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Rock and Roll Customers
Rock and Roll Customers 10CC Deep Purple John Martyn Paul McCartney Steve Hillage Abba Demis Roussos John Miles PFM Strawbs AC/DC Depeche Mode John Paul Jones Pink Floyd Supertramp Ace Dire Straits Julio Inglesias Pretenders Sweet Adam Ant ELP Justin Hayward Procul Harem Sweet Sensation Alan Parker Elton John Kate Bush Queen Swingle Singers Alex Harvey Eric Clapton Kiki Dee Ralph McTell Tangerine Dream Bad Manners Fabulous Poodles Kinks Ritchie Blackmore Ten Years After Barbara Dickson Frankie Miller Kokomo Rod Argent The Headboys Barclay James Harvest Gallagher & Lyle Led Zeppelin Rod Stewart The Slits Bay City Rollers Genesis Leo Sayer Roger Glover The Who Bee Gees Gilbert O’Sullivan Lindisfarne Rolling Stones Thin Lizzy Boomtown Rats Graham Parker Lone Star Ronnie Lane Three Degrees Boxer Harry Belafonte Love Machine Rory Gallagher Tom Robinson Bryan Ferry Hawkwind Madness Roxy Music Tubeway Army Camel Heavy Metal Kids Marvin Gaye Roy Harper Ultravox Caravan Hi Tension Meal Ticket Rubettes Uriah Heep Charles Aznavour Home Mike Oldfield Showaddywaddy Vinegar Joe Charlie Charles Horslips Moody Blues Small Faces Wings Chris Stanton Ian Dury Mud Smokie Wizzard Climax Blues Band Ian Gillan Band Mungo Jerry Snafu YES Cockney Rebel Iron Maiden Nazareth Soft Machine Colosseum Jeff Wayne Osibisa Sparks David Coverdale Jess Roden Paper Lace Status Quo David Essex Jethro Tull Patrick Moraz Steeleye Span www.cpcases.com 34 . -
2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession. -
The Deep Purple Tributes
[% META title = 'The Deep Purple Discography' %] The Deep Purple Tributes Here we will try to keep a list of known Deep Purple tributes -- full CDs only. (Covers of individual tracks are listed elsewhere.) The list is still not complete, but hopefully it will be in the future. Funky Junction Plays a Tribute to Deep Purple UK 1973 Stereo Gold Award MER 373 [1LP] Purple Tracks Performed by Eric Bell (guitar), Brian Downey (drums), Dave Lennox (keyboards), Phil Lynott (bass) and Fireball Black Night Benny White (vocals). Strange Kind of Woman Hush Speed King The first known Purple tribute was recorded as early as 1972. An unknown, starving band named Thin Lizzy (which consisted of Bell, Downey & Lynott) were offered a lump sum of money to record some Deep Purple songs. (The album contains also a few non-DP tracks.) They did - with the help from two Irish guys. The album came out in early 1973. It wasn't a success. In February, Thin Lizzy had a top ten hit with a single of their own. Read more about it here. The Moscow Symphony Orchestra in Performance of the Music of Deep Purple Japan 1992 Zero Records XRCN-1022 [1CD] UK 1992 Cromwell Productions CPCD 018 [1CD] Purple Tracks Smoke on the Water Performed by the Moscow Symphony Orchestra, conducted by Constantine Krimets. Arranged by Stephen Space Truckin' Child in Time Reeve and Martin Riley. Produced by Bob Carruthers. Recorded live (in the studio with no audience) during Black Night April 1992. Lazy The Mule Pictures of Home No drums, no drum machine, no guitar - in fact, no rock instruments at all, just a symphony orchestra. -
The Civilian Impact of Drone Strikes
THE CIVILIAN IMPACT OF DRONES: UNEXAMINED COSTS, UNANSWERED QUESTIONS Acknowledgements This report is the product of a collaboration between the Human Rights Clinic at Columbia Law School and the Center for Civilians in Conflict. At the Columbia Human Rights Clinic, research and authorship includes: Naureen Shah, Acting Director of the Human Rights Clinic and Associate Director of the Counterterrorism and Human Rights Project, Human Rights Institute at Columbia Law School, Rashmi Chopra, J.D. ‘13, Janine Morna, J.D. ‘12, Chantal Grut, L.L.M. ‘12, Emily Howie, L.L.M. ‘12, Daniel Mule, J.D. ‘13, Zoe Hutchinson, L.L.M. ‘12, Max Abbott, J.D. ‘12. Sarah Holewinski, Executive Director of Center for Civilians in Conflict, led staff from the Center in conceptualization of the report, and additional research and writing, including with Golzar Kheiltash, Erin Osterhaus and Lara Berlin. The report was designed by Marla Keenan of Center for Civilians in Conflict. Liz Lucas of Center for Civilians in Conflict led media outreach with Greta Moseson, pro- gram coordinator at the Human Rights Institute at Columbia Law School. The Columbia Human Rights Clinic and the Columbia Human Rights Institute are grateful to the Open Society Foundations and Bullitt Foundation for their financial support of the Institute’s Counterterrorism and Human Rights Project, and to Columbia Law School for its ongoing support. Copyright © 2012 Center for Civilians in Conflict (formerly CIVIC) and Human Rights Clinic at Columbia Law School All rights reserved Printed in the United States of America. Copies of this report are available for download at: www.civiliansinconflict.org Cover: Shakeel Khan lost his home and members of his family to a drone missile in 2010. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Arxiv:1503.00071V1 [Cs.MA] 28 Feb 2015 Is Why Police Officers in Large Numbers Are Assigned at These Places to Ensure Safe Management of Crowd
Crowd Congestion and Stampede Management through Multi Robotic Agents Garima Ahuja and Kamalakar Karlapalem Center for Data Engineering, International Institute of Information Technology Hyderabad, India {[email protected],[email protected]} Abstract. Crowd management is a complex, challenging and crucial task. Lack of appropriate management of crowd has, in past, led to many unfortunate stampedes with significant loss of life. To increase the crowd management efficiency, we deploy automated real time detection of stampede prone areas. Then, we use robotic agents to aid the crowd management police in controlling the crowd in these stampede prone ar- eas. While doing so, we aim for minimum interference by robotic agents in our environment. Thereby not disturbing the ambience and aesthetics of the place. We evaluate the effectiveness of our model in dealing with difficult scenarios like emergency evacuation and presence of localized congestion. Lastly, we simulate a multi agent system based on our model and use it to illustrate the utility of robotic agents for detecting and reducing congestion. Keywords: Crowd Management, Stampede, Congestion, Localized Con- gestion, Emergency Evacuation 1 Introduction Managing large crowds is a difficult task. Ineffective execution of this task can potentially lead to stampedes. History suggests that crowd management police appointed to prevent such incidents have not been very successful. During a coro- nation festival in Russia, a police force of 1,800 men failed to control the crowd, leading to loss of 1,389 lives by trampling [4]. Crowd management is a team task, it requires strategic communication to figure out where to lead the crowd. -
Jon Lord June 9 1941 – July 16 2012
Jon Lord June 9 1941 – July 16 2012 Founder member of Deep Purple, Jon Lord was born in Leicester. He began playing piano aged 6, studying classical music until leaving school at 17 to become a Solicitor’s clerk. Initially leaning towards the theatre, Jon moved to London in 1960 and trained at the Central School of Speech and Drama, winning a scholarship, and paying for food and lodgings by performing in pubs. In 1963 he broke away from the school with a group of teachers and other students to form the pioneering London Drama Centre. A year later, Jon “found himself“ in an R and B band called The Artwoods (fronted by Ronnie Wood’s brother, Art) where he remained until the summer of 1967. During this period, Jon became a much sought after session musician recording with the likes of Elton John, John Mayall, David Bowie, Jeff Beck and The Kinks (eg 'You Really Got Me'). In December 1967, Jon met guitarist Richie Blackmore and by early 1968 the pair had formed Deep Purple. The band would pioneer hard rock and go on to sell more than 100 million albums, play live to more than 10 million people, and were recognized in 1972 by The Guinness Book of World Records as “the loudest group in the world”. Deep Purple’s debut LP “Shades of Deep Purple” (1968) generated the American Top 5 smash hit “Hush”. In 1969, singer Ian Gillan and bassist Roger Glover joined and the band’s sound became heaver and more aggressive on “Deep Purple in Rock” (1970), where Jon developed a groundbreaking new way of amplifying the sound of the Hammond organ to match the distinctive sound of the electric guitar. -
DEEP PURPLE “Whoosh!“ VÖ: 07.08.2020 (Earmusic / EDEL)
DEEP PURPLE “Whoosh!“ VÖ: 07.08.2020 (earMusic / EDEL) Erhältlich als limitiertes CD+DVD Mediabook (inkl. 1h Video "Roger Glover and Bob Ezrin in Conversation" und der erstmaligen Veröffentlichung der vollständigen Perfomance der Band beim Hellfest 2017) 2LP+DVD Edition , limitiertes Boxset und als digitale Version "Whoosh! " kann hier vorbestellt werden: https://deeppurple.lnk.to/WhooshPR DEEP PURPLE KÜNDIGEN IHR BRANDNEUES STUDIOALBUM AN “WHOOSH!” ERSCHEINT AM 7. AUGUST ÜBER earMUSIC “Another album?! Whoosh?!! Gordon Bennet!!!” ‘When the Deep Purple falls Over sleepy garden walls And the stars begin to twinkle In the night…’ Ian Gillan Deep Purple geben den Titel und das Veröffentlichungsdatum ihres brandneuen Studioalbums bekannt. "Whoosh! " ist der Nachfolger der weltweiten Chart-Erfolge "inFinite " (2017) und " NOW What?! " (2013). Nachdem kryptische Botschaften und Interviews des Sängers Ian Gillan im vergangenen Dezember Spannung und Spekulationen innerhalb der Fangemeinde ausgelöst haben, bestätigt die Band nun die Veröffentlichung ihres 21. Studioalbums am 7. August 2020 über earMUSIC . Für „ Whoosh !“ vereinen Deep Purple zum dritten Mal ihre Kräfte mit Produzent Bob Ezrin . Gemeinsam schrieben und nahmen sie in Nashville die neuen Songs auf und kreierten das bislang vielseitigste Werk ihrer Zusammenarbeit. Deep Purple lassen sich in ihrem Schaffen nicht eingrenzen, strecken sich in alle Richtungen aus und lassen ihrer Kreativität freien Lauf. "Putting the Deep back into Purple " wurde im Studio schnell zum inoffiziellen Motto. Bereits mit den ersten Songs war klar: Deep Purple und Bob Ezrin waren auf dem Weg ein neues Album zu schaffen, das die Grenzen der Zeit überschreitet, während sie sich mit ihrem Unmut über die aktuelle Situation der Welt an alle Generationen richten. -
THE JOHN BYRNE BAND the John Byrne Band Is Led by Dublin Native and Philadelphia-Based John Byrne
THE JOHN BYRNE BAND The John Byrne Band is led by Dublin native and Philadelphia-based John Byrne. Their debut album, After the Wake, was released to critical acclaim on both sides of the Atlantic in 2011. With influences ranging from Tom Waits to Planxty, John’s songwriting honors and expands upon the musical and lyrical traditions of his native and adopted homes. John and the band followed up After the Wake in early 2013 with an album of Celtic and American traditional tunes. The album, Celtic/Folk, pushed the band on to the FolkDJ Charts, reaching number 36 in May 2015. Their third release, another collection of John Byrne originals, entitled “The Immigrant and the Orphan”, was released in Sept 2015. The album, once again, draws heavily on John’s love of Americana and Celtic Folk music and with the support of DJs around the country entered the FolkDJ Charts at number 40. Critics have called it “..a powerful, deeply moving work that will stay with you long after you have heard it” (Michael Tearson-Sing Out); “The Vibe of it (The Immigrant and the Orphan) is, at once, as rough as rock and as elegant as a calm ocean..each song on this album carries an honesty, integrity and quiet passion that will draw you into its world for years to come” (Terry Roland – No Depression); “If any element of Celtic, Americana or Indie-Folk is your thing, then this album is an absolute yes” (Beehive Candy); “It’s a gorgeous, nostalgic record filled with themes of loss, hope, history and lost loves; everything that tugs at your soul and spills your blood and guts…The Immigrant and the Orphan scorches the earth and emerges tough as nails” (Jane Roser – That Music Mag) The album was released to a sold-out crowd at the storied World Café Live in Philadelphia and 2 weeks later to a sold-out crowd at the Mercantile in Dublin, Ireland. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1. -
“Classic Deep Purple Live” Performed by Glen Hughes Keswick Theatre Friday, September 7
“CLASSIC DEEP PURPLE LIVE” PERFORMED BY GLEN HUGHES KESWICK THEATRE FRIDAY, SEPTEMBER 7 Glenn Hughes, former bassist and singer of Deep Purple, known to millions as the ‘Voice of Rock’, Rock and Roll Hall of Fame inductee, and the current front man for rock super group Black Country Communion is pleased to announce that he will be performing Deep Purple only material with his “CLASSIC DEEP PURPLE LIVE” at the Keswick Theatre in Glenside, PA on Friday, September 7. The tour promises to be dynamic, a turn-back-the-clocks, two-hour live extravaganza homage to his tenure in MK 3 and MK 4 incarnations of Deep Purple - one of music history’s most seminal and influential rock and roll groups. "I'm excited to be touring the “Classic Deep Purple Live” in the US this year. I first toured Classic Deep Purple Live in Australia and New Zealand last year and it went down like a storm. We’re also touring the show throughout South America and international festivals throughout the summer. By the time we tour the US, then the UK in October, we’ll be on fire.” As well as Glenn on lead vocals and bass guitar, the touring band also features Soren Anderson (guitar), Jesper Bo Hansen (keyboards) and Fer Escobedo (drums) Deep Purple took a quantum leap when the then 20-year-old Glenn Hughes was seconded from British funk-rock outfit Trapeze in mid-1973. As bassist and co-vocalist (with David Coverdale), he helped steer the legendary rock group in the progressive direction of Burn (1974), Stormbringer (1974) and Come Taste the Band (1975), while touring the world for three years. -
WHAT's GOING on HERE As Recorded by Deep Purple (From the 1974 Album "Burn")
WHAT'S GOING ON HERE As recorded by Deep Purple (from the 1974 Album "Burn") Transcribed by Slowhand Words by Ritchie Blackmore, Glenn Hughes, Jon Lord, Ian Paice & David Coverdale Music by Ritchie Blackmore, Glenn Hughes, Jon Lord, Ian Paice & David Coverdale A Intro P = 128 (P P = PDPR) A5 B5 E5 A5 B5 E5 c c 1 gg 4 j k c V W V c V I 4 V W V V W V V W V V V W V V W V Gtr I T A 9 9 9 9 B 7 9 9 7 7 7 7 9 9 7 5 7 7 5 7 7 g 4 j V V V V V W k j j V V V V V I g 4 V u Gtrs II, III Full Full Full Full M M |||||||||| M M T 9 9 9 9 7 7 9 9 9 9 7 A 9 B sl. Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ WHAT'S GOING ON HERE - Deep Purple Page 2 of 14 A5 B5 G5 c 5 gg W V c I W V V W V V U V W V V U T A 9 9 5 5 B 7 7 7 9 9 5 5 5 7 7 3 3 g W k c V V V V V U I g V V Gtr II Full Full ||||||||||||||||||||| M M ||| T 7 9 9 9 9 7 7 A 7 9 B V V U g W k c V V V I g V V Gtr III Full Full ||| ||||||||||||||||||||| M M T 10 10 10 7 9 9 9 A 7 9 B Fb5 8 gg c k j I V V T A 4 B 4 2 3 3 3 3 3 V gg V V V f V V V V I V V V V V V V V V V V V V V w/ wha 3 3 Gtr II FullM FullM 2 T 2 2 4 5 4 2 4 2 2 2 2 4 2 2 2 A 4 4 4 2 4 4 B Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ WHAT'S GOING ON HERE - Deep Purple Page 3 of 14 B 1st - 3rd Verses TN.C.