DOCSLIB.ORG

View the List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
View the List Dept. of Anthropology – Indiana University MA and PhD theses and dissertations, 1949 to present M.A. and Ph.D. Theses and Dissertations - 1949 to Present 1949 MA William Richard Adams Faunal Remains from the Angel Site. MA Donald Wayne Dragoo Origins of the Adena Culture. (Black) 1950 MA Elias Adis Castro The Racial Relationships of the Dominica Caribs. MA Hilda Jane Curry Negative Painted Pottery of Angel Mounds Site and Its Distribution in the New World. MA Lynd J. Esch A Report on Excavations at the Cahone Site in 1948. (Gebhard) MA Harold Hickerson Elements of Bride-Wealth Practices in East Africa. (Driver and Herzog) MA Nancy Parrott Hickerson The Institution of Slavery in Societies of North-Western North America. (Driver and Herzog) MA Ann Ruth Schutzel A Comparative Analysis of Law Among the Cheyenne and Yurok. (Driver) MA Glen Turner List of South American Indian Languages. (Voegelin) MA Charles P. Warren Central African Folktales. (Herzog) −1− Dept. of Anthropology – Indiana University MA and PhD theses and dissertations, 1949 to present 1951 MA Frances Hammond TurnerGirls' Puberty Observances in South America. (Driver) (June) MA Vernon R. Helmen The Cultural Affiliations and Relationships of the Oliver Farm Site, Marion County, Indiana. (Neumann) MA Richard A. Schweinsberger Family Social Structure and Functions of the Muskhogean Indians of Southeastern United States. (Driver) 1952 MA Howard Keva Kaufman Cheyenne Indian Music and Its Cultural Background. MA Joe E. Pierce Degree of Linguistic Relationships Among the Shawnee, Kickapoo, Ojibwa, and Sauk-and-Fox. (Voegelin) 1953 MA Emily Jane Blasingham Temporal and Spatial Distribution of the Yankeetown Cultural Manifestation. MA Charles Macleod Camp The Musical Bow in Southern Africa. (Driver) MA Barbara Dean Harris Comparative Social Organization of the Western Eskimo and Aleut. MA Dorothea V. Kaschube Comparative Social Structure of the Siberian Americanoids. (Voegelin) (June) MA James H. Kellar The Atlatl in North America. −2− Dept. of Anthropology – Indiana University MA and PhD theses and dissertations, 1949 to present PhD Lynd J. Esch A Study of theReliability of Cultural Evidences for Archaeological-Ethnological Cultural Continuities in the Eastern United States. 1954 MA Benjamin R. Huelsman Racial Differentiation in Siberia and its Relationship to the Problem of Peopling of the New World. (Neumann) MA Virginia Wolff Hymes Athapaskan Numeral Systems. (Driver) MA John R. Longbons, Political Organization of Central California Indians. (Driver) PhD Harold Hickerson Social and Economic Organization in a Guiana Village. (Driver and Herzog) PhD Florence M. (Robinett)Voegelin Hidatsa Grammar. (Voegelin) 1955 MA Vladimir Markotiv Glottochronology as the Method and the Slavic Languages. (Herzog) (June) MA Nancy D. Munn Religious Symbols in Primitive Cultures and their Significance for a Theory of Art. (Bidney) (September) MA Raibourn, Downey. The Direction of Social Change in Central California. (Driver)(August) MA Anirudha Behari Saran Ethnography of Tehri-Garhwal (A Himalayan District in India). (June) −3− Dept. of Anthropology – Indiana University MA and PhD theses and dissertations, 1949 to present MA Sam Walter Sarbescu The Northwest Coast and Plateau Mortuary Complex and its Cultural Background. (Driver) MA Maneck S. Wadia Tesuque--A Study in Acculturation. (Driver) PhD Howard Keva Kaufman Bangkhuad--A Community Study in Thailand. 1956 MA Francis Robert Newbern The South China Boat People. (June) (Driver) PhD Emily Jane Blasingham The Illinois Indians, 1634-1800, A Study in Depopulation. (Gebhard) PhD James H. Kellar The C.L. Lewis Stone Mound and the Stone Mound Problem in Eastern United States Prehistory. 1957 MA Richard B. Johnston The Physical Relationship of Certain Middle Mississippi and Southeastern Groups. (Gebhard) PhD Donald Wayne Dragoo Archaic Cultures of the Upper Ohio Valley. (Black) PhD Nancy Parrott Hickerson An Acoustic Analysis of Shawnee Speech. (Driver and Herzog) PhD Joe E. Pierce A Statistical Study of New World Languages. (Voegelin) −4− Dept. of Anthropology – Indiana University MA and PhD theses and dissertations, 1949 to present PhD Maneck Sorabji Wadia Tesuque--A Community Study in Acculturation. (Driver) PhD John F. Yegerlehner Phonology and Morphology (Voegelin) 1958 PhD DePena, Joan J. Standards of Growth and Development for Puerto Rican Children. (Neumann) PhD Louanna Pettay The Morphological Aspects of the Skull in Mongolism. (Neumann) PhD Glen D. Turner Jivaro Phonology and Morphology. (Voegelin) 1959 MA Duane R. Burnor A Comparative Enculturation Study of the Crow, Navajo, and Ojibwa. (Neumann)(June) PhD Francis (S.J.) Grollig San Miguel Acatan, Huehuetenango, Guatemala: A Modern Maya Village. (Driver) (June) PhD Barbara H. Mickey The Mazahua of Cabecera de los Indigenes: An Example of Nuclear Social Structure. (Driver)(June) MA John D. Devereux Social Organization and Land Tenure among Canadian Indians. PhD Dorthea V. Kaschube Structural Elements of Crow. (Voegelin) −5− Dept. of Anthropology – Indiana University MA and PhD theses and dissertations, 1949 to present PhD Edward V. McMichael The Anatomy of Tradition: A Study of Southeastern Stamped Pottery. (Black) MA Holm W. Neumann The Delimitation of the Walcolid Variety of Men. (Neumann) MA Constance Omoto The Identification of a Prehistoric Indian Skeletal Series from Will County, Illinois. PhD LaMont West, Jr. The Sign Language: An Analysis. (Voegelin) MA Joseph W. Young The Physical Affiliations of the Durkam Stone Mound People. (Neumann) 1961 MA Elizabeth Herrala da Cunha The Incidence of Dental Caries and Alveoloclasta in a Number of Prehistoric and Historic American Indian Groups of the Middle West. MA Charles H. Faulkner An Archaeological Survey of Marshall County, Indiana (Kellar) MA Anthony T. Layng Prospects for Acculturation of N.Y. City's Puerto Rican Population (Driver) MA Bruce R. Moore A Statistical Morpho-Syntactic Study of Colorado (Chibcha). MA Patrick G. Morris The Deme and Its Varieties. (Driver) MA Charles H. Pyne Avoidance Customs: A Cross-Cultural Study. −6− Dept. of Anthropology – Indiana University MA and PhD theses and dissertations, 1949 to present 1962 MA Chamrieng Bhavichitra Thai Marriage and Family. (Driver) (June) MA Chalermiri Dhamabutra The Anamistic Beliefs and Practices. MA Richard D. Faust The Physical and Cultural Relationships of a Late Woodland Group of the Wabash Valley. MA Richard H. Furlow The Diet and Nutrition of North American and African Tribes: A Comparative Study. (Driver) MA James R. Jaquith Bibliography of Anthropological Bibliographies of the Americas. (Driver) C-5 PhD Richard B. Johnston Southern Ontario Point Peninsula Woodland in Northeastern Prehistory. (Gebhard) PhD Thomas J. Maxwell Las Poincianas: A Puerto Rican Housing Project. (Driver) (June) PhD Holm W. Neumann The American Negro: His Origins and His Present Status as a Hybrid or Secondary Race. (Neumann) (June) 1963 PhD Hildegard Schmidt de Delgado Aboriginal Guatamalan Handweaving and Costume. (Driver) (January) MA John C. Holden Paleolithic Handprints. (Gebhard) −7− Dept. of Anthropology – Indiana University MA and PhD theses and dissertations, 1949 to present PhD Lola R.M. Schwartz Morality Conflict and Violence in a Mexican Mestizo Village (Bidney) MA Andrew L. Szczesniak A Brief Index of Peoples and Languages of Asiatic Russia. (Voegelin) PhD Oswald Werner A Typological Comparison of Four Trader Navaho Speakers. (Voegelin) 1964 MA Florence Chapman The Incidence and Age Distribution Osteoparthritis in a Number of Prehistoric American Indian Populations. (Neumann) MA Nick George Franke The Function of the Hilltop Enclosures and Works of the Eastern United States. MA Jack Aaron Frisch Cognatic Kinship Organization Among the Northeast Algonkians. (Driver) (April) MA Louise Marie Robbins Physical and Cultural Relationships of the Late Archaic Red Ocher People of the Illinois Valley. (Driver) MA Chuian Kai Tam The Miao People of South China. (Driver) (May) MA John Dorwin The Paleo-Indian Occupation of Indiana. (Kellar) (June) MA Inez Maria Fonseca Litto A Comparison of Crania from the Shell Heaps of Brazil with Those of the Archaic of Eastern United States. −8− Dept. of Anthropology – Indiana University MA and PhD theses and dissertations, 1949 to present MA Azizolah Banayan Status in the Middle East Village. (Bidney) MA Claudia Mitchell Avoidance Customs in Aboriginal California. (Driver) 1965 MA Renie Adams A Survey of Form in the Graphic Arts of the Pueblos. (Driver) (September) MA Jeremy A. Barry Zimbabwe and the Early Iron Age in Rhodesia. PhD Robert A. Black Analysis of 81 Hopi Indian Chants. (Voegelin) MA James Bellis Spatial Flatness in a Number of Varieties of the American Indian. (Kellar) MA Rose Marie Jaquith Glossary of Kinship Organization. (Driver) (April) PhD Joseph Gilbert Jorgensen The Ethnohistory and Acculturation of the Northern Ute. (Driver) (June) PhD Evelyn Ina Montgomery Ethos and Ayllu in Coasa, Peru (Driver) (June) MA Ray Ruff The Use of Infrared Radiation in Archaeology. (Kellar) −9− Dept. of Anthropology – Indiana University MA and PhD theses and dissertations, 1949 to present MA Edwin Segal Conflict in British West Africa: An Exploratory Study. (Driver) (June) MA David Skomp Racial Continuity in the American Southwest: An Examination of Carter Ranch Pueblo Physical Relationships. MA Kenneth Smail The Use of Female Crania in Demonstrating Racial Relationships. (Neumann) 1966 MA Mohammed Abu-Hassan The Jordan Legal System and the Scientific
Load more

Recommended publications
  • Liste Représentative Du Patrimoine Culturel Immatériel De L'humanité
    Liste représentative du patrimoine culturel immatériel de l’humanité Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Al-Ayyala, un art traditionnel du Oman - Émirats spectacle dans le Sultanat d’Oman et 2014 2014 01012 arabes unis aux Émirats arabes unis Al-Zajal, poésie déclamée ou chantée Liban 2014 2014 01000 L’art et le symbolisme traditionnels du kelaghayi, fabrication et port de foulards Azerbaïdjan 2014 2014 00669 en soie pour les femmes L’art traditionnel kazakh du dombra kuï Kazakhstan 2014 2014 00011 L’askiya, l’art de la plaisanterie Ouzbékistan 2014 2014 00011 Le baile chino Chili 2014 2014 00988 Bosnie- La broderie de Zmijanje 2014 2014 00990 Herzégovine Le cante alentejano, chant polyphonique Portugal 2014 2014 01007 de l’Alentejo (sud du Portugal) Le cercle de capoeira Brésil 2014 2014 00892 Le chant traditionnel Arirang dans la République 2014 2014 00914 République populaire démocratique de populaire Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Corée démocratique de Corée Les chants populaires ví et giặm de Viet Nam 2014 2014 01008 Nghệ Tĩnh Connaissances et savoir-faire traditionnels liés à la fabrication des Kazakhstan - 2014 2014 00998 yourtes kirghizes et kazakhes (habitat Kirghizistan nomade des peuples turciques) La danse rituelle au tambour royal Burundi 2014 2014 00989 Ebru, l’art turc du papier marbré Turquie 2014 2014 00644 La fabrication artisanale traditionnelle d’ustensiles en laiton et en
    [Show full text]
  • The Blending of Thai- Muslim Musical
    THE BLENDING OF THAI- Phleng Na and Phleng Tak. Those of the MUSLIM MUSICAL Muslim groups are: Rong Ngeng, Ma’yong, Dikia, Li Ke Hulu and Sila. PERFORMANCES IN SOUTHERN THAILAND This article will present information only about the music and performances of the Bussakorn Sumrongthong1 Muslim social group as the Buddhist related research is covered in a separate article. This report will focus on the key Abstract elements and characteristics, succession of musical knowledge, rituals and beliefs, Introduction including the knowledge succession of each musical performance. This paper is a research report of investigative fieldwork on the musical Musical culture of southern culture of the southern provinces of Thailand Thailand. The research was conducted by interviewing prominent musicians from each of the following provinces: Chumphon, Krabi, Nakhon Si Thammarat, Phang-Nga, Phatthalung, Phuket, Satun, Songkhla, Surat Thani and Trang. The current political instability in the provinces of Pattani, Yala and Narativas prevented conducting research in these locales. The process of this qualitative research consisted of direct observation, in-depth interviews of well-known artists, a survey of musical instruments and related performance or ritual materials /documents. The research found that the culturally significant music and Figure 1: Map of Southern Thailand performances in this region can be divided into 2 socio-religious groups delineated by Historically, the South of Thailand has the Buddhist and Muslim faiths. been a commercial trading center of South-east Asia. It served as a hub The core songs and performances of the between the two great nations of India and Buddhists are: Ka Lo, Nang Talung, Nora, China and as a result, facilitated the Phon and Li Ke Pa, while the key classical dissemination of both Brahmanism and Thai songs are Phleng Ruea, Phleng Bok, Buddhism in this region.
    [Show full text]
  • List of the 90 Masterpieces of the Oral and Intangible Heritage
    Albania • Albanian Folk Iso-Polyphony (2005) Algeria • The Ahellil of Gourara (2005) Armenia • The Duduk and its Music (2005) Azerbaijan • Azerbaijani Mugham (2003) List of the 90 Masterpieces Bangladesh • Baul Songs (2005) of the Oral and Belgium • The Carnival of Binche (2003) Intangible Belgium, France Heritage of • Processional Giants and Dragons in Belgium and Humanity France (2005) proclaimed Belize, Guatemala, by UNESCO Honduras, Nicaragua • Language, Dance and Music of the Garifuna (2001) Benin, Nigeria and Tog o • The Oral Heritage of Gelede (2001) Bhutan • The Mask Dance of the Drums from Drametse (2005) Bolivia • The Carnival Oruro (2001) • The Andean Cosmovision of the Kallawaya (2003) Brazil • Oral and Graphic Expressions of the Wajapi (2003) • The Samba de Roda of Recôncavo of Bahia (2005) Bulgaria • The Bistritsa Babi – Archaic Polyphony, Dances and Rituals from the Shoplouk Region (2003) Cambodia • The Royal Ballet of Cambodia (2003) • Sbek Thom, Khmer Shadow Theatre (2005) Central African Republic • The Polyphonic Singing of the Aka Pygmies of Central Africa (2003) China • Kun Qu Opera (2001) • The Guqin and its Music (2003) • The Uyghur Muqam of Xinjiang (2005) Colombia • The Carnival of Barranquilla (2003) • The Cultural Space of Palenque de San Basilio (2005) Costa Rica • Oxherding and Oxcart Traditions in Costa Rica (2005) Côte d’Ivoire • The Gbofe of Afounkaha - the Music of the Transverse Trumps of the Tagbana Community (2001) Cuba • La Tumba Francesa (2003) Czech Republic • Slovácko Verbunk, Recruit Dances (2005)
    [Show full text]
  • Mak Yong, a UNESCO “Masterpiece” Negotiating the Intangibles of Cultural Heritage and Politicized Islam
    Patricia Ann Hardwick Sultan Idris Education University, Malaysia Mak Yong, a UNESCO “Masterpiece” Negotiating the Intangibles of Cultural Heritage and Politicized Islam Mak yong is a Malay dance drama once performed for entertainment and heal- ing ceremonies by itinerant theater troupes that traveled throughout northern Malaysia, southern Thailand, and the Riau archipelago of Indonesia. Incorpo- rated into national displays of Malaysian cultural heritage since the mid-1970s, mak yong was declared a Masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO in 2005. The UNESCO intangible cultural heritage (ICH) designation for mak yong was filed and accepted while mak yong was officially banned in its home state of Kelantan. The validity of mak yong as a symbol of Malay culture, and its ban in Kelantan for religious reasons, are frequently debated in Malaysia. Malaysian mak yong provides a case study of the divergent ways in which administrative and local communities of prac- tice implement the ICH concept of “safeguarding” in a highly charged polit- ical-religious field. International UNESCO designation, ICH safeguarding, and international human rights discourses have to contend with Malay ethnic nationalism and political Islamic movements that have alternatively sought to eradicate the art through bans or remake mak yong in their own image. Keywords: Intangible cultural heritage—UNESCO Masterpiece—Islam— politics—nationalism—communities of practice—safeguarding Asian Ethnology Volume 79, Number 1 • 2020, 67–90 © Nanzan University Anthropological Institute ak yong, a form of Malay theater, was proclaimed a Masterpiece of the Oral Mand Intangible Heritage of Humanity by UNESCO in 2005 and incorpo- rated into the Representative List of the Intangible Cultural Heritage of Humanity in 2008.
    [Show full text]
  • Silek Movement Analysis for Martial Arts Animators Using a Dance Studies Perspective Madia Patra Ismar | Pudentia MPSS
    Silek Movement Analysis for Martial Arts Animators Using a Dance Studies Perspective Madia Patra Ismar | Pudentia MPSS [email protected] Faculty of Performing Arts Institut Kesenian Jakarta, Universitas Indonesia [email protected] Literature Department, Faculty of Humanities, Universitas Indonesia Abstract This paper discusses Silat Minangkabau from the West Sumatran Oral Traditions self de- fence known as Silek, using movement analysis. This focus is to understand the characteristics of movement unique to traditional styles in the streams of silat schools called sasaran in the Minangkabau language. Applying movement analysis has an important role in understanding how the silat body moves in time and space. These researchers argue that using this approach will strengthen and hone the artistic skills and perspective of an animator interested in under- standing the movements when creating visuals based on martial arts. Further focus in this pa- per is to scrutinise the traditional Minangkabau self defence style known as the silek harimau. Although there are already creative works of animators on silat, movement analysis hones the precision of gazing upon the visual aspect of bodily movement in the context of emic views. Keywords: silek, oral traditions, Minangkabau, animators, movement analysis Introduction Animation as a global media industry, travels easily and the work is often shared across countries and even continents, but has less local context so that very young audiences may watch happily wherever the animation may originate. The range of companies involved include conglomerates such as Disney to small independent animation designers with only a PC and the latest software package ( Westcott.2011). Rayna Denison on Japanese anime argues that, creativity in anime have overlooked aspects and elements.
    [Show full text]
  • Mak Yong: the Ancient Malay Dance-Theatre
    MAK YONG: THE ANCIENT MALAY DANCE-THEATRE GHULAM-SARWAR YousoF M ak Y ong is an ancient Malay dance-theatre form incorporating the elements of ritual, stylized dance and acting, vocal and instru­ mental music, story, song, formal as well as improvised spoken text. It is principally performed in the two provinces of Patani in southern Thailand and Kelantan, Malaysia, on the east coast of the Malay peninsula. 1 To a lesser extent Mak Yong also flourishes in the Rhiau Islands of Indonesia. Two other places associated with Mak Y ong performances are Kedah on the west coast of the Malay peninsula and northern Sumatra, particularly Serdang, to which Malaysian troupes arc reputed to have once travelled and even for a duration estab­ lished Mak Yong under royal patronage::~ History Myths and legends still current in Kelantanese villages suppot1 a strong belief that Mak Yong, like many other theatre genres of the of the region, had divine origination or inspiration. The ancient Java­ nese deity, Semar and his son, Turas, are credited with being its first my1hical founders and performers. Other theories link Mak Yong with Mak Hiang, the spirit of the rice, semangat padi, identified with Dewi Sri, the Hindu-Javanese harvest goddess.3 Mak Yong is thus regarded as a celebration of nature and natural phenomena, an idea eloquently expressed in the lyrics of Lagu Menghadap Rebab, the dance with which all Mak Yong performances commence.4 Yet again, to give it an Islamic colouring, Mak Y ong is often­ times described as having derived directly from Adam (Nabi Adam), the primeval human progenitor, through a host of spirits and mythical 1 The exact status of Mak Yang in the Pat ani area is not yet clear as no research has been done in that area up to the present.
    [Show full text]
  • Intercultural Theatre Praxis: Traditional Malay Theatre Meets Shakespeare's the Tempest
    University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2017 Intercultural theatre praxis: traditional Malay theatre meets Shakespeare's The Tempest Norzizi Zulkafli University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Zulkafli, Norzizi, Intercultural theatre praxis: traditional Malay theatre meets Shakespeare's The Tempest, Doctor of Philosophy thesis, School of the Arts, English and Media, University of Wollongong, 2017.
    [Show full text]
  • Representative List of the Intangible Cultural Heritage Of
    RL cover [temp]:Layout 1 1/6/10 17:35 Page 2 2009 United Nations Intangible Educational, Scientific and Cultural Cultural Organization Heritage Representative List of the Intangible Cultural Heritage of Humanity RL cover [temp]:Layout 1 1/6/10 17:35 Page 5 Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 1 2009 Representative List of the Intangible Cultural Heritage of Humanity Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 2 © UNESCO/Michel Ravassard Foreword by Irina Bokova, Director-General of UNESCO UNESCO is proud to launch this much-awaited series of publications devoted to three key components of the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage: the List of Intangible Cultural Heritage in Need of Urgent Safeguarding, the Representative List of the Intangible Cultural Heritage of Humanity, and the Register of Good Safeguarding Practices. The publication of these first three books attests to the fact that the 2003 Convention has now reached the crucial operational phase. The successful implementation of this ground-breaking legal instrument remains one of UNESCO’s priority actions, and one to which I am firmly committed. In 2008, before my election as Director-General of UNESCO, I had the privilege of chairing one of the sessions of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, in Sofia, Bulgaria. This enriching experience reinforced my personal convictions regarding the significance of intangible cultural heritage, its fragility, and the urgent need to safeguard it for future generations. Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 3 It is most encouraging to note that since the adoption of the Convention in 2003, the term ‘intangible cultural heritage’ has become more familiar thanks largely to the efforts of UNESCO and its partners worldwide.
    [Show full text]
  • Mak Yong Music of Malaysia
    Mak Yong Music of Malaysia: Negotiating Complex Musical Content Within Periodicity Patricia Matusky, Cultural Centre, University of Malaya, Kuala Lumpur [email protected] © 2015 University of Malaya. All rights reserved. Malaysian Journal of Performing and Visual Arts, Volume 1, 2015 Abstract Over the past many centuries the dance theater known as the mak yong has been a major form of indigenous Malay theater that relates stories using formal and improvised monologue and dialogue, stylized dance and acting, and vocal as well as instrumental music. While written historical records about any aspect of the musical style prior to the late-19th century do not exist, the musical features of the mak yong since the early to mid-20th century are evident to us today through remembered and live performances by mak yong artists who are still active in the 21st century. This article explores the musical style of the mak yong, dating from the early 20th century to current times, noting the musical features of periodic formal structures, resultant rhythms and a complex melodic content that bind this genre to aspects of an ancient Southeast Asian musical style as well as to influences from Middle Eastern music- culture. Keywords: mak yong, makyung, periodicity, Malay traditional theatre, Malay traditional music, melodic ornamentation, interlocking performance style, rebab, Southeast Asian theatre Introduction In the ancient dance drama known as mak yong, originating among the Malay people in the region of northeast Malaysia (Kelantan) and southern Thailand
    [Show full text]
  • Artykuły Karnawał W Perspektywie Listy Niematerialnego Dziedzictwa
    Turystyka Kulturowa, www.turystykakulturowa.org Nr 2/2010 (luty 2010) Artykuły Andrzej Bełkot, Paulina Ratkowska Karnawał w perspektywie Listy Niematerialnego Dziedzictwa Kulturowego UNESCO Słowa klucze: prawem chronione dziedzictwo kulturowe, karnawał, turystyka prawem chronionego dziedzictwa kulturowego, turystyka eventowa Streszczenie: W niniejszym artykule chcielibyśmy zaprezentować różne formy i aktywności prawem chronionego niematerialnego dziedzictwa kulturowego, ze szczególnym uwzględnieniem karnawału. Na Liście Światowego Dziedzictwa Niematerialnego UNESCO znajduje się obecnie ponad 160 różnych aktywności, a wśród nich zaledwie 3 karnawały. Co ciekawe, nie są to te najbardziej znane i najlepiej prosperujące na rynku atrakcji turystycznych. W artykule postaramy się odpowiedzieć na dwa pytania - dlaczego tak mało karnawałów jest chronionych? A także dlaczego, mimo ochrony, karnawały w Binche, Oruro oraz Barranquilla nie są tak często wybierane przez turystów, jak imprezy w Wenecji czy Rio de Janeiro? Całość artykułu wieńczą rozważania, jaką formą turystyki kulturowej jest wyjazd na karnawał - czy jest to turystyka eventowa? Czy może raczej turystyka prawem chronionego dziedzictwa kulturowego? Wstęp Turystyka kulturowa jak najpełniej czerpie z zasobów dziedzictwa kulturowego, przede wszystkim nieożywionego, ale także, coraz częściej - ożywionego. W programach standardowych wycieczek objazdowych, jak również wśród wycieczek fakultatywnych oraz wyjazdów organizowanych na specjalne zamówienie klienta coraz większą rolę odgrywają wyprawy
    [Show full text]
  • Representative List of the Intangible Cultural Heritage of Humanity As Heritage Fund
    ElemeNts iNsCriBed iN 2012 oN the UrGeNt saFeguarding List, the represeNtatiVe List iNTANGiBLe CULtURAL HERITAGe aNd the reGister oF Best saFeguarding praCtiCes What is it? UNESCo’s ROLe iNTANGiBLe CULtURAL SECRETARIAT Intangible cultural heritage includes practices, representations, Since its adoption by the 32nd session of the General Conference in HERITAGe FUNd oF THE CoNVeNTION expressions, knowledge and know-how that communities recognize 2003, the Convention for the Safeguarding of the Intangible Cultural The Fund for the Safeguarding of the The List of elements of intangible cultural as part of their cultural heritage. Passed down from generation to Heritage has experienced an extremely rapid ratification, with over Intangible Cultural Heritage can contribute heritage is updated every year by the generation, it is constantly recreated by communities in response to 150 States Parties in the less than 10 years of its existence. In line with financially and technically to State Intangible Cultural Heritage Section. their environment, their interaction with nature and their history, the Convention’s primary objective – to safeguard intangible cultural safeguarding measures. If you would like If you would like to receive more information to participate, please send a contribution. about the 2003 Convention for the providing them with a sense of identity and continuity. heritage – the UNESCO Secretariat has devised a global capacity- Safeguarding of the Intangible Cultural building strategy that helps states worldwide, first, to create
    [Show full text]
  • 2005 Program + Abstracts
    PROGRAM AND ABSTRACTS 51st Annual Meeting MIDWEST Archaeological Conference __________________________________________________________________________________ October 20-23, 2005 Dayton, Ohio Sponsored by Wright State University -and- Dayton Society of Natural History Midwest Archaeological Conference, Inc. Executive Committee President: Lynne G. Goldstein, Michigan State University President-Elect: Bonnie W. Styles, Illinois State Museum Treasurer: Robert J. Jeske, University of Wisconsin-Milwaukee Treasurer-Elect: Timothy Baumann, University of Missouri-St. Louis Secretary: Susan Martin, Michigan Technological University Executive Officer: George R. Milner, Pennsylvania State University Executive Officer: Mark F. Seeman, Kent State University MCJA Editor: William A. Lovis, Michigan State University MCJA Editor-Elect: Janet G. Brashler, Grand Valley State University Conference Organizing Committee Robert Riordan, Wright State University Lynn Simonelli, Dayton Society of Natural History William Kennedy, Dayton Society of Natural History Special thanks to Grant Knight and the staff of the Crowne Plaza Hotel Susan Schultheis Jamie Kelly And banquet sponsor: Gray and Pape, Inc. 2005 Midwest Archaeological Conference 1 Crowne Plaza Hotel, Second Floor Cover Illustration This year’s conference logo (and t-shirt logo) was designed by Bill Patterson of Patterson Graphics, Dayton, Ohio. The logos incorporate photographs of artifacts from the collection of the Dayton Society of Natural History and line drawings made by Mr. Patterson of a structure at SunWatch Indian Village/Archaeological Park and of the “Wolf-Man” pipe recovered from that site. The Dayton Society of Natural History curates the collection from SunWatch and from many other prehistoric sites in southwest Ohio. The DSNH was responsible for the excavation of SunWatch and continues to manage the site in its mission to promote knowledge about the prehistoric inhabitants of the region.
    [Show full text]