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Wallace Stevens, New York, and Modernism T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd i 44/26/2012/26/2012 11:55:24:55:24 PPMM Routledge Studies in Twentieth-Century Literature 1 Testimony from the Nazi Camps 10. Before Auschwitz French Women’s Voices Irène Némirovsky and the Cultural Margaret-Anne Hutton Landscape of Inter-war France Angela Kershaw 2 Modern Confessional Writing New Critical Essays 11 Travel and Drugs in Twentieth- Edited by Jo Gill Century Literature Lindsey Michael Banco 3 Cold War Literature Writing the Global Confl ict 12 Diary Poetics Andrew Hammond Form and Style in Writers’ Diaries, 1915-1962 4 Modernism and the Crisis of Anna Jackson Sovereignty Andrew John Miller 13 Gender, Ireland and Cultural Change 5 Cartographic Strategies of Race, Sex and Nation Postmodernity Gerardine Meaney The Figure of the Map in Contemporary Theory and Fiction 14 Jewishness and Masculinity Peta Mitchell from the Modern to the Postmodern 6 Food, Poetry, and the Aesthetics Neil R. Davison of Consumption Eating the Avant-Garde 15 Travel and Modernist Literature Michel Delville Sacred and Ethical Journeys Alexandra Peat 7 Latin American Writers and the Rise of Hollywood Cinema 16 Primo Levi’s Narratives of Jason Borge Embodiment Containing the Human 8 Gay Male Fiction Since Charlotte Ross Stonewall Ideology, Confl ict, and Aesthetics 17 Italo Calvino’s Architecture of Les Brookes Lightness The Utopian Imagination in an 9 Anglophone Jewish Literature Age of Urban Crisis Axel Stähler Letizia Modena T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd iiii 44/26/2012/26/2012 11:55:29:55:29 PPMM 18 Aesthetic Pleasure in Twentieth- Century Women’s Food Writing The Innovative Appetites of M.F.K. Fisher, Alice B. Toklas, and Elizabeth David Alice L. McLean 19 Making Space in the Works of James Joyce Edited by Valérie Bénéjam and John Bishop 20 Critical Approaches to American Working-Class Literature Edited by Michelle M. Tokarczyk 21 Salman Rushdie and Visual Culture Celebrating Impurity, Disrupting Borders Edited by Ana Cristina Mendes 22 Global Cold War Literature Western, Eastern and Postcolonial Perspectives Edited by Andrew Hammond 23 Exploring Magic Realism in Salman Rushdie’s Fiction Ursula Kluwick 24 Wallace Stevens, New York, and Modernism Edited by Lisa Goldfarb and Bart Eeckhout T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd iiiiii 44/26/2012/26/2012 11:55:29:55:29 PPMM T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd iivv 44/26/2012/26/2012 11:55:29:55:29 PPMM Wallace Stevens, New York, and Modernism Edited by Lisa Goldfarb and Bart Eeckhout NEW YORK LONDON T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd v 44/26/2012/26/2012 11:55:29:55:29 PPMM First published 2012 by Routledge 711 Third Avenue, New York, NY 10017 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2012 Taylor & Francis The right of the editor to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. From THE COLLECTED POEMS OF WALLACE STEVENS by Wallace Stevens, copyright 1954 by Wallace Stevens and renewed 1982 by Holly Stevens. Used by permission of Alfred A. Knopf, a division of Random House, Inc. From LETTERS OF WALLACE STEVENS by Wallace Stevens, edited by Holly Stevens, copyright © 1966 by Holly Stevens. Used by permission of Alfred A. Knopf, a division of Random House, Inc. From THE NECESSARY ANGEL by Wallace Stevens, copyright 1951 by Wallace Stevens, copyright renewed 1979 by Holly Stevens. Used by permission of Alfred A. Knopf, a division of Random House, Inc. From OPUS POSTHUMOUS by Wallace Stevens, edited by Milton J. Bates, copyright © 1989 by Holly Stevens. Copyright (c) 1957 by Elsie Stevens and Holly Stevens. Copyright renewed 1985 by Holly Stevens. Used by permission of Vintage Books, a division of Random House, Inc. From PARTS OF A WORLD: WALLACE STEVENS REMEMBERED by Peter Brazeau, copyright © 1977, 1980, 1983 by Peter Brazeau. Used by permission of Alfred A. Knopf, a division of Random House, Inc. From SOUVENIRS AND PROPHECIES by Holly Stevens, copyright © 1966, 1976 by Holly Stevens. Used by permission of Alfred A. Knopf, a division of Random House, Inc. Material from J. Donald Blount’s The Contemplated Spouse: The Letters of Wallace Stevens to Elsie (2006) is reprinted with kind permission of the University of South Carolina Press. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd vvii 44/26/2012/26/2012 11:55:29:55:29 PPMM Library of Congress Cataloging-in-Publication Data A catalog record has been requested for this book. ISBN: 978-0-415-89910-9 (hbk) ISBN: 978-0-203-12193-1 (ebk) Typeset in Sabon by IBT Global. Printed and bound in the United States of America on sustainably sourced paper by IBT Global. T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd vviiii 44/26/2012/26/2012 11:55:29:55:29 PPMM T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd vviiiiii 44/26/2012/26/2012 11:55:30:55:30 PPMM Contents List of Illustrations xi List of Abbreviations xiii Acknowledgments xv Introduction: Back at the Waldorf? 1 LISA GOLDFARB AND BART EECKHOUT 1 Stevens and New York: The Long Gestation 21 GEORGE S. LENSING 2 “My Head Full of Strange Pictures”: Stevens in the New York Galleries 37 BONNIE COSTELLO 3 “The Whispering of Innumerable Responsive Spirits”: Stevens’ New York Music 54 LISA GOLDFARB 4 Stevens Dancing: “Something Light, Winged, Holy” 71 BARBARA M. FISHER 5 The Invisible Skyscraper: Stevens and Urban Architecture 85 BART EECKHOUT 6 On Stevensian Transitoriness 105 AXEL NESME T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd iixx 44/26/2012/26/2012 11:55:30:55:30 PPMM x Contents 1 7 Stevens and Henry James: The New York Connection 121 2 GLEN MACLEOD 3 4 5 8 “Unless New York Is Cocos”: 6 Stevens, New York, and the Discourse of Disappointment 133 7 JULIETTE UTARD 8 9 9 Bourgeois Abstraction: Gastronomy, Painting, Poetry, 10 and the Allure of New York in Early to Late Stevens 144 11 12 EDWARD RAGG 13 14 Coda: Wallace Stevens of the New York School 163 15 ALAN FILREIS 16 17 18 Contributors 171 19 Index 175 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd x 44/26/2012/26/2012 11:55:30:55:30 PPMM Illustrations 2.1 Charles Demuth, Homage to Wallace Stevens, 1925–1926. 39 2.2 Walter Pach, Hotel Shelton, 1924. 40 2.3 Christopher Shearer, The Great Storm, 1905. 42 2.4 Claude Lorrain, View of La Crescenza, 1648–1650. 43 2.5 Adolph A. Weinman, The Rising Sun, 1914. 45 2.6 Joaquin Sorolla y Bastida, Mending the Sail, 1896. 48 2.7 Rembrandt van Rijn, Rembrandt and Saskia in the Scene of the Prodigal Son in the Tavern, c.1635. 50 2.8 Giovanni Battista Piranesi, View of the Piazza del Popolo, c.1750. 52 T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd xxii 44/26/2012/26/2012 11:55:30:55:30 PPMM T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd xxiiii 44/26/2012/26/2012 11:55:30:55:30 PPMM Abbreviations The following abbreviations for the works of Wallace Stevens are used throughout. As a rule, references to poems and prose are keyed to the Library of America edition of the Collected Poetry and Prose, edited by Frank Kermode and Joan Richardson (abbreviated as CPP). References to earlier editions appear only sparingly for text-intrinsic reasons. Page refer- ences are provided for individual poems only where words from the text are cited or the text is discussed in some detail. CPP Wallace Stevens: Collected Poetry and Prose. Ed. Frank Kermode and Joan Richardson. New York: Library of America, 1997. CS The Contemplated Spouse: The Letters of Wallace Stevens to Elsie. Ed. J. Donald Blount. Columbia: University of South Carolina Press, 2006. L Letters of Wallace Stevens. Ed. Holly Stevens. New York: Knopf, 1966; rpt. Berkeley: University of California Press, 1996. OP Opus Posthumous. Revised edition. Ed. Milton J. Bates. New York: Knopf, 1989. SP Holly Stevens, Souvenirs and Prophecies: The Young Wallace Ste- vens. New York: Knopf, 1977. T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd xxiiiiii 44/26/2012/26/2012 11:55:30:55:30 PPMM T&F Proofs: Not For Distribution GGoldfarboldfarb & EEeckhouteckhout 22ndnd ppages.inddages.indd xxiviv 44/26/2012/26/2012 11:55:30:55:30 PPMM Acknowledgments It was in a small Greenwich Village haunt some years ago that we fi rst discussed the idea of mounting a Wallace Stevens conference in New York City.