2014–15 Fine Arts 2014–15 Acknowledgements All works © the artists and architect Antonella Salvatore and Inge Lyse Hansen, John Cabot University, Rome Editor: Marco Palmieri Translations: Beatrice Gelosia Juliet Franks, The Ruskin School of Art, University Graphic design: Praline of Oxford, Oxford Printed in Belgium by Graphius Sarah Linford, Accademia di Belle Arti di Roma, Rome Published in 2015 by the British School at Rome Anna d’Amelio Carbone, Fabrizio Del Signore, Adrienne Drake, 10 Carlton House Terrace Niccolò Fano, Hou Hanru, Manuela Pacella, Armando Porcari, London SW1Y 5AH Carolina Pozzi, Donatella Saroli, Marcello Smarrelli, Carmen Stolfi British School at Rome Via Gramsci 61, 00197 Rome Giulia Carletti, Francesca Gallo, Stella Rendina, Anne Stelzer Registered Charity 314176 Photography courtesy of the artists and architects, except: Roberto Apa (pages 7, 8, 10, 11, 13, 16–19, 22–37, 40–5, www.bsr.ac.uk 48–51), Grant Hancock (pages 20, 21) and Don Hildred (pages 46, 47) ISSN 1475-8733 ISBN 978-0-904152-73-9

The projects realised by Angela Brennan, Gregory Hodge, Susan Norrie and Mona Ryder have been assisted by the Commonwealth Government through the Council, its Arts funding and advisory body.

The Incorporated Edwin Austin The Derek Hill Foundation Abbey Memorial Scholarships

Nicholas Berwin Charitable Trust Contents

4 Preface: Christopher Smith 6 Introduction: Marco Palmieri

Exhibitors 16 Georges Audet 18 Angela Brennan 20 Nic Brown 22 Adam Nathaniel Furman 24 Paul James Gomes 26 Rowena Harris 28 Gregory Hodge 30 Alexi Keywan 32 David McCue 34 Gina Medcalf 36 Nancy Milner 38 Susan Norrie 40 Catherine O’Donnell 42 Gill Ord 44 Florian Roithmayr 46 Mona Ryder 48 Daniel Sinsel 50 Emily Speed

52 Biographies 63 BSR Faculty of the Fine Arts and Staff Preface / Prefazione

The community of artists at the BSR is not only the La comunità di artisti residenti alla BSR non è costituita community of any given year, but stretches back across soltanto dal gruppo di ogni singolo anno, ma si a century. I have been reminded of this through this year prolunga lungo tutto un secolo. Questa realtà è stata as the paths of current and past award-holders have confermata dal fatto che quest’anno i percorsi dei crossed and intertwined. The last event of the academic borsisti attuali e di quelli del passato si sono incrociati year saw six former award-holders, Joey Bryniarska, Mick e intrecciati. L’ultimo evento dell’anno accademico ha Finch, Louisa Minkin, Emma Talbot, Susan Trangmar and visto tornare alla BSR sei borsisti degli scorsi anni, Joey Martin Westwood, all currently at Central Saint Martins, Bryniarska, Mick Finch, Louisa Minkin, Emma Talbot, returning to the BSR with other colleagues to talk about Susan Trangmar e Martin Westwood, tutti attualmente concepts of spolia and relic. Each carried their own al Central Saint Martins, che, insieme ad altri relatori, memories of the BSR, and recalled connections made hanno partecipato ad un evento sul concetto di spolia e here; for example, Jacopo Benci talked about Michel reliquie. Ognuno di loro ha portato con sé i propri ricordi Serres, an author he encountered with Susan Trangmar. della BSR e si è ricollegato alle relazioni intessute qui; Several current award-holders participated. It was tra gli altri Jacopo Benci ci ha parlato di Michel Serres, a reminder that the BSR unites across time. un autore incontrato con Susan Trangmar. Molti borsisti Another reminder of the success and di quest’anno hanno preso parte a questo evento, che interdisciplinarity of our former award-holders has ci ha dato così l’opportunità di ricordare come la BSR come with news of Cornelia Parker’s trio of recent unisca le persone attraverso il tempo. accomplishments: her critically acclaimed solo exhibition Un altro esempio del successo e dell’inter- at The Whitworth in Manchester (which marked its disciplinarietà dei nostri ex borsisti, è arrivato dalla reopening), her Royal Academy-curated installation notizia di ben tre traguardi raggiunti da Cornelia at London’s St Pancras International Station and her Parker: la sua mostra personale, acclamata dalla Magna Carta (An Embroidery) project at the British critica, alla Whitworth di Manchester (che ne ha Library, specially commissioned for the anniversary segnato la riapertura), la sua installazione alla St of the Magna Carta. As the latter was unveiled — or Pancras International Station di Londra, curata dalla unrolled — Helen Sear opened her exhibition for Wales Royal Academy, e il suo progetto alla British Library at the Venice Biennale. Thanks to the British Council, Magna Carta (An Embroidery), commissionato BSR award-holders were able to visit the Biennale’s espressamente per l’anniversario della Magna Carta. vernissage this year. Mentre si presentava la mostra alla British Library, Other highlights of this year include an inspiring Helen Sear ha inaugurato la sua esposizione alla lecture by Nathan Coley as part of the Craignish Biennale di Venezia come rappresentante per il Galles. Trust Visiting Artist Programme, and lectures by Bernice Grazie al British Council, i borsisti della BSR hanno Donszelmann and Tim Renshaw, Vanessa Jackson, avuto modo quest’anno di partecipare al vernissage and Joey Bryniarska and Martin Westwood, supported della Biennale. by a grant from the Arts Club Charitable Trust to the Sempre per quanto riguarda lo scorso anno Abbey Council. We were also delighted to have been accademico c’è da evidenziare, inoltre, un’interessante able to work with Christie’s to organise a fascinating conferenza di Nathan Coley, parte del Craignish Trust study afternoon on collecting and the international Visiting Artist Programme, e le conferenze di Bernice art market. Marina Engel’s programme on architecture Donszelmann e Tim Renshaw, Vanessa Jackson, e Joey and the creative process concluded with a challenging Bryniarska e Martin Westwood, rese possibili grazie exhibition and conversation between artists Alfredo al contributo dell’Arts Club Charitable Trust attraverso Pirri and Thomas Schütte on the boundaries between l’Abbey Council. Siamo stati molto lieti di aver avuto art and architecture. anche l’occasione di lavorare con Christie’s per Marco Palmieri has built on the success of last organizzare un coinvolgente pomeriggio di studio year by assisting our award-holders with a number of sul collezionismo ed il mercato d’arte internazionale. external shows. Our own exhibitions have been expertly Il programma sull’architettura ed il processo creativo

4 FINE ARTS 2014–15 put together by Marco and a team of interns, and are curato da Marina Engel si è concluso con una mostra attracting ever greater audiences. Our June mostra was e una conversazione tra Alfredo Pirri e Thomas Schütte the BSR’s contribution to Rome’s International Festival of sui confini tra arte e architettura. Culture, co-organised with embassies, cultural institutes Marco Palmieri ha confermato il successo ottenuto and the other foreign academies. BSR art is clearly on lo scorso anno aiutando i nostri borsisti ad organizzare the Rome cultural map. diverse esposizioni esterne. Le mostre del nostro anno None of this would be possible without the accademico sono state curate da Marco con l’aiuto generous support of the trusts, foundations and di un team di collaboratori, e hanno attirato un numero individuals who co-fund our awards. It is as ever a sempre crescente di visitatori. La mostra di giugno pleasure and honour to thank the Australia Council è stata inclusa nel Festa Internazionale di Cultura for the Arts; the Australian Experimental Art Foundation di Roma, organizzata con le ambasciate, gli istituti (with Cibo Espresso, the Helpmann Academy and culturali e altre accademie straniere. La BSR, con Arts SA); the Conseil des Arts et des Lettres du il suo programma di arti visive, è senza dubbio inserita Québec; Creative Scotland; the Derek Hill Foundation; del circuito culturale romano. the Incorporated Edwin Austin Abbey Memorial Niente di tutto questo sarebbe stato possibile Scholarships; the Linbury Trust; the National Art School, senza il generoso contributo degli enti, delle fondazioni Sydney; the Nicholas Berwin Charitable Trust; and the e dei privati che hanno aiutato a sostenere le nostre William Fletcher Foundation (NSW, Australia); as well borse di studio. È come sempre un piacere e un onore as the private donors to the Rome Prize in Architecture, ringraziare l’Australia Council for the Arts; l’Australian including Robert Adam, Bob Allies, Tim Bell, Jeremy Experimental Art Foundation (con Cibo Espresso, Blake, Peter Harris, Eric Parry, Hugh Petter and Robert l’Helpmann Academy ed Arts SA); il Conseil des Arts Tavernor. This funding is absolutely essential, for the et des Lettres du Québec; Creative Scotland; la Derek BSR receives no government funding for its Fine Arts Hill Foundation; l’Incorporated Edwin Austin Abbey programme, and contributes from its own resources Memorial Scholarships; il Linbury Trust; la National Art to sustain a full studio programme. School di Sydney; il Nicholas Berwin Charitable Trust; We are extremely grateful to the members of the e la William Fletcher Foundation (NSW, Australia); e BSR’s Faculty of the Fine Arts and to other members tutti i sostenitori privati del Rome Prize in Architecture: of selection panels. They continue to devote much Robert Adam, Bob Allies, Tim Bell, Jeremy Blake, Peter time and care to the selection of artists and architects, Harris, Eric Parry, Hugh Petter e Robert Tavernor. Questi appointing people who, in addition to being excellent contributi sono assolutamente essenziali, visto che la in their own fields, contribute significantly to the BSR’s BSR non riceve fondi pubblici per il programma delle interdisciplinary community. arti visive e quindi deve concorrere con le proprie risorse We are determined to continue to build support per sostenerlo. for this remarkable community. As we enter our second Siamo estremamente grati ai membri della Faculty century in the BSR’s current building, we are able at of the Fine Arts della BSR e agli altri componenti dei last to complete the renovation of the studios, begun by vari comitati per la selezione dei borsisti. Tutti loro my predecessor, with new skylights, new double-glazed continuano a dedicare molto tempo e impegno alla doors and windows, and better ventilation. With this scelta di artisti ed architetti, selezionando persone che, behind us, our goal must be to create an ever sounder oltre ad essere straordinarie nei loro campi di interesse, footing for a second century of artists at the BSR. portano il proprio considerevole contributo alla comunità interdisciplinare della BSR. Siamo determinati a continuare a sostenere questa straordinaria comunità. Entrando nel secondo secolo dalla costruzione dell’attuale edificio della BSR, siamo finalmente in grado di completare il restauro degli studi per gli artisti, cominciato dal mio predecessore, con nuovi lucernari, nuove porte e finestre in doppio vetro e un miglior sistema di aerazione. Lasciandoci questo alle spalle, il nostro obiettivo sarà quello di raggiungere una posizione ancora più risonante per un nuovo secolo di artisti alla BSR.

CHRISTOPHER SMITH — DIRECTOR 5 Introduction / Introduzione

This year, there have been numerous conversations Quest’anno alla BSR si è molto parlato di ‘Inspiring in the British School at Rome about ‘Inspiring creative creative research’. Con elegante semplicità queste tre research’. With elegant simplicity, these three words parole lanciano un messaggio forte ed essenziale che promote a strong and important message that stands rappresenta il valore primario della BSR; la cultura as a core value of the BSR; culture is a vital asset, which è un bene vitale, che necessita di un sostegno costante needs constant and attentive support. The aim of the ed attento. L’obiettivo del programma di arte visiva è Fine Arts residency programme is specifically to inspire esattamente quello di ispirare ricerca creativa. Le mostre creative research. Our award-holders’ exhibitions, their dei nostri borsisti, le loro opere, i loro percorsi di ricerca, works, their lines of research truly stand out and impact si distinguono e influenzano realmente i diversi aspetti various aspects of our collective creative culture, within della nostra cultura creativa collettiva, sia in Italia Italy and in the rest of the world. This catalogue offers che nel resto del mondo. Questo catalogo permette us a brief glimpse into the work produced during their di posare per un attimo lo sguardo sulle opere create stay and their numerous achievements. durante il soggiorno romano dei nostri borsisti e sui Throughout the year, many people have risultati da loro ottenuti. contributed to fostering the work of our award-holders: Nel corso dell’anno, molte persone hanno the generous support of the funding bodies that make contribuito a promuovere il lavoro dei nostri borsisti: such residencies possible; the hard work of all the BSR il generoso contributo degli enti che finanziano le staff; and the numerous curators and directors from borse di studio, il lavoro di tutto il personale della BSR, galleries and museums around Rome who come to meet i numerosi curatori e direttori delle gallerie e dei musei the award-holders in their studios, as well as visits by di Roma che si sono resi disponibili ad incontrare i nostri BSR Council and Faculty of the Fine Arts members. The artisti nei loro studi, e tutti i membri del Council e della numerous talks and lectures, as well as organised visits Faculty of the Fine Arts che sono venuti in visita alla to sites, museums and galleries, provide inspiration for BSR. Fonte di ispirazione per gli artisti sono state le the resident artists, often taking their ideas and work numerose conferenze e convegni e le frequenti visite a in new and exciting directions. siti, musei e gallerie, attività che hanno spesso portato The on-going architecture programme, Meeting le loro idee e il loro lavoro in nuove e stimolanti direzioni. Architecture: Architecture and the Creative Process, Nel programma di architettura Meeting curated by Marina Engel, provides a series of exciting Architecture: Architecture and the Creative Process, talks and conversations between architects and other curato da Marina Engel, sono state inserite una serie eminent individuals from various sectors of the creative di interessanti conferenze e conversazioni tra architetti industries. Jacopo Benci, our Senior Research Fellow ed altre illustri figure provenienti dai vari settori in Modern Studies and Contemporary Visual Culture, dell’industria creativa. Jacopo Benci, nostro Senior dedicated an event to Superstudio, the architecture Research Fellow in Modern Studies and Contemporary studio founded in Florence in 1966: a screening of Visual Culture, ha dedicato un evento a Superstudio, their two films — Supersurface: Life and Ceremony — lo studio di architettura fondato a Firenze nel 1966: was followed by a conversation between Superstudio alla proiezione di due loro film — Supersurface: Life co-founder and archivist Piero Frassinelli and e Ceremony — è seguita una conversazione tra uno Jacopo Benci. dei fondatori e l’archivista di Superstudio, Piero Thanks to the support of the Craignish Trust, Frassinelli, e Jacopo Benci. the BSR was able to host a talk by the artist Nathan Grazie al sostegno del Craignish Trust, la BSR Coley, with the title NEVER TRUST A LOVING GOD. ha potuto ospitare una conferenza dell’artista Nathan The artist discussed many of his earlier and current Coley, dal titolo: NEVER TRUST A LOVING GOD, works with the audience, exploring the ideas and lines durante la quale l’autore ha avuto uno scambio di of research feeding into his practice. He also visited opinioni sulla sua produzione passata e recente, e ha many of the award-holders in their studios, developing esposto le idee ed i percorsi di ricerca da cui nascono conversations that were initiated by his talk. i suoi lavori. L’artista ha anche incontrato molti dei

6 FINE ARTS 2014–15 December Mostra Installation view, 2014

MARCO PALMIERI — VISUAL ART RESIDENCY AND PROGRAMME CURATOR 7 December Mostra — both images Installation view, 2014

8 FINE ARTS 2014–15 As a result of a generous grant from the Arts Club borsisti nei loro studi, portando avanti il dibattito nato Charitable Trust to the Abbey Council, we had the dalla sua conferenza. privilege to welcome back Bernice Donszelmann and Come risultato di una generosa donazione da Tim Renshaw, Vanessa Jackson, and Joey Bryniarska and parte dell’Arts Club Charitable Trust all’Abbey Council, Martin Westwood, all former award-holders. In addition abbiamo avuto il privilegio di accogliere nuovamente to giving talks, they spent time with the award-holders i nostri ex borsisti Bernice Donszelmann e Tim Renshaw, and made studio visits. Vanessa Jackson, e Joey Bryniarska e Martin Westwood, In June, Martin Westwood, together with Mick che, oltre a tenere le proprie conferenze, hanno avuto Finch, organised a workshop, Headstone to Hard Drive modo di incontrare i borsisti nei loro studi. III. Spolia, Relic, Data. This ambitious one-day event Nel mese di giugno, Martin Westwood e brought together a large and distinguished number Mick Finch hanno organizzato un seminario dal titolo of artists, historians and art historians to explore the Headstone to Hard Drive III. Spolia, Relic, Data. Questo concepts of spolia and relic. ambizioso evento ha visto la partecipazione di un gran Important highlights each year for the Fine Arts numero di eminenti artisti, storici e storici dell’arte che residency programme are the three Mostre, which hanno preso in esame il concetto di spolia e reliquie. take place in December, March and June. These group Ogni anno il punto di forza del programma di exhibitions present the ongoing work of the current arti visive è costituito dalle tre Mostre, che si svolgono award-holders, introducing the outcome of their stay a dicembre, marzo e giugno. Queste mostre collettive in Rome to the Roman audience. December Mostra presentano le opere dei borsisti e consentono di esporre included work by Adam Nathaniel Furman, Rowena al pubblico romano i risultati del lavoro svolto durante Harris, Nancy Milner, Gill Ord, Florian Roithmayr la residenza a Roma. Nella December Mostra erano and Emily Speed. During March Mostra, the following esposte le opere di Adam Nathaniel Furman, Rowena award-holders exhibited their work: Georges Audet, Harris, Nancy Milner, Gill Ord, Florian Roithmayr ed Adam Nathaniel Furman, Paul James Gomes, Rowena Emily Speed. Durante la March Mostra abbiamo visto Harris, Gregory Hodge, David McCue, Gina Medcalf il lavoro di Georges Audet, Adam Nathaniel Furman, and Nancy Milner. The final show of the academic year, Paul James Gomes, Rowena Harris, Gregory Hodge, June Mostra, included work by Angela Brennan, Rowena David McCue, Gina Medcalf e Nancy Milner. La mostra Harris, Alexi Keywan, Nancy Milner, Catherine finale dell’anno accademico, June Mostra, ha messo O’Donnell and Daniel Sinsel. insieme le opere di Angela Brennan, Rowena Harris, These three shows were made possible thanks Alexi Keywan, Nancy Milner, Catherine O’Donnell to the hard work of all the artists, and the support e Daniel Sinsel. of all the BSR staff. Further help was offered by the Questi tre eventi sono stati realizzati grazie al generous technical support of the Fine Arts interns: grande impegno degli artisti e al contributo di tutto il Giulia Carletti, Francesca Gallo, Stella Rendina and personale della BSR, al quale si aggiunge il generoso Anne Stelzer dedicated numerous hours to helping sostegno tecnico di diversi stagisti che hanno to install and invigilate the shows. dedicato molto del loro tempo aiutando nella cura The Mostre offered many members of the Roman dell’allestimento e durante la vigilanza delle mostre: audience an opportunity to see and further explore Giulia Carletti, Francesca Gallo, Stella Rendina the practice of our award-holders. These moments e Anne Stelzer. of exchange between the BSR and the city of Rome Le mostre offrono al nutrito pubblico romano are important, but engagement with the city is not l’opportunità di vedere e studiare attentamente le limited to these three exhibitions. Many of our award- attività dei nostri borsisti. Questi momenti di scambio holders, present and past, have exhibited in Rome tra la BSR e la città di Roma sono fondamentali, ma throughout the year. il coinvolgimento con la città non si limita a questi tre In January, former award-holder Eddie Peake eventi. Molti dei nostri borsisti presenti e passati, infatti, (Abbey Scholar in Painting 2008–9) visited Rome for hanno avuto durante l’anno l’opportunità di allestire the opening of his solo show at Galleria Lorcan O’Neill. mostre in altre sedi a Roma. In February, Eddie Peake and Rowena Harris (Sainsbury A gennaio il nostro ex borsista Eddie Peake Scholar in Painting and Sculpture) were included (Abbey Scholar in Painting 2008–9) ha inaugurato la in the group show Conversation Piece | Part 1 at the sua personale alla Galleria Lorcan O’Neill. In febbraio Fondazione Memmo. In March the work of Ursula Burke Eddie Peake e Rowena Harris (Sainsbury Scholar in

MARCO PALMIERI — VISUAL ART RESIDENCY AND PROGRAMME CURATOR 9 March Mostra Installation view, 2015

10 FINE ARTS 2014–15 March Mostra — both images Installation view, 2015

MARCO PALMIERI — VISUAL ART RESIDENCY AND PROGRAMME CURATOR 11 (Arts Council of Northern Ireland Fellow 2013–14) Painting and Sculpture) hanno partecipato alla mostra was included in the group show Displacements. The collettiva Conversation Piece | Part 1 alla Fondazione Trouble With Being Human These Days at the gallery Memmo. Nel mese di marzo i lavori di Ursula Burke Ex Elettrofonica. In June, Catherine O’Donnell (National (Arts Council of Northern Ireland Fellow 2013–14) Art School, Sydney, Resident in Drawing) and Nancy sono stati esposti nella collettiva Displacements. The Milner (Abbey Scholar in Painting) were included in Trouble With Being Human These Days alla galleria Ex the group show Spazi Aperti at the Romanian Academy. Elettrofonica. A giugno, Catherine O’Donnell (National The academic year ended with Rowena Harris’s solo Art School, Sydney, Resident in Drawing) e Nancy show in June, Being both on and within, as I said, Milner (Abbey Scholar in Painting) hanno partecipato at the Gallery Apart. alla mostra collettiva organizzata dall’Accademia di This small selection of achievements provides Romania: Spazi Aperti. Infine, l’anno accademico si è an impression of the sort of impact that the artists, concluso, sempre nel mese di giugno, con la personale architects and filmmakers make in the city during and di Rowena Harris, Being both on and within, as I said, after their residencies at the BSR. Needless to say, their alla Gallery Apart. impact expands far beyond Rome. At this year’s Venice Questo rapido elenco di eventi può dare un’idea Biennale, Helen Sear (Rome Awardee 1992–3, and del tipo di impatto che artisti, architetti e videomaker current member of the BSR’s Faculty of the Fine Arts) hanno sulla città durante e dopo la loro residenza is representing Wales, with her exhibition … the rest is alla BSR. Non c’è bisogno di dire che questo effetto smoke. Further examples of the achievements of past si espande ben oltre Roma. Alla Biennale di Venezia, award-holders can be found in our Annual Review. quest’anno, Helen Sear (Rome Awardee 1992–3 The ongoing dialogue with the city has also e attuale membro della Faculty of the Fine Arts della developed this year through continuous studio visits BSR) rappresenta il Galles con la sua mostra … the by various significant figures from the art world, to rest is smoke. Altri esempi dei risultati ottenuti dai nostri engage directly with our award-holders: Anna d’Amelio ex borsisti si possono trovare nel nostro Annual Review. Carbone (director of Fondazione Memmo), Fabrizio Il dialogo aperto con la città quest’anno è Del Signore (director of Gallery Apart), Adrienne Drake dimostrato anche dalle visite agli studi da parte di (curator of Fondazione Giuliani), Hou Hanru (director eminenti figure del mondo artistico internazionale: Anna of MAXXI), Manuela Pacella (curator), Armando Porcari d’Amelio Carbone (direttore della Fondazione Memmo), (director of Gallery Apart), Carolina Pozzi (editor of Fabrizio Del Signore (direttore di Gallery Apart), WheresArt), Marcello Smarrelli (curator of Pastificio Adrienne Drake (curatore della Fondazione Giuliani), Cerere) and Carmen Stolfi (editor of WheresArt). Hou Hanru (direttore del MAXXI), Manuela Pacella (curatore), Armando Porcari (direttore di Gallery Apart), Carolina Pozzi (editore di WheresArt), Marcello Smarrelli (curatore del Pastificio Cerere) e Carmen Stolfi (editore di WheresArt).

12 FINE ARTS 2014–15 June Mostra Installation view, 2015

MARCO PALMIERI — VISUAL ART RESIDENCY AND PROGRAMME CURATOR 13 Exhibitions

December Mostra 12–20 December 2014 Adam Nathaniel Furman, Rowena Harris, Nancy Milner, Gill Ord, Florian Roithmayr, Emily Speed

March Mostra 13–21 March 2015 Georges Audet, Adam Nathaniel Furman, Paul James Gomes, Rowena Harris, Gregory Hodge, David McCue, Gina Medcalf, Nancy Milner

June Mostra 12–20 June 2015 Angela Brennan, Rowena Harris, Alexi Keywan, Nancy Milner, Catherine O’Donnell, Daniel Sinsel

14 FINE ARTS 2014–15 Exhibitors Roma mi amor III Ink on paper (map), 62 × 50 cm, 2015

16 GEORGES AUDET The British School Room at Rome II Paper bricks, ink on paper (maps), dimensions variable, 2015

17 the name in so far as it names a thing, is nothing but the thing insofar as it is named by the name Oil on linen, 220 × 183 cm, 2015

18 ANGELA BRENNAN Stepping into the same river twice Oil on linen, 64 × 57 cm, 2015

19 There was a greenness in the air #3 Oil on canvas, 14 × 14 cm, 2014

20 NIC BROWN There was a greenness in the air #4 Oil on canvas, 10.5 × 16.5 cm, 2014

21 The Roman Singularity: City in Ceramics and Capriccio Pencil and pen, 3-D printed glazed earthenware, stoneware and porcelain, dimensions variable, 2015

22 ADAM NATHANIEL FURMAN 23 Roma Sub Rosa 2 channel video installation, HD, colour, stereo, 9.20 mins; 4.55 mins; book pressed roses and dried petals, Rome / Scotland 2015

24 PAUL JAMES GOMES Prego Selfie and Roma Sub Rosa — Installation shot

Prego Selfie Video installation, 33 secs, HD, colour, Rome / Scotland 2015

25 Skin on skin (Outlines 1) Steel, concrete, fabric, silicon rubber and found materials, 186 × 45 × 30 cm, 2014

26 ROWENA HARRIS Skin on skin (Outlines 2) — detail Steel, concrete, fabric, elastic rubber, cast silicon rubber and found materials, 190 × 30 × 15 cm, 2014

27 Untitled Acrylic on paper mounted on pvc, 184 × 151 cm, 2015

28 GREGORY HODGE Untitled Acrylic on paper mounted on pvc, 184 × 148 cm, 2015

29 The passenger no. 17 Pen on paper, 62.5 × 53.5 cm, 2015

30 ALEXI KEYWAN Absolution Pinhole perforations on handmade paper, 49.5 × 32.5 cm, 2015

31 FACCIATA. Facade Blacklight (UV) sensitive photograph, screenprinted on black & white marble panels, ultraviolet floodlight, coin-operated timer switch, dimensions variable, 2015

32 DAVID McCUE 33 Camerone 6 Acrylic on canvas, 68.6 × 45.8 cm, 2015

34 GINA MEDCALF Camerone 7 Acrylic on canvas, 68.6 × 45.8 cm, 2015

35 Untitled Oil on canvas, 60 × 75 cm, 2015

36 NANCY MILNER June Mostra Installation view, 2015

37 38 SUSAN NORRIE 39 Garbatella Charcoal on paper, 78 × 180 cm (triptych), 2015

40 CATHERINE O’DONNELL VIAE VMBRAE Gouache and graphite on paper, 40 piece work, 100 × 350 cm, 2015

41 Sotterraneo 1 Oil on canvas, 180 × 125 cm, 2014

42 GILL ORD Sotterraneo 3 Oil on canvas, 180 × 125 cm, 2014

43 Endstart Mixed media, dimensions variable, 2014

44 FLORIAN ROITHMAYR 45 Clouded Object Acrylic on leather, 27 × 18 cm, 2014

46 MONA RYDER Occhio era qui Acrylic on leather, 27 × 18 cm, 2014

47 untitled (Ä) Oil on linen, coprolite, 9ct gold, 43 × 34 cm, 2015

48 DANIEL SINSEL untitled (S) Oil on linen, coprolite, 9ct gold, 32 × 26 cm, 2015

49 Garbuglio, Gomitolo, Gnommero, Groviglio, a series of studies in terracotta, drawings, watercolours and performances for film that consider the physical experience of being in the architecturally- layered sites of Rome — details 2014

50 EMILY SPEED 51 Biographies GEORGES AUDET ANGELA BRENNAN Québec Resident, January–March 2015 Australia Council Resident Artist, April–June 2015 www.georgesaudet.jimdo.com www.roslynoxley9.com.au [email protected] www.niagaragalleries.com.au [email protected] Education 1982 BArch, Architecture, Université Laval, Québec City Education 1992 BA, Selected one person exhibitions 1982 BA, Fine Arts, RMIT, Melbourne 2012 Labyrinthes, Joyce Yahouda Gallery, Montréal 2009 L’Enchantement IV, Centre national d’exposition, Selected one person exhibitions Saguenay 2015 Rustic Deities, Roslyn Oxley9 Gallery, Sydney 2008 La Maison dans la maison, Est-Nord-Est, Saint- 2013 On a Round Ball, China Art Projects, Hong Kong Jean-Port-Joli 2012 Stop Humming Glenn Gould, Niagara Galleries, Prelâ, Est-Nord-Est, Saint-Jean-Port-Joli Melbourne 2007–8 L’Enchantement III, Maison de la culture de Côte- 2011 Infinity Plus One, Roslyn Oxley9 Gallery, Sydney des-Neiges, Montréal To Whom Achilles, Swiftest of the Swift Replied:, 2007 L’Enchantement II, Musée d’art contemporain Orexart, Auckland des Laurentides, Saint-Jérôme 2006 Every Morning I Wake up on the Wrong Side of 2006 L’Enchantement I, Joyce Yahouda Gallery, Capitalism, Monash, University of Art, Melbourne Montréal 2005 Geranium Lake, Roslyn Oxley9 Gallery, Sydney 1992 Oh Tango, Angela Brennan, 200 Gertrude Street, Selected group exhibitions Melbourne 2015 March Mostra, British School at Rome 1989 Possible Worlds, George Paton, University 2014 Procession, Maison de la culture de Notre-Dame- of Melbourne de-Grâce, Montréal 2013 Papier 13, Contemporary Art Galleries Association, Selected group exhibitions Montréal 2015 June Mostra, British School at Rome 2012 Hospitalité, Biennale de sculpture de Saint-Jean- Mr President, Parkside Avenue Jimmy Nuttall’s Port-Joli Apartment Show, Brooklyn, New York 2011 Il était une fois, Joyce Yahouda Gallery, Montréal 2014 Texts & Scrolls, Good Press Gallery, Glasgow IAAB Groupshow, iaab-Projektraum, Basel No Fond Return of Love, ICAN, Newtown, Sydney Traces from IAAB, Dock, Basel Re-Raising Consciousness, TCB, Melbourne The Travelling Artist, Heidelberger Kunstverein, 2013 Heavenly Stems, Neon Parc, Melbourne Heidelberg 1988 Vasari Revisited, 200 Gertrude Street, Melbourne 2010 Cube, Coopérative Lezarts, Montréal Le Mur / The Wall Project, Transformations I and II, Selected awards and residencies Joyce Yahouda Gallery, Montréal 2015 Australia Council Residency, British School at Rome 2012 Mentor, Australia Council / Next Wave JUMP Residencies Mentoring Program 2015 Conseil des arts et des lettres du Québec 2008 Australia Council Studio, Milan Residency, British School at Rome 2006 Studio Residency, Cité Internationale des Arts, Paris 2013 Conseil des arts et des lettres du Québec 2002 Red Gate Gallery Artists Residency, Beijing Art Residency, Finnish Artist’s Studio Foundation, Academy Espoo / Helsinki 1998 AGNSW, Cité Internationale des Arts, Paris 2011 Conseil des arts et des lettres du Québec 1995 Blundstone Contemporary Art Award, Hobart Residency, Christoph Merian Stiftung — IAAB, Basel Teaching 2008 Est-Nord-Est, Saint-Jean-Port-Joli 2014–15 Lecturer in Ceramics, Victorian College of the Arts Secondary School, Melbourne Public commissions 1993–5 Lecturer in Painting, Victorian College of the Arts, 2012 Fragments pour un conte, a monumental mosaic Melbourne for an elementary school in Mercier, Québec 1992 Lecturer in Painting, Prahran College of Art, Melbourne Grants 1991 Lecturer in Drawing, Ormond College, University 1997, 1999, of Melbourne 2001, 2009 Conseil des arts et des lettres du Québec 1988–90, Collections 2004, 2006 Canada Council for the Arts Allen, Allen and Hemsley, NSW; ANZ Bank; Art Bank, NSW;

BIOGRAPHIES 53 Art Gallery of ; Benalla Art Gallery, ; City Theirs Yours Mine, Light Square Gallery, ACArts, of Yarra, Victoria; Collection of Sir James and Lady Cruthers, Perth; Tafe SA, Council of Adult Education; Deakin University Collection, Victoria; 2010 SALA Moving Image Project, Queens Theatre, Deloitte Foundation, Sydney; Goldman Sachs JBWere; KPMG, South Australian Living Artists Festival, Adelaide Melbourne; LaTrobe University, Victoria; Leeuwin Estate, Western ArtWest, Renew Adelaide and West End Australia; Monash University; Mont Blanc Art Collection, Association, Worlds End Hotel, Adelaide Switzerland; National Bank; National Gallery of Australia, Structural Integrity, FELTspace Pavilion, Next Wave Canberra; National Gallery of Victoria; Queen Victoria Museum Festival, Melbourne and Art Gallery, Launceston; RACV, Melbourne; TarraWarra Hedgemaze, Prospect Gallery, Adelaide Museum of Art, Victoria; The Arts Centre, Melbourne; The Vizard Foundation, Victoria; Trinity Grammar School, NSW; University Selected awards and residencies of Melbourne; University of Queensland Art Museum; University 2014 Australian Experimental Art Foundation Cibo of Western Australia Western Mining Collection, Victoria; World Espresso Studio Residency, British School at Rome Bank, New York; private collections in Australia, Canada, France, 2013 Arts SA Public Art and Design Grant, Adelaide Hong Kong, Israel, Japan, Korea, Singapore, United Kingdom, Finalist, Adelaide Fringe Bank SA Award, Best USA and elsewhere Visual Art and Design, Adelaide Finalist, Adelaide Fringe Eran Svigos Award for Best Visual Art, Adelaide NIC BROWN 2010 Winner, SALife Emerging Artist Award, South Australian Experimental Art Foundation Cibo Espresso Resident, Australian Living Artist Festival, Adelaide July–September 2014 Finalist, Best Exhibition by a Collective www.nic-brown.com.au (Hedgemaze), Adelaide Fringe Festival, Adelaide 2009 Artist-in-residence, Carclew, KidZone, Education WOMADelaide, Adelaide 2010 Grad. Cert., Art History, University of Adelaide, Winner, Watercolour Prize, Kidman Art Show, Adelaide Kapunda 2008 BVA (Honours), Adelaide Central School of Art, 2007 Scholarship, Adelaide Central School of Art, Adelaide Adelaide

Selected one person exhibitions Teaching 2013 Forestal, Mallee Garden, Adelaide Botanic 2015 Lecturer, Adelaide Central School of Art, Adelaide Garden, Adelaide 2010– Collections Manager, Flinders University Art 2011 Nic Brown: Recent Paintings, Adelaide Central Museum, Bedford Park Studio Gallery, Adelaide 2010 Glasslands, Palm House, Adelaide Botanic Garden, Collections Adelaide Country Arts SA; private collections nationally 2009 Somewhere Between Waking and Dreaming, A Room of Her Own, Adelaide ADAM NATHANIEL FURMAN Selected group exhibitions Rome Prize in Architecture (incorporating the Bernard Webb 2014–17 Handheld, Country Arts SA, multiple venues across Studentship), October 2014–March 2015 regional South Australia www.adamnathanielfurman.com 2014 Heysen Sculpture Biennial, The Cedars, Hahndorf Florabotanica, Adelaide Central Gallery, Adelaide Education 2013 FELTmaps, Vitalstatistix, Port Adelaide 2009 Postgraduate Diploma, Art and Spatial My roots will set off to seek another land, South Performance, Architectural Association, London Australian Living Artists Festival, Adelaide Airport, 2008 Diploma with Honours, Architectural Association Adelaide School of Architecture, London Grounded, Adelaide Central Gallery in partnership 2002 Foundation Diploma (with Merit), Fine Art and with Fisher Jeffries, Adelaide Spatial Design, Central St Martins, London 2012 Conversations in Ellipsis, SASA Gallery — University of South Australia & Adelaide Botanic Garden, Selected group exhibitions Adelaide 2015 March Mostra, British School at Rome The Kick Ass Painting Show, Fontanelle Gallery, 2014 December Mostra, British School at Rome Adelaide 2013–14 Designers in Residence at the Design Museum, Museum Interventions, Hahndorf Academy, Design Museum, London Hahndorf 2011 Arts SA Curatorial Program, Adelaide Selected awards and residencies Desiccated Magic, Format, Adelaide 2014–15 Rome Prize in Architecture (incorporating the

54 FINE ARTS 2014–15 Bernard Webb Studentship), British School at Rome 2013 P.A.R.T.S, Coleman Project Space, London 2014 Blueprint Award for Design Innovation 2011 Believing in Things, Van Horbourg Gallery, Basel 2013 Designer in Residence, Design Museum, London Sculptures, Schwartz Gallery, London 2008 Architectural Association Honours 2007 Architectural Association Prize Selected group exhibitions 2006 RIBA Bronze Commendation, President’s Medals 2015 June Mostra, British School at Rome 2005 Architectural Association Nicholas Boas And so we gape (solo performance event), curated Scholarship, British School at Rome by Nero, Rome Conversation Piece | Part 1, Fondazione Memmo, Rome PAUL JAMES GOMES March Mostra, British School at Rome Creative Scotland document 24 Fellow, January–March 2015 Film Screening, Karst, Plymouth www.pauljamesgomes.wordpress.com 2014 December Mostra, British School at Rome [email protected] Image Object, curated by Kirsty Ogg for Artuner C(h)roma, Indiranagar, Bangalore Education Chronoviser: Archive, South Kiosk, London 2011 MA, Film Directing, Edinburgh College of Art, Synchronise. Accelerate. Disperse. II, MJ Gallery, Edinburgh Geneva 2001 MSc, Anthropology, Jahangirnagar University, 2013 The Starseed Transmission, Enclave Projects, Dhaka London 2000 BSc, Anthropology, Jahangirnagar University, Post Post, St James’s Church, Goldsmiths, London Dhaka Believing (in) Objects, 134 Middleton Road, London Selected one person exhibition Hack the Barbican, The Barbican, London 2011 Bengaals Vuur (Bengal Fire), Nieuwe Oogst, Systems Failure, The Contemporary at Great Rotterdam Western Studios, London The Open Cube, The White Cube, London Selected group exhibitions MC 1&2, Vanhorbourg Gallery, X Marks the 2015 March Mostra, British School at Rome Bökship & Enclave Projects, Zurich and London 2011 Degree Show, Edinburgh College of Art, Edinburgh 2012 Cold Compress, Drei Gallery, Cologne 2002 JPS Group Show, Jahangirnagar University, Dhaka Fustration, Flat Time House, London Today the Collection is, Bethnal Green Library, Selected film festivals London 2013 Where is Billet?, 13th RAI Film Festival, Edinburgh Punctuating (two-person show with Vera Kox), 2012 Where is Billet?, 12th International Short & La Scatola Gallery, London Independent Film Festival, Dhaka No More Icons, Rod Barton Gallery, London Syndicate 1, Food Face Projects, London Selected awards and residencies 2011 I Pity Inanimate Objects, Goldstein Gallery, 2015 Creative Scotland document 24 Fellowship, British London School at Rome KNOW HOW, Campbell Works, London 2012 Short-listed, One World Media Award for Student SAGS, The Woodmill, London Films, London Site of Flesh and Stone, Uzay Galeri, Istanbul 2010 New Contemporaries, The A Foundation and ICA, Liverpool and London ROWENA HARRIS To Look is to Labour, Laden Fuer Nichts, Leipzig Sainsbury Scholar in Painting and Sculpture, October 2014– Say What, What Way, Shop@34, London September 2015 2009 Off Modern, Corsica Studios, London www.rowenaharris.com [email protected] Selected awards and residencies 2014–15 Sainsbury Scholarship in Painting and Sculpture, Education British School at Rome 2010 MFA, Fine Art, Goldsmiths College, University 2013 Atelier Salzamt Residency, Linz of London, London 2010 New Contemporaries 2008 BA (Hons), Fine Art, University College Falmouth, Falmouth Teaching 2014–15 Visiting Lecturer, University of Hertfordshire, Selected one person exhibitions Hatfield 2015 Being on and within, as I said, Gallery Apart, 2011 Visiting Tutor, Camberwell College of Arts, London Rome

BIOGRAPHIES 55 GREGORY HODGE ALEXI KEYWAN Australia Council Resident Artist, January–March 2015 William Fletcher Foundation Scholar, April–June 2015 www.gregoryhodge.com www.australiangalleries.com.au www.alexikeywan.wordpress.com Education [email protected] 2012 PhD Candidate (Fine Arts), School of Art, Australian National University, Canberra Education 2005 BFA Honours (1st Class), School of Art, Australian 2010 MFA, Printmaking, National Art School, Sydney National University, Canberra 2006 Honours, National Art School, Sydney 2005 BFA, National Art School, Sydney Selected one person exhibitions 2015 A Fabled Gesture, Canberra Contemporary Art Selected one person exhibitions Space, ACT 2014 Survey of Works, Sydney Grammar School, Sydney 2014 Unfolding, Sullivan + Strumpf, Sydney 2013 Some Place Else, Australian Galleries, Melbourne 2013 Slide, Sullivan + Strumpf, Sydney 2011 Anywhere / nowhere, Australian Galleries, Sydney Introduction, Firstdraft, Sydney 2009 Facts and Fictions, Australian Galleries, Sydney 2012 Monsoon Crossing, TCB, Melbourne 2007 Excess and Decay, Australian Galleries, Sydney

Selected group exhibitions Selected group exhibitions 2015 March Mostra, British School at Rome 2015 June Mostra, British School at Rome The Infinite Everything, Egg and Dart, Thirroul Auditory Visions, Lismore Regional Gallery, Lismore 2014 Mind the Gap, Casula Powerhouse, Sydney 2014 Rick Amor Drawing Prize, Art Gallery of Ballarat, SSFA 2014, Sullivan + Strumpf, Sydney Ballarat 2013 Low Relief, Damien Minton Gallery, Sydney 2013 Geelong Acquisitive Print Awards, Victoria Future Proof, Canberra Contemporary Art Space, Corporeal — a Print Exchange folio, Geelong ACT Regional Gallery, Geelong Art on Paper, Hazelhurst Regional Gallery, CPM National Print Awards, Tweed River Regional Sydney Art Gallery, Murwillumbah South 2012 Word of Mouth, Canberra Museum and Gallery, 2012 Impressions, Australian Print Workshop, Melbourne ACT Imaginary Worlds, Australian Print Workshop, You Give Good Colour, Sophie Gannon, Melbourne Melbourne Beautiful Soup, St Helliers Street Gallery, Clean Living, Contemporary Art Space Tasmania, Melbourne Hobart 2011 Large Exhibition of Small Works, Australian Galleries, Melbourne Selected awards and residencies Nature of the Mark, Australian Galleries, 2015 Australia Council Residency, British School Melbourne at Rome Scholarships Exposed: Where Are They Now?, 2014 Finalist, Fishers Ghost Art Award, Campbeltown Australian Print Workshop, Melbourne Arts Centre, Sydney 2010 Adelaide Perry Prize for Drawing, The Croydon 2013 Winner, Art on Paper, Hazelhurst Emerging Artist Centre for Art, Design and Technology, Croydon Award, Sydney 2009 Windows on Pain, Carriageworks Art Centre, Ewart 2012 Australian Postgraduate Award Gallery, Parramatta Riverside Theatre and Arts 2011 Studio Residency, Basso, Berlin Centre, Gosford Regional Art Gallery, Gosford East 2010 Finalist, Brett Whitleey Travelling Art Scholarship Drawcard, National Art School, Sydney Summer Stock Show, Australian Galleries, Sydney Teaching 2008 The International Exchange Exhibition of Prints, 2013 Tutor, Art Theory, School of Art, Australian National Hongik University, Seoul University, Canberra Stock Show, Australian Galleries, Sydney 2010–15 Sessional Lecturer, School of Art, Australian 2007 The Capitals Project, Hongik University, Seoul National University, Canberra ABN Amro Emerging Artists Award Exhibition, ABN Amro Limited, Sydney Collections Agendo, Gardner Galleries, Melbourne Artbank The Hutchins Works on Paper Prize, Long Gallery, Hobart The Prometheus Visual Arts Award, All Saints Anglican School, Queensland 2006 Three Graduates from National Art School, Australian Galleries, Sydney

56 FINE ARTS 2014–15 Drawcard, National Art School, Sydney 2010 Triumphant? The Art of The Deal, Menie Estate, 2005 Graduate Exhibition, National Art School, Sydney Aberdeenshire Selected Graduate Drawing Students, National Art School, Sydney Selected group exhibitions Packsaddle, New England Regional Art Museum, 2015 March Mostra, British School at Rome, Rome Armidale 2013 Drawing From Life, The Glasgow Art Club, Glasgow

Selected awards and residencies Selected awards and residencies 2015 William Fletcher Foundation Scholarship, British 2015 Creative Scotland document Fellowship, British School at Rome School at Rome 2014 Copyright Agency Grant to undertake Photogravure 2014 Nominated, MACK First Photo Book Award Workshop, Crown Point Press, San Francisco 2012 Creative Scotland Professional Development Award 2013 Winner, CPM National Print Award, Northern 2009 Creative Skillset Professional Development Rivers Investment 2011–12 APW Collie Print Trust Scholarship for Emerging 2007 Reserve, British Antarctic Survey Artist in Residence Victorian Printmaker, Melbourne 2003–5 British Broadcasting Corporation Graduate 2007 Winner, The Hutchins Works on Paper Artery Traineeship, London Student Award 2000 British Animation 2000 Award, Channel 4 Commended, Willoughby Art Prize Television, London 2005 Outstanding Achievement in Printmaking, Awarded by Australian Galleries at the National Art School, Public speaking and interviews Sydney 2015 Public Presentation, Street Level Photoworks, 2004 Akky van Ogtrop Scholarship Award Glasgow 2014 Invited Speaker at HATTI, Glasgow University Teaching MSc Museum Studies 2014 Etching Masterclass, Sydney Grammar School, 2013 Interview with US author Michael D’Antanio Sydney of Macmillan Publishers Art and Art History, Sydney Grammar School, 2012 Filmed interview with Montrose Pictures at the Sydney Phoenix Centre, Glasgow 2008 Printmaking Lecturer, National Art School, Sydney You’ve Been Trumped (US Press Preview), The Core Club, New York Collections You’ve Been Trumped (US Premiere), Angelika Film Camberwell Grammar School, Melbourne; City of Melbourne Center, New York Collection; Geelong Regional Gallery; National Gallery of 2011 In conversation with Director Anthony Baxter Australia, Canberra; Tweed River Art Gallery, Northern Rivers; at Glasgow Film Theatre University of Sydney Union Art Collection, Sydney; University 2010 Filmed interview with Midas Media at the Menie of Wollongong Estate in Aberdeenshire 2009 Artist’s talk at ‘Glasgow Ruckus’ Artists Forum, Napiershall St, Glasgow DAVID MCCUE Creative Scotland document Fellow, January–March 2015 Collections www.davidmccue.co.uk Private collection (Aberdeenshire) [email protected]

Education GINA MEDCALF 2002 BDes (Hons), Animation & Electronic Media, Abbey Fellowship in Painting, January–March 2015 Duncan of Jordanstone College of Art & Design, www.ginamedcalf.com Dundee [email protected] 1999 BA (Foundation), Animation, Surrey Institute of Art & Design, Farnham Education 1969 NDD, Fine Art Painting, Central School of Art Selected one person exhibitions and Design, London 2012 The History Room, The Phoenix Centre, Glasgow Triumphant? The Art of The Deal, Angelika Film Selected one person exhibitions Center, New York 2009 Unground, Chelsea Futurespace, London 2011 Triumphant? The Art of The Deal, British Film Unground, The Cut, Halesworth, Suffolk Institute, London Triumphant? The Art of The Deal, Churchill Theatre, Selected group exhibitions Edinburgh 2015 March Mostra, British School at Rome

BIOGRAPHIES 57 Hommage and Transcription, Kapil Jariwala, London Artists’ Collecting Society Bursary, Royal Academy 2014 Summer Exhibition, Royal Academy of Art, London Schools, London 2013 ING Discerning Eye, Mall Galleries, London 2012 Jerwood Purchase Prize, Premiums Interim Projects, Bath Society of Artists Featured Artist, Victoria Art Royal Academy Schools, London Gallery, Bath 2012 The Perfect Nude, Wimbledon Space, London Collections HaHa What Does This Represent, Standpoint Hiscox Collection; Jerwood Collection Gallery, London Summer Exhibition, Royal Academy of Art, London 2009 Summer Exhibition, Royal Academy of Art, London SUSAN NORRIE 2008 ‘… Same As It Ever Was’ Painting at Chelsea Australia Council Resident Artist, October–December 2014 1990–2007, Arts Gallery, London www.susannorrie.com 2001 British Abstract Painting 2001, Flowers East, London Selected one person exhibitions 2000 Cultural Ties, Jariwala Westzone Gallery, London 2011 Notes for TRANSIT, Giorgio Persano Gallery, Turin 2009 SHOT, Edinburgh International Festival, Collective Selected awards and residencies Gallery, Edinburgh 2015 Abbey Fellowship in Painting, British School at Rome 2007 Havoc, 52nd Venice Biennale, Palazzo Giustinian 2008 Pollock-Krasner Foundation Award, New York Lolin, Venice 1984 New York State Council of the Arts Research Grant, International Centre of Photography, New York Selected group exhibitions 1983 National Endowment for the Arts Research Grant, 2014 Rules of Play, La Biennale de Montréal, Montréal International Centre of Photography, New York L’avenir (looking forward), Musée d’art 1969 Italian Government Research Scholarship, Museo contemporain de Montréal, Montréal di Capodimonte, Naples 2011 Transit, Our Magic Hour, Yokohama Triennale, Bank Art, Yokohama Teaching 2008 Molten States, GSK Contemporary, Royal Academy 1994–2006 Senior Lecturer, Kingston University, Kingston of Art, London 1990–2013 Associate Lecturer, University of the Arts London, Chelsea, London Selected awards and residencies 2014 Australia Council Residency, British School at Rome Collections 2011 Solarun Hoass Documentary Award Private collections in the USA and the UK 2007 Sally and Don Lucas Artist Residency Programme, Montalvo 2001 Artist in Residence, (dis)Location Project, ZKM, NANCY MILNER Karlsruhe Abbey Scholar in Painting, October 2014–June 2015 www.nancymilner.com CATHERINE O’DONNELL Education National Art School, Sydney, Resident, April–June 2015 2013 Postgraduate Diploma in Fine Art, Royal Academy www.catherineodonnell.com.au Schools, London [email protected] 2009 BA (Hons), Fine Art, University of Reading, Reading Education Selected group exhibitions 2014 MFA, National Art School, Sydney 2015 June Mostra, British School at Rome 2006 BFA (Distinction), University of Western Sydney, March Mostra, British School at Rome Sydney 2014 December Mostra, British School at Rome Marcelle Joseph Projects; At Home Salon 2014, Selected one person exhibitions Ascot 2015 Homefront, Penrith Regional Gallery, Penrith 2013 Royal Academy Schools Show 2013, Royal 2014 A Notion of Home, National Art School, Sydney Academy of Arts, London 2013 Estates of Tomorrow, Flinders Street Gallery, Form from Form, Matthew’s Yard, London Sydney 2012 Venetian Visions, Grafton Regional Gallery, Grafton Selected awards and residencies 2011 Catherine O’Donnell, Recent Drawings, Flinders 2014–15 Abbey Scholarship in Painting, British School Street Gallery, Sydney at Rome C Block, Penrith Regional Gallery & Lewers 2013 Keepers Print Prize, Royal Academy Schools, Bequest, Penrith London Venetian Visions, Albury Regional Gallery, Albury

58 FINE ARTS 2014–15 2010 Light and Shadow (New Zealand International Arts 2005 Highly commended, Blackheath Art Society Spring Festival), Pataka Museum, Porirua Exhibition, Blackheath 2009 Light and Shadow, Blacktown Art Centre, Blacktown 2004 Highly commended, Contempo, Exhibition Dripstone, Elizabeth Farm, Historic Houses Trust, of Contemporary Art Parramatta (with writer Naomi McCarthy) 2003 Highly commended, Blackheath Art Society 2006 Erasing the Darkness, Wallspace Gallery, Sydney Watercolour and Drawing Exhibition 2002 Highly commended, Holroyd City Art Exhibition Selected group exhibitions Commended, Blacktown City Acquisitive Art 2015 June Mostra, British School at Rome Exhibition, Blacktown Hazelhurst Art on Paper Award, Gymea 2014 A General Map of Caves, Hawkesbury Regional Selected residencies Gallery, Windsor 2015 Parramatta Artist Studios Residency Rick Armor Prize for Drawing, Ballarat Regional National Art School, Sydney, Residency in Drawing, Gallery, Ballarat British School at Rome 2013 New Work, Flinders Street Gallery, Sydney 2014 Artist in Residence, Penrith Regional Gallery, Emu The Edge, Annandale Gallery, Annandale Plains Sextet, Delmar Gallery, Ashfield 2013 Bilpin International Ground for Creative Initiatives Middlehead, 33° 50’ S, 151° 14’ E, Mosman Art (the Big C), Bilpin Gallery, Mosman Artist in Residence, Penrith Regional Gallery, Emu Story, Penrith Regional Gallery, Penrith Plains Hazelhurst Art on Paper Exhibition, Gymea 2011 Artist in Residence, Nepean Creative and 2012 Gold Coast Art Prize, The Arts Centre, Gold Coast Performing Arts High School, Emu Plains Jacaranda Acquisitive Drawing Award, Grafton 2010 Artist in Residence, Scuola Internazionale di Regional Gallery, Grafton Grafica, Venice Catherine O’Donnell, Dianne Tanzer Gallery + Artist in Residence, Casula Powerhouse Projects, Melbourne 2009 Artist in Residence, Elizabeth Farm, Historic Houses Still Life, Parramatta Artist Studios, Parramatta Trust, Parramatta 2011 Adelaide Perry Prize for Drawing, PLC, Croydon Artist in Residence, Blacktown Art Centre The Hutchins Art Prize, Salamanca Art Centre, Hobart Collections 2010 Dobell Drawing Prize, Art Gallery of NSW, Sydney Albury Regional Gallery; Art Bank, Australia; Blacktown City Freehand Recent Australian Drawings, Heidi Council, Blacktown; Kedumba Collection of Contemporary Museum of Modern Art, Melbourne Drawings; Pataka Museum, Porirua; Penrith Regional Gallery; No Right Turn, Penrith Regional Gallery, Penrith private collections Living Liverpool, Bicentennial Exhibition, Casula Powerhouse, Casula 2009 Kedumba Drawing Award, Wentworth Falls, Blue GILL ORD Mountains Abbey Fellow in Painting, October–December 2014 Albury Art Prize, Albury Regional Gallery, Albury www.gillord.co.uk [email protected] Selected awards 2015 National Art School, Sydney, Residency in Drawing, Education British School at Rome 1981 MA, Painting, Manchester Polytechnic, Manchester 2011 Highly commended, City of Hobart Art Prize, 1980 BA (Hons), Fine Art, Winchester School of Art, Hobart Winchester 2010 Highly commended, William Fletcher Foundation 1976–7 Middlesbrough College of Art Rome Art Fellowship Highly commended, Sunshine Coast Art Prize Selected one person exhibitions (SCAP09) 2015 Sotterraneo, Paintings from Rome, Studio1.1, London Highly commended, Works on paper, BSG Gallery, 2009 A Country of Wonders, Studio1.1, London Fitzroy 2004 An Experiment with Time, Studio1.1, London 2009 Albury Art Prize, International Art Residency 2001 Project Space, Debs & Co, New York Highly commended, Sunshine Coast Art Prize 2000 New Paintings, North House Gallery, Manningtree (SCAP09) 2007 First prize and highly commended, Blacktown City Selected group exhibitions Acquisitive Art Exhibition 2014 December Mostra, British School at Rome 2006 Deans Medal for Bachelor Fine Arts (Distinction), 2013 Even Clouds, Studio1.1, London University of Western Sydney Ten out of Ten, Studio1.1, London Sydney, City of Village, Exhibition and Prize, Sydney 2012 30 Artists, Studio1.1, London

BIOGRAPHIES 59 2011 Flight, Braziers Park, Oxfordshire Centrefold 8: the Circle of Manias, 176 2010 Bakers Dozen, CGP, London Zubladowicz Collection, London Painting Out, Studio1.1, London 2011 Fifteen, S1 Artspace, Sheffield 2008 Summary, Studio1.1, London 2010 2010, MOT International, London 2006 Zoo Art Fair, Studio1.1, London Bold Tendencies IV, Hannah Barry Gallery, London 2003 29.09.03, Flaca, London Continuous Movement of Idea, Galerie Nicolas 2002 Inaugural show, K3, Zurich Silin, Paris Superfluity, British Artists at the Academy of Art, Something Blue, Pilot Issue, Galerie Neue Alte Art Academy of Latvia, Riga Brücke at Archive Kabinett, Berlin Something Blue, Landings Project Space, Oslo Selected awards and residencies 8fold Publications, London. AA2A 2010, 2015 Abbey Fellowship in Painting, British School at Rome Camberwell College of Art Gallery, London 2005 AIWA Workshop Lebanon 2009 The Young Visitors to Ruins Do Not See Anything 2000 Wasanii Workshop, Kenya But a Style, Galleria d’Arte Moderna, Turin 1990 Triangle Workshop, New York What Is Not But Could Be If, Part II, Galerie Neue 1984 Arts Council Residency, Hull Alte Brücke, Frankfurt 1979 Hampshire Travel Award, Rome What Is Not But Could Be If, Galerie Neue Alte Brücke at Caribic Residency, Frankfurt 2008 Kalender, Kornhäuschen Aschaffenburg FLORIAN ROITHMAYR Under:Construction, SC Gallery, Zagreb Rome Fellowship in Contemporary Art, October–December 2014 Feeling Gave Way to Structure, The Approach Gallery, London Education Salon of Revolution, House of the Artist, Zagreb 2005 MA, Fine Art, Goldsmiths College, London 2007 Slimevolume, Hotel Gallery, London, and Neue Alte 2004 BA, Fine Art, Slade School of Fine Art, University Brücke, Frankfurt College London, London Electro Harmonix, The Black Mariah, Cork Eventually Everything Happens, Galerie Neue Alte Selected one person exhibitions Brücke, Frankfurt 2015 Service, MOT International, Brussels Die Blaue Blume, Grazer Kunstverein, Graz 2014 Matter of Engagement, Site Gallery, Sheffield Auktion, Neuer Aachener Kunstverein, Aachen 2013 Florian Roithmayr, Treignac Projet, Treignac When Something Becomes Nothing, S1 ArtSpace, Assault, The Schtip, Sheffield Sheffield The Y, Rowing Projects, London Ice Trade, Chelsea Space, Chelsea School of Art, 2012 Like Plugging In, MOT International, London London 2011 You Want to Borrow My Shades, Don’t Complain Aspen 11, Galerie Neue Alte Brücke, Frankfurt About Their Tint, Sunday Art Fair, MOT International, London Selected awards and residencies 2009 Florian Roithmayr, The Russian Club Gallery, London 2015 Rome Fellowship in Contemporary Art, British School 2007 Eventually Everything Happens, Galerie Neue Alte at Rome Brücke, Frankfurt 2014 8Fold and Institute of Enquiring Minds, Munich Site Gallery Platform Residency, Sheffield Selected group exhibitions International Archaeological Project Sudan, El Kurro 2015 Things that Tumble Twice, Tenderpixels, London 2013 Treignac Projet, Treignac 2014 December Mostra, British School at Rome Convention T, Wysing Art Centre, Cambridge Proprioception, Laure Genillard Gallery, London 2009–10 Artist in residence AA2A, Camberwell College Hey I’m Mr. Poetic, Wysing Art Centre, Cambridge of Art, London The Influence of Furniture on Love, Wysing Art 2007 Residency with city of Zagreb Department of Art Centre, Cambridge and Galerija Miroslav Kraljevich, Zagreb Annals of the 25th Century, Wysing Art Centre, 2006 Helsinki International Artists Programme (HIAP), Cambridge Helsinki 2013 Grand Magasin, French Riviera, London £5.34, Carl Freedman Gallery, London O Chair / O Flesh, Treignac Projet, Treignac MONA RYDER Burg, Laure Genillard Gallery, London Australia Council Resident Artist, July–September 2014 2012 I Don’t Feel Like It: the Indifference of Objects, [email protected] Camberwell College of Art, London Solid on our Source Planet, Wysing Art Centre, Education Cambridge 1991 BA, Visual Arts, Queensland University AHF at V22 Gallery, London of Technology, Brisbane

60 FINE ARTS 2014–15 1980 Associate Diploma of Visual Arts, Queensland Queensland Works 1950–1985, University Art University of Technology, Kelvin Grove Museum, University of Queensland, Brisbane

Selected one person exhibitions Selected awards and residencies 2014 Mona Ryder Prints 1970’s–87, Grahame Galleries, 2002 Arts Queensland Development Grant to travel Brisbane overseas (awarded 1999) 2009 Hook Line and Sinker, Alcaston Art Gallery, 1996 Selected artist for maquette stage, Brisbane City Melbourne Council, Inner City Sculpture Award 2008 Holding Zone, Horus & Deloris Contemporary Art 1995 Project Grant, Arts Queensland, for Q.A.G., Space, Sydney Mother Other Lover Props for Barcelona Twostep, Kick Arts 1993 Individual Development Grant, Arts Queensland Contemporary Art Space, Cairns 1990 Caloundra Art Prize, Caloundra Regional Art Props for Barcelona Twostep, Perc Tucker Regional Gallery, Caloundra Art Gallery, Townsville 1987 The Andrew and Lillian Pedersen Memorial Prize, 2007 Barcelona Twostep, Horus & Deloris Contemporary Queensland Art Gallery Art Space, Sydney 1986 Gold Coast Art Prize (printmaking), Gold Coast Art 2004 Rawhide, Peloton, Sydney Gallery, Gold Coast 1996 Have a Nice Day, Invited Artist, Gomboc Gallery, Visual Arts Board Studio Grant, Residency at Vence, Perth France, and travel through Italy 1995 Mother Other Lover, Queensland Art Gallery, Brisbane Public art commissions 1992 Return to Paradise, Gold Coast City Art Gallery, 2002 Arcadian Illusions, Cairns City Council, Water Gold Coast Features, City Centre, Cairns 1987 Mona Ryder: Recent Works, The Gold Coast City 2001 Atherton Shire Council, Atherton, Halloran’s Hill, Art Gallery, Gold Coast Kinetic Sculptures Passing On, Michael Milburn Galleries, Brisbane 2000 Sentinels Attempting Flight, Griffith Artworks, 1985–6 Mona Ryder: a Survey Travelling Exhibition, Griffith University, Logan Campus, two 3 metre Queensland Arts Council external sculptures 1984 Mona Ryder: a Survey, University Art Museum, 1995 Crossover Guardians, State Government & University of Queensland, Brisbane Brisbane City Council, Statement sculptures (2–10.5 metre H), Thornton Street, Ferry Terminal, Selected group exhibitions Kangaroo Point Boardwalk, Kangaroo Point, 2013 Blow Out, Kick Arts Contemporary Art Space, Brisbane Cairns 2011 21 New, Banyule Arts Space, Banyule City Council, Books Melbourne 2001 Allen, T., Cross Currents in Contemporary Australian 2008–9 Head Hunters, Redeeming the Ruin: the Art Art (Craftsman House, Fine Art Press) of Consumption, Banyule Art Space, Ivanhoe 1996 Voight, A., New Visions, New Perspectives (travelling to venues, Victoria) (Craftsman House, Fine Art Press) 2008 Left Overs, a Sense of Fabrication of Things …, 1993 Drury, N., New Sculpture: Profiles of 40 Australian Shajah (UAE) and Toowoomba Sculptors (Craftsman House, Fine Art Press) ‘Where Are You, Can You Hear Me?’, Horus 1992 Kirby, S., Sight Lines: ‘Women’s Art and Feminist & Deloris Contemporary Art Space, Sydney Perspectives: Feminism in Australia (Craftsman 2005–7 Pricked, Regarding Retro, Blacktown Arts Centre, House, Fine Art Press) Sydney, touring Queensland, , Drury, N., A Visual Sourcebook of Contemporary Canberra Australian Painting (Craftsman House, Fine Art 2005 Les Animaux Sauvage, National Sculpture Prize, Press) National Gallery, Canberra Drury, N., Images in Contemporary Australian Sufferance, Artist’s Book Commission & Exhibition, Painting (Craftsman House, Fine Art Press) State Library of Queensland, Queensland Craft 1990 Drury, N., New Art Six, Profiles in Contemporary Gallery, Brisbane (Craftsman House, Fine Art Press) 2004–8 3rd, 4th, 5th Fibre Art Biennale Exhibition, from Lausanne to Beijing, Suzhou, Shanghai Collections 2002 Stretched ‘Grip’, NIE, Nan Yang Technical Agnes Etherington Art Centre, Kingston; Australian National University Singapore, Singapore Gallery; Banyule City Council; Brisbane City Council Art Gallery, 1986 , Penrith Regional Art Gallery, Brisbane; British Library, London; Grammar School, Brisbane; Penrith Griffith Artworks; Gold Coast City Art Collection, Gold Coast; 1985 Australian Perspecta, Art Gallery of New South Griffith University, Brisbane; Ipswich Regional Art Gallery, Ipswich; Wales, Sydney KickArts Contemporary Art Space, Cairns; Parliament House

BIOGRAPHIES 61 Collection, Canberra; Perc Tucker Regional Art Gallery Townsville; Selected group exhibitions South Australian State Library Queensland, Brisbane; The 2015 Indefinable Cities, Airspace Gallery, Stoke-on-Trent Hardie Collection, State Library of Queensland, Brisbane; PLC, and Osaka Design Centre, Croydon, Sydney; Art Gallery, Brisbane; University Concrete Dreams, new public artwork for Art Across Art Museum, University of Queensland, Brisbane; University the City with LOCWS, Swansea of Melbourne Library, Melbourne; Western Australia Art Gallery, 2014 December Mostra, British School at Rome Perth Cities of Ash, g39, Cardiff Silence Unbound, Center for Artists Books, New York DANIEL SINSEL The Land has Many Parts, Jane Deering Gallery, Abbey Fellow in Painting, April–June 2015 Santa Barbara [email protected] 2013 Drawing Biennial, Drawing Room, London Head to Head (two-person show with Hayley Education Newman), Castlefield Gallery, Manchester 2004 MA, Painting, Royal College of Art, London Tightrope, Sumarria Lunn Gallery, London 2002 BA, Painting, Chelsea College of Art and Design, Northern Art Prize Exhibition, Leeds Art Gallery, London Leeds STILL / Life, Ecologies of Perception, Tyntesfield Selected one person exhibitions (National Trust), Bristol 2013 DINGDONG, Micky Schubert, Berlin 2012 Camp Out, Laumeier Sculpture Park, St Louis 2012 Daniel Sinsel, Sadie Coles HQ, London 2011 Daniel Sinsel, Chisenhale Gallery, London Selected residencies 2015 Public Arts Residency, Women’s Studio Workshop, Selected group exhibitions Rosendale, New York 2015 June Mostra, British School at Rome 2014 Derek Hill Foundation Scholarship, British School 2014 Mirrorcity: 23 London Artists, Hayward Gallery, at Rome London Standpoint Futures Residency, London Somewhat Abstract: Selections from the Arts 2012 Explore, Expand, Expose Residency, Salzamt Council Collection, Nottingham Contemporary, Atelierhaus, Linz Nottingham 2010 A Curriculum Residency, A Foundation, Liverpool Somos Libres II: Works from the Mario Testino Collection, Pinacoteca Giovanni e Marella Agnelli, Collections Turin Arts Council England; Collection of the City of Linz; Edinburgh College of Art; Indiana University; Leeds College of Arts & Selected residencies Design; Library of Congress; Manchester Metropolitan University 2015 Abbey Fellowship in Painting, British School Special Collection; Rochester Institute of Technology; Royal at Rome Scottish Academy; Tate Artists’ Book Collection; University of Delaware; University of Northampton, Special Books Collection; Teaching University of West England, Centre for Fine Print Research Artists’ 2012– Associate Lecturer in Painting, Camberwell College Books Collection; University of Utah; Vassar College; Virginia of Arts, London Commonwealth University; Yale University

Collections Arts Council Collection

EMILY SPEED Derek Hill Foundation Scholar, October–December 2014 www.emilyspeed.co.uk

Education 2006 MA, Fine Art: Drawing, Wimbledon College of Art, University of the Arts, London 2001 BA, Drawing and Painting, Edinburgh College of Art, Edinburgh

Selected recent one person exhibitions 2014 Littoral Zone, Plymouth Arts Centre, Plymouth 2011 MAKE SHIFT, Yorkshire Sculpture Park, Wakefield

62 FINE ARTS 2014–15 BSR Faculty of the Fine Arts and Staff

FACULTY OF THE FINE ARTS, 2014 AND 2015 STAFF

Stephen Chambers Christopher Smith, Director Maria Chevska Prue Chiles Library Sacha Craddock Valerie Scott, Librarian Penelope Curtis Beatrice Gelosia, Deputy Librarian Caroline Douglas Francesca De Riso, Francesca Deli, Library Assistants Roger Hiorns Alessandra Giovenco, Archivist Vanessa Jackson Cecilia Carponi, Patrizio Gianferro, Packard Humanities Institute- Penny Johnson funded Library staff Isobel Johnstone Vivien Lovell (Chair) London office Tim Marlow Gill Clark, Registrar & Publications Manager Hugh Petter Elizabeth Rabineau, Development Director Thomas J. Price Kirsten Amor, Administrative Assistant Karsten Schubert Helen Sear Rome office Stephen Witherford Natalie Arrowsmith, Communications Manager Stefania Peterlini, Director’s Assistant & Permissions Officer Isabella Gelosia, Accounts Clerk Susan Rothwell Smith, Systems Consultant Chloe Lewis, Administrative Assistant

Residence Christine Martin, Residence Manager Renato Parente, Domestic Bursar Fulvio Astolfi, Maintenance Officer Donatella Astolfi, Alba Coratti, Cleaning Staff Luca Albanese, Giuseppe Parente, Cooks Dharma Wijesiriwardana, Cook & Gardener Giuseppe Pellegrino, Residence Assistant & IT Support Antonio Palmieri, Residence Assistant

Research and award-holder support Stefania Gerevini, Assistant Director (Humanities) Jacopo Benci, Senior Research Fellow in Modern Studies and Contemporary Visual Culture Marina Engel, Architecture Curator Marco Palmieri, Visual Art Residency and Programme Curator Robert Coates-Stephens, Cary Fellow Giulia Carletti, Francesca Gallo, Stella Rendina, Anne Stelzer, Fine Arts Programme Interns

Archaeology Simon Keay, Research Professor in Archaeology Stephen Kay, Archaeology Officer Sophie Hay, Geophysics Officer, Southampton APSS Matthew Berry, Eleanor Maw, Research Assistants Published by the British School at Rome, London

ISSN 1475-8733 ISBN 978-0-904152-73-9