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78531728.Pdf I BARCELONA EMPRESA• JOSÉ F. ARQUER • TEMPORADA DE PRIMA VEllA 1esa l GRAN TEATRO' DEL UCEO \ ;BAR CEL()N.. A ~ EI\IPR'RSA: JOSÉ F . .& RQUER Ol'RlH'C'lÓN AR TfFITfCA "1 A POLEONlt: A NNOVA ZZJ • TI<' M.POR.\.0\ Dl<~ PRilli\'VEitA D 'E 195~ N WYORK tiTY BUtET DIRECTOR ~ RTISTIC:O GEORGE BA LANCHINE • ORQUESTA SINFON lCA DEL GRAN TEA TRO DEL LICEO ~ GEA /liAS lllll/JIIJSA piiFLAS ~EIIfAS llflltiiRES USIINDIJ. lA &lEMA fi Et dA81JN ?lelfa L~ M EJDR D E l~S I:RIE:\1~ 'i ELME~ORDIE LOS ~1\BONES S!ÑORII.'C/1/PII/J() CtJIY ttJS llfAf)/llttlltiESEIV POlVtl Q Ctl/1!PIIC. GEORGE B ALANCHINE TO$, PUE9 SECA/Y EUHEMIIPAMENTE ElCI/nS 'I lltf'A TEZ SEC/I !$Et P/1$0 DIRECTOR ARTISTICO I/fi/VIl TEZ MIIRCNITII{J/IE ENVEt/ECE RIIP!PIIMEIVTE l' COREOGRAFO DEL Productes de The Stillman Comp.AURORA-Illinois. E.U.A. NEW YORK CITY BALLE? NEW YORK CJTY BALL T DIRECTOR ARTIS11CO GEORGE BALANCHINE ESTRELLA S MARIA TALLCHIEP ]ANET REED TANAQUIL LeCLERCQ - MELISSA HA YDEN - DTANA ADAMS BEA TRTCE TO 'vtPKTNS - PA TRTCIA WILDE YVONNE MOUNSEY NTCOLAS MAGALLANES PR'\NCTSCO MONCION - HERBERT BLISS - HUGH LAING- TOOD BOLENDER- FRANK HOBI- ROY TOBIAS CON LA COLABORACION DE ANDRE EGLE VSKY- NORA KA YE - )EROME ROBBINS 11 Alan Baker Ninette d'Amboise Maril¡¡n Poudrier Constance Baker Carol¡¡n George Marsha Re¡¡nolds Robert Barnett Edwina Fontaine Ka¡¡e Sargent Edward Bigelow Walter Georgoo Patrícia Savoia Barbara Boc.ier Brooks Jackson Ruth Sobotka ' Doris Breckenridge UnaKai Gloria Vau11es Vida Broum Irene Larsson Barbnra Walczak Edith Brozak john Mandia Tomi Worthom A rlouine Case Barbara Milbero ]i llana -I~r-- jacques d'Amboise Shaun O'Brien Stanle¡¡ Zompakos .--.- Director art!stlco tuoclado: )EROME ROBBINS Director musical: Director general: ·-~ ~ _b- ......·~Pide ------ M~e$<•o LEON BARZIN LTNCOLN KTRSTEIN ,. _.. "'-· "JAN TZEN" ·_;,;;,. J)lrector de arquesta: Lumlnotecnla: HUGO FIORATO )EAN ROSENTHAL • «Munagement» exclusioo para la «tournée, en Europa de «New York Git¡¡ Ballet• L. LEONIDOFF. 45 Rue la Boélie, Paris (VIII) NEW YORK CJTY BALL T DIRECTOR ARTIS1ICO GEORGE BALANCHINE f!STRELLAS MARTA TALLCHIT::F ]ANET REED TANAQUTL LeCLERCQ - MELISSA HA YDEN - DIANA ADAMS BE.4. TRTCE TO \-IPKINS - PATRICI A WILDE YVONNE MOUNSEY NTCOLAS MAGALLANES FR>\NC!SCO MONCION - HERBERT BLISS - HUCH LA TNG- TODD BOLENDER- FRANK HOBI- ROY TOBIAS CON LA COLABORACION Dll ANDRE EGLEVSKY- NORA KAYE - }EROME ROBBINS 11 Ala11 Baker Ninette d'Amboise Marilyn Poudrier Constance Baker Carolvn George Marsha Revnolds Robert Barnett Edwina Fontaine Kaye Sargent Edward Bigelow Walter Georgov Patrícia Savoia Barbara Boc.'¡er a,.ooks Jackson Ruth Sobotka ' Dori.s Breckenridge Una Kai Gloria Vauges Vida Broum Irene Larsson Barbnra Walczalc Edith Brozak john Mandia Tomi Worthom ~I~ A rlouine Case Barbara Milber{J }illana e-- jacques d'Amboise Shaun O'Brien Stanley Zompakos -- .. ~ Director ortlsllco osoclado: ]EROME ROBBINS Director musical: Director general: LEON BARZIN LJNCOLN KTRSTEJN fllrl!c/Or de orqueato: Lumlnotecnla: l-IUGO FlORA TO ]EAN ROSENTHAL • «t\1unagement» exclusiva para la «tournée~ en Europa de «New York Citll Ballet• L. LEONIDOFF. 4.5 Rue la Boétic, París (VIII) MAR I A TALLCHIEF r----------------~---~ CRISTAL- LOZA- PORCELANA OBJETOS PARA REGALO EXTRACTO JOYA RAMBLA DE LAS FLORES, 8 - TELÉrONO 21-26-72 ~a~ :Ht¡zwmade/ RONDA SAN ANTONIO, 5 - TELÉFONO 2 1 -42-15 · MYR..U R.G lA· BARCELONA ]ANET REED ARAGON,284 eRo LLS JUNTO PASEO OE GRACIA TANAQUIL LeCLERCQ r FOTOGRAFO ACADEMIA AlBI~ANA M I N I A TU LRA S A OLEO OIBUJOS P OLJCROMAO OS l'oHe u de Gruclo, 4 9 • Teléfo n~ 37 00 49 PARIS, 204 TELEF. 284102 \..(junlo BaJmes · Diagonal) BARCELONA Olreclor• J U A N A L lli RA N A Subdlreclor• E U S li D I O LO l' li l S E 11 1 NIELl S SA HAYDEN ~----------------------~ CALZADDS DE LUJD DORAD OS-PL AT E ADOS REPTILES - CLAS I COS FANTASIA Y DEPORTE MODELOS DE PRIMAVERA Y VERANO • NVU'O EDIFICIO DE SV PROPIEDAD /Í)ESTINADO fXCLUS IVAMENTf MU NTANER, 242 (JIJhTO AV. GENERALISJMO) 4 tA FABRICACJON Df / fÍ!npara4 f fH TELEFONO 28 57 75 o-- P A RA N I ÑOS, LA S G RA N D ES M AR C AS..J José Subiró, eminente musicólogo ovtor de ,HISTORIA deia MÚSICA BEATRICE a TOMPK INS TONiOS segunda edldón SALVAT EDITORES, S. A. CONTI~NE : Te o ria Musical, Géneros. Instrumentes. Composi- tores y V1rtuosos. Canto y Danza. lconografío. lncluye ~ desorrollo musical desde los civilizaciones Wilano\'a primitives hasto los corrientes mós renovadores de ]: <!Carbonell este siglo. «om'P.ra/~· cnta y íBdmHtíst.racíón dc .fine;~ SOLICITE NUESTROS PROSPECTOS Y CONDICIONES DE ADQUISICION EXClUSIVA S COMERCIAl O I SE O I EDITORIAUS, E. P. FERNANDO CARROGGIO DISTRIBUIOORA EDITORIAi. Av. Jo•• Anronío, 621 Poseo de Crocio. 6 Colle Recoleros. 15 Jl>tpütación, 339, 1.0 •2.. 0 ~a redona Tel. 217876· BARÇELONA Tel. 214207 . BARCELONA Teléf. 35 59 30 . MADRID JDespad>o de 4 a 6 1Ieléfono 254'1167 ]ER OME ROBBINS INGENIIROS: JUAN PLANAS AMIEL REPUTO COR11:S VI LLAVECCHlA RAFAEL AMAT CARRERAS PASEO DE GRACIA, 73 · TELÉFONO 23 23 83 .. I\ NICOL AS MAGALLANES RIHTM.&TISMO · GOTA. · A..RTRITISMO o·n O 0 U ET A S • CA.LDA.S D E MONTBUY • 'l'eléf. 15 r PROGRAMA SAJJ~J)O, 26 OE ABBJI, I)E 11162 NOCHE A L~8 10 n.• de prople dod y abono a nocbes. T e ri'Cr turno ~Júsica de R-affaello de Banfield, coreografia de William Dallar, vestuario de Robert Stevenson, luminotecnia de Jean Rosenthal. THE n U:JlJL (El Duelo) II El ballet con música. de Tchaikowsky, coreografia de George Balanchine, vestuario de Karinska y luminotec­ nia de Jean Rosent hal. SEBIJJNA.DE Ill Música de Leo Delibes, coreografia de George Balonchine, vestuario de Karinslw 1J luminotecnia de jean Rosenthal. SYLVIA (paso u dos) Reposicion IV El bailet cllí.sico, música de George!' Bizet, coreogra­ fía de George Balancbine, vestuario de Karinska y lumi­ PELETERlA notecnia de J ean Rosenthal. S~NFONIA EN DO Orquesta Sinfónica del Gran Teatro del Liceo RAM13LA CA fALUÑA, 15 AVDA. JOSÉ ANTONIO, 624 · BARCELON A I THE DVEL (El duelo) l\Iúsica de Raffaello de Banfield. Coreogr~fla de William Dollar. Vestuario de Robert Stevenson. Luminotecnia de Jean Rosenthal. MELISS,A HAYDEN y FRANCISCO MONCION W ALTER GEORGOV JACQUES D'A1\ffi01SE SHAUN O'BRIEN MOTI VO Este dram:hico ballet esta basado en los cantos lli y XII del poema épico del tiempo de las Cruzadas, ((J erusalén Libe­ rada)), de T asso. T ancredo, guerrero cristiano, encuentra a Clorinda·, que es pagana e invencibJe amazona. Sólo después de haberla herido mortalmente, Tancredo descubre que su ad­ versaria es la mujer que ama. MOTORMOVII. TELEFONO 27· 4 5-66 TRAVE S ERA DE GRACIA, 44.46 TELEFONO 28- 99·90 • BARCELONA II SEBENADE l\Iúsica de Peter Ilich Tchaikowsky. Coreografia de George Balanchine. Vestuario de Karinska. Luminotecnia de Jean Rosenthal. por JAl ET REED YVONNE l\'IOUNSEY PATRICIA WILDE TANAQUIL LeCLERCQ DIANA ADAMS NICOLAS MAGALLANES HERBERT BLISS Vida Brown, Ruth Sabotka, Barbara Bocbcr, Doris B1·eckenridgP., EdJ'vh Brozak, ArlQuine Case, Ca¡·olyn· George, Edwina Fontaine. Jillona, Una Kai, Irene Larsson, Barbara Milberg, Kaye s'argent, Glor:n Vauges, Bt·ooks Jackson, Shaun O':R,.ien, Roy Tobias, Stan­ ley Zompakos. f"I01IVO Con música de la «Serenata para instrumentos de cuerdan de Tchaikowsky, este fué el primer ballet creado por Balan­ chine en América. Fué presentada en 1934 por estudiantes de la uSchool of American Balletn en Ja casa de Félix M. War­ burg en White Plains, New York. Luego, la obra fué repre­ sentada por el «American Ballet Caravann (1941), por el «Ballet Russeu de :i\Ionte Cario ( I9-t3), y por el de la Opera de Pa­ rí~ (1947). ETRANGE SOIR . MON AMOUR r lli EL .ME~SA.JE S Y L V ~ A (Paso a dos) E STE titulo simbólico ha si do elcgido paro designar una colccción que resumc los I Repoaición) mejores afanes de s u editor y aspir~ a constituir una de Iu m:is alt.1s empreus editorialcs de nucstro ticmpo. Alude el titulo al mcnsaje intclectual que nos han ido ~Iúsica de Leo Delibes. lcgando los siglos y que constituyc el mayor y el mejor tcsoro cultural de la Humanidad. Premisa esencial para Coreografía de George Balanchine. 1 el lo gro de sus propósitos, ha si do para el editor la de no \ estuario de Karinska. captar cstc mensaje a ciegas, sin sistema algono, re· uniendo obras y autores en aluvión. Luminotecnia d.,e Jean Rosenthal. Quien aspire de hoy en adelante a conocer la evolución de la literatura y del pensam ien to universales, no >a rra· por vés de textos didacticos, sino a través de las mismas obras, de las fuet1tes mis vivas; quien no se contente con poscer un archivo de nombres y de fechas, o de EGLE\'SKY tópicos ..:ríricos, en s u memoria, y ambicione la posesión MAR1A TALU:' HIEF ANDH~: dc una auténtica cultura, fundada en el conocimiento di· recto y en la valoración subjeriva de los li bros q Je cons· ti.tuyen la mas alta hercncia e~ pi ritual del hombre, difi·, colmentc hallara un instrumento de formación mas ade· cuado que el que EL MENSAJE lc o frec~. f.i tcralura ::Franctsa AMIEL: FRAGMENTOS DE UN DIARIO INTIMO .Ciltratura 'Jngltsa MA RLOWE: TEATRO RAS Liltraluras ctlticas y ymmínicas primili··as TAPICERIAS POESIA IRLANDESA NIUOS EICWSIVOS EN PREPARACION .Ciltralura 'J,•gltsa SAMUEL PEPYS: DIARIO LBERTO TRONC , , S. A. JOSE JA N ES ·=· EDITOR- Av.GfMfRAUSIM~668 U8.0106\lto.MIIIfAfitl ~-----------------------~--J I V SINFONIA EN DO :Música de George Bizet.
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