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Satellite Boy
Arbeitshilfe Satellite Boy Spielfilm Australien 2012 Inhalt der Region des Kimberley überleben können. Regie: In einer abgelegenen Region im Catriona McKenzie Westen Australiens lebt Pete, ein zehnjähriger Junge, in Produzenten: einem verlassenen Freiluftkino. David Jowsey, Julie Ryan Seine Mutter ist auf der Suche nach Arbeit in die Stadt Produktion: aufgebrochen, aber Pete hofft, Satellite Films Pty Ltd dass sie eines Tages zurückkehren wird. Hauptdarsteller/innen : David Gulpilil, Cameron Kalmain und Pete Als eine Minengesellschaft das Wallaby, Joseph Pedley, ehemalige Kino abzubrechen Die beiden Jungen erreichen Rohanna Angus droht, beschliesst Pete, schliesslich die grosse Stadt, zusammen mit seinem besten und zwar jene Stadt, in der Verleih: Freund Kalmain, in die nächste Petes Mutter lebt, auf der Celluloid Dreams grosse Stadt zu gehen, um den Suche nach einem Abbruch zu verhindern und angenehmeren Leben. Originalversion: damit sein Zuhause zu retten. Englisch Mit den eindrücklichen weiten Untertitel: Nur mit ihrem Fahrrad und und farbigen Landschaften Französisch, Deutsch oder etwas Nahrung ausgerüstet rückt dieser Film das kulturelle Simultanlektüre in machen sie sich auf eine lange Erbe der Aborigines ins Französisch oder Deutsch Reise ; dabei muss Pete all das Zentrum, das von der anwenden, was er von seinem modernen Gesellschaft arg Dauer: Grossvater gelernt hat, damit bedroht ist. 92 Minuten sie in diesen unendlich Weiten Zielpublikum : __________________________________________________ Empfohlen ab 10 Jahren Kommentar Eine Geschichte der Satellite Boy gehört in die Abstammung gleiche Reihe wie der englische Film Walkabout (1971) von Nicolas Roeg, in 1 Fächer und Themen Australien realisiert und gedreht, der Zeit beigebracht hat. So sowie der australische Film wie der alte Mann wird auch er Stormboy (1976) von Henri eins mit der Natur. -
Better Indigenous Policies: the Role of Evaluation
Better Indigenous Policies: The Role of Evaluation Roundtable Proceedings Canberra, 22–23 October 2012 Commonwealth of Australia 2013 ISBN 978-1-74037-433-0 This work is copyright. Apart from any use as permitted under the Copyright Act 1968, the work may be reproduced in whole or in part for study or training purposes, subject to the inclusion of an acknowledgment of the source. Reproduction for commercial use or sale requires prior written permission from the Productivity Commission. Requests and inquiries concerning reproduction and rights should be addressed to Media and Publications (see below). This publication is available from the Productivity Commission website at www.pc.gov.au. If you require part or all of this publication in a different format, please contact Media and Publications. Publications Inquiries: Media and Publications Productivity Commission Locked Bag 2 Collins Street East Melbourne VIC 8003 Tel: (03) 9653 2244 Fax: (03) 9653 2303 Email: [email protected] General Inquiries: Tel: (03) 9653 2100 or (02) 6240 3200 An appropriate citation for this paper is: Productivity Commission 2013, Better Indigenous Policies: The Role of Evaluation, Roundtable Proceedings, Productivity Commission, Canberra. The Productivity Commission The Productivity Commission is the Australian Government’s independent research and advisory body on a range of economic, social and environmental issues affecting the welfare of Australians. Its role, expressed most simply, is to help governments make better policies, in the long term interest of the Australian community. The Commission’s independence is underpinned by an Act of Parliament. Its processes and outputs are open to public scrutiny and are driven by concern for the wellbeing of the community as a whole. -
Closing the Gap Jurisdictional Implementation Plan
Closing the Gap Jurisdictional Implementation Plan OFFICIAL Contents Opening statement .......................................................................................................................................................................... 3 Message from the Acting Premier .................................................................................................................................................... 5 Working in partnership .................................................................................................................................................................... 6 Priority Reforms ............................................................................................................................................................................. 10 Priority Reform One: Partnership and shared decision-making ................................................................................................... 11 Priority Reform Two: Building the community- controlled sector ............................................................................................... 13 Priority Reform Three: Transforming government organisations ................................................................................................ 17 Priority Reform Four: Shared access to data and information at a regional level ....................................................................... 20 Targets ........................................................................................................................................................................................... -
Trevor Stockley
Trevor Stockley Aboriginal Languages Teacher 18/1/2012 Dear Committee Secretary, I write to you regarding the future directions of the Senate inquiry into the provisions of the Social Security Legislation Amendment Bill 2011, the Stronger Futures in the Northern Territory Bill 2011 and the Stronger Futures in the Northern Territory (Consequential and Transitional Provisions) Bill 2011. Summary My concerns are primarily in the areas of Indigenous bi/multilingual education and the future use and health of the unique, intergenerational, Australian Aboriginal languages remaining in the Northern Territory. Of equal concern is the collateral damage, including the crucial loss of trust, caused through Intervention actions by both the Commonwealth and Northern Territory (NT) governments. This is linked with the Aboriginal viewpoint that the Government has failed to conduct a respectful, honest and proper consultation process with NT Aboriginal communities, compounded by the faulty reporting of evaluations in the production of the Stronger Futures policy document. History has shown that allowing the States to set and play out Indigenous policy, has ensured that Indigenous Australians today have - lower levels of good health, higher rates of incarceration in gaols, higher rates of infant mortality and a lower life expectancy than non-Indigenous Australians. This approach has also guaranteed that the majority of Aboriginal and Torres Straits Islanders in Australia no longer speak their Indigenous languages, today speaking English as their first language. We now know the devastating consequences of this loss of language and destruction of culture. Although the Australian government was entrusted by all Australians in the 1967 Referendum with law making powers for Indigenous Australians, it is doing no better than the State and NT governments and possibly, with this obtuse policy, even worse. -
A Report Into Youth Suicide in the Northern Territory
LEGISLATIVE ASSEMBLY OF THE NORTHERN TERRITORY 11th Assembly Select Committee on Youth Suicides in the NT Gone Too Soon: A Report into Youth Suicide in the Northern Territory COMMITTEE REPORT Presented and ordered to be printed by the March 2012 Legislative Assembly of the Northern Territory March 2012 Contents Contents Chair’s Preface......................................................................................................................... ii Committee Members .............................................................................................................. iv Committee Secretariat ............................................................................................................ v Acknowledgements ................................................................................................................. v Acronyms and Abbreviations ................................................................................................ vi Terms of Reference .............................................................................................................. viii Executive Summary ................................................................................................................ x Recommendations ............................................................................................................... xiii 1. CONDUCT OF THE INQUIRY ............................................................................... 1 2. BACKGROUND .................................................................................................... -
MICHAEL YEZERSKI Composer FILM CREDITS
MICHAEL YEZERSKI Composer Michael Yezerski’s musical works are highly evocative, original and diverse. From the symphonic grittiness of THE TAX COLLECTOR to the quiet drama of BLINDSPOTTING; from the avant- garde horror drones of THE DEVIL’S CANDY to the heartfelt FEEL THE BEAT and THE BLACK BALLOON; Michael brings a signature musical intensity to every project he takes on. Hailing originally from Australia, and with a background in both contemporary concert music and electronic music production, Michael blends styles and influences in a way that pushes the boundaries of what dramatic film music can be. Rich in technique and sitting comfortably at the border with avant-garde music design, Michael’s work is nevertheless fundamentally human and melodic at its core. Born in Sydney, Michael is a multiple award-winning composer who creates music that is shaped from the perspective of an outsider – constantly fluid, ever changing, unbound by system – curious and always evolving. Recent projects include the hit international series MR INBETWEEN, Keith Thomas’ wondrously terrifying THE VIGIL and the Stephen Dorff starrer DEPUTY for FOX / Cedar Park. Earlier career highlights include HBO’s ONLY THE DEAD SEE THE END OF WAR, his first feature film THE BLACK BALLOON (winner of 8 AFI/AACTA Awards including Best Picture), PJ Hogan’s MENTAL, WOLF CREEK SERIES 2, CATCHING MILAT, PETER ALLEN, the Academy Award winning animated short, THE LOST THING and his collaboration with Richard Tognetti and the Australian Chamber Orchestra, THE RED TREE. Michael -
David Gulpilil, AM
David Gulpilil, AM Born 1953, Gulparil, near Ramingining, Northern Territory. Lives Darwin, N.T. David Gulpilil’s full name is David Gulpilil Ridjimiraril Dalaithngu. Gulpilil is also spelt Gulparil, which is the name of his Country near Ramingining, central Arnhem Land, N.T. When, as a seventeen year-old, David Gulpilil lit up the cinema screen in the film, Walkabout, he did more than play a role. The performance was so strong, so imbued with a new type of graceful naturalism, that it re-defined perceptions of Aboriginality, especially in the field of screen acting. Over the next decade, David became the iconic Aboriginal actor of his generation, paving the way in the resurgence of the Australian film industry for more parts to be written for Aboriginal people, for more Aboriginal stories to be told. His charismatic, engaging and unforgettable performances in films like Storm Boy (1976, dir. Henri Safran), The Last Wave (1977, dir. Peter Weir) and Crocodile Dundee (1986, dir. Peter Faiman) helped bring Aboriginality into the mainstream of the screen arts. In his later work, including Rabbit-Proof Fence (2002, dir. Philip Noyce), The Tracker (2002, dir. Rolf de Heer), Australia (2008, dir. Baz Luhrmann) and the soon to be released Charlie's Country (2013, dir. Rolf de Heer), Gulpilil has brought tremendous dignity to the depiction of what it is to be Aboriginal. Through his art he has brought an incalculable amount of self-esteem to his community. Since the early 1970s, Gulpilil has earned more than 30 film credits, and performed alongside Dennis Hopper, Jack Thompson, Miles Davis, Nicole Kidman, Hugh Jackman, Kenneth Branagh, William Hurt, Richard Chamberlain, Guy Pearce, Paul Hogan, and Ernie Dingo, under acclaimed directors such as Peter Weir, Baz Lurhman, Philip Noyce, Wim Wenders and Rolf de Heer. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Shadow Report on Australian Governments’ Progress Towards Closing the Gap in Life Expectancy Between Indigenous and Non-Indigenous Australians
Shadow report On Australian governments’ progress towards closing the gap in life expectancy between Indigenous and non-Indigenous Australians Close the Gap Campaign Steering Committee February 2011 Acknowledgments Who we are This shadow report is a collaborative Australia’s peak Aboriginal and Torres Strait Islander and non-Indigenous health, effort of the Close the Gap Campaign health professional bodies and human rights organisations operate the Close the Steering Committee. Funding for, and Gap Campaign. Working outside of government, the campaign’s activities are project management of the report was entirely self-funded. provided by Oxfam Australia. The campaign’s goal is to raise the health and life expectancy of Aboriginal and Author: Christopher Holland, Senior Torres Strait Islander peoples to that of the non-Indigenous population within a Policy Officer, Australian Human Rights generation: to close the gap by 2030. It aims to do this through the implementation Commission and Executive Officer, of a human rights based approach set out in the Aboriginal and Torres Strait Islander Close the Gap Campaign Secretariat, Social Justice Commissioner’s Social Justice Report 2005.1 with assistance from Saadia Rafiquddin The campaign membership first met in March 2006. Our patrons, Catherine Freeman Editors: Andrew Meehan, Indigenous OAM and Ian Thorpe OAM, launched the campaign in April 2007. To date, 140,000 Rights Advocacy Lead, Oxfam Australia; Australians have formally pledged their support. In August 2009, the National Rugby and Kathryn Dinh, Clan Media League dedicated an annual round of matches as a Close the Gap round, helping to ensure that our message reaches millions of Australians. -
Aboriginal Way Issue 56, April 2014 a Publication of South Australian Native Title Services
Aboriginal Way Issue 56, April 2014 A publication of South Australian Native Title Services Adnyamathanha native title holders Dieri native title holders Native title rights achieved for two groups Native title rights for two Aboriginal Lyndhurst and part of the Murnpeowie “It is almost 5 years now since the first claims has been the fact that they have groups in South Australia have been pastoral lease. consent determinations were made by the maintained their spiritual and physical recognised in consecutive Federal Federal Court at Nepabunna. Since that connection with their land, uninterrupted In conjunction with the determinations, Court hearings last month. time, Adnyamathanha have participated since the coming of the white-man,” the Andyamathanha people and the responsibly in discussions and mediation he said. Firstly, parts of the Adnyamathanha native State Government executed an title application not determined in 2009, with other native title claim groups to Vince Coulthard, Aboriginal Leader Indigenous Land Use Agreement (ILUA) were finalised at Wilpena Pound Station reach agreement. and Adnyamathanha Traditional Lands over the determination area. on 25 February. “The storylines of the Adnyamathanha Association Chairperson, firstly welcomed people to the country and thanked The determinations cover land to the Richard Bradshaw, the Adnyamathanha people remain strong and real in this everyone for attending. Mr Coutlhard South of Lake Frome including Glen claim group’s solicitor said the settlement country, and continue to be taught to spoke about how colonisation changed Warwick, Curnamona, Telechie, Billeroo of the entire claim through negotiation Adnyamathanha children. One of the Aboriginal culture, food and practices. West and parts of townships such as shows the Andymathanha people have main reasons why the Adnyamathanha Hawker, Blinman, Copley, Beltana, strong connection to country. -
Working Together to Close the Gap in Wilcannia Remote Service Delivery Local Implementation Plan © Commonwealth of Australia 2010 ISBN: 978-1-921647-45-1
Working Together to Close the Gap in Wilcannia Remote Service Delivery Local Implementation Plan © Commonwealth of Australia 2010 ISBN: 978-1-921647-45-1 This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the Commonwealth, available from the Commonwealth Copyright Administration, Attorney-General’s Department. Requests and inquiries concerning reproduction and rights should be addressed to the Commonwealth Copyright Administration. Attorney-General’s Department, Central Office, 3-5 National Circuit, Canberra ACT 2600 or posted at www.ag.gov.au/cca. Please be aware that this report may contain the images and names of Aboriginal and Torres Strait Islander people who have passed away. Working Together to Close the Gap in Wilcannia Remote Service Delivery Local Implementation Plan Artist Acknowledgement EDDY HARRIS Eddy Harris was born in Wilcannia and is a member of two tribes, the Bakandji, As the Wilcannia representative of the Regional Arts Board, Eddy’s role is to promote and the Wongaibon. Eddy comes from a family of eight children. Eddy is regularly other local artists to get their work seen beyond the region. sought out to provide advice on art, craft and educational involvements for In addition to being an artist, Eddy is currently employed as the Project Support Aboriginal people, as well as for primary and secondary schools. Worker for the Community Safety Research Project for Wilcannia, Broken Hill and Eddy’s work has been shown in a range of galleries throughout Australia, including Menindee. The project is a partnership between Maari Ma Primary Health Care the Australian Aboriginal Art Gallery. -
Year 7 / 2021 Please Note
Required Campion St Caths Office Book Title Edition RRP Selling Price Quantity Use Only Year 7 / 2021 please note Chinese Easy Steps to Chinese 1: Textbook & CD [Yamin Ma et al] required years 7 and 8 69.95 47 English Oxford Australian Pocket Dictionary (8E) (H/B) [Gwynn (Ed)] retain years 7-10 and VCE units 1-4 8E 29.95 20 English Hitlers Daughter (Novel) [French) CLEAN copy 16.99 11 English Wonder (P/B) [RJ Palacio] CLEAN copy 19.99 13 French Pearson Quoi de Neuf? 1SB/EB 2E (Comley et al) 2E 33.95 23 Geography/History Jacaranda AC 7 History Alive Print/LearnON 2E [Darlington] 2E 69.95 47 Geography/History Jacaranda AC 7 Geography Alive Print/LearnON/Atlas 2E [Mraz] Retain for years 7 & 8 2E 114.95 77 Japanese Hai 1 Textbook/Workbook [Burnham] CLEAN set only 52.95 35 set must be complete Japanese Hiragana in 48 Minutes Student Card Set [Quackenbush] required years 7 and 8 25.95 17 RRP reduced to 2/3 to reflect need to Mathematics Cambridge VIC Essential Maths 7 (Print & Digital) 2E (Greenwood et.al.) purchase reactivation code 2E (2020) 49 33 Science Cambridge VIC Science Year 7 (Print&Digital) [Shaw et.al.] 69.95 47 NOTE: St Cath's Science Resource Fee MUST be purchased through Campion as per book list TOTAL BOOKS CONSIGNED TO SALE THIS PAGE Required Campion St Caths Office Book Title Edition RRP Selling Price Quantity Use Only Year 8 /2021 please note Chinese Easy Steps to Chinese 2: Textbook & CD [Yamin Ma et al] required years 7 and 8 69.95 47 Chinese Easy Steps to Chinese 1: Textbook & CD [Yamin Ma et al] retain from Year 7 3E 69.95