Ii Ii and It's What Goes Into Hpm Speakers That Makes Them Sound Great on Every Part of the Music
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Tape Re Rding
TAPE RE RDING 1,01.00..... vow Tow, low, wow,- loom" i,xnosszyi 'ST szno7 1-8 'any usngZi7 ILO DT/9H .zamats I* A.zaa.zo 'sYz Recording at the Zoo August, 1961 35c WE DON'T CARE IF IT'S SINGLE TRACK Al DUAL Havai EVEN af10 national tape can duplicate national tape can duplicate national tape can duplicate national tape can duplicate national tape can dupl icat national tape can d'plical Major users of magnetic national tape can duplical national tape can duplico' tape look to national tape can ilup!ieal NATIONAL TAPE ii VitivaaI lape err II ii ii plies, national lape eon drlpliral for superior processing national lape can rinrplieu national Jupe ea >r rlllplira +' of tape duplicates II u l i o n a l lap e u rr rl rr li /iea national lape ea a rlrlitlieu national lape eo n il ii pl ;poti Language Laboratories nnlinII al tape eau rlulrliea' Recording Companies a rr 1 if) Ii rI I / II p «' a ìi rl n i pl i e u Radio Stations nufinnal la pc eu i!uiplieu' u e ,r Audio -Visual Producers rl l i ri it a I 1 a p r e a ri el rr l i Vi o (I (I I later rn Background Music Operators ralinnal lape eu Book Publishers a l iriH11I Ill pr l'a rr ' rr l,i,r u Corporations using I it l i anti/ t rpl e rn ll to p iea I tape for intercommunication al i inn l la p( ea a d alit i ea / raliaII aI lape e rlulrliea! Tape Recorder Manufacturers ,rr IloIiUI 1 rr pr eet it el n p/ ire 1 a 1 Ì n il rr I tripe e u rr rl rr a l i e n . -
CARBON Carbon – Desktop Vinyl Lathe Recapturing Value in Recorded Music
CARBON Carbon – Desktop Vinyl Lathe Recapturing Value In Recorded Music MFA Advanced Product Design Degree Project Report June 2015 Christopher Wright Canada www.cllw.co TABLE OF CONTENTS Part 1 - Introduction Introduction 06 The Problem With Streaming 08 The Vinyl Revival 10 The Project 12 Part 2 - Research Record Sales Statistics 16 Music Consumption Trends 18 Vinyl Pros and Cons 20 How Records Are Made 22 Vinyl Pressing Prices 24 Mastering Lathes 26 Historical Review 28 Competitive Analysis 30 Abstract Digital Record Experiments 32 Analogous Research 34 Vinyl records have re-emerged as the preferred format for music fans and artists Part 3 - Field Research alike. The problem is that producing vinyl Research Trip - Toronto 38 records is slow and expensive; this makes it Expert Interviews 40 difcult for up-and-coming artists to release User Interviews 44 their music on vinyl. What if you could Extreme User Interview 48 make your own records at home? Part 4 - Analysis Research Analysis 52 User Insights 54 User Needs Analysis 56 Personas 58 Use Environment 62 Special Thanks To: Technology Analysis 64 Product Analysis 66 Anders Smith Thomas Degn Part 5 - Strategy Warren Schierling Design Opportunity 70 George Graves & Lacquer Channel Goals & Wishes 72 Tyler Macdonald Target Market 74 My APD 2 classmates and the UID crew Inspiration & Design Principles 76 Part 6 - Design Process Initial Sketch Exploration 80 Sacrificial Concepts 82 Concept Development 84 Final Direction 94 Part 7 - Result Final Design 98 Features and Details 100 Carbon Cut App 104 Cutter-Head Details 106 Mechanical Design 108 Conclusions & Reflections 112 References 114 PART 1 INTRODUCTION 4 5 INTRODUCTION Personal Interest I have always been a music lover; I began playing in bands when I was 14, and decided in my later teenage years that I would pursue a career in music. -
Large Diaphragm Condenser Microphones
PRO AUDIO LARGE DIAPHRAGM CONDENSER MICROPHONES Large Diaphragm Condenser Microphones A go-to mic choice for tracking vocals, voice overs, string instruments such as acoustic guitars and violins, percussion, and more, B&H carries a wide variety of large diaphragm condensers to suit a variety of needs and budgets. Available selections provide polar patterns ranging from supercardioid (very narrow pick up path) to omnidirectional (360 degree pick up), while many can handle SPL levels as high as 150dB for use on louder sound sources. Many selections include stands, cases, and cables, and come in a wide variety of finishes. Brand AKG Aston Audio-Technica Behringer Blue CAD MXL Microtech Gefell Model P420 C 414 XLII P220 Origin AT2020 AT2035 C-1 BlueBird SL Baby Bottle SL Kiwi E100S M179 V67G M 930 Diaphragm Size 1” 1” 1” 1” .63” .96” .63" — — 1" 1” 1.1” 1.26” 1” Polar Pattern Multi Multi Cardioid Cardioid Cardioid Cardioid Cardioid Cardioid Cardioid Multi Super Cardioid Multi Cardioid Cardioid Freq Response 20Hz-20kHz 20Hz-20kHz 20Hz-20kHz 20Hz-20kHz 20Hz-20kHz 20Hz-20kHz 40Hz-20kHz 20Hz-20kHz 20Hz-20kHz 20Hz-20kHz 40Hz-18kHz 10Hz-20kHz 30Hz-20kHz 40Hz-18kHz Dynamic Range — 134dB — — 124dB 136dB — 126.3dB 123.2dB — — 133dB — 135dB S/N Ratio 79dB 88dB 78dB 76dB 74dB 82dB — 82.3dB 83.2dB 85.5dB — 11dB 74dB — Pad -20dB -6db,-12dB,-18dB -20dB -10dB N -10dB — -20dB -20dB N -10db -20dB N N HP/LC Filter YYYYNY—YYNYYNN Max SPL 155dB 140dB 155dB 127dB 144dB 148dB 136dB 138dB 134dB 138dB 150dB 143dB 130dB — Included Acc. -
Audio-Technica Turntable & Cartridge
Audio-Technica Page 1 Audio-Technica Turntable & Cartridge Price List 04/2014 Net Price List PROFESSIONAL USER ALL PRICES AND SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE Effective April 10, 2014 Subject to change without prior notice. All former price lists expire with the publishing of this version. ll prices are suggested net retail prices; ex works. Pro-Audio & Lighting Solutions There are applicable our General Terms of Business, only. www.pro-technica.com BUY ONLINE at www.MusicWorld.bg 1,20 EUR Aricles marked with PHO (phase out) will be discontinued soon! EUR EUR EC Model Description Netto + 20% DDS (ex. VAT) (incl. VAT) Turntables & Electronics Get your classic albums off the shelf and into your MP3 player Audio-Technica brings its legendary quality and audio fidelity to the digital realm with this LP-to-digital recording system. The AT-LP60-USB stereo turntable comes equipped with a USB output that allows direct connection to your computer. The system also offers: Mac- and PC-compatible Audacity software; an integral dual-magnet Audio-Technica phono cartridge; and a USB cable and adapter cables. The turntable also features a built-in switchable phono/line preamp that allows connection to a YF AT-LP60USB 141,00 169,00 EUR stereo system equipped with either a phono or line-level input. AT-LP60-USB turntable featuresUSB output—connects directly to your computer; Mac- and PC-compatible Audacity software digitizes your LPs; Fully automatic turntable operation with two speeds: 33 1/3, 45 RPM; Professional aluminum platter Included cables connect to your stereo or powered speakers; Integral Dual Magnet™ phono cartridge with replaceable stylus; Switchable built-in pre-amplifier with line- level RCA output cables USB Direct-Drive Professional Turntable. -
Location of Controls
Layout & Controls: 1) Dial pointer 2) LCD display 3) Functions switch 4) Power LED indicator 5) Power on/off, volume up/down knob 6) Bluetooth LED indicator 7) MP3 folder up button 8) Source button 9) Bluetooth/Phono button 10) Record button 11) CD door 12) SD/MMC card slot 13) Radio band selector switch 14) FM stereo LED indicator 15) Tuning knob 16) Remote sensor 17) Skip/search down button 18) Skip/search up button 19) CD door open button 20) Play/pause/stop button 21) USB socket 22) 3.5 mm headphone jack 23) Tape forward / eject button 24) Cassette door cover 25) Mobile drawer 26) Aux in jack 27) Spindle adaptor 28) Turntable selector 29) Auto stop switch 30) Pick-up holder 31) FM wire antenna 32) Line out socket (l/r) 33) 110/220V selector 34) AC cord Caution: Usage of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure. This unit should not be adjusted or repaired by anyone except qualified service personnel. Precautions for use Installation • Unpack all parts and remove protective material. • Do not connect the unit to the mains before checking the mains voltage and before all other connections have been made. • Do not cover any vents and make sure that there is a space of several centimeters around the unit for ventilation. Connection Caution: Before connecting the AC cord to main AC power outlet, please check carefully the supply voltage of your location and select the proper voltage position of the 110/220V selector(33). -
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project. -
商品コード タイトル Fhcf2501 8 Toct24105 502 Pcca01329 531
商品コード タイトル FHCF2501 8 TOCT24105 502 PCCA01329 531 AVCD-11624 181920 PCCA80017 "03"ゼロサン VICL373 "good luck!" AVCD11815 "HAPPY" COMING CENTURY.20TH CENTURY FOREVER AMCN4770 "Let go" ESCB1592 "nine" WPC27611 "SMILING II" 〜THE BEST OF NORIYUKI MAKIHARA〜 SRCL4888 (初) WPCV10079 11songs(+4) EICP321 1人の女と4人の男 PCCA02551 2GETHER WPCV10103 2souls UMCK1002 4FLUSHER EPCE5149 4th 「いきまっしょい!」 AVCD-32027/B 7 seven ESCB1725 7月7日、晴れ サウンドトラック KSC2314 absolute ego COCA13736 across the rainbow UMCK1139 Akina Nakamori ~歌姫ダブル・ディケイド ESCB1722 amiyumi PCCA01116 Another Season -5番目の季節- Le Couple KTCR1369 Another Tomorrow TFCC89040 Any AVCD-11740 appears AVCD-11805 ARIGATO 30 MILLION COPIES-BEST OF TK WORKS- SRCL-4927 As One TOCT24100 ASKA the BEST Selection 1988-1998 PSCR-5700 AUGUST E,P, AVCD11716 ayu-mi-x AVCD17098 ayu-mi-x 4 + selection Acoustic Orchestra Version AVCD17104-5 ayu-mi-x 4 + selection Non-Stop Mega Mix Version AVCD11798 ayu-mi-x II version JPN AVCD11797 ayu-mi-x II version US+EU JBCJ-1004 BACK BEATs #1 THE BEST Performed by POCH-1674 BALLAD COLLECTION X JAPAN BALLAD COLLECTION BEST VICL60660/1 BALLAD3 -the album of LOVE- WPC78550 Baroque Best AVCT10080 BEAT BALL UPCH1026 beat haze odyssey KOLA061 beatmania IIDX REMIX for 10th Success Anniversary DCTR1002 beauty ebarmony VICL15043 BEGINNING PART2 DAVID DARLINGTON featuring PHCL1020 Believe ESCB2244 Believe the Light XXC1023 BELOVED MDCL1408 Best Flower -B side collection- ESCB2096 BEST LOVE SONG ALBUM ミディアムクロー JBCJ-1028/1029 BEST OF BEST ~All Single Collection~ AVCD11230 BILLIONAIRE BOY MEETS GIRL -
Knowledge Extraction and Representation Learning for Music Recommendation and Classification
Knowledge Extraction and Representation Learning for Music Recommendation and Classification Sergio Oramas Martín TESI DOCTORAL UPF / 2017 Director de la tesi: Dr. Xavier Serra Casals Dept. of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain Dissertation submitted to the Department of Information and Communication Technologies of Universitat Pompeu Fabra in partial fulfillment of the require- ments for the degree of DOCTOR PER LA UNIVERSITAT POMPEU FABRA Copyright © 2017 by Sergio Oramas Martín Licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 Music Technology Group (http://mtg.upf.edu), Department of Information and Commu- nication Technologies (http://www.upf.edu/dtic), Universitat Pompeu Fabra (http://www. upf.edu), Barcelona, Spain. iii The doctoral defense was held on ......................... at the Universitat Pompeu Fabra and scored as ........................................................... Dr. Xavier Serra Casals (Thesis Supervisor) Universitat Pompeu Fabra (UPF), Barcelona, Spain Dr. Markus Schedl (Thesis Committee Member) Johannes Kepler University, Linz, Austria Dr. Emilia Gómez (Thesis Committee Member) Universitat Pompeu Fabra (UPF), Barcelona, Spain Dr. Brian Whitman (Thesis Committee Member) Spotify, New York, USA a Olivia y Chiara, la luz en el camino... Acknowledgements First of all, I would like to thank my supervisor, Dr. Xavier Serra, for giving me the opportunity to work in this fantastic environment, the Music Technology Group, and for his wise advises. Also, I want to give special thanks to Paco Gomez for teaching me how to be a researcher. This thesis does not have a specific co-supervisor, but along this journey I have met three great researchers and better persons who have helped me through my PhD and without whom this work would have not been possible, Mohamed Sordo, Vito Claudio Ostuni, and Oriol Nieto. -
NEW! We Offer Over 700 Top Brands, Low Prices and Outstanding Service
204 POWERED MIXERS (W/BUILT-IN AMPLIFIERS) PMP4000 PMP6000 PA12CP ALLEN & HEATH PA12CP/PA20CP POWERED MIXERS All the tools you will need to run a standard stereo PA BEHRINGER EUROPOWER system including dual stereo channels CONSOLE POWERED MIXERS (two unbalanced stereo inputs each). These mixers feature an ultra-compact & lightweight design. Each model has a 24 bit The master section includes background music BGM mode with 2-track input (RCA) stereo FX processor with 100 presets, FBQ feedback detection system, IMP grade mic and a 3-color 12-segment LED meter displays. Mono channels have mic (XLR) and preamps with switchable 48V phantom power, 3 band EQ with switchable low cut filter line (TRS) inputs with individual +48V phantom power switches. Also features and clip LEDS on all mono channels. In addition, they each have stereo 7 band EQ on switched 100Hz high pass filter, 4-band EQ, 4 aux mixes, mute with LED, PFL button monitor or main outputs, a standby switch to mute all mic channels during breaks when with LED, 100mm faders, 16-program digital FX, and 4-pin XLR lamp socket. They have background music is provided via tape inputs, a XPQ3D stereo surround effect, and a 2 x 500W RMS peak power professional class AB power amplifiers built-in with full voice canceller function for karaoke applications. Both have dual Speakon outputs. output into 4 or 8ohms. ITEM DESCRIPTION PRICE ITEM DESCRIPTION PRICE PMP4000 .......8 mono mic/line + 4 stereo ch (8 XLR ins total), 2x600W @ 4ohms ......489.99 PA12CP .....................12-input, powered console, 2x 500W ...........................................999.00 PMP6000 .......12 mono mic/line + 4 stereo ch (12 XLR ins), 2x600W @ 4ohms ......... -
Multimodal Deep Learning for Music Genre Classification.Transactions of the International Society for Music 7,60,5 Information Retrieval, 1(1), Pp
Oramas, S., et al. (2018). Multimodal Deep Learning for Music Genre Classification. Transactions of the International Society for Music 7,60,5 Information Retrieval, 1(1), pp. 4-21. DOI: https://doi.org/10.5334/tismir.10 RESEARCH Multimodal Deep Learning for Music Genre Classification Sergio Oramas*,‡, Francesco Barbieri†, Oriol Nieto‡ and Xavier Serra* Music genre labels are useful to organize songs, albums, and artists into broader groups that share similar musical characteristics. In this work, an approach to learn and combine multimodal data representations for music genre classification is proposed. Intermediate representations of deep neural networks are learned from audio tracks, text reviews, and cover art images, and further combined for classification. Experiments on single and multi-label genre classification are then carried out, evaluating the effect of the different learned representations and their combinations. Results on both experiments show how the aggregation of learned representations from different modalities improves the accuracy of the classification, suggesting that different modalities embed complementary information. In addition, the learning of a multimodal feature space increases the performance of pure audio representations, which may be specially relevant when the other modalities are available for training, but not at prediction time. Moreover, a proposed approach for dimensionality reduction of target labels yields major improvements in multi-label classification not only in terms of accuracy, but also in terms of the diversity of the predicted genres, which implies a more fine-grained categorization. Finally, a qualitative analysis of the results sheds some light on the behavior of the different modalities on the classification task. Keywords: information retrieval; deep learning; music; multimodal; multi-label classification 1. -
MAX Maximum Groove Mp3, Flac, Wma
MAX Maximum Groove mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Maximum Groove Country: Hong Kong Released: 1999 Style: J-pop, Europop MP3 version RAR size: 1255 mb FLAC version RAR size: 1643 mb WMA version RAR size: 1694 mb Rating: 4.4 Votes: 286 Other Formats: VOX MP3 VQF DXD AUD MOD APE Tracklist Hide Credits Only One Arranged By, Programmed By, Keyboards – Tomoki IshizukaComposed By – Hideaki 1 4:29 KuwabaraElectric Bass – Takeshi TanedaElectric Guitar – Hiroyuki KomagataLyrics By – Yuuko Ebine 閃光 -ひかり- のVeil Alto Saxophone – Yoshinari TakegamiComposed By, Arranged By, Programmed By, 2 5:01 Keyboards – Kiichi YokoyamaLyrics By – Goro MatsuiPercussion – Motoya HamaguchiSynthesizer – Yasuo Kimoto I'm In Love 3 Composed By, Arranged By, Programmed By, Keyboards – Masataka SasamotoLyrics By – 4:24 Hiromi Mori Getting Over 4 Composed By, Arranged By, Programmed By, Keyboards – Kiichi YokoyamaElectric Guitar – 4:59 Junjiro SekiLyrics By – Goro MatsuiSynthesizer – Hirotoku Houki Sunny Holiday 5 Composed By – Jonas Eriksson, Mattias EliassonLyrics By – David Toball, Sandro Cajander, 3:41 TH OlsenLyrics By [Japanese] – Masato OtaProgrammed By, Keyboards – Eiji Isomura Not Alone 6 Arranged By, Programmed By, Keyboards – Jun AbeComposed By – Hideaki 5:12 KuwabaraLyrics By – Goro Matsui Active For The Love 7 Arranged By, Programmed By, Keyboards – Jun AbeComposed By, Electric Bass – Yasushi 4:43 SasamotoElectric Guitar – Kenji Suzuki Lyrics By – Goro Matsui Private Crime 8 Composed By, Arranged By, Programmed By, Keyboards – Masataka -
3 Reasons to Record Music Without a Computer in 2018
PRO AUDIO RECORD MUSIC WITHOUT A COMPUTER RECORD MUSIC WITHOUT A COMPUTER 3 Reasons to Record Music without a Computer in 2018 by Jaime Traba here is no doubt there is magic in recording to two-inch tape, not just in the appreciable audio quality it provides, but in having to work within how func- Ttionally limiting it can be. If you remember when tape was your only option for making music, or are fortunate enough to have gotten hands-on experience with it more recently, you know exactly what I mean. At a quick glance, aside from its audible magic (the rich harmonic content now emulated by countless plug-ins and hardware units—the endless quest for “mojo”), tracking to tape can be viewed as kind of a pain. It doesn’t use time as efficiently as a DAW (think of the time lost spent waiting for tape to rewind), needs consistent upkeep, such as biasing the machine, and most terrifying of all: there is no Command Z to undo a mistaken delete! However, I submit that these functional quirks of dealing with two-inch tape make you a stronger engineer, and can be practiced (or at least emulated) in a variety of ways to help fill your bag of tricks. I assure you, I’m no Luddite; I love the convenience and functionality of the modern DAW, and it is ultimately where I’m the most comfortable working. But getting out of our comfort zone helps us grow as creative professionals. Working within limitations expands clear up tracks for another layer.