Santtu-Matias Rouvali & Bryce Dessner

Total Page:16

File Type:pdf, Size:1020Kb

Santtu-Matias Rouvali & Bryce Dessner Santtu-Matias Rouvali & Bryce Dessner / 1 FOR IMMEDIATE RELEASE October 3, 2019 SANTTU-MATIAS ROUVALI TO MAKE NEW YORK PHILHARMONIC DEBUT NEW YORK PREMIERE of Bryce DESSNER’s Wires Featuring the Composer on Electric Guitar in His Philharmonic Debut Program Also To Include TCHAIKOVSKY’s Romeo and Juliet, Overture-Fantasy SIBELIUS’s Symphony No. 1 November 14–16, 2019 NIGHTCAP Kravis Nightcap Series at the Stanley H. Kaplan Penthouse Curated by Bryce Dessner, Hosted by Kravis Creative Partner Nadia Sirota November 16, 2019 Santtu-Matias Rouvali will make his New York Philharmonic debut conducting the New York Premiere of Bryce Dessner’s Wires, featuring the composer (lead guitarist of The National) on electric guitar in his Philharmonic debut; Tchaikovsky’s Romeo and Juliet, Overture-Fantasy; and Sibelius’s Symphony No. 1. The program will take place on Thursday, November 14, 2019, at 7:30 p.m.; Friday, November 15 at 8:00 p.m.; and Saturday, November 16 at 8:00 p.m. Bryce Dessner’s Wires combines his influences from New York and the European avant-garde. The title refers to both instrumental wires — primarily the strings of electric guitar, harp, and piano — and wires used in communication, such as phone lines and electrical transmissions. It was premiered in 2016 by Ensemble intercontemporain, founded by former Philharmonic Music Director Pierre Boulez. The Philharmonic has presented Mr. Dessner’s music twice before: Wave Movements in 2015 and Gift in 2016. Bryce Dessner will curate a Nightcap concert on Saturday, November 16, 2019, featuring works by Mr. Dessner, Kaija Saariaho, Berio, and Meredith Monk performed by pianist Adam Tendler and the Trimbach Trio, comprising yMusic violinist Rob Moose, violist Nadia Sirota, and cellist Gabriel Cabezas. The 2019–20 Kravis Nightcap series presents seven late-night, cabaret-style concerts curated by contemporary composers who engage in conversation about the music with host Nadia Sirota, The Marie-Josée Kravis Creative Partner. Taking place at the Stanley H. Kaplan Penthouse after select subscription programs, these events explore themes related to those Philharmonic concerts in a casual setting. Finnish conductor Santtu-Matias Rouvali’s 2019 recording of Sibelius’s First Symphony with the Gothenburg Symphony Orchestra, where he serves as chief director, received the Gramophone Editor’s Choice Award, French Diapason d’Or “Decouverte,” Choc de Classica, and German Record Critics’ Award. Le Monde wrote: “Rouvali’s inspired baton triggers (more) Santtu-Matias Rouvali & Bryce Dessner / 2 unrelenting storms, white-hot or icy blasts of air, breathless expectations … giving the Sibelian fresco a rarely heard sense of urgency and tragic intensity.” The New York Philharmonic will offer an allotment of free tickets to young people ages 13–26 for the concert on Friday, November 15 as part of Philharmonic Free Fridays. Biographies Subscription program: Santtu-Matias Rouvali, Bryce Dessner, New York Philharmonic Nightcap: Bryce Dessner, Nadia Sirota, Adam Tendler, Rob Moose, Gabriel Cabezas Tickets Single tickets for the subscription program start at $34. A limited number of $18 tickets for select concerts may be available to students within 10 days of the performance at nyphil.org/rush, or in person the day of (valid identification required). Tickets for Open Rehearsals are $22. The New York Philharmonic is offering an allotment of free tickets to young people ages 13–26 for the concert Friday, November 15 as part of Philharmonic Free Fridays; learn more at nyphil.org/freefridays. Single tickets to Nightcap performances start at $25. (Ticket prices subject to change.) Tickets to New York Philharmonic performances may be purchased online at nyphil.org or by calling (212) 875-5656, 10:00 a.m. to 6:00 p.m. Monday through Friday; 1:00 p.m. to 6:00 p.m. Saturday; and noon to 5:00 p.m. Sunday. Tickets may also be purchased at the David Geffen Hall Box Office. The Box Office opens at 10:00 a.m. Monday through Saturday, and at noon on Sunday. On performance evenings, the Box Office closes one-half hour after performance time; other evenings it closes at 6:00 p.m. For press tickets, contact Lanore Carr at (212) 875-5714 or [email protected]. Event Listing New York Philharmonic David Geffen Hall at Lincoln Center Thursday, November 14, 2019, 7:30 p.m. Open Rehearsal — 9:45 a.m. Friday, November 15, 2019, 8:00 p.m. Saturday, November 16, 2019, 8:00 p.m. Santtu-Matias Rouvali*, conductor Bryce Dessner*, electric guitar TCHAIKOVSKY Romeo and Juliet, Overture-Fantasy Bryce DESSNER Wires (New York Premiere) SIBELIUS Symphony No. 1 (more) Santtu-Matias Rouvali & Bryce Dessner / 3 Kravis Nightcap Series Curated by Bryce Dessner Stanley H. Kaplan Penthouse 165 West 65th Street, 10th Floor Saturday, November 16, 2019, 10:30 p.m. Bryce Dessner, curator Nadia Sirota, host Adam Tendler, piano Trimbach Trio Rob Moose, violin Nadia Sirota, viola Gabriel Cabezas, cello Composer Bryce Dessner, lead guitarist of The National, will curate a program featuring works by Mr. Dessner, Kaija Saariaho, Berio, and Meredith Monk following a New York Philharmonic concert that includes Mr. Dessner’s Wires, in which he performs on electric guitar, receiving its New York Premiere that week. * New York Philharmonic debut ALL PROGRAMS SUBJECT TO CHANGE * * * Nadia Sirota is The Marie-Josée Kravis Creative Partner. * * * Major support for Philharmonic Free Fridays is provided by an Anonymous Donor. Additional funding is provided by Muna and Basem Hishmeh. * * * Citi. Preferred Card of the New York Philharmonic. * * * Programs are made possible, in part, by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. (more) Santtu-Matias Rouvali & Bryce Dessner / 4 Contacts Adam Crane, Vice President, External Affairs (212) 671-4990; [email protected] Deirdre Roddin, Associate Director, Public Relations (212) 875-5701; [email protected] Jen Luzzo, Manager, Public Relations (212) 875-5707; [email protected] Follow Us What’s New Photography and video are available in the New York Philharmonic’s online newsroom, nyphil.org/newsroom/1920, or by contacting the Public Relations Department at (212) 875-5700 or [email protected]. # # # .
Recommended publications
  • MEREDITH MONK and ANN HAMILTON: Aaron Copland Fund for Music, Inc
    The House Foundation for the Arts, Inc. | 260 West Broadway, Suite 2, New York, NY 10013 | Tel: 212.904.1330 Fax: 212.904.1305 | Email: [email protected] Web: www.meredithmonk.org Incorporated in 1971, The House Foundation for the Arts provides production and management services for Meredith Monk, Meredith Monk & Vocal Ensemble, and The House Company. Meredith Monk, Artistic Director • Olivia Georgia, Executive Director • Amanda Cooper, Company Manager • Melissa Sandor, Development Consultant • Jahna Balk, Development Associate • Peter Sciscioli, Assistant Manager • Jeremy Thal, Bookkeeper Press representative: Ellen Jacobs Associates | Tel: 212.245.5100 • Fax: 212.397.1102 Exclusive U.S. Tour Representation: Rena Shagan Associates, Inc. | Tel: 212.873.9700 • Fax: 212.873.1708 • www.shaganarts.com International Booking: Thérèse Barbanel, Artsceniques | [email protected] impermanence(recorded on ECM New Series) and other Meredith Monk & Vocal Ensemble albums are available at www.meredithmonk.org MEREDITH MONK/The House Foundation for the Arts Board of Trustees: Linda Golding, Chair and President • Meredith Monk, Artistic Director • Arbie R. Thalacker, Treasurer • Linda R. Safran • Haruno Arai, Secretary • Barbara G. Sahlman • Cathy Appel • Carol Schuster • Robert Grimm • Gail Sinai • Sali Ann Kriegsman • Frederieke Sanders Taylor • Micki Wesson, President Emerita MEREDITH MONK/The House Foundation for the Arts is made possible, in part, with public and private funds from: MEREDITH MONK AND ANN HAMILTON: Aaron Copland Fund for
    [Show full text]
  • MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, Soprano
    MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano PROGRAM ROBERT SIROTA A Rush of Wings (b. 1949) JOAQUÍN TURINA Poema en forma de canciones (1882–1949) (Poem in the Form of Songs), Op. 19 Dedicatoria Nunca olvida… Cantares Los dos miedos Las locas por amor Ms. Martinez, soprano INTERMISSION ANTON BRUCKNER Symphony No. 7 in E Major (Cahis 13) (1841–1904) Allegro moderato Adagio: Sehr feierlich und sehr langsam Scherzo: Sehr schnell Finale: Bewegt, doch nicht schnell The school would like to recognize Julio Martinez, Shaina’s father, for his relentless efforts to find the manuscript of the Turina concerto and resolute support for Spanish vocal literature, and Dr. Manly Romero, Performance Librarian at MSM, for preparing a new edition of the score and orchestral parts from the manuscript. Without their efforts, this performance would not have been possible. CENTENNIAL NOTE Robert Sirota was President of Manhattan School of Music from 2005 to 2012, during which time he also was a member of the Composition faculty. He wrote A Rush of Wings in 2008 especially for the MSM Chamber Sinfonia, which premiered the work on January 26, 2009 at Carnegie Hall’s Zankel Hall. The concert, conducted by Kenneth Kiesler, showcased the School’s Graduate Program in Orchestral Performance with faculty members playing side-by-side with students. MSM’s OP Program began in 1991 and Glenn Dicterow, then Concertmaster of the New York Philharmonic, was a founding faculty member.
    [Show full text]
  • Photo Needed How Little You
    HOW LITTLE YOU ARE For Voices And Guitars BY NICO MUHLY WORLD PREMIERE PHOTO NEEDED Featuring ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Nina Revering, conductor AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA Brent Baldwin, conductor HOW LITTLE YOU ARE BY NICO MUHLY | WORLD PREMIERE TEXAS PERFORMING ARTS PROGRAM: PLEASESEEINSERTFORTHEFIRSTHALFOFTHISEVENING'SPROGRAM ABOUT THE PROGRAM Sing Gary Barlow & Andrew Lloyd Webber, arr. Ed Lojeski From the first meetings aboutHow Little Renowned choral composer Eric Whitacre You Are, the partnering organizations was asked by Disney executives in 2009 Powerman Graham Reynolds knew we wanted to involve Conspirare to compose for a proposed animated film Youth Choirs and Austin Classical Guitar based on Rudyard Kipling’s beautiful story Libertango Ástor Piazzolla, arr. Oscar Escalada Youth Orchestra in the production and are The Seal Lullaby. Whitacre submitted this Austin Haller, piano delighted that they are performing these beautiful, lyrical work to the studios, but was works. later told that they decided to make “Kung The Seal Lullaby Eric Whitacre Fu Panda” instead. With its universal message issuing a quiet Shenandoah Traditional, arr. Matthew Lyons invitation, Gary Barlow and Andrew Lloyd In honor of the 19th-century American Webber’s Sing, commissioned for Queen poetry inspiring Nico Muhly’s How Little That Lonesome Road James Taylor & Don Grolnick, arr. Matthew Lyons Elizabeth’s Diamond Jubilee in 2012, brings You Are, we chose to end the first half with the sweetness of children’s voices to brilliant two quintessentially American folk songs Featuring relief. arranged for this occasion by Austin native ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Matthew Lyons. The haunting and beautiful Nina Revering, conductor Powerman by iconic Austin composer Shenandoah precedes James Taylor’s That Graham Reynolds was commissioned Lonesome Road, setting the stage for our AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA by ACG for the YouthFest component of experience of Muhly’s newest masterwork.
    [Show full text]
  • Concerts from the Library of Congress 2012-2013
    Concerts from the Library of Congress 2012-2013 LIBRARY LATE ACME & yMusic Friday, November 30, 2012 9:30 in the evening sprenger theater Atlas performing arts center The McKim Fund in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson; the fund supports the commissioning and performance of chamber music for violin and piano. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, ALARM WATCHES, OR OTHER NOISE-MAKING DEVICES THAT WOULD DISRUPT THE PERFORMANCE. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. THE LIBRARY OF CONGRESS Atlas Performing Arts Center FRIDAY, NOVEMBER 30, 2012, at 9:30 p.m. THE mckim Fund In the Library of Congress American Contemporary Music Ensemble Rob Moose and Caleb Burhans, violin Nadia Sirota, viola Clarice Jensen, cello Timothy Andres, piano CAROLINE ADELAIDE SHAW Limestone and Felt, for viola and cello DON BYRON Spin, for violin and piano (McKim Fund Commission) JOHN CAGE (1912-1992) String Quartet in Four Parts (1950) Quietly Flowing Along Slowly Rocking Nearly Stationary Quodlibet MICK BARR ACMED, for violin, viola and cello Intermission *Meet the Artists* yMusic Alex Sopp, flutes Hideaki Aomori, clarinets C.J.
    [Show full text]
  • Volume I (Final) Proofread
    UCLA UCLA Electronic Theses and Dissertations Title The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly Permalink https://escholarship.org/uc/item/5h4626dd Author Lee, Hyunjong Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly A dissertation submitted in partial satisfaction of the requirements for the degree Doctoral of Philosophy in Music by Hyunjong Lee 2014 © copyright by Hyunjong Lee 2014 ABSTRACT OF THE DISSERTATION The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly by Hyunjong Lee Doctor of Philosophy in Music University of California, Los Angeles, 2014 Professor Ian Krouse, Chair There are two volumes in this dissertation: the first is a monograph, and the second a musical composition, both of which are described below. Volume I These days, labels such as classical, rock and pop mean less and less since young musicians frequently blur boundaries between genres. These young musicians have built an alternative musical universe. I construct five different categories to explore this universe. They are 1) circuits of alternate concert venues, 2) cross-genre collaborations, 3) alternative modes of musical groups, 4) new compositional trends in classical chamber music, and 5) new ensembles and record labels. ii In this dissertation, I aim to explore these five categories, connecting them to recent cultural trends in New York.
    [Show full text]
  • For Immediate Release / August 27, 2021 San
    Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press Click here to access the Online Press Kit, which includes a PDF of this press release, performance video and photos, artist headshots, and program notes. FOR IMMEDIATE RELEASE / AUGUST 27, 2021 SAN FRANCISCO SYMPHONY RELEASES DIGITAL AUDIO RECORDING OF NICO MUHLY’S THROUGHLINE ON SFS MEDIA AUGUST 27, 2021 Throughline features contributions from all eight SF Symphony Collaborative Partners with members of the San Francisco Symphony Audio recorded in 24-bit/96kHz high-resolution; digital release available for streaming and download via major retailers worldwide Available now at sfsymphony.org/nicomuhly SAN FRANCISCO—The San Francisco Symphony and Music Director Esa-Pekka Salonen release Collaborative Partner Nico Muhly’s Throughline on SFS Media, available now wherever music is streamed and downloaded. Commissioned by the San Francisco Symphony and recorded September 22–25, 2020 in Davies Symphony Hall and around the globe, Throughline received its world premiere as part of the digital concert event “Throughline: San Francisco Symphony—From Hall to Home,” which was first broadcast on Bay Area public television and streamed online November 14, 2020. Muhly's "work of remarkable expressive power" (San Francisco Chronicle) offers a kinetic and seamlessly collaborative musical experience that captures the vibrant individualism of its performers. Throughline is available now in 24-bit/96kHz studio master-quality as a digital download and streaming via all major retailers worldwide. For more information, program notes, and performance video footage, visit sfsymphony.org/nicomuhly, and check out this promotional video clip to get ESA-PEKKA SALONEN, MUSIC DIRECTOR some insights about Throughline from composer Nico Muhly himself.
    [Show full text]
  • Innovate Music Lead Issue 2
    Issue 2 | March 1, 2018 INNOVATE. MUSIC. LEAD. A magazine of the Institute for Music Leadership at the Eastman School of Music The Importance of Artistry in Arts Leadership Also featuring: The How and Why of the Alternative Ensemble A Conversation with Donna Milanovich What is a Community Gamelan? Produced by the Paul R. Judy Center for Innovation and Research at the Eastman School of Music, Rochester, NY INNOVATE. MUSIC. LEAD. | Issue 2 2! EDITOR’S WELCOME INNOVATE. MUSIC. LEAD. There are important questions in our A magazine of the Eastman School of Music musical arts world that have no single answer, no clear solution, and no relevant ISSUE NUMBER 2 precedent. We face new challenges daily DATE OF RELEASE March 1, 2018 that require critical thinking, innovative solutions, and at times, improvisation. EDITOR-IN-CHIEF: James C. Doser MANAGING EDITOR: Steve Danyew One concept that we can reliably embrace and support is that the leaders of musical PUBLICATION SCHEDULE arts organizations – large and small – INNOVATE. MUSIC. LEAD. is published twice benefit from an intimate relationship and per year, in August and March. knowledge of music and music-making. It is this effective synergy between artistic SUBMISSIONS understanding and executive know-how that can be transformative for our We welcome submissions of research papers organizations, from the world’s largest to be published in INNOVATE. MUSIC. LEAD. opera companies, to artist-led orchestras We accept submissions on a rolling basis. If like the Chicago Philharmonic, alternative you have questions about your work and if it ensembles such as yMusic, and would be appropriate for this publication, community-based ensembles like Gamelan please email us at [email protected].
    [Show full text]
  • A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century
    A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program.
    [Show full text]
  • Eighth Blackbird Nathalie Joachim, Flutes Nick Photinos, Cello Michael Maccaferri, Clarinets Matthew Duvall, Percussion Yvonne Lam, Violin Lisa Kaplan, Piano
    Eighth Blackbird Nathalie Joachim, flutes Nick Photinos, cello Michael Maccaferri, clarinets Matthew Duvall, percussion Yvonne Lam, violin Lisa Kaplan, piano Concert: Jan. 23, 8 p.m. Master Class: Jan. 24, 12:30 p.m. Wilson G. Chandler Recital Hall F. Ludwig Diehn Center for the Performing Arts Nico Muhly: Doublespeak (2012) Ted Hearne: By-By Huey (2015) Timo Andres: Checkered Shade (2015) INTERMISSION Ned McGowan: The Garden of Iniquitous Creatures (2016) Bryce Dessner: Murder Ballades (2013) 1. Omie Wise—Young Emily 2. Dark Holler 3. Wave the Sea—Brushy Fork 4. Pretty Polly—Tears for Sister Polly Murder Ballades was commissioned by Eighth Blackbird and Lunapark and funded by De Doelen Rotterdam, Muziekgebouw aan ‘t IJ in Amsterdam, and Muziekgebouw Frits Philips in Eindhoven, with the financial support of The Van Beinum Foundation in The Netherlands, with additional support from the Museum of Contemporary Art, Chicago. The Garden of Iniquitous Creatures was commissioned by De Doelen Rotterdam for Eighth Blackbird. By-By Huey and Checkered Shade are part of Hand Eye, commissioned by the Maxine and Stuart Frankel Foundation for the Great Lakes Chamber Music Festival and by Carnegie Hall. For the legal and physical safety of the artists and for the comfort of the audience, cameras and other recording devices are not permitted in the theatre during the performance. An endowment established at the Hampton Roads Community Foundation, made possible by a generous gift from F. Ludwig Diehn, funds this program. Program Notes Nico Muhly: Doublespeak (2012) Nico Muhly (b.1981) is an American composer and sought-after collaborator whose influences range from American minimalism to the Anglican choral tradition.
    [Show full text]
  • Collaborating Remotely a Conversation with Ymusic
    CREATIVE ASSOCIATE SERIES Wednesday, Collaborating November 18, Remotely 1pm ET Join us on Zoom A Conversation With yMusic (Passcode: 308057) Photo: Graham Tolbert The Juilliard School presents Collaborating Remotely A Conversation With yMusic Since March 2020, yMusic has developed group compositions through generative meetings and layered round-robin home recording, editing, and mixing processes from the ensemble’s six home studios. The musicians of yMusic—Creative Associate Nadia Sirota (BM ’04, MM ’06, viola); Hideaki Aomori (BM ’04, clarinet); Gabriel Cabezas, cello; CJ Camerieri (BM ’04, trumpet); Rob Moose, violin; and Alex Sopp (BM ’05, MM ’07, flute)—will discuss their creative process and how they have adapted their collaborative practice during lockdown. They will also present a piece that they collaboratively composed from their separate spaces, talk about how their ideas about it have evolved, and dissect the recording session that they developed together despite current limitations. A Q&A with the artists will follow. Juilliard’s creative enterprise programming, including the Creative Associates program, is generously supported by Jody and John Arnhold. 1 yMusic The contemporary ensemble yMusic, founded in New Yo r k City in 2008, believes in presenting emotionally communicative music, regardless of style or idiom. The sextet’s virtuosic execution and unique configuration (string trio, flute, clarinet, and trumpet) have attracted the attention of high- profile collaborators—from Paul Simon to Bill T. Jones to Ben Folds—and inspired original works by today’s foremost composers, including Nico Photo: Graham Tolbert Muhly, Missy Mazzoli, and Andrew Norman. Last season, yMusic debuted a new work, Difference, by Grawemayer- and Grammy-winning composer Andrew Norman, toured the U.S.
    [Show full text]
  • Words & Buried Meaning
    The Juilliard School presents Words & Buried Meaning Creative Associate Nico Muhly in Conversation With Iestyn Davies Moderated by Creative Associate Nadia Sirota Friday, December 4, 1pm ET This discussion between Creative Associate Nico Muhly (MM ’04, composition) and countertenor Iestyn Davies will explore their years-long collaborations, including a chamber work dealing with archaeology and the beauty of the lost past (Old Bones); a monodrama about Alan Turing (Sentences); arrangements of folk music and John Dowland; and, most recently, a song created and recorded entirely during the COVID-19 lockdowns. The conversation will be moderated by Creative Associate Nadia Sirota (BM ’04, MM ’06, viola). The program may include excerpts from the following works: Sentences: Part III Iestyn Davies, Countertenor Britten Sinfonia Nico Muhly, Composer The Bitter Withy (Traditional, arr. Muhly) Iestyn Davies, Countertenor Britten Sinfonia New-Made Tongue Iestyn Davies, Countertenor Academy of St. Martin in the Fields Oliver Zeffman, Conductor Nico Muhly, Composer Old Bones Iestyn Davies, Countertenor Thomas Dunford, Theorbo Nico Muhly, Composer Time Stands Still (Dowland, arr. Muhly) Iestyn Davies, Countertenor Aurora Orchestra Nicholas Collon, Conductor Juilliard’s Creative Enterprise programming, including the Creative Associates program, is generously sponsored by Jody and John Arnhold. Special thanks to Kevin Anthenill, Olivia Fitzsimons, James Lemkin, Fritz Myers, Sue Spence, and the many members of the Juilliard community who helped bring this program to life. Panelists Nico Muhly Creative Associate Nico Muhly (MM ’04, composition) is an American composer and sought-after collaborator whose influences range from American minimalism to the Anglican choral tradition. The recipient of commissions from the Metropolitan Opera, Carnegie Hall, Los Angeles Philharmonic, Tallis Scholars and St.
    [Show full text]
  • Download the 78Th Series of Music Programs (PDF)
    78TH SEASON OF MUSIC AT THE GALLERY national gallery of art | january – may 2020 MUSIC WITHOUT BORDERS In 2019, we acknowledged the 30th anniversary of the fall of one of the world’s most emblematic walls, the Berlin Wall. The subject of borders and boundaries, whether actual walls or imagined limits, is very much on the collective mind as we enter a new decade. This winter and spring our concerts touch on this subject in readily accessible and subtle ways. A classically trained violinist who also improvises (Eunice Kim with Xavier Foley on January 5) has broken a genre boundary. A collaboration between two iconic chamber ensembles (Imani Winds and Catalyst Quartet on January 12) addresses the topic of immigra- tion head-on in a program presenting personal stories of the Great Migration. We continue to encourage our Gallery visitors to think outside the box with performances connected to the collection in both our Fourth Friday Sound Sketches and our Sunday concerts that highlight special exhibitions, such as Nordic Voices on February 9, for Alonso Berruguete: First Sculptor of Renaissance Spain; Agora Dance and Sound Impact on March 15, for Degas at the Opéra; and yMusic on April 19, for True to Nature: Open-Air Painting in Europe, 1770 – 1870. You’ll hear ancient music performed by modern musicians, contemporary ensembles playing brand new works, like Philip Glass’s first-ever composition for a percussion ensemble ( Third Coast Percussion, February 23), and cross-cultural experiences, such as Native American musician Robert Mirabal collaborating with PUBLIQuartet (April 26) and the Brasil Guitar Duo with Korean breakout guitarist Jiji (May 3).
    [Show full text]