Still on the Road Session Pages: 1978 US October Tour
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The Ukrainian Weekly 1983, No.50
www.ukrweekly.com Published by the Ukrainian National Association inc.. a fraternal non-profit association! rainian Weekly vol. Ll No. 50 THE UKRAINIAN WEEKLY SUNDAY, DECEMBER n, 1983 25тсent s 10,000 mourn famine victims Fourth WCFU concludes; at memorial service and rally Savaryn elected president by George B. Zarycky celebrated by some 20 hierarchs and clergy of Ukrainian Churches, an ad- by Roma Hadzewycz As a result of the vote to approve the TORONTO - Nearly 10,000 people dress by Brian Mulroney, leader of the Ukrainian American Coordinating gathered at historic Maple Leaf Gardens Progressive Conservative opposition in TORONTO - Peter Savaryn. 57. an Council's membership, the U.S. repre– lfere on Sunday, December 4, for a rally the Canadian Parliament, and the Edmonton lawyer and chancellor of the sentation within the WCFU is now di– commemorating the 50th anniversary presence of Stephen Terlecky, the first University of Alberta, was elected vided between the Ukrainian Congress of the Great Famine in Ukraine. Ukrainian memberof the British Parlia– president of the–World Congress of Free Committee of America and the UACC, Among the highlights of the rally, ment. Ukrainians on Saturday, December 3, which are both recognized as national which was sponsored by the World The four-hour rally began at 11:15 the final day of the organization's central representations of the U.S. Congress of Free Ukrainians, was a a.m. As the Baturyn brass band, re- fourth world conclave. Ukrainian community. solemn ecumenical memorial service splendent in blue-and-gold uniforms, The congress, held once every five played a dirge, uniformed members of years, brought together some 600 dele- More on the WCFU conclave Ukrainian youth organizations gates representing organized Ukrainian inside: Soviets protest ODUM, SUM and Plast as well as communities in North and South Ame– " Human Rights Commission representatives of MUNO. -
Still on the Road Session Pages: 1978 World Tour US November
STILL ON THE ROAD 1978 WORLD TOUR – US: NOVEMBER 1 Madison, Wisconsin Dane County Memorial Coliseum 3 Kansas City, Missouri Kemper Arena 4 Omaha, Nebraska Civic Auditorium 6 Denver, Colorado McNicholls Arena 9 Portland, Oregon Memorial Coliseum 10 Seattle, Washington Hec Edmondson Pavilion, University Of Washington 11 Vancouver, British Columbia, Canada Pacific National Exhibition Hall 13 Oakland, California Alameda County Coliseum 14 Oakland, California Alameda County Coliseum 15 Los Angeles, California The Forum, Inglewood 17 San Diego, California Sports Arena 18 Tempe, Arizona A.S.U. Activities Center 19 Tucson, Arizona McKale Memorial Center, University Of Arizona 21 El Paso, Texas Special Events Arena 23 Norman, Oklahoma LLoyd Noble Center 24 Fort Worth, Texas Tarrant County Convention Center Arena 25 Austin, Texas Special Events Center, University Of Texas At Austin 26 Houston, Texas The Summit 28 Jackson, Mississippi The Coliseum 29 Baton Rouge, Louisiana L.S.U. Assembly Center Still On The Road: 1978 World Tour: US November 4670 Dane County Memorial Coliseum Madison, Wisconsin 1 November 1978 1. My Back Pages 2. She’s Love Crazy (Tampa Red) 3. Mr. Tambourine Man 4. Shelter From The Storm 5. It's All Over Now, Baby Blue 6. Tangled Up In Blue 7. Ballad Of A Thin Man 8. Maggie's Farm 9. I Don’t Believe You (She Acts Like We Never Have Met) 10. Like A Rolling Stone 11. I Shall Be Released 12. Señor (Tales Of Yankee Power) 13. The Times They Are A-Changin' 14. It Ain't Me, Babe 15. Am I Your Stepchild? 16. One More Cup Of Coffee (Valley Below) 17. -
December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Comprehensive Annual Financial Report Photos Used with Permission of Pacers Sports & Entertainment Used with Permission of Pacers Photos Indiana Basketball
FINANCIAL SECTION COMPREHENSIVE ANNUAL FINANCIAL REPORT Photos used with permission of Pacers Sports & Entertainment used with permission of Pacers Photos Indiana Basketball Professional basketball came to Indianapolis in 1967 when eight businessmen invested a few thousand dollars apiece to create the Indiana Pacers franchise as a charter member of the American Basketball Association (ABA). The nickname “Pacers” was decided on through a collective decision of the original investors. It was a combination of the state’s rich history with the harness racing pacers and the pace car used for the running of the Indianapolis 500. The Pacers became a member of the National Basketball Association (NBA) in 1976 as a result of the ABA-NBA merger. They originally played in the Indiana State Fairgrounds Coliseum, but moved to the Market Square Arena in downtown Indianapolis in 1974 where they stayed for 25 years. They moved to Bakers Life Fieldhouse in 1999 where they currently reside. Over the years the Pacers have been home to a number of top talent including five Hall of Fame members: Reggie Miller, Chris Mullin, Alex English, Mel Daniels and Roger Brown. The team won three championships while in the ABA and eight division titles so far in the NBA. They were also the Eastern Conference champions in 2000. 2 - State of Indiana - Comprehensive Annual Financial Report Comprehensive Annual Financial Report - State of Indiana - 3 4 - State of Indiana - Comprehensive Annual Financial Report Comprehensive Annual Financial Report - State of Indiana - 5 -
"An Inside Look at Top Ten of '90"
student newspaper IOL. 77 - No. 10 SALEM SENIOR HIGH SCHOOL - SALEM, OHIO FRIDAY, JUNE l, 1990 "An Inside Look At Top Ten of '90" by Michele Kaminski Shawn D. Scharf MOTHER Lisa Herron Lois A. Scharf PARENTS 662 S. Lundy Avenue Gail and. Judy Herron Jennifer Lynn Bedell Salem, Ohio. 1125 Highland E. PARENTS Charles Edward Honeywell FATHER Salem, Ohio. David and Rose Bedell J. David Scharf PLANS AFTER GRADUATION MOTHER 1390 N. Ellsworth Judith Honeywell Jennifer Garrison 27530 Weaver Road Attend Cornell University in New Salem, Ohio. East Rochester, Ohio. York to study Biological Science. 1138 E. 9th St. PARENTS PLANS AFTER GRADUATION Salem, Ohio. Cheryl and Richard Garrison PLANS AFTER GRADUATION GRADE POINT AVERAGE Attend Miami University in Attend Miami University and 3.9. FATHER 2050 Allen Road Oxford, Ohio to major in Lowell M. Honeywell Salem, Ohio. major in Political Science. CLASS RANK - 2 Chemistry. GRADE POINT AVERAGE IN SCHOOL ACTIVITIES 339 Rea Drive PLANS AFTER GRADUATION GRADE POINT AVERAGE Salem, Ohio. Attend University of 4.0. Varsity Volleyball, Softball, 3.8. CLASS RANK - 1 Class Treasurer, Student Council, PLANS AFTER GRADUATION Massachusetts at Amherst to CLASS RANK - 3 Attend Miami University in Ohio major in Environmental Science. IN SCHOOL ACTIVITIES TACT, Yearbook Staff IN SCHOOL ACTIVITIES Spanish Club, Math Photography Editor, Band, Pep to major in Computer Science. GRADE POINT AVERAGE Band, Jazz Band, Choir, Chamber GRADE POINT AVERAGE 3.8. Club, Academic Challenge, and Club, Math Club, and National Choir, Academic Challenge, National Honor Society. Honor Society. 3.8. CLASS RANK - 5 National Art Honor Society, CLASS RANK - 4 IN SCHOOL ACTIVITIES OUT OF SCHOOL ACTIVITIES OUT OF SCHOOL ACTIVITIES Science Olympiad Team and American Cancer Society Medical Explorers. -
Passive Participation: the Selling of Spectacle and the Construction of Maple Leaf Gardens, 1931
Sport History Review, 2002, 33, 35-50 PASSIVE PARTICIPATION 35 © 2002 Human Kinetics Publishers, Inc. Passive Participation: The Selling of Spectacle and the Construction of Maple Leaf Gardens, 1931 Russell Field In 1927, Conn Smythe, a Toronto businessman and hockey enthusi- ast, organized a group to purchase Toronto’s entry in the National Hockey League (NHL). Operating out of the fifteen-year-old Arena Gardens, the St. Patricks (who Smythe renamed Maple Leafs) had for years been only moderately successful both on the ice and at the cashbox. Compounding Smythe’s local and competitive circumstances was the changing nature of the NHL in the mid 1920s. Beginning in 1924, the Canadian-based NHL clubs reaped the short-term benefits of expansion fees paid by the new American teams, but the latter’s greater capital resources and newer, larger playing facilities soon shifted the economic balance of power within the “cartel” south of the border.1 As Thompson and Seager note of this period: “Canadian hockey was revolutionized by American money.”2· Despite the Maple Leafs’ bleak economic circumstances, Smythe had big dreams for himself and his hockey team. In attempting to realize his vision, he built Canada’s best-known sports facility, Maple Leaf Gardens, managed the Maple Leafs into one of the NHL’s wealthiest clubs, and assumed majority ownership of the team. The economic and cultural impact of the major NHL-inspired arena projects of the 1920s and early 1930s—the Montreal Forum, New York’s Madison Square Garden, Boston Garden, Chicago Stadium, the Detroit Olympia, as well as Maple Leaf Gardens—has received little attention among scholarly contributions to the study of sport.3 However, there has been greater interest in the politics of arena and stadium construction, and work by scholars such as John Bale and Karl Raitz has helped to define and explore the notion of arenas and stadiums as sport spaces.4 Adding a fur- ther temporal context to these issues then, allows changes over time to be meaningfully explored. -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
Rock Art Program.Indd
CLE Temporary Art Exhibition Program The Rock and Roll Hall of Fame and Museum presents: “Live from Cleveland, Ohio” Featuring rock photographer Janet Macoska September10 MarchMarch 5, 20 16, 2013–January 31, 2014 CLE’s Temporary Art Exhibition Program is a free initiative available to artists. The purpose of this program is to showcase the diversity of arts and culture of the Cleveland Plus Region. Cultural institutions, arts organizations, museums, as well as individual artists, are afforded opportunities to exhibit their collections of original artwork and photography in the airport. Submissions are reviewed by an Art Review Panel. Each approved proposal is assigned an exhibit start date based on the exhibition calendar. The duration of exhibits is up to six months depending on the nature of the exhibit. Curatorial and installation support are provided to selected exhibitors. Artists are featured at the art site as well as on the airport’s website at www.clevelandairport.com. Dear Friends, It is with great pleasure that CLE features an exhibit from one of Cleveland’s iconic museums - The Rock and Roll Hall of Fame and Museum. The Rock and Roll Hall of Fame and Museum exists to collect, preserve and interpret the impact rock has made on our world. 10 March 5, 20 This exhibit features work by photographer, Janet Macoska. For nearly four decades, Ms. Macoska has been capturing some of rock and roll’s most notable performers in her photos. The exhibit, en tled “Live from Cleveland, Ohio,” showcases some of her favorite images of rock’s greatest moments in Cleveland - including those of many Rock and Roll Hall of Fame Inductees. -
Mattamy Athletic Centre Event Guide
MATTAMY ATHLETIC CENTRE EVENT GUIDE MATTAMY ATHLETIC CENTRE EVENT GUIDE 1 MANAGEMENT We are Spectra, the experts in hosting and entertainment. We provide our clients access to a network of partnerships and integrated services that infuse operational excellence, unlock incremental value and enhance the customer experience. We pride ourselves on superior service, strong relationships and a client-focused approach that delivers innovative solutions across a wide range of sports facilities, convention centres, performing arts centres, fairs, cultural institutions, private events and much more. Spectra Venue Management manages over 750 clients, and more importantly, the millions of details that set them apart. Management services begin with a firm commitment to enrich the communities we serve. From that starting point, our experienced team delivers customized solutions and game- changing efficiencies that instill operational excellence and a seamless experience for customers and guests. Spectra’s expertise provides diverse event content, proficient facility operations, financial returns and engaging marketing strategies for every venue we manage, big or small. Spectra has managed the Mattamy Athletic Centre, formerly known as Maple Leaf Gardens, since it opened in 2012. The building, now the home of the Ryerson Rams, is a great mix of historical architecture, and a functional sports and entertainment centre. It is located in the heart of downtown Toronto, and it is easily accessible by public transit. The venue is perfect for hosting sporting events, concerts, cultural festivals, and trade shows. Depending on your event layout, the main bowl can accommodate up to 4,000 guests, and there are two fourth level concourses each measuring in excess of 5,000 square feet that can accommodate up to 1,000 visitors. -
282 Newsletter
NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere.