatheshwara Bakery, Main 9845185789 (Coondapur) Road, Barkur LIC policy holders service center, Satyanarayana complex 6 Bantwal Vamanapadavu Ramesh B 9448151073 Main Road,Vamanapadavu, Bantwal Taluk Cell fix Gayathri Complex, 7 Bellare (Sulya) Kelaginapete Haneef K M 9844840707 Kelaginapete, Bellare, Sulya Tq. Udayavani News Agent, 8 Belthangady Belthangady P.S. Ashok Shop.No. 2, Belthangady Bus 08256-232030 Stand, Belthangady S/O G.G. Bhat, Prabhath 9 Belthangady Belthangady Arun Kumar 9844666663 Compound, Belthangady 08282 262277, Stall No.9, KSRTC Bus Stand, 10 Bhadravathi KSRTC Bus Stand B. Sharadamma 9900165668, Bhadravathi 9449163653 Sai Charan Enterprises, Paper 08282-262936, 11 Bhadravathi Paper Town B S Shivakumar Town, Bhadravathi 9880262682 0820-2562805, Patil Tours & Travels, Sridevi 2562505, 12 Bramhavara Bhramavara Mohandas Patil Sabha bhavan Building, N.H. 17, 9845132769, Bramhavara, Udupi Dist 9845406621 Ideal Enterprises, Shop No 4, Sheik Mohammed 57A, Afsari Compound, NH 66, 8762264779, 13 Bramhavara Dhramavara Sheraj Opposite Dharmavara 9945924779 Auditorium Brahmavara-576213 M/S G.R Tours & Travels, 14 Byndur Byndoor Prashanth Pawskar Building, N.H-17, 9448334726 Byndoor Sl.