BOHUSLAVMARTINU the International Martinů Circle
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of
DEVELOPING THE YOUNG DRAMATIC SOPRANO VOICE AGES 15-22 By Monica Ariane Williams Bachelor of Arts – Vocal Arts University of Southern California 1993 Master of Music – Vocal Arts University of Southern California 1995 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Musical Arts School of Music College of Fine Arts The Graduate College University of Nevada, Las Vegas December 2020 Copyright 2021 Monica Ariane Williams All Rights Reserved Dissertation Approval The Graduate College The University of Nevada, Las Vegas November 30, 2020 This dissertation prepared by Monica Ariane Williams entitled Developing the Young Dramatic Soprano Voice Ages 15-22 is approved in partial fulfillment of the requirements for the degree of Doctor of Musical Arts School of Music Alfonse Anderson, DMA. Kathryn Hausbeck Korgan, Ph.D. Examination Committee Chair Graduate College Dean Linda Lister, DMA. Examination Committee Member David Weiller, MM. Examination Committee Member Dean Gronemeier, DMA, JD. Examination Committee Member Joe Bynum, MFA. Graduate College Faculty Representative ii ABSTRACT This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young dramatic soprano is discussed along with a retracing of breath methodologies relevant to the young dramatic soprano’s development. -
BOHUSLAV MARTINŮ JAROSLAV MIHULE / 2008 František Martinů, Colored Drawing from a Scrapbook
A POCKET GUIDE TO THE LIFE AND WORK OF BOHUSLAV MARTINŮ JAROSLAV MIHULE / 2008 František Martinů, colored drawing from a scrapbook 1 FROM POLIČKA TO PRAGUE 1890 — 1922 2 On The Polička Tower 1.1 Bohuslav came into the world in a tiny room on the gallery of the church tower where his father, Ferdinand Martinů, apart from being a shoemaker, also carried out a unique job as the tower- keeper, bell-ringer and watchman. Polička - St. James´ Church and the Bastion “On December 8th, the crow brought us a male, a boy, and on Dec. 14th 1.2 A Loving Family he was baptized as It was the mother who energetically took charge of the whole family. She was Bohuslav Jan.” the paragon of order and discipline: strict, pious – a Roman Catholic, naturally, as (The composer’s father were most inhabitants of this hilly region. made this entry in the Of course, she loved all of her children. With Ferdinand Martinů she had fi ve; and family chronicle.) the youngest and probably the most coddled was Bohuslav, born to the accom- paniment of the festive ringing of all the bells, as the town celebrated on that day the holiday of the Immaculate Conception of the Virgin Mary. To be born high above the ground, almost within the reach of the sky, seemed in itself to promise an exceptional life ahead. Also his brother František and his sister Marie had their own special talents. František graduated from art school and made use of his artistic skills above all 3 as a restorer and conservator of church art objects in his homeland as well as abroad. -
Season Catalog 19-20 .Pdf
CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI ZELL MUSIC DIRECTOR SYMPHONY CENTER PRESENTS 2019/20 The 10th Anniversary Season of Riccardo Muti as Music Director — Celebrating Beethoven’s 250th Birthday WELCOME | 2019/20 SEASON We should all become brothers and sisters—this is the message of Beethoven’s Ninth Symphony. For two hundred and fifty years, we have tried to find the secret behind the untouchable music of this divine architect and to comprehend the enormity of his timeless philosophical, spiritual and human message. The Chicago Symphony Orchestra and I invite you to explore the symphonies of Beethoven and the music of many other composers worth celebrating. With each performance, we strive to reach the ideal that is the triumph of beauty. RICCARDO MUTI “Riccardo Muti and the CSO took to the stage to reaffirm their current eminence among the world’s greatest musical ensembles.” CHICAGO SUN-TIMES SEASON HIGHLIGHTS 4 A Celebration of Beethoven’s 250th Birthday: Muti Conducts the Complete Beethoven Symphonies A Beethoven Piano Sonata Cycle 8 New & American Voices TABLE OF CONTENTS 10 Series at a Glance 12 Experience the Season 14 Season Calendar 42 Negaunee Music Institute 43 Support the CSO CENTER INSERT: Subscription Series Guide & Grid 2 CHICAGO SYMPHONY ORCHESTRA SYMPHONY CENTER PRESENTS CSO.ORG 312-294-3000 3 SEASON HIGHLIGHTS Beethoven’s 250th Birthday Celebration 2019 “Music should /20 strike fire from the heart of man.” ludwig van beethoven Muti Conducts the Complete Beethoven Symphonies Riccardo Muti conducts the nine iconic symphonies of Beethoven throughout the 2019/20 season. Each symphony stands as a pillar of the repertoire; collectively they represent the apex of artistic achievement, synthesizing all musical development that preceded them and creating a wake that would influence all music to follow. -
Anna Nicole Composed by Mark-Anthony Turnage Libretto by Richard Thomas Directed by Richard Jones Conducted by Steven Sloane
BAM 2013 Next Wave Festival #AnnaNicole Brooklyn Academy of Music New York City Opera Alan H. Fishman, Charles R. Wall, Chairman of the Board Chairman of the Board William I. Campbell, George Steel, Vice Chairman of the Board General Manager and Artistic Director Adam E. Max, Vice Chairman of the Board Jayce Ogren Music Director Karen Brooks Hopkins, President Joseph V. Melillo, present Executive Producer Anna Nicole Composed by Mark-Anthony Turnage Libretto by Richard Thomas Directed by Richard Jones Conducted by Steven Sloane BAM Howard Gilman Opera House Sep 17, 19, 21, 24, 25, 27 & 28 at 7:30pm Approximate running time: two hours and 30 minutes including one intermission Anna Nicole was commissioned by the Royal Opera House, Covent Garden, London and premiered there in February 2011 Set design by Miriam Buether Costume design by Nicky Gillibrand Leadership support for opera at BAM provided by: Lighting design by Mimi Jordan Sherin & D.M. Wood The Andrew W. Mellon Foundation Choreography by Aletta Collins The Peter Jay Sharp Foundation Stage director Richard Gerard Jones Stavros Niarchos Foundation Supertitles by Richard Thomas Major support provided by Chorus master Bruce Stasyna Aashish & Dinyar Devitre Musical preparation Myra Huang, Susanna Stranders, Lynn Baker, Saffron Chung Additional support for opera at BAM provided by The Francena T. Harrison Foundation Trust Production stage manager Emma Turner Stage managers Samantha Greene, Jenny Lazar New York City Opera’s Leadership support for Assistant stage director Mike Phillips Anna Nicole provided by: Additional casting by Telsey + Company, Tiffany Little John H. and Penelope P. Biggs Canfield, CSA Areté Foundation, Edward E. -
La Rondine Swoops Into St. Louis
HOME COMMENTARY FEATURED OPERAS West Wind: A new song-cycle by Sally NEWS Beamish REPERTOIRE In a recent article in BBC Music Magazine tenor REVIEWS James Gilchrist reflected on the reason why ABOUT early-nineteenth-century England produced no CONTACT corpus of art song to match the German lieder LINKS of Schumann, Schubert and others, despite the great flowering of English Romantic poetry SEARCH SITE during this period. Florencia en el Amazonas, NYCO With the New York Premiere of Florencia en el Amazonas, the New York City Opera Steps Out Enter Keywords of the Shadows of the Past Search Idomeneo, re di Creta, Garsington Opportunities to see Idomeneo are not so frequent as they might be, certainly not so Subscribe to frequent as they should be. Opera Today Receive articles and Don Carlo in San Francisco news via RSS feeds or Not merely Don Carlo, but the five-act Don 22 Jun 2015 email subscription. Carlo in the 1886 Modena version! The Feature Articles welcomed esotericism of San Francisco Opera’s extraordinary spring season. La Rondine Swoops Into St. Louis Email Address Jenůfa in San Francisco Subscribe The early summer San Francisco Opera season If La Rondine (The Swallow) is a less-admired work than rest has the feel of a classy festival. There is an introduction of Spanish director Calixto Bieito to of the mature Puccini canon, you wouldn’t have known it by American audiences, a five-act Don Carlo and the lavish production now lovingly staged by Opera Theatre of two awaited, inevitable role debuts, Karita Mattila as Kostelnička and Malin Bystrom as Saint Louis. -
Massenet and Opera: Richness and Diversity
jules massenet : thérèse Massenet and opera: richness and diversity Jean-Christophe Branger Massenet (184 2- 1912) is known above all for two works, Manon and Werther , and to these have been added another four: Hérodiade , Thaïs , Don Quichotte and Cendrillon , which are now enjoying renewed popularity. However, his output was much larger than that: twenty-five complete operatic works have come down to us (not counting Marie-Magdeleine , an oratorio written in 1873 and staged in 1903). But his output has been large - ly neglected because of its singularity: few people realise that Massenet experimented with opera far more than most other composers, thus cre - ating a multi-faceted world all of his own. It was in Massenet’s temperament, no doubt, to feel a constant need for change and renewal, diversity and challenge, and he was generally encouraged in that direction by his publishers and librettists and those close to him. In 1896 he told the periodical Le Temp s: You will notice [...] that my works are taken from very diverse sources. I try to vary their subjects. Manon came after Hérodiade , Esclarmonde fol - lowed Le Cid . I tear myself away from one world to immerse myself imme - diately in another one that is very different, in order to change the course of my ideas. That is the best way to avoid monotony. Massenet thus approached every genre and every register. While Le Roi de Lahore (1877), Hérodiade (1881), Le Cid (1885) and Le Mage (1891) are 40 unquestionably grand operas à la Meyerbeer (including the inevitable bal - let), Ariane (1906), Bacchus (1909), Roma (1912) and Cléopâtre (posthu - mous, 1914) belong rather to an important neo-Gluckist movement, showing a keen interest in Greek and Roman antiquity. -
The Marriage of Figaro
Opera Box Table of Contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .9 Reference/Tracking Guide . .10 Lesson Plans . .14 Synopsis and Musical Excerpts . .44 Flow Charts . .53 Wolfgang Amadeus Mozart – a biography ......................63 Catalogue of Mozart’s Operas . .65 Background Notes . .67 Beaumarchais and Figaro ..................................70 2 0 0 6 – 2 0 0 7 S E A S O N The Two Rosinas ........................................73 Spotlight on History: Spain and Austria . .75 World Events in 1786 ....................................77 GIOACHINO ROSSINI History of Opera ........................................79 SEPTEMBER 23 – OCTOBER 1, 2006 History of Minnesota Opera, Repertoire . .90 The Standard Repertory ...................................94 JACQUES OFFENBACH Elements of Opera .......................................95 OCTOBER 28 –NOVEMBER 5, 2006 Glossary of Opera Terms ..................................99 Glossary of Musical Terms . .105 Bibliography, Discography . .108 Word Search, Crossword Puzzle . .111 RICKY IAN GORDON FEBRUARY 10 – 18, 2007 Evaluation . .114 Acknowledgements . .115 LÉO DELIBES MARCH 31 –APRIL 7, 2007 WOLFGANG AMADEUS MOZART mnopera.org MAY 5 – 13, 2007 FOR SEASON TICKETS, CALL 612.333.6669 620 North First Street, Minneapolis, MN 55401 Kevin Ramach, PRESIDENT AND GENERAL DIRECTOR Dale Johnson, ARTISTIC DIRECTOR Dear Educator, Thank you for using a Minnesota Opera Opera Box. This collection of material has been designed to help any educator to teach students about the beauty of opera. This collection of material includes audio and video recordings, scores, reference books and a Teacher’s Guide. The Teacher’s Guide includes Lesson Plans that have been designed around the materials found in the box and other easily obtained items. In addition, Lesson Plans have been aligned with State and National Standards. -
Mirandolina-Text-1385715627.Pdf
Rok české hudby 2014 V posledních letech jsme svědky až nepřehledného množství „roků“ a „dnů“ zasvěcených různým tématům, většinou z iniciativy nadná- rodních administrativ. Rok české hudby je ovšem záležitostí tradiční a přirozeně i v zahraničí očekávanou s kořeny v r. 1924, kdy se poprvé slavilo kulaté výročí národního skladatele B. Smetany (1824–1884) a zároveň proběhl mj. i festival soudobé hudby s komorní hudbou L. Janáčka (* 1854). Jsou to roky zakončené čtyřkou, protože do těchto let spadá výročí zhruba stovky významných hudebních umělců u nás – B. Smetany, A. Dvořáka, L. Janáčka, J. Suka, E. F. Buriana, folkloristy F. Sušila, ale také např. K. Kryla a E. Olmerové a řady dalších. V r. 2014 uplyne kulatých sto let od narození dirigenta a skladatele R. Kubelíka, jehož jméno je spjato s různými milníky historie České filharmonie, nebo klavíristy a skladatele J. Páleníčka, výrazného interpreta klavírního díla Janáčka a Martinů. Z osobností spjatých s operou vzpomeňme pří- telkyni G. Verdiho sopranistku T. Stolzovou (+ 1834), sopranistku Metropolitní opery J. Novotnou (+ 1994), vynikající Rusalku a Ma- řenku M. Šubrtovou (* 1924). Šedesát let uplyne také od založení Janáčkovy filharmonie Ostrava. Rok české hudby 2014 se poprvé odehrává pod patronací umělec- kého páru s vynikající mezinárodní prestiží – mezzosopranistky M. Kožené a šéfdirigenta Berlínské filharmonie Sira S. Rattla. Je otevřeným projektem, do kterého se hlásí pořadatelé profesionální i neprofesionální kultury všech žánrů a formátů se svými projekty. Všechna tato mnohost je spjata logem Roku české hudby. Se zvláštní nabídkou se setkáte také na ČT ART a na Vltavě Českého rozhlasu. K programu přispějí významně ostravští pořadatelé, zejména Colours of Ostrava, MHF Janáčkův máj, Janáčkova filharmonie Ostrava, Ostravské centrum nové hudby a Národní divadlo moravskoslezské, které se navíc pražským provedením své inscenace Mirandolina 7. -
Ariane Et Bachus Saturday, September 30 – Tuesday, October 3, 2017 Studebaker Theater | Chicago, Illinois Dear Friends
Marin Marais Ariane et Bachus Saturday, September 30 – Tuesday, October 3, 2017 Studebaker Theater | Chicago, Illinois Dear Friends, Thank you for joining us as we make history by presenting Marin Marais’ five-act operaAriane et Bachus in its first fully-staged production since 1696. About 25 years ago, I heard the music of Marais for the first time and was so moved that I decided to learn how to play the viola da gamba. His breathtakingly exquisite music has changed the course of my life in wonderful ways. I hope these performances will sound a chord deep within you as well. Three years ago I learned that musicologist/lutenist Silvana Scarinci was preparing a new performing edition of Ariane. I reached out to her at her home in Brazil and we began a partnership to present this opera for the first time in Chicago. Ms. Scarinci has devoted years of her life to this wonderful work and we are all richer for her labors of love. We are delighted to make our company debut at the newly-renovated Studebaker Theater. Perhaps you gasped the same way I did when you first entered the theater.Ariane is the largest production HOC has ever offered to the public. The Haymarket Opera Ballet Company, under the expert eyes of Stage Director and Choreographer Sarah Edgar, makes its official debut with these performances. Costumier Meriem Bahri has managed to surpass her own work once again with an enormous collection of elegant costumes. We welcome Alabama-based set designer Mike Winkelman to the HOC team for the first time. -
Jonathan Best Bass Baritone
Jonathan Best Bass Baritone Jonathan Best was born in Kent and educated at St John’s College‚ Cambridge and at the Guildhall School of Music. He made his operatic debut in 1983 with the Welsh National Opera‚ and has since sung with all the major British Opera companies. Recent and future plans include Bartolo The Marriage of Figaro (Opera North)‚ Lesbo Agrippina (The Grange Festival)‚ Father Traurnacht (Festival d’Aix en Provence in Arras and Lisbon)‚ Sarastro The Magic Flute‚ Benoit/Alcindoro La Boheme and Le Bailli Werther (Scottish Opera)‚ Judge Turpin Sweeney Todd (Théâtre du Châtelet‚ Paris and Münchner Rundfunkorchester)‚ Drunken Poet The Fairy Queen (in concert with the Handel and Haydn Society‚ Boston)‚ title role Saul (The Sixteen and Boston’s Handel & Haydn Society)‚ Capellio I Capuleti e i Montecchi‚ Don Fernando Leonore‚ Zebul Jephtha‚ Notary Intermezzo and Maître Jean La Colombe (Buxton Festival)‚ Don Alfonso Cosi fan tutte and Lord Henry The Picture of Dorian Gray (Den Jyske Opera)‚ Quince A Midsummer Night’s Dream and Speaker The Magic Flute (Garsington Opera)‚ 3rd Seller / Dignitary The Portrait and Achilla Giulio Cesare (Opera North)‚ Pastor Oberlin Jakob Lenz and Bartolo The Marriage of Figaro (English National Opera)‚ Sacristan/Lunarbore/Domšic The Adventures of Mr Broucek (Opera North/Scottish Opera)‚ Missa Solemnis (Gloucester Cathedral)‚ Arthur The Lighthouse‚ Narrator The Waste Land‚ The Soldier’s Tale and the world première of Sally Beamish’s The Sins (Psappha Quartet). A regular guest with Opera North‚ roles have included Des Grieux Manon‚ Barbe-bleue Ariane et Barbe-bleue‚ Sparafucile Rigoletto‚ Don Alfonso Così fan tutte‚ Leporello Don Giovanni‚ Bottom A Midsummer Night’s Dream‚ Villabella The Thieving Magpie‚ Speaker The Magic Flute‚ Bishop Caritas ‚ Sirocco L’étoile‚ King The Love for Three Oranges‚ Radcliffe Billy Budd‚ Bartolo The Marriage of Figaro and Rambaldo La rondine. -
Vol.XIII / No.3 Opera Alexandre Bis Martinů on Wagner New Publications Events / News Bohuslav
THE BOHUSLAV MARTINŮ FOUNDATION THE BOHUSLAV MARTINŮ INSTITUTE THE INTERNATIONAL MARTINŮ CIRCLE MR essay on the opera ariane september–december 2013 / vol.XIII / no.3 opera alexandre bis martinů on wagner new publications events / news bohuslav. contents martinu CA 3 days OPERAS / BALLETS / CONCERTS 4 2013 5 6 OPERA ALEXANDRE BIS IN ZURICH 1 December 2013 SEVERIN KOLB 7.30 pm | HAMU Prague | Martinů Hall CONCERT OF THE WINNERS OF THE BOHUSLAV MARTINŮ 8 FOUNDATION COMPETITION RICHARD WAGNER 9 December 2013 10 7.30 pm | HAMU Prague | Martinů Hall CONCERT ON THE OCCASION 11 OF 90th BIRTHDAY OF VIKTOR KALABIS LIST OF MARTINŮ’S WORKS XIV (in memoriam), composer and past president of the Bohuslav Martinů Foundation 12 Viktor Kalabis MARTINŮ’S OPERA ARIANE, PART I String Quartet No. 2 PAVEL SÝKORA Viktor Kalabis String Quartet No. 6 „Homage to Bohuslav Martinů“ Bohuslav Martinů 5 16 String Quartet No. 5 / H. 268 MARTINŮ & ROUSSEL Martinů Quartet 1 GREGORY TERIAN 11+12+13 December 2013 18 7.30 pm | Praha | Rudolfinum | Dvořákova síň PIANOS ON THE STREETS Bohuslav Martinů NADAČNÍ FOND Double Concerto for Two String Orchestras, A.DVOŘÁKA pro mladé interprety Piano and Timpani / H. 271 19 Anton Bruckner Symphony No. 9 D minor ( LUCIE JIRGLOVÁ Czech Philharmonic Orchestra Kent Nagano Conductor b www.martinu.cz highlights Mirandolina / H. 346 The Strangler / H. 317 5+16+29 January 2014 24 January 2014 / 7+11+21 March 2014 5+15 February 2014 7 May 2014 / all performances start at 6.30 pm 19+25 March 2014 > Jiří Myron Theatre, Ostrava www.ndm.cz 1 June 2014 Jakub Žídek (Music Arangement) > Antonín Dvořák Theatre, Ostrava, CZ Nataša Novotná (Choreographer) www.ndm.cz Robert Jindra (Conductor) Jiří Nekvasil (Director) Who is the Most Powerful Daniel Dvořák (Stage Designer) in the World? / H.