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Gregory Clarke Sound Designer
Gregory Clarke Sound Designer Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE HOUSE OF SHADES Almeida By Beth Steel 2020 Dir. Blanche McIntyre ALL OF US National Theatre By Francesca Martinez 2020 Dir. Ian Rickson THE REALISTIC JONESES Theatre Royal Bath By Will Eno 2020 Dir. Simon Evans Theatre Production Company Notes THE BOY FRIEND Menier Chocolate Factory Book, Music and Lyrics by Sandy Wilson 2020 Dir. Matthew White THE WIZARD OF OZ Chichester Festival Adapted by John Kane from the motion 2019 Theatre picture screenplay A DOLL'S HOUSE Lyric Hammersmith By Henrik Ibsen in a new adaptation by 2019 Tanika Gupta Dir. Rachel O’Riordan. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE SECRET DIARY OF Ambassadors Theatre Based on the novel by Sue Townsend ADRIAN MOLE AGED 13 3/4 Dir. Luke Sheppard Book & Lyrics by 2019 Jake Brunger, Music & Lyrics by Pippa Cleary Transfer of Menier Chocolate Factory production THE BRIDGES OF MADISON Menier Chocolate Factory Book by Marsha Norman COUNTY Music & Lyrics by Jason Robert Brown 2019 Based on the novel by Robert James Waller Direction Trevor Nunn THE BEACON Druid By Nancy Harris 2019 Dir. Garry Hynes RICHARD III Druid / Lincoln Center NYC By William Shakespeare 2019 Dir. Garry Hynes ORPHEUS DESCENDING Theatr Clwyd / Menier By Tennessee Williams 2019 Chocolate Factory Dir. Tamara Harvey THE BAY AT NICE Menier Chocolate Factory By David Hare 2019 Dir. -
Lost Prince Pack Latest
Miranda Richardson Miranda Richardson Miranda Richardson portrays Queen Mary, the Stranger,The Crying Game, Enchanted April, Damage, emotionally repressed mother of Prince John.A Empire Of The Sun,The Apostle and Spider (Official fundamentally inhibited character, she is a loving Selection, Cannes 2002), as well as the mother but has great difficulty communicating with unforgettable Queenie in the BBC’s Blackadder. She her son. says:“Mary had an absolute belief in the idea of duty. She thought that her husband’s word was the The actress, one of Britain’s most gifted screen law and believed in the divine right of kings. performers, immersed herself in research for the Although that view seems old-fashioned to us now, role and emerged with a clearer, more sympathetic she thought it could not be questioned. Ultimately, I idea about this often-maligned monarch. think this film understands Mary. It portrays her most sympathetically.” ‘’When people hear I’m playing Mary, they say, ‘Wasn’t she a dragon?’ But I’ve learnt from my For all that, Mary’s rigid adherence to the research that she wasn’t just a crabby old bag. She Edwardian code of ethics created a barrier may never have laughed in public, but that was between her and her independent-minded son, because she was shy. She felt she wasn’t able to Johnnie.“She loved him as fully as she could,” express her emotions in public.” Richardson reflects.“She knew that he was a free spirit who was able to be himself. Mary could never Miranda has gained a towering reputation for a be herself because she was always so serious, number of films, including Tom And Viv, Dance With A dedicated, dutiful and aware of her destiny. -
M.England (Dec 2018 Bullet)
MICHAEL ENGLAND CONDUCTOR / MUSICAL SUPERVISOR / ORCHESTRATOR / COMPOSER West End theatre as Musical Director includes; Les Misérables, The Phantom of the Opera, The Producers, Spamalot, Jerry Springer – The Opera, The Pajama Game, Doctor Dolittle, and Miss Saigon (Drury Lane, Asst. MD). Other Musical Director credits include; UK Tours of : Les Misérables, The Sound of Music, Grease and Cats (Asst. MD). International : Cats (Hong Kong), Evita (Oslo), Aspects of Love (Ireland), Grease (Ljubljana). In Concert : Of Thee I Sing (Royal Festival Hall), Evita (Hylands Park). Musical Supervisor includes; Pure Imagination (St. James), the all-male The Pirates of Penzance (Australian Tour & Sydney Theatre), The Rise and Fall of Little Voice (Cirencester), Kiss Me Kate, Top Hat (Kilworth), H.M.S. Pinafore (Hackney/UK tour), Tell Me On a Sunday, The Drowsy Chaperone, Company, Patience and Iolanthe. Television / Radio / Film Conducting; TV : The Sound of Music – Live (ITV), BBC Sports Personality of the Year 2017 (Conductor & Orchestrations), Jerry Springer – The Opera (BBC), Spamalot (Royal Variety). Radio : several Friday Night is Music Night (Radio 2), Tribute to Sammy Davis Jnr. (Radio 2). Film with Live Orchestra : Love Actually in Concert (venues across the UK). Orchestral ConductinG include; The Philharmonia, (Buckingham Palace), City of Birmingham Symphony, Royal Philharmonic Concert, BBC Concert, BBC Philharmonic, Royal Scottish National, Royal Northern Sinfonia, Royal Liverpool Philharmonic, Orchestra of Opera North, Orchestra of Welsh National Opera, Bangkok Symphony, Shanghai Opera House Orchestra, Shanghai Philharmonic, the National Symphony, Stockholm Sinfonietta, and the Slovenia Radio Symphony, (televised). Dance / Ballet includes; Royal Opera House, Covent Garden; Cover Conductor on the Royal Ballet productions of The Rite of Spring, Chroma, Giselle, Marguerite & Armand, Monotones, La Valse, The Human Season, Concerto and The Judas Tree. -
HBO, Sky's 'Chernobyl' Leads 2020 Baftas with 14 Nominations
HBO, Sky's 'Chernobyl' Leads 2020 BAFTAs with 14 Nominations 06.04.2020 HBO and Sky's Emmy-winning limited series Chernobyl tied Killing Eve's record, set last year, of 14 nominations at the 2020 BAFTA TV awards. That haul helped Sky earn a total of 25 nominations. The BBC led with a total of 79, followed by Channel 4 with 31. The series about the nuclear disaster that befell the Russian city was nominated best mini-series, with Jared Harris and Stellan Skarsgård nommed best lead and supporting actor, respectively. Other limited series to score nominations were ITV's Confession, BBC One's The Victim and Channel 4's The Virtues. Netflix's The Crown, produced by Left Bank Pictures, was next with seven total nominations, including best drama and acting nominations for Oscar-winner Olivia Colman, who played Queen Elizabeth, and Helena Bonham Carter, who played Princess Margaret. Also nominated best drama were Channel 4 and Netflix's The End of the F***ig World, HBO and BBC One's Gentleman Jack and BBC Two's Giri/Haji. Besides Colman, dramatic acting nominations went to Glenda Jackson for BBC One's Elizabeth Is Missing, Emmy winner and last year's BAFTA winner Jodie Comer for BBC One's Killing Eve, Samantha Morton for Channel 4's I Am Kirsty and Suranne Jones for Gentleman Jack. Besides Harris, men nominated for lead actor include Callum Turner for BBC One's The Capture, Stephen Graham for The Virtues and Takehiro Hira for Giri/Haji. And besides Carter, other supporting actress nominations went to Helen Behan for The Virtues, Jasmine Jobson for Top Boy and Naomi Ackie for The End of the F***ing World. -
Joel Devlin Director of Photography
Joel Devlin Director of Photography Credits include: WILLOW Director: Debs Paterson High Fantasy Action Adventure Drama Series Showrunner: Wendy Mericle Writer/Executive Producer: Jon Kasdan Executive Producers: Ron Howard, Kathleen Kennedy Roopesh Parekh, Michelle Rejwan Producer: Tommy Harper Featuring: Ellie Bamber, Erin Kellyman, Warwick Davis Production Co: Imagine Entertainment / Lucasfilm / Disney+ ALEX RIDER Director: Rebecca Gatward Action Adventure Spy Series Producer: Richard Burrell Featuring: Otto Farrant, Vicky McClure, Stephen Dillane Production Co: Eleventh Hour Films / Amazon ITV Studios / Sony Pictures Television THE BEAST MUST DIE Director: Dome Karukoski Crime Drama Producer: Sarada McDermott Featuring: Jared Harris, Cush Jumbo, Billy Howle Production Co: New Regency Television International / BritBox THE SPANISH PRINCESS Director: Rebecca Gatward Tudor Period Drama Series Showrunner: Matthew Graham Featuring: Charlotte Hope, Ruari O’Connor, Olly Rix Production Co: New Pictures / Starz! HIS DARK MATERIALS: THE SUBTLE KNIFE Director: Leanne Welham Epic Fantasy Adventure Drama Series Series Producer: Roopesh Parekh Adaptation of Philip Pullman’s award-winning novel. Featuring: Dafne Keen, Ruth Wilson, Lin-Manuel Miranda ‘Will’s World’ for HIS DARK MATERIALS: NORTHERN LIGHTS Director Will McGregor Producer: Laurie Borg Production Co: Bad Wolf / HBO / BBC One THE TRIAL OF CHRISTINE KEELER Directors: Andrea Harkin, Leanne Welham Dramatisation of the infamous Profumo Affair Producer: Rebecca Ferguson that rocked the British -
7.30Pm MONDAY 10Th DECEMBER 2012
Simply Theatre Productions are proud to present ChristWITH THE !as A mesmerising spectacle of music from the biggest leading performers of London’s West End In aid of Friends of India RUTHIE HENSHALL JOHN OWEN-JONES SHARON D CLARKE And Introducing (Chicago, Miss Saigon, Cats) (Les Miserables, (We Will Rock You, Hairspray, Ghost) ADAM BAILEY Phantom of the Opera) (Taboo) Accompanied by the ‘Christmas with the Stars’ concert orchestra and the Simply Theatre Academy 7.30pm MONDAY Show Choir 10th DECEMBER 2012 Bâtiment des Forces Motrices, Geneva CREATING A SCENE www.simplytheatre.com 022 860 05 18 WITH THE SIMPLY THEATRE PRODUCTIONS Christ!as ARE PROUD TO PRESENT Bringing a dose of London’s West End to Geneva, Simply Theatre Productions are proud to welcome some of the biggest musical theatre stars as they perform for one night only in aid of Friends of India. This sensational Christmas concert will feature songs from smash-hit shows including We Will Rock You, Hairspray, The Phantom of the Opera and Les Miserables, before our stars turn their attention to Christmas, sharing some of their all-time favourite seasonal classics with you. Accompanied by the ‘Christmas with the Stars’ concert orchestra and the Simply Theatre Academy Show Choir, this promises to be an unforgettable night of music guaranteed to get you in the festive spirit. RUTHIE HENSHALL is a long-established West End and Broadway star and has performed leading roles in a multitude of theatre smash-hits including Cats, Miss Saigon, Chicago, Les Misérables and Oliver! She has four Olivier Award nominations and was voted the ‘Most Popular Musical Actress of the past 25 years’ by theatregoers. -
Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London. -
Abigail Mckern
Abigail McKern Agents Charlotte Davies Assistant [email protected] Cat Palethorpe +44 (0)20 3214 0800 [email protected] +44 (0) 20 3214 0800 Roles Stage Production Character Director Company MERCHANT OF VENICE Nerissa Peter Hall West End THE CHERRY ORCHARD Dunyarsha Sam Mendes Aldwych Theatre DEATH OF A SALESMAN The Woman Robert Falls Lyric Theatre THE MAGISTRATE Agatha Poskitt Nick Broadhurst Savoy Theatre SHE STOOPS TO CONQUER Richard Cottrell Sydney Theatre Company 5 CHARACTERS IN SEARCH TBA Mike Alfreds Shared Experience OF A GOOD NIGHT'S SLEEP, NORTH BY NORTHWEST Mrs Thornhill Simon Philips Adelaide Festival NORTH BY NORTHWEST Mrs Thornhill Simon Philips Bath Theatre Royal and Toronto Royal Alexander A ROOM WITH A VIEW Mrs Honeychurch Adrian Noble CAT ON A HOT TIN ROOF Big Mama Rob Hastie Theatr Clwyd BRAVE NEW WORLD Linda James Dacre Northampton Royal and Derngate United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company PRIDE AND PREJUDICE Lady Catherine De Tamara Harvey Sheffield Crucible Theatres Bourgh SHAKESPEARE IN LOVE The Nurse Declan Donellan/ West End Noel Coward A TALE OF TWO CITIES Miss Pross James Dacre Northampton Royal and Derngate TRAVELLING LIGHT Ida Nick Hytner National Theatre TRAVESTIES Nadya Philip Wilson Birmingham Rep THE IMPORTANCE OF Miss Prism Philip Wilson Birmingham Rep BEING ERNEST BUS STOP Grace James Dacre New Vic/Scarborough co- production LINGUA FRANCA, Madge Fox -
Demarcating Dramaturgy
Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement. -
Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
King Lear − Learning Pack
King Lear − Learning Pack Contents About This Pack ................................................................1 Background Information ..................................................2 Teaching Information ........................................................3 Adaptation Details & Plot Synopsis..................................5 Find Out More...................................................................12 1 King Lear − Learning Pack About This learning pack supports the Donmar Warehouse production of King Lear, directed by Michael Grandage, which opened on 7th December 2010 in London. Our packs are designed to support viewing the recording on the National Theatre Collection. This pack provides links to the UK school curriculum and other productions in the Collection. It also has a plot synopsis with timecodes to allow you to jump to specific sections of the play. 1 King Lear − Learning Pack Background Information Recording Date – 3rd February, 2011 Location – Donmar Warehouse, London Age Recommendation – 12+ Cast Earl of Kent .................................................. Michael Hadley Early of Gloucester ...........................................Paul Jesson Edmund ...........................................................Alec Newman King Lear ......................................................... Derek Jacobi Goneril................................................................Gina McKee Regan ............................................................Justine Mitchell Cordelia .............................................Pippa -
The Meaning of Katrina Amy Jenkins on This Life Now Judi Dench
Poor Prince Charles, he’s such a 12.09.05 Section:GDN TW PaGe:1 Edition Date:050912 Edition:01 Zone: Sent at 11/9/2005 17:09 troubled man. This time it’s the Back page modern world. It’s all so frenetic. Sam Wollaston on TV. Page 32 John Crace’s digested read Quick Crossword no 11,030 Title Stories We Could Tell triumphal night of Terry’s life, but 1 2 3 4 5 6 7 Author Tony Parsons instead he was being humiliated as Dag and Misty made up to each other. 8 Publisher HarperCollins “I’m going off to the hotel with 9 10 Price £17.99 Dag,” squeaked Misty. “How can you do this to me?” Terry It was 1977 and Terry squealed. couldn’t stop pinching “I am a woman in my own right,” 11 12 himself. His dad used to she squeaked again. do seven jobs at once to Ray tramped through the London keep the family out of night in a daze of existential 13 14 15 council housing, and here navel-gazing. What did it mean that he was working on The Elvis had died that night? What was 16 17 Paper. He knew he had only been wrong with peace and love? He wound brought in because he was part of the up at The Speakeasy where he met 18 19 20 21 new music scene, but he didn’t care; the wife of a well-known band’s tour his piece on Dag Wood, who uncannily manager. “Come back to my place,” resembled Iggy Pop, was on the cover she said, “and I’ll help you find John 22 23 and Misty was by his side.