Innovate Music Lead Issue 2
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MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, Soprano
MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano PROGRAM ROBERT SIROTA A Rush of Wings (b. 1949) JOAQUÍN TURINA Poema en forma de canciones (1882–1949) (Poem in the Form of Songs), Op. 19 Dedicatoria Nunca olvida… Cantares Los dos miedos Las locas por amor Ms. Martinez, soprano INTERMISSION ANTON BRUCKNER Symphony No. 7 in E Major (Cahis 13) (1841–1904) Allegro moderato Adagio: Sehr feierlich und sehr langsam Scherzo: Sehr schnell Finale: Bewegt, doch nicht schnell The school would like to recognize Julio Martinez, Shaina’s father, for his relentless efforts to find the manuscript of the Turina concerto and resolute support for Spanish vocal literature, and Dr. Manly Romero, Performance Librarian at MSM, for preparing a new edition of the score and orchestral parts from the manuscript. Without their efforts, this performance would not have been possible. CENTENNIAL NOTE Robert Sirota was President of Manhattan School of Music from 2005 to 2012, during which time he also was a member of the Composition faculty. He wrote A Rush of Wings in 2008 especially for the MSM Chamber Sinfonia, which premiered the work on January 26, 2009 at Carnegie Hall’s Zankel Hall. The concert, conducted by Kenneth Kiesler, showcased the School’s Graduate Program in Orchestral Performance with faculty members playing side-by-side with students. MSM’s OP Program began in 1991 and Glenn Dicterow, then Concertmaster of the New York Philharmonic, was a founding faculty member. -
Concerts from the Library of Congress 2012-2013
Concerts from the Library of Congress 2012-2013 LIBRARY LATE ACME & yMusic Friday, November 30, 2012 9:30 in the evening sprenger theater Atlas performing arts center The McKim Fund in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson; the fund supports the commissioning and performance of chamber music for violin and piano. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, ALARM WATCHES, OR OTHER NOISE-MAKING DEVICES THAT WOULD DISRUPT THE PERFORMANCE. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. THE LIBRARY OF CONGRESS Atlas Performing Arts Center FRIDAY, NOVEMBER 30, 2012, at 9:30 p.m. THE mckim Fund In the Library of Congress American Contemporary Music Ensemble Rob Moose and Caleb Burhans, violin Nadia Sirota, viola Clarice Jensen, cello Timothy Andres, piano CAROLINE ADELAIDE SHAW Limestone and Felt, for viola and cello DON BYRON Spin, for violin and piano (McKim Fund Commission) JOHN CAGE (1912-1992) String Quartet in Four Parts (1950) Quietly Flowing Along Slowly Rocking Nearly Stationary Quodlibet MICK BARR ACMED, for violin, viola and cello Intermission *Meet the Artists* yMusic Alex Sopp, flutes Hideaki Aomori, clarinets C.J. -
Cantate (Spring 2016)
2 • CANTATE • VOL. 28, NO. 2 • SPRING 2016 CALIFORNIA ACDA 5 | CH-CH-CHANGES FROM THE PRESIDENT’S PEN · BY LOU DE LA ROSA 7 | TBA LETTER FROM THE EDITOR · BY ELIZA RUBENSTEIN 8 | MESSIAH IN THE MARGINS PROJECT MESSIAH BRINGS HANDEL TO LOS ANGELES’ SKID ROW · BY ZANAIDA ROBLES 12 | PUTTING THE COMMUNITY IN COMMUNITY CHORUSES HOW ONE BAY-AREA CHORUS MAKES OUTREACH A PRIORITY · BY KRISTINA NAKAGAWA 14 | RETHINKING THE CLOSER THE COMPOSER’S VOICE · BY DALE TRUMBORE 16 | THE IRRESISTIBLE INTERVIEW PREPARING CHORAL EDUCATION STUDENTS FOR THE JOB SEARCH · BY CHRIS PETERSON 18 | 2016 SUMMER CONFERENCE AT ECCO NEW! COMPOSITION CONTEST AND POSTER SESSION! honor choir MEMBERs from 21 | SEEN AND HEARD El Diamante High School (John CA-ACDA MEMBERS IN PICTURES Sorber, director) at WD-ACDA in Pasadena (Photo by Brandi Rauen). 22 | NEWS AND NOTES more photos on page 21! HAPPENINGS FROM AROUND THE STATE 25 | VISION FOR THE FUTURE INTRODUCING THE NEW CHARLES C. HIRT SCHOLARSHIP 26 | VISION FOR THE FUTURE SCHOLARSHIP FUND DONORS 29 | TOP FIVE: MULTICULTURAL MUSIC BY DANIEL AFONSO 30 | TOP FIVE: SHOW CHOIRS BY BILL ZINN 32 | TOP FIVE: COLLEGE-LEVEL MUSIC BY ANGEL VÁZQUEZ-RAMOS 33 | TOP FIVE: MUSIC IN WORSHIP BY CHRISTOPHER GRAVIS 34 | CALIFORNIA ACDA DIRECTORY LEADING THE WAY CANTATE • VOL. 28, NO. 2 • SPRING 2016 • 3 CANTATE Volume 28, Number 2 Official publication of the California Chapter of the American WHEREAS, Choral Directors’ Association the human spirit is elevated to a broader understanding of itself Eliza Rubenstein, editor through study and performance in [email protected] the aesthetic arts, and WHEREAS, GUIDELINES FOR SUBMISSIONS serious cutbacks in funding and We welcome and encourage California ACDA support have steadily eroded state members to contribute articles, announcements, institutions and their programs music and book reviews, job vacancy listings, throughout our country, photographs, and other items of interest to Cantate! BE IT RESOLVED Please send queries and article ideas to that all citizens of the United [email protected]. -
Santtu-Matias Rouvali & Bryce Dessner
Santtu-Matias Rouvali & Bryce Dessner / 1 FOR IMMEDIATE RELEASE October 3, 2019 SANTTU-MATIAS ROUVALI TO MAKE NEW YORK PHILHARMONIC DEBUT NEW YORK PREMIERE of Bryce DESSNER’s Wires Featuring the Composer on Electric Guitar in His Philharmonic Debut Program Also To Include TCHAIKOVSKY’s Romeo and Juliet, Overture-Fantasy SIBELIUS’s Symphony No. 1 November 14–16, 2019 NIGHTCAP Kravis Nightcap Series at the Stanley H. Kaplan Penthouse Curated by Bryce Dessner, Hosted by Kravis Creative Partner Nadia Sirota November 16, 2019 Santtu-Matias Rouvali will make his New York Philharmonic debut conducting the New York Premiere of Bryce Dessner’s Wires, featuring the composer (lead guitarist of The National) on electric guitar in his Philharmonic debut; Tchaikovsky’s Romeo and Juliet, Overture-Fantasy; and Sibelius’s Symphony No. 1. The program will take place on Thursday, November 14, 2019, at 7:30 p.m.; Friday, November 15 at 8:00 p.m.; and Saturday, November 16 at 8:00 p.m. Bryce Dessner’s Wires combines his influences from New York and the European avant-garde. The title refers to both instrumental wires — primarily the strings of electric guitar, harp, and piano — and wires used in communication, such as phone lines and electrical transmissions. It was premiered in 2016 by Ensemble intercontemporain, founded by former Philharmonic Music Director Pierre Boulez. The Philharmonic has presented Mr. Dessner’s music twice before: Wave Movements in 2015 and Gift in 2016. Bryce Dessner will curate a Nightcap concert on Saturday, November 16, 2019, featuring works by Mr. Dessner, Kaija Saariaho, Berio, and Meredith Monk performed by pianist Adam Tendler and the Trimbach Trio, comprising yMusic violinist Rob Moose, violist Nadia Sirota, and cellist Gabriel Cabezas. -
Influencersnfluencers
Professionals MA 30 The of the year IInfluencersnfluencers december 2015 1. GEOFFREY JOHN DAVIES on the cover Founder and CEO The Violin Channel 2. LEILA GETZ 4 Founder and Artistic Director 3 Vancouver Recital Society 1 5 3. JORDAN PEIMER Executive Director ArtPower!, University of CA, San Diego 2 4. MICHAEL HEASTON 10 11 Director of the Domingo-Cafritz Young 6 7 9 Artist Program & Adviser to the Artistic Director Washington National Opera Associate Artistic Director Glimmerglass Festival 15 8 5. AMIT PELED 16 Cellist and Professor Peabody Conservatory 12 6. YEHUDA GILAD 17 Music Director, The Colburn Orchestra The Colburn School 13 Professor of Clarinet 23 Colburn and USC Thornton School of Music 14 7. ROCÍO MOLINA 20 Flamenco Dance Artist 22 24 8. FRANCISCO J. NÚÑEZ 19 21 Founder and Artistic Director 18 Young People’s Chorus of New York City 26 25 9. JON LIMBACHER Managing Director and President St. Paul Chamber Orchestra 28 10. CHERYL MENDELSON Chief Operating Officer 27 Harris Theater for Music and Dance, Chicago 30 11. MEI-ANN CHEN 29 Music Director Chicago Sinfonietta and 18. UTH ELT Memphis Symphony Orchestra R F Founder and President 24. AFA SADYKHLY DWORKIN San Francisco Performances President and Artistic Director 12. DAVID KATZ Sphinx Organization Founder and Chief Judge 19. HARLOTTE EE The American Prize C L President and Founder 25. DR. TIM LAUTZENHEISER Primo Artists Vice President of Education 13. JONATHAN HERMAN Conn-Selmer Executive Director 20. OIS EITZES National Guild for Community Arts Education L R Director of Arts and Cultural Programming 26. JANET COWPERTHWAITE WABE-FM, Atlanta Managing Director 14. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century
A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program. -
Collaborating Remotely a Conversation with Ymusic
CREATIVE ASSOCIATE SERIES Wednesday, Collaborating November 18, Remotely 1pm ET Join us on Zoom A Conversation With yMusic (Passcode: 308057) Photo: Graham Tolbert The Juilliard School presents Collaborating Remotely A Conversation With yMusic Since March 2020, yMusic has developed group compositions through generative meetings and layered round-robin home recording, editing, and mixing processes from the ensemble’s six home studios. The musicians of yMusic—Creative Associate Nadia Sirota (BM ’04, MM ’06, viola); Hideaki Aomori (BM ’04, clarinet); Gabriel Cabezas, cello; CJ Camerieri (BM ’04, trumpet); Rob Moose, violin; and Alex Sopp (BM ’05, MM ’07, flute)—will discuss their creative process and how they have adapted their collaborative practice during lockdown. They will also present a piece that they collaboratively composed from their separate spaces, talk about how their ideas about it have evolved, and dissect the recording session that they developed together despite current limitations. A Q&A with the artists will follow. Juilliard’s creative enterprise programming, including the Creative Associates program, is generously supported by Jody and John Arnhold. 1 yMusic The contemporary ensemble yMusic, founded in New Yo r k City in 2008, believes in presenting emotionally communicative music, regardless of style or idiom. The sextet’s virtuosic execution and unique configuration (string trio, flute, clarinet, and trumpet) have attracted the attention of high- profile collaborators—from Paul Simon to Bill T. Jones to Ben Folds—and inspired original works by today’s foremost composers, including Nico Photo: Graham Tolbert Muhly, Missy Mazzoli, and Andrew Norman. Last season, yMusic debuted a new work, Difference, by Grawemayer- and Grammy-winning composer Andrew Norman, toured the U.S. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Download the 78Th Series of Music Programs (PDF)
78TH SEASON OF MUSIC AT THE GALLERY national gallery of art | january – may 2020 MUSIC WITHOUT BORDERS In 2019, we acknowledged the 30th anniversary of the fall of one of the world’s most emblematic walls, the Berlin Wall. The subject of borders and boundaries, whether actual walls or imagined limits, is very much on the collective mind as we enter a new decade. This winter and spring our concerts touch on this subject in readily accessible and subtle ways. A classically trained violinist who also improvises (Eunice Kim with Xavier Foley on January 5) has broken a genre boundary. A collaboration between two iconic chamber ensembles (Imani Winds and Catalyst Quartet on January 12) addresses the topic of immigra- tion head-on in a program presenting personal stories of the Great Migration. We continue to encourage our Gallery visitors to think outside the box with performances connected to the collection in both our Fourth Friday Sound Sketches and our Sunday concerts that highlight special exhibitions, such as Nordic Voices on February 9, for Alonso Berruguete: First Sculptor of Renaissance Spain; Agora Dance and Sound Impact on March 15, for Degas at the Opéra; and yMusic on April 19, for True to Nature: Open-Air Painting in Europe, 1770 – 1870. You’ll hear ancient music performed by modern musicians, contemporary ensembles playing brand new works, like Philip Glass’s first-ever composition for a percussion ensemble ( Third Coast Percussion, February 23), and cross-cultural experiences, such as Native American musician Robert Mirabal collaborating with PUBLIQuartet (April 26) and the Brasil Guitar Duo with Korean breakout guitarist Jiji (May 3). -
Media Advisory
CONTACT: Jeanette Peach Cal Performances (949) 378-7338 [email protected] FOR IMMEDIATE RELEASE: April 19, 2021 Cal Performances at Home online press kit For a complete list of all Cal Performances at Home performances currently available visit calperformances.org/buy CAL PERFORMANCES AT UC BERKELEY PRESENTS NEW-MUSIC ENSEMBLE YMUSIC IN AN INNOVATIVE VIDEO PROGRAM FEATURING FIVE WORLD PREMIERES AS PART OF THE CAL PERFORMANCES AT HOME PERFORMING ARTS STREAMING SERIES THURSDAY, MAY 20 AT 7PM (PDT) Event features video collages that interweave creative visuals with performance footage Music program will be punctuated by conversations between yMusic members and composers Andrew Norman and Gabriella Smith This performance will be viewable on demand for three months, through August 18, 2021 Spring 2021 streaming series features a digital watch party on select Thursday evenings through June 10, 2021 Berkeley, April 19, 2021 — Cal Performances at UC Berkeley presents new-music ensemble yMusic in a virtual performance featuring five world premieres, debuting with an interactive digital watch party on Thursday, May 20 at 7pm (PDT). Cal Performances worked closely with yMusic’s performer-composers, guest composers Andrew Norman and Gabriella Smith, and filmmaker Jeremy Robins to create arresting music video collages that interweave interpretive visuals with performance footage. The program features the world premieres of five new works, all composed by yMusic: Baragon, Turkey Transfer, Zebras, Cloud, and Three Elephants, as well as works by Norman and Smith and one additional work by yMusic. The program will also feature members of the ensemble in conversation with guest composers Norman and Smith, as they discuss composing during a global pandemic and the process of bringing their works to life in an innovative video format.