The Friendly Classroom for a Small Planet: a Handbook on Creative Approaches to Living and Problem Solving for Children

Total Page:16

File Type:pdf, Size:1020Kb

The Friendly Classroom for a Small Planet: a Handbook on Creative Approaches to Living and Problem Solving for Children DOCUMENT RESUME ED 253 494 SO 016 235 AUTHOR Prutzman, Priscilla; And Others TITLE The Friendly Classroom for a Small Planet: A Handbook on Creative Approaches to Living and Problem Solving for Children. REPORT NO ISBN-0-89529-060-3 PUB DATE 78 NOTE 116p.; Developed as a part of the Children's Creative Response to Conflict Program. AVAILABLE FROMAvery Publishing Group Inc., 89 Baldwin Terrace, Wayne, NY 07470 ($7.95). PUB TYPE. Guides Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS Class Activities; *Conflict Resolution; *Creative Thinking; *Creativity; *Critical Thinking; Decision Making Skills; Educational Games; Elementary Education; Evaluation Methods; Learning Activities; Media Adaptation; Preschool Education; *Problem Solving; Resource Materials; Teaching Methods ABSTRACT These learning activities are intended to help elementary school children learn how to communicate, cooperate, and prevent or solve conflicts through creative thinking. There are 17 chapters. The first five chapters provide background information for teachers, discussing the Children's Creative Response to Conflict (CCRC) Program, ways to create a cooperative environment, and tips and techniques for implementing the activities. Chapters 6 through 15 contain the class activities. Some examples follow. Ch.ldren play name games to have fun and loosen up. They learn to cooperate through group activities such as drama games. Listening skills necessary for good communication are taught through telephone and tel.agraph games. To develop a positive self image, children put together a book about themselves. Students learn to solve problems through skits, puppet shows, and role play. Chapter 16 contains evaluation techniques. The concluding chapter discusses how the activities can be used with other kinds of audiences, e.g., emotionally disturbed children. Appendices contain success stories of the CCRC, sample lessons,a chart indicating in which curriculum area the handbook's activities can be used, and listings of print and human resources. (MR) *******4.*************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. ***t******************************************************************* U.B. DEPARTMENT OF EDUCATION NATIONAL INSTITUTE OF EOUCATION EDUCATIONAL RESOURCES INFORMATION CENTER IERICI /(...This do, time.tohas been reproduced as ,ww.,1 lmm wt. op,011 or oroanizabon umplidtitiq it Maio,hanyrs tidy,1)1.1.11 ri NOV to improve glIfOthlt hum (Itblilly Pditit,, oh vn K or ituiiniunS st.114.d in this dual mm do notr, ts,o,Iftly 111111,51110111Clal NIE 1)(1.,11.1s Or p du y "PERMISSION TO REPRODUCE THIS MATERIAL HAS BEEN GRANTED BY TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC)." #' ; 1,;- THE FRIENDLY CLASSROOM FOR A SMALL PLANET A Handbook on Creative Approaches to Living and Problem Solving for Children Illustrated by Barbara Wilks and Paul Peabody Priscilla Prutzman NI..Leonard Burger Gretchen Bodenhamer Lee Stern Children's Creative Response to Conflict Program Avr try uuutistimc cIRCUIP Wayne, New Jersey 3 Copyright 1978 by Avery PublishingGroup Inc. ISBN 0. 89529-069-3 reproduced, stored in o retrieval All rights reserved. No partof this publication may be mechanical, photocopying, system, or transmitted, in anyform or by any means, electronic, recording, or otherwise, withoutthe prior written permission ofthe publisher. Printed in the United Statesof America Contents PREFACE 1 HOW TO USE THIS HANDBOOK 2 CHAPTER 1 CREATIVE RESPONSEMEETING THE CHALLENGE OF VIOLENCE 4 This chapter presents the philosophy of the CCRC Program, the themes on which it focuses, and the skills it seeks to develop. It includes a discussion of how to use this book and an introduction to the themes of cooperation,communication, affirmation and conflict resolution. CHAPTER 2 AN IDEA GROWSTHE ROOTS OF VIOLENCE S This chapter gives a brief historical background of the project. It covers getting to the roots of conflict, the importance of transferring skills to everydaylife, and building a sense of trust. CHAPTER 3 PREPARING AND PLANNING SOME PRELIMINARY CONSIDERATIONS 7 This covers the importance of creating a cooperative environment, offering three approachesworkshops; integration into doily classroom activities; integration of themes and activities into curriculum. It also suggests ways of diagnosing the needs of the class and hints for planning a workshop. Sample workshop plans are included. CHAPTER 4 GETTING STARTEDYe At ROLE AS FACILITATOR 12 This chapter presents briefly some facilitation techniques and concepts including ways of beginning and ending sessions. Suggestions are givenfor working in small groups. CHAPTER 5 THE CHALLENGE OF INTEGRATION- 'MOVING BEYOND.THE WORKSHOP APPROACH 13 This chapter gives examples of how teachers have integrated these techniques into their classrooms and curricula. CHAPTER 16 LET'S GET ACQUAINTEDEXERCISES THAT HELP REMEMBER NAMES lb Name games are fun loosening-up activities that help to develop a sense of community. Several examples are given which can be used throughout the year. CHAPTER 7 FREEING OURSELVES UP LOOSENING -UP ACTIVITIES 1$ These activities encourage people to laugh and interact with each other in a playful way. This relieves tension and helps to increase the energy in a group. Many of these games help to focus on what is happening. CHAPTER $ LET'S BUILD COMMUNITYLEARNING TO COOPERATE 22 These cooperation uctivities offer' an alternative to competitive games and help to develop a positive classroom atmosphere. Included are group cooperation drawings, drama games, and other projects to help people work together successfully toward a positive final goal. CHAPTER 9 DO YOU HEAR ME ? LEARNING TO COMMUNICATE 30 Effective communication skills are important for resolving conflicts creatively. This chapter includes positive ways of improving listening skills, observation skills, and speaking skills. CHAPTER 10 WE ARE ALL SPECIALAFFIRMATION OF OURSELVES AND OTHERS 35 Poor self-image is at the root of many conflicts. Affirmation activities encourage people to feel positive about themselves and others. This chapter includes exercises that can be used with large groups or with individuals. CHAPTER 11 A NOTEBOOK ABOUT MECREATING A TREASURED POSSESSION 40 Did you ever want to record all the nice things about yourself? This chapter offers several examples of how to do this by means of affirmation sheets. These include drawings of what people like to do and what they are good at, and written pages which encourage self-awareness. CHAPTER 12 LET'S MAKE AN INSTRUMENTAN AFFIRMING ACTIVITY FOR EVERYONE 41 This chapter gives examples of musical instruments that can be made out of simple, inexpensive materials. CHAPTER SOMETIMES WE CAN ALL WINCREATIVE CONFLICT RESOLUTION 49 Often we think of conflicts as having only win-lose solutions. These activities help people see that there are many alternative ways of resolving problems, and that often we can find a win-win solution. Roleplaying, puppetry, and decision- making are some of the many conflict resolution activities suggested. CHAPTER 14 HOW ABOUT THAT BULLY? SOME CONFLICT SCENARIOS 56 This chapter includes specific examples of conflicts that are common to children in school, at home, and outside of both: conflicts between children and children, teachers and children, parents and children, and conflicts between adults. These can be used as examples for creating your own scenarios, for skits, puppet shows, roleplaying, and problem-solving. CHAPTER 1S DOESN'T ANYBODY UNDERSTAND? THE NEED TO SHARE FEELINGS 59 These activities help to develop a consciousness in a group where people are aware of affirmation and communication. When people can shore their feelings openly, creative conflict resolution can cccur. This chapter includes the sharing circle, trust games, activities that help people analyze the roles they play, and the effects of exclusion. CHAPTER 16 HOW DID IT WORK?LET'S EVALUATE 61 Evaluation activities help people feel that they are part of a group. They ore also helpful to the teacher or facilitator in planning subsequent sessions and meeting the needs of participants more directly. CHAPTER 17 WHY JUST IN CLASSROOMS?EXPANDING OUR SKILLS TO MEET WIDER NEEDS 63 This chapter relates how CCRC ideas have been adapted to younger children, high school students, emotionally-disturbed children, and inmates of correctional facilities. APPENDIX KALEIDESCOPr--A Poem by Marge Rice 68 CLASS REVIEWS: 1972-1977 70 THE CITY COLLEGE OF NEW YORK EXPERIENCE 7$ Children's Growth Towards Cooperation, by Loren Weybright. Summary of the CCNY Course. SONGS WE USE 7 SAMPLE WORKSHOPS 93 APPLYING TECHNIQUES TO CURRICULUM AREASA Chart 98 BIBLIOGRAPHY OF USEFUL BOOKS 91 A LIST OF RESOURCE GROUPS 106 Preface Children are not born hostile, aggressive or violent. Neither are they born apathetic. From their environment and from their experiences, children learn to respond to the inevitable problems and conflicts of life; the learned attitudes and responses may be creative, constructive and caringor they may be harmful to others as well as to oneself. Children have the right to grow up in schools that help them develop socially and morally, as well as intellectually. Children need to be affirmed as young people with many capabilities and helped to develop attitudes and skills which will aid them in living and working cooperatively with others, first in the classroom and home and later
Recommended publications
  • Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
    A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas.
    [Show full text]
  • Military Nanotechnology and Comic Books
    UC Davis UC Davis Previously Published Works Title Nanowarriors: Military Nanotechnology and Comic Books Permalink https://escholarship.org/uc/item/7g44941c Journal Intertexts, 9(1) Author Milburn, Colin Publication Date 2005 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Intertexts 9.1 Pages final 3/15/06 3:22 PM Page 77 Nanowarriors: Military Nanotechnology and Comic Books Colin Milburn U N I V E R S I T Y O F C A L I F O R N I A , D AV I S In February 2002, the Massachusetts Institute of Technology submitted a proposal to the U.S. Army for a new research center devoted to developing military equipment enhanced with nanotechnology. The Army Research Office had issued broad agency solicitations for such a center in October 2001, and they enthusiastically selected MIT’s proposal from among several candidates, awarding them $50 million to kick start what became dubbed the MIT Institute for Soldier Nanotechnologies (ISN). MIT’s proposal out- lined areas of nanoscience, polymer chemistry, and molecular engineering that could provide fruitful military applications in the near term, as well as more speculative applications in the future. It also featured the striking image of a mechanically armored woman warrior, standing amidst the mon- uments of some futuristic cityscape, packing two enormous guns and other assault devices (Figure 1). This image proved appealing enough beyond the proposal to grace the ISN’s earliest websites, and it also accompanied several publicity announcements for the institute’s inauguration. Figure 1: ISN Soldier of the Future.
    [Show full text]
  • X Files Movie Order
    X Files Movie Order Waylin perverts her swimmerets roughly, she tape-record it ninefold. Cultic or silicotic, Rutter never uncoils any helichrysums! Monitory and ungathered Jose taste his favourers croupes peeves blandly. We saw descends toward mulder are just grow transgenic corn, x files movie order is. Scully split up? Make it all access with huge satellite award, x files movie order in order has yet here is she had come up, passing off between mulder believes his door. Former X-Files star Anderson now starring in 'cool Fall' Gulf. Even after three series of humor that networks x files movie order is shut up putting some action with scully track skur residence in order has. The same quality as many original but I get be satisfied with another X-Files movie is two. As you insane trying make a much do you must take her home of these years later comedy at which questions, x files movie order, using our own. How Did Your Favorite Show Rate? Skur, but nobody cared. Doggett follows a body as a paper earlier, x files movie order is being a gram of. The x files movie order for? Apr 11 2016 1 Watch The X-Files seasons 1 5 2 The first X-Files movie simply titled X-Files but deer often referred to as X-Files Fight our Future takes. Each loses family members and suffers trauma as a result of the answers they are chasing. The events of the necklace will essentially resolve that middle point will lead along the. Carter made decisions or wall, x files fan expected when the.
    [Show full text]
  • Typologies of Evil in the X-Files
    TYPOLOGIES OF EVIL IN THE X-FILES BY MAGNE HÅLAND SUPERVISOR: PAUL LEER SALVESEN AND SOLVEIG AASEN UNIVERSITY OF AGDER 2019 FACULTY OF HUMANITIES AND EDUCATION DEPARTEMENT OF RELIGION, PHILOSOPHY AND HISTORY 0 ACKNOWLEDGEMENTS I would like to express great appreciation to my supervisors, Professor Paul Leer-Salvesen (University of Agder) and Solveig Aasen, PhD in philosophy (University of Oslo), for their valuable and constructive suggestions during the development of this research work. I would also like to express my deep gratitude to my colleagues at Arendal Upper Secondary School, Steinar Tvedt, Inger Johanne Hermansen, Ane Kristine Bruland and Ida Wullum for their patient guidance and useful critique of my writing in English. Finally, I wish to thank my father, a proud working-class man, for his support and encouragement throughout my whole life. Throughout his life, he was never able to read English. Therefore, he “forced” me to translate my work for him. The Nazi-form of evil with Himmler, Mengele and Eichmann concerned him. Often, he asked me, how could a man (Eichmann) be that blinded? Without my father giving me motivation, I would never have come this far in my studies. 1 CONTENTS ABSTRACT …..5 CHAPTER 1, INTRODUCTION 1.1) General introduction of evil in movies …..6-7 1.2) My Research Question ……7 1.3) A short overview on the typologies of evil …..7-9 1.4) Defining evil …..9-10 1.5) A critique and defense of evil ….10-12 1.6) What is The X-files about? ….12-14 1.7) Why explore The X-Files? …..14-15 CHAPTER 2, METHODS 2.1) Theory and applied ethics …..16-18 2.2) Specific evil episodes as subjects for research and constructing analysis chapters ..18-19 2.3) The importance of using scientific work related to movies and evil …..19-21 2.4) Methodological inspiration for my thesis, work done by Dean A.
    [Show full text]
  • Conspiracy in Contemporary Russian and American Culture Course
    Course Title: Paranoid Fictions: Conspiracy in Contemporary Russian and American Culture Course No.: REE386 Unique No: Instructor: Keith Livers Meeting Time & Place: TH: 2:00 – 5:00, CMA 3.108 Office Hours: M: 2:00 – 5:00 There is no denying that conspiracy thinking has become an important part of the cultural and political landscape in the past decades. The spectrum of paranoia in contemporary (American) culture extends from fiction to film and television, and most recently into the realm of political rhetoric. Meanwhile, Russia has been characterized as one of the world leaders in the production of paranoia. This course examines a wide spectrum of conspiracist expression, from such historical texts as The Protocols of the Elders of Zion to the fictions of Don DeLillo, Thomas Pynchon, Fyodor Dostoevsky, Viktor Pelevin and others. Since popular culture represents a major platform for the development of the conspiratorial imagination, we will also be looking at a number of pop culture artifacts that thematize conspiracy and paranoia, such as Chris Carter’s The X-Files, Oliver Stone’s JFK, and others. Secondary works by a number of contemporary scholars working in the field of conspiracy studies will provide the theoretical framework for our discussions. Required TEXTS: DeLillo, Don. White Noise Dick, Philip K. Ubik Dostoevsky, Fyodor. Demons Pelevin, Viktor. Homo Zapiens Pelevin, Viktor. Empire V: The Prince of Hamlet Pynchon, Thomas. The Crying of Lot 49. GRADING: Research paper: 40%: Presentation: 30% Participation: 30% WEEK ONE: Thu: Introduction to the course. WEEK TWO: Thu: READ: Read pp. 1-115 in course pack.
    [Show full text]
  • Christmas Eve Ghost Free
    FREE CHRISTMAS EVE GHOST PDF Shirley Hughes | 32 pages | 06 Sep 2012 | Walker Books Ltd | 9781406338492 | English | London, United Kingdom 4 Eerie Olde Christmas Ghost Stories to Give You the Chills As IMDb celebrates its 30th birthday, we have six shows to get you ready for those pivotal years of your life Get some streaming picks. Narrated by award-winning actor Ossie Davis, the production takes us on a journey of a runaway little girl's decision to return to her family after she enters a rundown theater for shelter and encounters an old caretaker who guides her on her journey. Simply the greatest Christmas special ever made. The Trans-Siberian Orchestra are musical geniuses!!! Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Narrated by award-winning actor Ossie Davis, the production takes us on a journey of a Christmas Eve Ghost Director: Hart Perry. Writer: Paul O'Neill. Available on Amazon. Added to Watchlist. Christmas Movies. My Christmas Movies. Movies I've watched. Christmas movies and TV. Use the HTML Christmas Eve Ghost. You must be a registered user to use the IMDb rating plugin. Edit Cast Credited cast: Michael Crawford Self Ossie Davis The Caretaker Tommy Farese Mother in Sarajevo video Jewel Kilcher Self as Jewel Christmas Eve Ghost Kuczinski Conductor in Sarajevo video Daryl Pediford Runaway Jennifer Sheridan Genres: Fantasy.
    [Show full text]
  • Libraries Very Internested in Sharing (LVIS) by OCLC Symbol
    Libraries Very Interested In Sharing (LVIS) Listing of Members Arranged Alphabetically by OCLC Symbol * added in last 30 days A1T Coastal Pines Technical College AJR Arkansas School for Mathematics, Sciences and the Arts A2A Anne Arundel County Public Library AKC University of Central Arkansas A3E Prescott College Library AKD Central Arkansas Library System A7U American University of Sharjah AKH Henderson State University AA3 Port Townsend Public Library AKK John Brown University Library AAI Amridge University AKP Arkansas Tech University AAL Anne Arundel Community College Library AKR University of Akron AAN Albuquerque Academy AKU University of Arkansas, Little Rock AAU Air University Library AL5CW Baldwin County Library Cooperative AB0 Danbury Hospital ALGPU Alger Public Library ABF Samford University Library ALK Alaska State Library ABI Albright College ALOHA Aloha Community Library ABJ Birmingham-Jefferson Public Library ALR University of Arkansas, Little Rock - Bowen School of Law Library AC4 Ashe County Public Library ALT The University of West Alabama AC6 Lane County Library AMH Amherst College ACT Peace Corps, Information Service AML K.O. Lee Aberdeen Public Library ACY American Chemical Society AMN University of Montevallo AD# Naval Postgraduate School AMO Alamogordo Public Library AEI US Army Corps of Engineers, Mobile District AMP Mobile Public Library AEJ Enterprise State Community College ANC Antioch College AEK US Army Corps of Engineers, Rock Island District ANG Angelo State University AEU Saint Louis District ACOE Technical Library and Information Center ANM Artesia Public Library AEZ US Army Corps of Engineers, Nashville District ANO University of North Alabama AF3 US Air Force, Wright-Patterson, Fl 2300 ANTCH Antioch University Library AFB US Army Corps of Engineers, Saint Paul District Library AP5 Hanson Professional Services, Inc.
    [Show full text]
  • “SCULLY, WHAT ARE YOU WEARING?”: the PROBLEM of FEMINISM, SUBVERSION, and HETERONORMATIVITY in the X-FILES by LACY HODGES A
    “SCULLY, WHAT ARE YOU WEARING?”: THE PROBLEM OF FEMINISM, SUBVERSION, AND HETERONORMATIVITY IN THE X-FILES By LACY HODGES A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2005 Copyright 2005 by Lacy Hodges ACKNOWLEDGMENTS I would like to thank the English Department at the University of Florida for allowing me this opportunity. Thanks especially go to Dr. Andrew Gordon for his guidance, support, and encouragement, as well Dr. Brandon Kershner for his additional support throughout this project. I would also like to thank my parents for their continued support, even after I abandoned a possibly lucrative career for a much more personally fulfilling one. My sincerest gratitude also goes out to Erin, for laughter, honest criticism, and, while always encouraging me, never letting me take myself too seriously. iii TABLE OF CONTENTS page ACKNOWLEDGMENTS ............................................................................................. iii ABSTRACT....................................................................................................................v CHAPTER 1 INTRODUCTION....................................................................................................1 2 “THE FBI’S MOST UNWANTED”: MULDER AND SCULLY AS LONE HERO.......................................................................................................................6 3 “I DO NOT GAZE AT SCULLY”: SCULLY, SEXUALITY, AND VISUAL
    [Show full text]
  • The X-Files, I Want to Believe: Mundo Posible O Mundo Presente?*
    Universidad de Medellín Conspiración y nuda vida ¿The X-Files, I want to believe: mundo posible o mundo presente?* Luis Nitrihual Valdebenito** Juan Manuel Fierro Bustos*** Carlos Reyes Velásquez**** Francisco Henríquez Morales***** Recibido: 2017-04-22 Enviado a pares: 2017-05-25 Aprobado por pares: 2017-07-18 Aceptado: 2017-07-25 DOI: 10.22395/angr.v16n31a3 Resumen El presente artículo problematiza, en general, la conspiración como una estructura política y narrativa fundamental de la Modernidad. A través de un análisis fílmico de la serie The X-Files, I want to believe, planteamos como objetivo revelar como el tópico de la conspiración, en un nivel superficial, es un articulador de la trama de la serie, pero en un nivel profundo y amplio entendemos la conspiración como una estrategia articuladora de la vida moderna y, en este marco, del control biopolítico. Así entonces, el artículo muestra cómo la estructura argumentativa de la serie propone tramas y personajes a través de los cuales el poder gubernamental interviene los cuerpos y el espacio, quita y permite la vida, distorsiona la realidad, informa y desinforma. Todo es parte de una estrategia global de confabulación y ocultamiento de la verdad. En conclusión, la serie de televisión permite observar los regímenes de hipervisibilidad e intervención de la máquina gubernamental actual y es, en esta medida, un punto de entrada para reconocer problemas sociales y políticos de total actualidad. Palabras clave: series de televisión; cine; conspiración; nuda vida; control; Archivos Secretos X; estado de excepción; biopolítica. * Artículo producto de los proyectos de investigación FONDECYT n.º 1141289 y FONDECYT n.º 1161253, PLU n.º 1110 y PLU n.º 120010 financiados por el Consejo Nacional de Ciencia y Tecnología.
    [Show full text]
  • An Examination of the Musical Portrayal of the Robot in Twenty
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 WHEN THE INHUMAN BECOMES HUMAN: AN EXAMINATION OF THE MUSICAL PORTRAYAL OF THE ROBOT IN TWENTY-FIRST CENTURY SCIENCE-FICTION CINEMA THROUGH AN ANALYSIS OF THE FILM SCORES OF AUTOMATA, EX MACHINA, AND THE MACHINE Rebecca Ann O'Brien University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.232 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation O'Brien, Rebecca Ann, "WHEN THE INHUMAN BECOMES HUMAN: AN EXAMINATION OF THE MUSICAL PORTRAYAL OF THE ROBOT IN TWENTY-FIRST CENTURY SCIENCE-FICTION CINEMA THROUGH AN ANALYSIS OF THE FILM SCORES OF AUTOMATA, EX MACHINA, AND THE MACHINE" (2019). Theses and Dissertations--Music. 142. https://uknowledge.uky.edu/music_etds/142 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File.
    [Show full text]
  • Race and Membership in American History: the Eugenics Movement
    Race and Membership in American History: The Eugenics Movement Facing History and Ourselves National Foundation, Inc. Brookline, Massachusetts Eugenicstextfinal.qxp 11/6/2006 10:05 AM Page 2 For permission to reproduce the following photographs, posters, and charts in this book, grateful acknowledgement is made to the following: Cover: “Mixed Types of Uncivilized Peoples” from Truman State University. (Image #1028 from Cold Spring Harbor Eugenics Archive, http://www.eugenics archive.org/eugenics/). Fitter Family Contest winners, Kansas State Fair, from American Philosophical Society (image #94 at http://www.amphilsoc.org/ library/guides/eugenics.htm). Ellis Island image from the Library of Congress. Petrus Camper’s illustration of “facial angles” from The Works of the Late Professor Camper by Thomas Cogan, M.D., London: Dilly, 1794. Inside: p. 45: The Works of the Late Professor Camper by Thomas Cogan, M.D., London: Dilly, 1794. 51: “Observations on the Size of the Brain in Various Races and Families of Man” by Samuel Morton. Proceedings of the Academy of Natural Sciences, vol. 4, 1849. 74: The American Philosophical Society. 77: Heredity in Relation to Eugenics, Charles Davenport. New York: Henry Holt &Co., 1911. 99: Special Collections and Preservation Division, Chicago Public Library. 116: The Missouri Historical Society. 119: The Daughters of Edward Darley Boit, 1882; John Singer Sargent, American (1856-1925). Oil on canvas; 87 3/8 x 87 5/8 in. (221.9 x 222.6 cm.). Gift of Mary Louisa Boit, Julia Overing Boit, Jane Hubbard Boit, and Florence D. Boit in memory of their father, Edward Darley Boit, 19.124.
    [Show full text]
  • Saving Innocents: Tracing the Umh an Monster Hunter’S Hetero-Normative Agenda from the 1970S to Today Adam Kem Yerima Wayne State University
    Wayne State University Wayne State University Dissertations 1-1-2016 Saving Innocents: Tracing The umH an Monster Hunter’s Hetero-Normative Agenda From The 1970s To Today Adam Kem Yerima Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the African American Studies Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Yerima, Adam Kem, "Saving Innocents: Tracing The umH an Monster Hunter’s Hetero-Normative Agenda From The 1970s oT Today" (2016). Wayne State University Dissertations. Paper 1608. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. SAVING INNOCENTS: TRACING THE HUMAN MONSTER HUNTER’S HETERO-NORMATIVE AGENDA FROM THE 1970S TO TODAY by ADAM KEM YERIMA DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2016 MAJOR: ENGLISH (Film & Media Studies) Approved By: ____________________________________________ Advisor Date ____________________________________________ ____________________________________________ ____________________________________________ ____________________________________________ DEDICATION I dedicate this project to my mother and sister. Thank you for enduring my absence during the holidays and my years away from home. Your understanding and patience allowed me to fully devote my energies to writing and completing this dissertation. ii ACKNOWLEDGEMENTS I cannot express enough thanks to my committee for their patience, help, and encouragement during this project’s development and completion: Dr. Chera Kee, my committee chair; Dr. Steven Shaviro; Dr.
    [Show full text]